Bear Behaving Badly Is One of CBBC's Most Popular Shows, with 78 Mad
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REPORT on USER NEEDS ASSESSMENT 2012
2 REPORT on USER NEEDS ASSESSMENT 2012 www.adlabproject.eu/ 3 4 General information Table of contents Project acronym: ADLAB 1 EXECUTIVE SUMMARY .......................................................................................................................... 5 Project title: Audio Description: Lifelong Access for the Blind Deliverable n°: D1 2 BASIC INFORMATION ............................................................................................................................ 9 Associated Work Package: WP1 (User needs analysis) 2.1 DEFINITIONS OF BLIND AND VISUALLY IMPAIRED PEOPLE IN EUROPE ................................................................... 9 Reporting period: October 2011 - March 2012 2.2 FIGURES ON BLIND AND VISUALLY IMPAIRED PEOPLE ...................................................................................... 11 Report version: Version 1 2.3 SPECIFIC LAWS AND REGULATIONS CONCERNING AD ..................................................................................... 15 Date of preparation: March 2012 3 AVAILABILITY OF AD IN THE PARTICIPATING COUNTRIES ..................................................................... 20 WP Leader: Bayerischer Rundfunk (Partner 6) 3.1 TELEVISION ............................................................................................................................................ 20 Project coordinator: Prof. Christopher Taylor 3.2 DVD S/B LU RAYS .................................................................................................................................... -
BBC Children's (From Left to Right): Nigel Pickard, Lorraine Heggessey, Edward Barnes, Anna Home, Joe Godwin, Dorothy Prior, Richard Deverell, Roy Thompson
The Children’s Media Yearbook is a publication of The Children’s Media Foundation Director, Greg Childs Administrator, Jacqui Wells The Children’s Media Foundation P.O. Box 56614 London W13 0XS [email protected] First published 2015 © Lynn Whitaker and Beth Hewitt for editorial material and selection © Individual authors and contributors for their contributions All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of The Children’s Media Foundation, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organisation. You must not circulate this book in any other binding or cover. ISBN 978-0-9575518-4-8 Book and cover design by Jack Noel EditEd by Lynn Whitaker & Beth heWitt introduction 4 Editorial Lynn Whitaker and Beth Hewitt 8 T he Children’s Media Foundation: the First three years Greg Childs 11 New Heroes Wanted: Creating Culturally-inspired Media Lady Rabia Abdul-Hakim Children’s Public Service Broadcasting industry reflections and Debates 15 BBC Children’s 42 bringing toys-to-Life Alice Webb Andy Robertson 20 Children’s Content – Crucial for 47 Taming the Future – Any Public Service broadcaster Perspectives on the digital World Jeanette Steemers from bbC Children’s Daniel Bays and Jon Haywood 22 Public broadcasting in Canada: Kids’ CbC and tVOKids 53 A Personal Experience of Kerrie-Ann Bernard and Natalie Coulter Animation Policy in Practice -
Die Mumien Der Filmgeschichte 2016
Repositorium für die Medienwissenschaft Hans Jürgen Wulff Von lebenden Toten, der Verfluchung der Lebenden und später Rache: Die Mumien der Filmgeschichte 2016 https://doi.org/10.25969/mediarep/12803 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Wulff, Hans Jürgen: Von lebenden Toten, der Verfluchung der Lebenden und später Rache: Die Mumien der Filmgeschichte. Westerkappeln: DerWulff.de 2016 (Medienwissenschaft: Berichte und Papiere 169). DOI: https://doi.org/10.25969/mediarep/12803. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0169_16.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft: Berichte und Papiere 169, 2016: Mumien im Film. Redaktion und Copyright dieser Ausgabe: Hans J. Wulff. ISSN 2366–6404. URL: http://berichte.derwulff.de/0169_16.pdf. Letzte Änderung: 12.11.2016. Inhalt: Hans J. Wulff: Von lebenden Toten, der Verfluchung der Lebenden und später Rache: Die Mumien der Filmgeschichte. Hans J. Wulff: Mumien im Film. Filmographie. Fiktionale Filme, Serien und Serienfolgen. Dokumentationen, Dokumentarfilme, Reality-TV-Sendungen. Eismumien im Film. Prähistorische Moorleichen. Die Mumienfilme der Universal Pictures (1940–1955). Die Mumienfilme der Hammer Film Productions. Die mexikanischen Mumienfilme. Adaptionen von Bram Stokers Roman Jewel of Seven Stars. Hans J. Wulff: Mumien im Film. Bibliographie. Hans J. Wulff Von lebenden Toten, der Verfluchung der Lebenden und später Rache: Die Mumien der Filmgeschichte Digging for History: Die Popularität von Archäologie und Ägyptologie Seitdem im 19. -
LOGIK 47 Inch 3D LED 1080P TV L473ED11 Manual
47" 3D Ready LED TV Instruction Manual L473ED11 L473ED11_IB_111013_Zell.indd 1 13/10/2011 4:29 PM L473ED11_IB_111013_Zell.indd 2 13/10/2011 4:29 PM Contents Preparation .........................................................................................................................................................................................5 Unpacking the TV ...............................................................................................................................................................................................................5 Installing / Removing the Base Stand .........................................................................................................................................................................6 Front / Right Side View and Controls ...........................................................................................................................................................................7 Rear View and Sockets ......................................................................................................................................................................................................8 Installing Batteries in the Remote Control ................................................................................................................................................................9 Remote Control Operation Range ................................................................................................................................................................................9 -
Chapter 1 – “You'll Never Know What You'll
Contents Introduction Page 3 Acknowledgements Page 8 Chapter 1: “You’ll Never Know What You’ll See!” Page 9 Chapter 2: “Swing Your Pants!” Page 22 Chapter 3 – Strong Sustainable Saturdays Page 41 Chapter 4 – “Have You Ever Stroked A Weasel?” Page 56 Chapter 5 – A One Horse Battle Page 78 Sub-Chapter – What’s That Tune? Page 91 Chapter 6 – “You Know Where It’s At!” Page 97 Chapter 7 – “You Asked For It!” Page 125 Chapter 8 – DaD Vs MoM Page 147 Chapter 9 – The Beginning Of The End Of The Shows Page 180 Chapter 10 – “It’s Not Like The Old Days!” Page 207 2 Introduction Imagine the scenario. A visual cornucopia of entertainment, pop music, phone-ins with big name guests and viewers questions that know no boundaries, cartoons, games, the occasional adventure stunt, and comedy all taking place within one show. The viewer on the other hand is relaxed, possibly still in their pyjamas with a bowl of cereal on hand, knowing that amongst the fast paced antics, they’re in safe hands of up-for-a-laugh presenters, with a one-to-one relationship that’s crucial within a thriving atmosphere of this kind. All those conventions when blended together are associated with only one genre of television; the live Saturday morning magazine show. For over 30 years, both the BBC and ITV spent that one day of the week breaking the rules of conventional television, and that fact that it was primarily aimed at children meant that if anything went wrong, no one cared. -
Brochure 71 (21.10.2015) 4-765490254 3-765483602.E$S Layout 1 04/11/2015 12:13 Page 1
Brochure 71 (21.10.2015)_4-765490254_3-765483602.e$S_Layout 1 04/11/2015 12:13 Page 1 PRICE BAND GUIDE FOR ALL EVENTS 71 What’s on December 2015 - September 2016 Box Office: (01603) 63 00 00 Restaurant Booking: (01603) 59 85 77 A B C D E Prices for each event are inside the brochure IN PARTNERSHIP WITH Priority on these seats Seat towards the ends of rows may is given to wheelchair have a restricted view. users and those transferring This is reflected in the from a wheelchair price of these seats. Book Online: www.theatreroyalnorwich.co.uk Booking Form Inside Theatre Royal, Theatre Street, Norwich NR2 1RL 71 Registered Charity No. 262259 Brochure 71 (21.10.2015)_4-765490254_3-765483602.e$S_Layout 1 04/11/2015 12:13 Page 3 DECEMBER 2015 Tues 15 . ...........4.00 ..7.30 Wed 16 10.30. .......................7.30 Thur 17 10.30. .......................7.30 Fri 18 Sat 19 . 2.30 ..............7.30 Sun 20 . 1.00...5.00 Mon 21 . 2.30 ..............7.30 Tues 22 10.30. 2.30 ..............7.30 Wed 23 . 2.30 ..............7.30 Thur 24 . 2.30 .............. Fri 25 MERRY CHRISTMAS Sat 26 . 2.30 ..............7.30 Sun 27 . 1.00...5.00 Mon 28 . 2.30 ..............7.30 Tues 29 . 2.30 ..............7.30 Wed 30 . 2.30 ..............7.30 Thur 31 . 1.00...5.00 JANUARY 2016 Fri 1 HAPPY NEW YEAR Sat 2 10.30. 2.30 ..............7.30 Sun 3 . 1.00...5.00 Mon 4 . 1.00...5.00 Tues 5 Wed 6 . -
32” HD Ready LED TV L32HE13
Instruction Manual 32” HD Ready LED TV L32HE13 L32HE13_IB.indd 1 22/07/2013 12:10 L32HE13_IB.indd 2 22/07/2013 12:10 Contents Safety Warnings .................................................................................................................................................................................5 Preparation .........................................................................................................................................................................................7 Unpacking the TV ...............................................................................................................................................................................................................7 Installing / Removing the Base Stand .........................................................................................................................................................................8 Mounting the TV to a Wall ...............................................................................................................................................................................................8 Front / Right Side View and Controls ...........................................................................................................................................................................9 Rear View and Sockets ....................................................................................................................................................................................................10 -
Helen Davies Aberystwyth University Volume II of II Appendices
The role of Welsh language media in the construction and perceptions of identity during middle childhood. PhD: Helen Davies Aberystwyth University Volume II of II Appendices Table of Contents 1 APPENDIX 1 ............................................................................................................................ 313 2 APPENDIX 2 ............................................................................................................................ 319 3 APPENDIX 3 ............................................................................................................................ 323 4 APPENDIX 4 ............................................................................................................................ 327 5 APPENDIX 5 ............................................................................................................................ 342 6 APPENDIX 6 ............................................................................................................................ 346 7 APPENDIX 7 ............................................................................................................................ 349 8 APPENDIX 8.1 ........................................................................................................................ 350 9 APPENDIX 8.2 ........................................................................................................................ 351 10 APPENDIX 8.3 .....................................................................................................................