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Mercury's Low-Reflectance Material: Constraints from Hollows
Mercury’s low-reflectance material: Constraints from hollows Rebecca Thomas, Brian Hynek, David Rothery, Susan Conway To cite this version: Rebecca Thomas, Brian Hynek, David Rothery, Susan Conway. Mercury’s low-reflectance material: Constraints from hollows. Icarus, Elsevier, 2016, 277, pp.455-465. 10.1016/j.icarus.2016.05.036. hal-02271739 HAL Id: hal-02271739 https://hal.archives-ouvertes.fr/hal-02271739 Submitted on 27 Aug 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Accepted Manuscript Mercury’s Low-Reflectance Material: Constraints from Hollows Rebecca J. Thomas , Brian M. Hynek , David A. Rothery , Susan J. Conway PII: S0019-1035(16)30246-9 DOI: 10.1016/j.icarus.2016.05.036 Reference: YICAR 12084 To appear in: Icarus Received date: 23 February 2016 Revised date: 9 May 2016 Accepted date: 24 May 2016 Please cite this article as: Rebecca J. Thomas , Brian M. Hynek , David A. Rothery , Susan J. Conway , Mercury’s Low-Reflectance Material: Constraints from Hollows, Icarus (2016), doi: 10.1016/j.icarus.2016.05.036 This is a PDF file of an unedited manuscript that has been accepted for publication. As a service to our customers we are providing this early version of the manuscript. -
Impact Melt Emplacement on Mercury
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 7-24-2018 2:00 PM Impact Melt Emplacement on Mercury Jeffrey Daniels The University of Western Ontario Supervisor Neish, Catherine D. The University of Western Ontario Graduate Program in Geology A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Science © Jeffrey Daniels 2018 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Geology Commons, Physical Processes Commons, and the The Sun and the Solar System Commons Recommended Citation Daniels, Jeffrey, "Impact Melt Emplacement on Mercury" (2018). Electronic Thesis and Dissertation Repository. 5657. https://ir.lib.uwo.ca/etd/5657 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract Impact cratering is an abrupt, spectacular process that occurs on any world with a solid surface. On Earth, these craters are easily eroded or destroyed through endogenic processes. The Moon and Mercury, however, lack a significant atmosphere, meaning craters on these worlds remain intact longer, geologically. In this thesis, remote-sensing techniques were used to investigate impact melt emplacement about Mercury’s fresh, complex craters. For complex lunar craters, impact melt is preferentially ejected from the lowest rim elevation, implying topographic control. On Venus, impact melt is preferentially ejected downrange from the impact site, implying impactor-direction control. Mercury, despite its heavily-cratered surface, trends more like Venus than like the Moon. -
Learning from the Historical Culture of American People for the Current Society
How to Cite: Liu, S., & Alley, F. (2019). Learning from the historical culture of American people for the current society. Linguistics and Culture Review, 3(1), 32-47. https://doi.org/10.37028/lingcure.v3n1.14 Learning from the historical culture of American people for the current society Siyung Liu Tianjin Foreign Studies University, Tianjin, China Fatihiya Alley San Francisco State University, San Francisco, California Abstract---We learned more about the contribution of cultural history towards the current society for the American people. In the most general sense, historical culture is a holistic meta-historical concept that opens the investigation of how people deal with the past. The term “historical” refers to past events, including thoughts and ideas. The term “culture” comprises shared attitudes, values, and perceptions of a group of people. Cultural history is not simply the study of high culture or alternatively of peoples' past rituals. It is best characterized as an approach which considers the domain of representation and the struggle over meaning as the most fruitful areas for the pursuit of historical understanding. history is the aggregate of past events while culture is the arts, customs, and habits that characterize a particular society or nation. Cultural history brings to life a past time and place. In this search, cultural historians study beliefs and ideas, much as intellectual historians do. These are reflected in the products of deliberately artistic culture, but also include the objects and experiences of everyday life, such as clothing or cuisine. Keywords---American, culture, historian, perception, society. Introduction Bortolini, Salzano, Thomas, Stuart, Nasanen, Bau & Hill (2003), studying history is important because it allows us to understand our past, which in turn allows us to understand our present. -
1 the Lifecycle of Hollows on Mercury
The Lifecycle of Hollows on Mercury: An Evaluation of Candidate Volatile Phases and a Novel Model of Formation. 1 1 2 3 M. S. Phillips , J. E. Moersch , C. E. Viviano , J. P. Emery 1Department of Earth and Planetary Sciences, University of Tennessee, Knoxville 2Planetary Exploration Group, Johns Hopkins University Applied Physics Laboratory 3Department of Astronomy and Planetary Sciences, Northern Arizona University Corresponding author: Michael Phillips ([email protected]) Keywords: Mercury, hollows, thermal model, fumarole. Abstract On Mercury, high-reflectance, flat-floored depressions called hollows are observed nearly globally within low-reflectance material, one of Mercury’s major color units. Hollows are thought to be young, or even currently active, features that form via sublimation, or a “sublimation-like” process. The apparent abundance of sulfides within LRM combined with spectral detections of sulfides associated with hollows suggests that sulfides may be the phase responsible for hollow formation. Despite the association of sulfides with hollows, it is still not clear whether sulfides are the hollow-forming phase. To better understand which phase(s) might be responsible for hollow formation, we calculated sublimation rates for 57 candidate hollow-forming volatile phases from the surface of Mercury and as a function of depth beneath regolith lag deposits of various thicknesses. We found that stearic acid (C18H36O2), fullerenes (C60, C70), and elemental sulfur (S) have the appropriate thermophysical properties to explain hollow formation. Stearic acid and fullerenes are implausible hollow-forming phases because they are unlikely to have been delivered to or generated on Mercury in high enough volume to account for hollows. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
Universi^ Micrafilms International
INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image of the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note will appear listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photographed, a definite method of “sectioning” the material has been followed. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. -
WNET Licensing (A's)
The “A’s” (Source: NET microfiche, unless listed) Aaron Copland Meets the Soviet Composers (1959) Initial Broadcast: N/A Number of programs: 1 Origin Format: Undetermined Running time: 30 minutes AARON COPLAND MEETS THE SOVIET COMPOSERS is a half-hour studio production kinescope of an interview between Copland and six Soviet musicians, musicologists and/or composers who were travelling in the US. My impression is that this was a visit in return for one made to the USSR by an American group earlier that included Menned (?), Sessions, Harris and Kay (?). The setting for the interview is a recreated concert hall stage with the guests sitting in players’ chairs and Copland and his translator located where a solo instrumentalist would be seated. The questions appear to have been scripted in advance – and scripts placed on the music stands. The responses from the Soviets appear to have been ad lib. Copland’s questions were translated into Russian by an American (?) of Russian origins, Nicholas Slonimsky, himself a musician. The Soviets spoke in Russian and were heard through simultaneous translation. The translator was unseen and uncredited. The Soviet guests include (in order of answering questions): Dmitri Kabalevsky, Boris Yarustovsky, Tikhon Khrennikov, Dmitri Shostakovich, Konstantin Dankevich and Fikret Amirov. Kabalevsky was asked about the knowledge of American music in the USSR; Yarustovsky on the influence of American music on Russian music; Khrennikov on the reactions of Soviet musicians to the visit of four American musicians earlier (in the exchange program?); Shostakovich on American jaZZ and its influence; Dankevich on younger Soviet composers and Amirov on the adaption of native musical types to series music. -
Newsletter 08/12 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 08/12 DIGITAL EDITION Nr. 312 - Mai 2012 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 08/12 (Nr. 312) Mai 2012 editorial Hallo Laserdisc- und DVD-Fans, liebe Filmfreunde! Es war einfach wieder großartig! Und die Betonung liegt dabei definitiv auf “groß”. Denn nach einem ganzen Wo- chenende im Pictureville Cinema in Bradford sehen die Bilder in den Stutt- garter Kinos vergleichsweise klein da- gegen aus. Das sind eben die Risiken und Nebenwirkungen, die wir beson- ders dann zu spüren bekommen, wenn wir gerade frisch vom “Widescreen Weekend” heimgekehrt sind. Wie immer waren die Tage in einem der besten Kinos der Welt atemberaubend und haben großen Spaß gemacht. Vor weni- gen Wochen wurde dort auch die Tech- nik auf den neuesten Stand gebracht. So kann das “Pictureville” jetzt nicht nur digital mit einer Auflösung von 4K projizieren, sondern auch den neuen Dolby Surround 7.1 Sound nutzen. De- monstriert wurde die neue Technik mit der Aufführung von Ron Frickes spiri- tuellem Knock-Out SAMSARA. Gefilmt mit 65mm Negativfilm, gescannt mit einer Auflösung von 8K und gemastert sowie projiziert mit der maximal mögli- Gefühl von Cinerama erleben möchte, Wer glaubte, dass er mit der Ton- chen Auflösung von 4K dürfte für den hatten Dave Strohmaier und technik im eigenen Heimkino bereits am SAMSARA die neue Referenz in Sa- Randy Gitsch die passende Antwort. -
Report List Cross Continental Circuit 2020
Report List Cross Continental Circuit 2020 PSA 2020-477 Salon Germany FIAP 2020/501; DVF 08/2020 Salon Indonesia FIAP 2020/502; FPSI 06/2020 Salon South Africa FIAP 2020/503; PSSA A 2021/10 Please Note: Images submitted and not listed get no acceptances Entrants, who are not listed get no acceptances PSA Gold =PSA Gold medal DVF Gold = DVF gold medal FIAP Gold =FIAP Gold medal DVF Silver = DVF silver medal CCC = Cross Continental Cirduit medal DVF Bronze = DVF bronze medal HM = Honorable Mention FPSI Gold = FPSI gold medal FIAP HM = FIAP Honorable Mention PSSA Gold = PSSA gold medal BY = Best Youth medal Acc = Acceptance Section Name Country Title Germany Indonesia South Africa Movement Schneider, Gustavo Argentina Buenos Aires 174 Acc Movement Schneider, Gustavo Argentina Buenos Aires 962 Acc Movement Schneider, Gustavo Argentina Colombia 4253 Acc Color Balfe, Paul Australia Desert Chameleon Acc Color Balfe, Paul Australia Dusky Dolphin Acc Movement Balfe, Paul Australia Down the Mountain Acc Movement Balfe, Paul Australia Powering On Acc Color Benson, Ruth Australia Big Skies Acc Acc Color Benson, Ruth Australia Granites emerging Acc Movement Benson, Ruth Australia Through the Ditch Acc Movement Benson, Ruth Australia Twinpower Acc Color Boytell, Kerry Australia Aerial Combat Acc Color Boytell, Kerry Australia Frozen Waterfall Acc Acc Color Boytell, Kerry Australia Prophet of Doom Acc Color Boytell, Kerry Australia Racing with Eagles Acc Mono Boytell, Kerry Australia Draculas Daughter Acc Mono Boytell, Kerry Australia Eagle Hunter and -
Chicago Fall Books
chicago fall books 2014 chicago fall books fall 2014 street chicago, illinois 60637 th 27 east 60 14 University of Chicago Press of Chicago University Recently Published Fall 2014 Contents General Interest 1 Special Interest 39 Paperbacks 101 House of Debt On the Run Distributed Books 132 How They (and You) Caused the Fugitive Life in an American City Great Recession, and How We Can Alice Goffman Prevent It from Happening Again ISBN-13: 978-0-226-13671-4 Author Index 356 Atif Mian and Amir Sufi Cloth $25.00/£17.50 ISBN-13: 978-0-226-08194-6 E-book ISBN-13: 978-0-226-13685-1 Cloth $26.00/£18.00 Title Index 358 E-book ISBN-13: 978-0-226-13864-0 Subject Index 360 Ordering Inside Information back cover The Book of Eggs Bedrooms of the Fallen A Life-Size Guide to the Eggs of Six Ashley Gilbertson Hundred of the World’s Bird Species With a Foreword by Philip Gourevitch Mark E. Hauber ISBN-13: 978-0-226-06686-8 Edited by John Bates and Barbara Becker Cloth $35.00/£24.50 E-book ISBN-13: 978-0-226-13511-3 ISBN-13: 978-0-226-05778-1 Cloth $55.00 E-book ISBN-13: 978-0-226-05781-1 CUSA Cover illustration: “Bouquiniste sur le quai des Grands-Augustins.” Oil on canvas c. 1949. Bernard Boutet de Monvel (1883–1949). Paris, France, Musée Walden Warming The Oldest Living Carnavalet. © Musée Carnavalet/Roger-Viollet/The Image Works. From Palace Climate Change Comes to Things in the World of Books by Roger Grenier, translated from the French by Alice Kaplan and Thoreau’s Woods published by the University of Chicago Press. -
When She Danced Study Guide
by MARTIN SHERMAN directed by NICK BOWLING STUDY GUIDE prepared by Maren Robinson, Dramaturg This Study Guide for When She Danced was prepared by Maren Robinson and edited by Karen A. Callaway and Lara Goetsch for TimeLine Theatre, its patrons and educational outreach. Please request permission to use these materials for any subsequent production. © TimeLine Theatre 2009 — — STUDY GUIDE — Table of Contents The playwright: Martin Sherman................................................................................. 3 Production History ....................................................................................................... 3 Isadora Duncan: Iconoclast .......................................................................................... 3 Isadora Duncan and Sergei Esenin ............................................................................. 5 Isadora Duncan’s remaining years and death ............................................................ 7 Sergei Esenin: Angel, devil .......................................................................................... 8 Sergei Esenin’s death ................................................................................................... 9 Sergei Esenin’s suicide poem ....................................................................................... 9 Sergei Esenin’s “The Song About a Dog” ................................................................... 10 Isadora Duncan: Dance icon and iconoclast ............................................................. -
Off Back Burner , by Randy Sumimoto No Way You Can Do a Building Proj Looking Into Means of Financing Staffwritcr Ect Unilaterally
:ipec. Co II. I. (I n <). ti Cb () / h (A l" dli v e c:; ) I.. I Orion . J' ?'~: 9 ApT' h, J 9nn BMU Expansion Re (' e i v e dOli: (1 tl - 11 h '-IHI J .1 r~ ER I AM LJ IHU\I? Y.' .- CS I J, ' CIf I C(J , . ,(. Off Back Burner , by Randy Sumimoto no way you can do a building proj looking into means of financing StaffWritcr ect unilaterally. I wunled to gl't the expansion. both parties together so they The standard route for financ John Cooper, student union could both air their concerns." ing would be state-issued bonds. I I director of the Associated Stu Cooper said he worked during These bonds would be paid back dents, will present Bell Memorial spring brenk to put a packet to through student fees over a period Union expansion plans to th~ gether containing expansion in of time. Another route would be to :( student union board Monday. formation gathered from the bring in private investors who I lfthe board decides to push for committee mt'Ctings to give to the would pay for the building and expansion approval, the AS board student union board. then lease it back to the univer of directors would have to bring The student union board will sity. .; California State University, Chico Vol. 20 Issue 9, April 6, 1988 expansion to a student vote for also have to decide what to do with Last spring, the student union ,','r. approval. Students must ap elI.tra space if the BMU is ex made expansion plans, but be ',' prove expansion because funding .\} panded.