The Delius Society Journal Spring 2010, Number 147
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ARSC Journal
A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers. -
Literary Miscellany
Literary Miscellany Including Recent Acquisitions. Catalogue 286 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.reeseco.com TERMS Material herein is offered subject to prior sale. All items are as described, but are consid- ered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering and a Fax machine for receipt of orders or messages. Catalogue orders should be e-mailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inven- tory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment. Institutional billing requirements may, as always, be accommodated upon request. -
Sir Mark Elder Leads CSO in Exploration of Literature's Influence
ChicagoPride.com News December 13, 2011 Sir Mark Elder leads CSO in exploration of literature's influence on music By GoPride.com News Staff December 13, 2011 https://chicago.gopride.com/news/article.cfm/articleid/24335776 CST actors also to perform scenes from selected plays, January 5-10, and 12-15 CHICAGO, IL -- British conductor Sir Mark Elder makes his return to Orchestra Hall for a two-week residency that explores the influence of Shakespeare and other works of literature on music and features actors from Chicago Shakespeare Theater (CST), under the direction of CST Artistic Director Barbara Gaines, bringing the Bard's words to life. Sir Mark Elder's first subscription week of concerts on January 5-10, is an all-Berlioz program, highlighted by the Queen Mab Scherzo and Romeo at the Tomb from the composer's Romeo and Juliet. Select readings from Shakespeare's Romeo and Juliet, performed by Brendan Marshall-Rashid and Susan Strunk from the Chicago Shakespeare Theater, precede these two works. British violist Lawrence Power also makes his CSO debut on these concerts and is featured in Berlioz's Harold in Italy, a work Paganini encouraged Berlioz to compose and was inspired by Lord Byron's poetry. Elder concludes his two-week winter residency January 12-15, with a further exploration into Shakespeare's influence on music through works by Delius, Elgar, Rimsky-Korsakov and Tchaikovsky. Included on the program is Elgar's rarely performed orchestral work Falstaff, which portrays Shakespeare's Sir John Falstaff from Henry IV. Actor Greg Vinkler brings to life passages from Henry IV Parts 1 and 2. -
The Late Summer Newsletter
AUGUST 2020 Issue No: 17 Welcome to the late summer newsletter. AGM and the musical phrasing stand out, always with clear thought for the meaning. Furthermore, the perfect Please note that the AGM has been postponed to December velvety colouring of their basses, with no forcing of the 2020 – date/venue to follow in the next newsletter. As the Holst th lower register whatsoever, eases the tuning and Birthplace Trust annual concert scheduled for 19 September harmonic construction of the ensemble. Preece proves 2020 has been cancelled, so too must our AGM pencilled in for that Holst is more than The Planets. that afternoon. Hopefully, if concerts resume in the next three months, we could have our AGM in the afternoon of a Saturday Jerónimo Marin before Christmas with a concert in Cheltenham that evening. HOLST/ VAUGHAN WILLIAMS/ WALT WHITMAN SAVITRI Holst, Vaughan Williams and the poetry of Walt Holst’s one-act opera will be performed in the gardens of Whitman Lauderdale House, Highgate, London, with two performances each evening on August 13th, 15th, 20th and 22nd. The The poems of Walt Whitman, and in particular his production given by Hampstead Garden Opera will be staged Leaves of Grass, first published in 1855, soon inspired by Julia Mintzer and conducted by Thomas Payne (please visit new generations of English composers. These website at https://hgo.org.uk/savitri/ for further detail). included Ralph Vaughan Williams and Gustav von Holst. Vaughan Williams was introduced to Whitman’s PART SONGS BY HOLST poetry by Bertrand Russell in 1892, the year of the poet’s death. -
View List (.Pdf)
Symphony Society of New York Stadium Concert United States Premieres New York Philharmonic Commission as of November 30, 2020 NY PHIL Biennial Members of / musicians from the New York Philharmonic Click to jump to decade 1842-49 | 1850-59 | 1860-69 | 1870-79 | 1880-89 | 1890-99 | 1900-09 | 1910-19 | 1920-29 | 1930-39 1940-49 | 1950-59 | 1960-69 | 1970-79 | 1980-89 | 1990-99 | 2000-09 | 2010-19 | 2020 Composer Work Date Conductor 1842 – 1849 Beethoven Symphony No. 3, Sinfonia Eroica 18-Feb 1843 Hill Beethoven Symphony No. 7 18-Nov 1843 Hill Vieuxtemps Fantasia pour le Violon sur la quatrième corde 18-May 1844 Alpers Lindpaintner War Jubilee Overture 16-Nov 1844 Loder Mendelssohn The Hebrides Overture (Fingal's Cave) 16-Nov 1844 Loder Beethoven Symphony No. 8 16-Nov 1844 Loder Bennett Die Najaden (The Naiades) 1-Mar 1845 Wiegers Mendelssohn Symphony No. 3, Scottish 22-Nov 1845 Loder Mendelssohn Piano Concerto No. 1 17-Jan 1846 Hill Kalliwoda Symphony No. 1 7-Mar 1846 Boucher Furstenau Flute Concerto No. 5 7-Mar 1846 Boucher Donizetti "Tutto or Morte" from Faliero 20-May 1846 Hill Beethoven Symphony No. 9, Choral 20-May 1846 Loder Gade Grand Symphony 2-Dec 1848 Loder Mendelssohn Violin Concerto in E minor 24-Nov 1849 Eisfeld Beethoven Symphony No. 4 24-Nov 1849 Eisfeld 1850 – 1859 Schubert Symphony in C major, Great 11-Jan 1851 Eisfeld R. Schumann Introduction and Allegro appassionato for Piano and 25-Apr 1857 Eisfeld Orchestra Litolff Chant des belges 25-Apr 1857 Eisfeld R. Schumann Overture to the Incidental Music to Byron's Dramatic 21-Nov 1857 Eisfeld Poem, Manfred 1860 - 1869 Brahms Serenade No. -
Download the Concert Programme (PDF)
London Symphony Orchestra Living Music Thursday 18 May 2017 7.30pm Barbican Hall Vaughan Williams Five Variants of Dives and Lazarus Brahms Double Concerto INTERVAL Holst The Planets – Suite Sir Mark Elder conductor Roman Simovic violin Tim Hugh cello Ladies of the London Symphony Chorus London’s Symphony Orchestra Simon Halsey chorus director Concert finishes approx 9.45pm Supported by Baker McKenzie 2 Welcome 18 May 2017 Welcome Living Music Kathryn McDowell In Brief Welcome to tonight’s LSO concert at the Barbican. BMW LSO OPEN AIR CLASSICS 2017 This evening we are joined by Sir Mark Elder for the second of two concerts this season, as he conducts The London Symphony Orchestra, in partnership with a programme of Vaughan Williams, Brahms and Holst. BMW and conducted by Valery Gergiev, performs an all-Rachmaninov programme in London’s Trafalgar It is always a great pleasure to see the musicians Square this Sunday 21 May, the sixth concert in of the LSO appear as soloists with the Orchestra. the Orchestra’s annual BMW LSO Open Air Classics Tonight, after Vaughan Williams’ Five Variants of series, free and open to all. Dives and Lazarus, the LSO’s Leader Roman Simovic and Principal Cello Tim Hugh take centre stage for lso.co.uk/openair Brahms’ Double Concerto. We conclude the concert with Holst’s much-loved LSO WIND ENSEMBLE ON LSO LIVE The Planets, for which we welcome the London Symphony Chorus and Choral Director Simon Halsey. The new recording of Mozart’s Serenade No 10 The LSO premiered the complete suite of The Planets for Wind Instruments (‘Gran Partita’) by the LSO Wind in 1920, and we are thrilled that the 2002 recording Ensemble is now available on LSO Live. -
Yorkshire & North East Branch Newsletter No
Yorkshire & North East Branch Newsletter No 20 - April 2021 Edited by Paul Kampen - [email protected] 74 Springfield Road, Baildon, Shipley, W.Yorks BD17 5LX 01274 581051 Branch Chairman’s message n view of the significance for Elgar of that delightful perennial, the anemone nemorosa, we can all take hope from our first sighting of the windflower, not only that spring has Iarrived but that the various restrictions which society has been forced to endure are gradually being lifted. As the politicians are fond of reminding us: it’s been a challenging year. Here at the Yorkshire & North East branch we have met the challenge in various ways. Most importantly, we have maintained our programme of talks, almost without interruption, by means of that technological miracle, the remote electronic platforms, especially Zoom. We took a degree of satisfaction in being the first branch to embrace the technology when, in May 2020, Christopher Wiltshire gave his trailblazing presentation, followed by Stuart Freed (June), Peter Newble (September, via Vimeo), Bernard Porter (November), and Steven Halls (March). We are extremely grateful to all these speakers not only for rising to the technological challenge but for such highly informative and enjoyable occasions, and we look forward to more on-line meetings in April, May and June. By the time of our scheduled meeting in September, we should be out of lockdown and back at our home, the Bar Convent, York. But this raises an important question: do we continue as before, as if nothing had happened, or do we learn from the experience and modify our operations? Let us not forget that Zoom meetings have attracted a wider audience than those at the Bar Convent. -
LEEDSLIEDER+ Friday 2 October – Sunday 4 October 2009 Filling the City with Song!
LEEDSLIEDER+ Friday 2 October – Sunday 4 October 2009 Filling the city with song! Festival Programme 2009 The Grammar School at Leeds inspiring individuals is pleased to support the Leeds Lieder+ Festival Our pupils aren’t just pupils. singers, They’re also actors, musicians, stagehands, light & sound technicians, comedians, , impressionists, producers, graphic artists, playwrightsbox office managers… ...sometimes they even sit exams! www.gsal.org.uk For admissions please call 0113 228 5121 Come along and see for yourself... or email [email protected] OPENING MORNING Saturday 17 October 9am - 12noon LEEDSLIEDER+ Friday 2 October – Sunday 4 October 2009 Biennial Festival of Art Song Artistic Director Julius Drake 3 Lord Harewood Elly Ameling If you, like me, have collected old gramophone records from Dear Friends of Leeds Lieder+ the time you were at school, you will undoubtedly have a large I am sure that you will have a great experience listening to this number of Lieder performances amongst them. Each one year’s rich choice of concerts and classes. It has become a is subtly different from its neighbour and that is part of the certainty! attraction. I know what I miss: alas, circumstances at home prevent me The same will be apparent in the performances which you this time from being with you and from nourishing my soul with will hear under the banner of Leeds Lieder+ and I hope this the music in Leeds. variety continues to give you the same sort of pleasure as Lieder singing always has in the past. I feel pretty sure that it To the musicians and to the audience as well I would like to will and that if you have any luck the memorable will become repeat the words that the old Josef Krips said to me right indistinguishable from the category of ‘great’. -
Season 2012-2013
27 Season 2012-2013 Thursday, December 13, at 8:00 The Philadelphia Orchestra Friday, December 14, at 8:00 Saturday, December 15, Gianandrea Noseda Conductor at 8:00 Alisa Weilerstein Cello Borodin Overture to Prince Igor Elgar Cello Concerto in E minor, Op. 85 I. Adagio—Moderato— II. Lento—Allegro molto III. Adagio IV. Allegro—Moderato—[Cadenza]—Allegro, ma non troppo—Poco più lento—Adagio—Allegro molto Intermission Tchaikovsky Symphony No. 3 in D major, Op. 29 (“Polish”) I. Introduzione ed allegro: Moderato assai (tempo di marcia funebre)—Allegro brillante II. Alla tedesca: Allegro moderato e semplice III. Andante elegiaco IV. Scherzo: Allegro vivo V. Finale: Allegro con fuoco (tempo di polacca) This program runs approximately 1 hour, 55 minutes. The December 14 concert is sponsored by Medcomp. 228 Story Title The Philadelphia Orchestra Jessica Griffin Renowned for its distinctive vivid world of opera and Orchestra boasts a new sound, beloved for its choral music. partnership with the keen ability to capture the National Centre for the Philadelphia is home and hearts and imaginations Performing Arts in Beijing. the Orchestra nurtures of audiences, and admired The Orchestra annually an important relationship for an unrivaled legacy of performs at Carnegie Hall not only with patrons who “firsts” in music-making, and the Kennedy Center support the main season The Philadelphia Orchestra while also enjoying a at the Kimmel Center for is one of the preeminent three-week residency in the Performing Arts but orchestras in the world. Saratoga Springs, N.Y., and also those who enjoy the a strong partnership with The Philadelphia Orchestra’s other area the Bravo! Vail Valley Music Orchestra has cultivated performances at the Mann Festival. -
Philharmonia Orchestra Ducted by Valery Gergiev
CAL PERFORMANCES PRESENTS PROGRAM NOTES Friday, November 9, 2012, 8pm Esa-Pekka Salonen (b. 1958) Zellerbach Hall Helix Composed in 2005. Premiered on August 29, 2005, in London by the World Orchestra for Peace con- Philharmonia Orchestra ducted by Valery Gergiev. Esa-Pekka Salonen, Principal Conductor & Artistic Advisor Conducting is tough, composing probably even harder, but some of the most brilliant musi- PROGRAM cians—Busoni, Mahler, Bernstein, Boulez, Previn—have pursued parallel careers in both fields that enriched all the facets of their creative Esa-Pekka Salonen (b. 1958) Helix (2005) personalities. To this select company must now be added the Finnish composer-conductor Esa- Pekka Salonen. Born in Helsinki on June 30, 1958, Salonen majored in horn at the Sibelius Ludwig van Beethoven (1770–1827) Symphony No. 7 in A major, Op. 92 Conservatory, where he founded a “collective” (1811–1812) called Ears Open for promoting and perform- I. Poco sostenuto — Vivace ing new music with Jouni Kaipainen, Magnus II. Allegretto Lindberg, and Kaija Saariaho, now all major Esa-Pekka Salonen III. Presto — Assai meno presto musical figures in Finland. After graduating IV. Allegro con brio in 1977, Salonen studied composition privately Illustration by Tom Bachtell with Einojuhani Rautavaara and conducting with Jorma Panula, and attended conducting He also continues to guest conduct concerts and INTERMISSION courses in Siena and Darmstadt; he also stud- opera throughout the world and to serve as ar- ied composition with Niccolò Castiglioni and tistic director of the Baltic Sea Festival, which Franco Donatoni in Italy. In 1979, Salonen he co-founded in 2003. -
Collections of Musicians' Letters in the UK and Ireland: a Scoping Study
Collections of musicians’ letters in the UK and Ireland: a scoping study Katharine Hogg, Rachel Milestone, Alexis Paterson, Rupert Ridgewell, Susi Woodhouse London December 2011 1 Acknowledgements The authors would like to thank all those who gave their time and expertise to make this scoping study possible. They include: the staff of organisations and individuals responding to the survey, staff at the BBC Written Archives, Oxford University Press, the London Symphony Orchestra, Cheltenham Festivals, Royal Festival Hall, Royal Academy of Music, Royal Society of Musicians, and those who kindly agreed to be interviewed on their use and perception of archives of letters. © Music Libraries Trust 2012 2 Contents 1. Introduction ...................................................................................................................................... 5 2. Rationale ........................................................................................................................................... 5 2.1. The resource................................................................................................................................................ 5 2.2. Repositories ................................................................................................................................................ 5 2.3. Resource discovery...................................................................................................................................... 6 2.4. Data integration.......................................................................................................................................... -
11 September 2009 Page 1 of 41
Radio 3 Listings for 5 – 11 September 2009 Page 1 of 41 SATURDAY 05 SEPTEMBER 2009 Tae-Won Kim (flute) Hyong-Sup Kim, Pil-Kwan Sung (oboes) SAT 01:00 Through the Night (b00mdn9n) Hyon-Kon Kim (clarinet) 1.00am Sang-Won Yoon (bassoon) Haydn, Joseph (1732-1809): Symphony No 47 in G, H I 47 Australian Chamber Orchestra 4.27am Richard Tognetti (conductor) Bartok, Bela (1881-1945), arr Arthur Willner: Romanian folk dances, Sz 56 1.20am I Cameristi Italiani Mozart, Wolfgang Amadeus (1756-1791): Concerto No 19 in F for piano and orchestra, K459 4.35am Melvyn Tan (piano) Ipavec, Benjamin (1829-1908): Maria the Gypsy Australian Chamber Orchestra Ana Pusar Jeric (soprano) Richard Tognetti (conductor) Nataea Valant (piano) 1.49am 4.39am Schubert, Franz (1797-1828), arr Richard Tognetti: String Rachmaninov, Sergey (1873-1943): Caprice bohemien, Op 12 Quartet in G, D887 (Capriccio on Gypsy Themes) Australian Chamber Orchestra Queensland Symphony Orchestra Richard Tognetti (conductor) Vladimir Verbitsky (conductor) 2.32am 5.01am Palestrina, Giovanni Pierluigi da (c.1525-1594): Magnificat Primi Stravinsky, Igor (1882-1971): Feu d'artifice, Op 4 Toni Rotterdam Philharmonic Orchestra 2.40am Valery Gergiev (conductor) Palestrina: Ascendo ad Patrem - Motet for five voices (1572) 2.44am 5.05am Palestrina: Quem vidistis, pastores Gesualdo, Carlo (c.1560-1613): Ave, dulcissima Maria for five Elmer Iseler Singers voices (1603a) Elmer Iseler (conductor) BBC Singers Bo Holten (conductor) 2.48am Mendelssohn, Felix (1809-1847): The Hebrides Overture 5.10am Norwegian