Forests, Fields, and the Edge of Sustainability at the Ancient Maya City of Tikal
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2 The Ceramics of Tikal T. Patrick Culbert More than 40 years of archaeological research at Tikal have pro- duced an enormous quantity of ceramics that have been studied by a variety of investigators (Coggins 1975; Culbert 1963, 1973, 1977, 1979, 1993; Fry 1969, 1979; Fry and Cox 1974; Hermes 1984a; Iglesias 1987, 1988; Laporte and Fialko 1987, 1993; Laporte et al. 1992; Laporte and Iglesias 1992; Laporte, this volume). It could be argued that the ceram- ics of Tikal are better known than those from any other Maya site. The contexts represented by the ceramic collections are extremely varied, as are the formation processes to which they were subjected both in Maya times and since the site was abandoned. This chapter will report primarily on the ceramics recovered by the University of Pennsylvania Tikal Project between 1956 and 1970. The information available from this analysis has been significantly clar- ified and expanded by later research, especially that of the Proyecto Nacional Tikal (Hermes 1984a; Iglesias 1987, 1988; Laporte and Fialko 1987, 1993; Laporte et al. 1992; Laporte and Iglesias 1992; Laporte, this volume). I will make reference to some of the results of these later stud- ies but will not attempt an overall synthesis—something that must await Copyrighted Material www.sarpress.org 47 T. PATRICK C ULBERT a full-scale conference involving all of those who have worked with Tikal ceramics. Primary goals of my analysis of Tikal ceramics were to develop a ceramic sequence and to provide chronological information for researchers. Although a ceramic sequence was already available from the neighboring site of Uaxactun (R. -
CURRICULUM VITAE Takeshi Inomata Address Positions
Inomata, Takeshi - page 1 CURRICULUM VITAE Takeshi Inomata Address School of Anthropology, University of Arizona 1009 E. South Campus Drive, Tucson, AZ 85721-0030 Phone: (520) 621-2961 Fax: (520) 621-2088 E-mail: [email protected] Positions Professor in Anthropology University of Arizona (2009-) Agnese Nelms Haury Chair in Environment and Social Justice University of Arizona (2014-2019) (Selected as one of the four chairs university-wide, that were created with a major donation). Associate Professor in Anthropology University of Arizona (2002-2009) Assistant Professor in Anthropology University of Arizona (2000-2002) Assistant Professor in Anthropology Yale University (1995-2000) Education Ph.D. Anthropology, Vanderbilt University (1995). Dissertation: Archaeological Investigations at the Fortified Center of Aguateca, El Petén, Guatemala: Implications for the Study of the Classic Maya Collapse. M.A. Cultural Anthropology, University of Tokyo (1988). Thesis: Spatial Analysis of Late Classic Maya Society: A Case Study of La Entrada, Honduras. B.A. Archaeology, University of Tokyo (1986). Thesis: Prehispanic Settlement Patterns in the La Entrada region, Departments of Copán and Santa Bárbara, Honduras (in Japanese). Major Fields of Interest Archaeology of Mesoamerica (particularly Maya) Politics and ideology, human-environment interaction, household archaeology, architectural analysis, performance, settlement and landscape, subsistence, warfare, social effects of climate change, LiDAR and remote sensing, ceramic studies, radiocarbon dating, and Bayesian analysis. Inomata, Takeshi - page 2 Extramural Grants - National Science Foundation, research grant, “Preceramic to Preclassic Transition in the Maya Lowlands: 1100 BC Burials from Ceibal, Guatemala,” (Takeshi Inomata, PI; Daniela Triadan, Co-PI, BCS-1950988) $298,098 (2020/6/3-8/31/2024). -
Ancient Maya Afterlife Iconography: Traveling Between Worlds
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2006 Ancient Maya Afterlife Iconography: Traveling Between Worlds Mosley Dianna Wilson University of Central Florida Part of the Anthropology Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Wilson, Mosley Dianna, "Ancient Maya Afterlife Iconography: Traveling Between Worlds" (2006). Electronic Theses and Dissertations, 2004-2019. 853. https://stars.library.ucf.edu/etd/853 ANCIENT MAYA AFTERLIFE ICONOGRAPHY: TRAVELING BETWEEN WORLDS by DIANNA WILSON MOSLEY B.A. University of Central Florida, 2000 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Liberal Studies in the College of Graduate Studies at the University of Central Florida Orlando, Florida Summer Term 2006 i ABSTRACT The ancient Maya afterlife is a rich and voluminous topic. Unfortunately, much of the material currently utilized for interpretations about the ancient Maya comes from publications written after contact by the Spanish or from artifacts with no context, likely looted items. Both sources of information can be problematic and can skew interpretations. Cosmological tales documented after the Spanish invasion show evidence of the religious conversion that was underway. Noncontextual artifacts are often altered in order to make them more marketable. An example of an iconographic theme that is incorporated into the surviving media of the ancient Maya, but that is not mentioned in ethnographically-recorded myths or represented in the iconography from most noncontextual objects, are the “travelers”: a group of gods, humans, and animals who occupy a unique niche in the ancient Maya cosmology. -
With the Protection of the Gods: an Interpretation of the Protector Figure in Classic Maya Iconography
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2012 With The Protection Of The Gods: An Interpretation Of The Protector Figure In Classic Maya Iconography Tiffany M. Lindley University of Central Florida Part of the Anthropology Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Lindley, Tiffany M., "With The Protection Of The Gods: An Interpretation Of The Protector Figure In Classic Maya Iconography" (2012). Electronic Theses and Dissertations, 2004-2019. 2148. https://stars.library.ucf.edu/etd/2148 WITH THE PROTECTION OF THE GODS: AN INTERPRETATION OF THE PROTECTOR FIGURE IN CLASSIC MAYA ICONOGRAPHY by TIFFANY M. LINDLEY B.A. University of Alabama, 2009 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Anthropology in the College of Sciences at the University of Central Florida Orlando, Florida Spring Term 2012 © 2012 Tiffany M. Lindley ii ABSTRACT Iconography encapsulates the cultural knowledge of a civilization. The ancient Maya of Mesoamerica utilized iconography to express ideological beliefs, as well as political events and histories. An ideology heavily based on the presence of an Otherworld is visible in elaborate Maya iconography. Motifs and themes can be manipulated to convey different meanings based on context. -
Universidad De San Carlos De Guatemala Escuela De Historia Carrera De Arqueología
UNIVERSIDAD DE SAN CARLOS DE GUATEMALA ESCUELA DE HISTORIA CARRERA DE ARQUEOLOGÍA “Hunahpu, un complejo conmemorativo del Preclásico Medio del sitio arqueológico San Bartolo, Flores, Petén” BORIS FERNANDO BELTRÁN MORÁN Nueva Guatemala de la Asunción, Guatemala, C.A. Septiembre de 2015 UNIVERSIDAD DE SAN CARLOS DE GUATEMALA ESCUELA DE HISTORIA CARRERA DE ARQUEOLOGÍA “Hunahpu, un complejo conmemorativo del Preclásico Medio del sitio arqueológico San Bartolo, Flores, Petén” T E S I S Presentada por: BORIS FERNANDO BELTRÁN MORÁN Previo a conferírsele el título de ARQUEÓLOGO En el grado académico de: LICENCIADO Nueva Guatemala de la Asunción, Guatemala, C.A. Septiembre de 2015 UNIVERSIDAD DE SAN CARLOS DE GUATEMALA ESCUELA DE HISTORIA AUTORIDADES UNIVERSITARIAS RECTOR: Dr. Carlos Guillermo Alvarado Cerezo SECRETARIO: Dr. Carlos Camey AUTORIDADES DE LA ESCUELA DE HISTORIA DIRECTOR: Dra. Artemis Torres Valenzuela SECRETARIO: Licda. Olga Pérez CONSEJO DIRECTIVO DIRECTOR: Dra. Artemis Torres Valenzuela SECRETARIO: Licda. Olga Pérez VOCAL I: Dra. Tania Sagastume VOCAL II: Licda. María Laura Jiménez Chacón VOCAL III: Licda. Zoila Rodríguez Girón VOCAL IV: Amalia Judith Tzunux Sanic VOCAL V: Byron Anderson Chivalán ASESORA DE TESIS Licda. Mónica Claudina Urquizú Sánchez COMITÉ DE TESIS Dr. Héctor Escobedo Lic. Héctor Mejía “Los autores serán responsables de las opiniones o criterios expresados en su obra”. Capítulo V, Arto. 11 del Reglamento del Consejo Editorial de la Universidad de San Carlos de Guatemala. Dedicatoria A mis Padres Fernando Beltrán y Reginalda Morán (+) por guiarme en la vida, enseñarme a dar sin esperar recibir, de hacer cosas buenas porque a la postre vendrán cosas buenas y a disfrutar de lo maravilloso que es compartir la vida sin importar la situación. -
2006 “Agricultural Intensification, Water, and Political Power in The
AGRICULTURAL INTENSIFICATION, WATER, AND POLITICAL POWER IN THE SOUTHERN MAYA LOWLANDS LISA J. LUCERO ncient tropical societies, such as the Maya, are often relegated to the Aunknown or mysterious or, worse yet, are seen as a result of outside influ- ences because of the traditional bias in anthropology of largely focusing on civilizations in temperate areas. Wittfogel, for example, in his classic Oriental Despotism (1957), argued that complex societies are underwritten by an agri- cultural base supported by irrigation. Because the Maya are not known to have built large-scale irrigation systems, he claimed that the Maya were a “marginal agrarian” (Wittfogel 1957:182) despotic society since the karstic topography of the Maya lowlands is “unsuitable for irrigation agriculture” (Wittfogel 1957:184). In another classic piece, Meggers (1954) presented a model of envi- ronmental determinism in which she categorized tropical zones as not suitable to support civilizations because of poor agricultural soils. Meggers based this assumption on her studies in the Amazon jungle, where many areas of tropical forests are poorly suited for intensive agriculture (though recent scholarship indicates otherwise; see Erickson 2003). Consequently, Maya civilization arose as the result of outside influences and “did not last” but witnessed “700 years of decline” (Meggers 1954:819) because conditions were not suitable to support a complex society. As recently as 1998, Meggers was still “struck by the seeming contradiction between the complexity of Maya culture and the relatively low agricultural potential of their environment” (Meggers 1998: xii). In fact, the southern Maya lowlands have a high percentage of mollisols, which are “considered by agronomists to be among the world’s most important, naturally productive soils, with yields unsurpassed by other unirrigated areas” (Fedick 1988:106). -
CATALOG Mayan Stelaes
CATALOG Mayan Stelaes Palos Mayan Collection 1 Table of Contents Aguateca 4 Ceibal 13 Dos Pilas 20 El Baúl 23 Itsimite 27 Ixlu 29 Ixtutz 31 Jimbal 33 Kaminaljuyu 35 La Amelia 37 Piedras Negras 39 Polol 41 Quirigia 43 Tikal 45 Yaxha 56 Mayan Fragments 58 Rubbings 62 Small Sculptures 65 2 About Palos Mayan Collection The Palos Mayan Collection includes 90 reproductions of pre-Columbian stone carvings originally created by the Mayan and Pipil people traced back to 879 A.D. The Palos Mayan Collection sculptures are created by master sculptor Manuel Palos from scholar Joan W. Patten’s casts and rubbings of the original artifacts in Guatemala. Patten received official permission from the Guatemalan government to create casts and rubbings of original Mayan carvings and bequeathed her replicas to collaborator Manuel Palos. Some of the originals stelae were later stolen or destroyed, leaving Patten’s castings and rubbings as their only remaining record. These fine art-quality Maya Stelae reproductions are available for purchase by museums, universities, and private collectors through Palos Studio. You are invited to book a virtual tour or an in- person tour through [email protected] 3 Aguateca Aguateca is in the southwestern part of the Department of the Peten, Guatemala, about 15 kilometers south of the village of Sayaxche, on a ridge on the western side of Late Petexbatun. AGUATECA STELA 1 (50”x85”) A.D. 741 - Late Classic Presumed to be a ruler of Aguatecas, his head is turned in an expression of innate authority, personifying the rank implied by the symbols adorning his costume. -
The Terminal Classic Period at Ceibal and in the Maya Lowlands
THE TERMINAL CLASSIC PERIOD AT CEIBAL AND IN THE MAYA LOWLANDS Takeshi Inomata and Daniela Triadan University of Arizona Ceibal is well known for the pioneering investigations conducted by Harvard University in the 1960s (Sabloff 1975; Smith 1982; Tourtellot 1988; Willey 1990). Since then, Ceibal has been considered to be a key site in the study of the Classic Maya collapse (Sabloff 1973a, 1973b; Sabloff and Willey 1967). The results of this project led scholars to hypothesize the following: 1) Ceibal survived substantially longer than other centers through the period of the Maya collapse; and 2) the new styles of monuments and new types of ceramics resulted from foreign invasions, which contributed to the Maya collapse. In 2005 we decided to revisit this important site to re-examine these questions in the light of recent developments in Maya archaeology and epigraphy. The results of the new research help us to shape a more refined understanding of the political process during the Terminal Classic period. The important points that we would like to emphasize in this paper are: 1) Ceibal did not simply survive through this turbulent period, but it also experienced political disruptions like many other centers; 2) this period of political disruptions was followed by a revival of Ceibal; and 3) our data support the more recent view that there were no foreign invasions; instead the residents of Ceibal were reorganizing and expanding their inter-regional networks of interaction. Ceibal is located on the Pasión River, and a comparison with the nearby Petexbatun centers, including Dos Pilas and Aguateca, is suggestive. -
Architecture at San Bartolo, El Peten, Guatemala: Object and Subject
Originalni nauni rad UDK: 72.031.2(=821.173)(728.1) 1 Sanja Savki& Belgrade, Serbia ARCHITECTURE AT SAN BARTOLO, EL PETEN, GUATEMALA: OBJECT AND SUBJECT Abstract: Certain ancient Maya architectural patterns had multiple meanings and symbolic functions. They were designed not simply as static monuments to demon- strate the power of their patrons, but as places for the performance of transcendent events that linked those rulers to their constituencies – ancestors and gods likewise. Moreover, when ritually activated, they could acquire existential status, by providing the object with agency, meaning, and its own point of view, thus annulling the su- bject-object dichotomy, which is in accordance with the magical-mythic beliefs of their makers. At San Bartolo, located in the north-east of the Guatemalan state El Pe- ten, around the year 100 BC there was an architectural complex that incarnated some Maya ideas regarding the universe, its cosmogony, and the role of the human beings. Key words: San Bartolo, Maya architecture, existential status of images, mountain- cave complex, quatrefoil motif. The objective of this paper2 is to substantiate that the sixth architectural pha- se3 (of eight in total) of Las Pinturas Pyramid4 or Structure 1 (ca. 100 BC) at San Bartolo, located in Guatemalan state of El Peten, can be interpreted as a co- smogram which displays the ancient Maya conceptualization of space materiali- zed in a particular architectural pattern. This cosmogram refers to the spatial or- dering of the universe in three levels (as seen vertically), perceived as the under- world, the Earth’s surface, and the upper or celestial world. -
Maya Use and Prevalence of the Atlatl: Projectile Point Classification Function Analysis from Chichen Itza, Tikal, and Caracol
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2012 Maya Use And Prevalence Of The Atlatl: Projectile Point Classification unctionF Analysis From Chichen Itza, Tikal, And Caracol Andrew J. Ciofalo University of Central Florida Part of the Anthropology Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Ciofalo, Andrew J., "Maya Use And Prevalence Of The Atlatl: Projectile Point Classification unctionF Analysis From Chichen Itza, Tikal, And Caracol" (2012). Electronic Theses and Dissertations, 2004-2019. 2111. https://stars.library.ucf.edu/etd/2111 MAYA USE AND PREVALENCE OF THE ATLATL: PROJECTILE POINT CLASSIFICATION FUNCTION ANALYSIS FROM CHICHÉN ITZÁ, TIKAL, AND CARACOL by ANDREW J. CIOFALO B.A. University of Massachusetts, 2007 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Anthropology in the College of Sciences at the University of Central Florida Orlando, Florida Spring Term 2012 © 2012 Andrew Joseph Ciofalo ii ABSTRACT Multiple scholars have briefly discussed the Maya use of the atlatl. Yet, there has never been a decisive encompassing discussion of prevalence and use of the atlatl in the Maya region with multiple lines of support from iconographic and artifactual analyses. This thesis explores the atlatl at Chichén Itzá, Tikal, and Caracol Maya sites to prove that atlatl prevalence can be interpreted primarily based on projectile point “classification function” analysis with support from iconographic and artifactual remains. -
Installments 1-10
ThePARIJournal A quarterly publication of the Pre-Columbian Art Research Institute Volume XIII, No. IV, Summer 2013 The Further Adventures of Merle1 MERLE GREENE ROBERTSON In This Issue: The Further Adventures of Merle by Merle Greene Robertson PAGES 1-7 • A Late Preclassic Distance Number by Mario Giron-Ábrego PAGES 8-12 Joel Skidmore Editor [email protected] Marc Zender Associate Editor [email protected] Figure 1. On the Usumacinta River on the way to Yaxchilan, 1965. The PARI Journal 202 Edgewood Avenue “No! You can’t go into the unknown wilds birds, all letting each other know where San Francisco, CA 94117 of Alaska!” That statement from my moth- they are. Evening comes early—dark by 415-664-8889 [email protected] er nearly 70 years ago is what changed my four o’clock. Colors are lost in pools of life forever. I went to Mexico instead, at darkness. Now the owls are out lording it Electronic version that time almost as unknown to us in the over the night, lucky when you see one. available at: U.S. as Alaska. And then later came the But we didn’t wait for nightfall to www.mesoweb.com/ pari/journal/1304 jungle, the jungle of the unknown that I pitch our camp. Champas made for our loved, no trails, just follow the gorgeous cooking, champas for my helpers, and a guacamayos in their brilliant red, yellow, ISSN 1531-5398 and blue plumage, who let you know where they are before you see them, by 1 Editor’s note: This memoir—left untitled by their constant mocking “clop, clop, clop.” the author—was completed in 2010, in Merle’s 97th Mahogany trees so tall you wonder if, year. -
A Study of Two Maya Tenons from Corozal
A Study of two Maya Tenons from Corozal By Ben Ward Anthropology 281 (Seeds of Divinity), Spring 2019 This paper concerns two Maya tenons that reside in the Williams College Museum of Art (WCMA). One, with accession number 1870.1.1 shows an anthropomorphic face with a peaked headdress, while the other, 1870.1.2., sports a zoomorphic face with humanoid head emerging from its jaws. These two sculptures were collected by Williams students during a trip to Honduras and Belize in 1870-1871, sponsored by the Williams Lyceum. Beyond this, very little is known about these sculptures due to the same reason that they are in the museum’s possession. While these students were in Central America two of the students went on a short trip to the small agricultural town of Corozal where they acQuired these two stone tenons and brought them back to Williams College. The detail we are given on the acQuisition of these pieces is both frustratingly vague and very telling for the times: Among the collections from Corozal were two stone heads, or images, exhumed near that town. They exhibit great antiQuity, and are evidently of the same origin as the sculptures found amid the ruins of the ancient temples and cities scattered throughout Central America, and are viewed with such intense interest by all travelers to this seat of fallen civilization.1 The only real useful information we get from this passage is that these tenons come from a Maya site near the town of Corozal.2 There seems to have been no interest in the sculptures’ true origin point and it is not even stated whether these statues were bought in Corozal or taken by these students directly from a site.