Doctor Who: Battlefield
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DOCTOR WHO LOGOPOLIS Christopher H. Bidmead Based On
DOCTOR WHO LOGOPOLIS Christopher H. Bidmead Based on the BBC television serial by Christopher H. Bidmead by arrangement with the British Broadcasting Corporation 1. Events cast shadows before them, but the huger shadows creep over us unseen. When some great circumstance, hovering somewhere in the future, is a catastrophe of incalculable consequence, you may not see the signs in the small happenings that go before. The Doctor did, however - vaguely. While the Doctor paced back and forth in the TARDIS cloister room trying to make some sense of the tangle of troublesome thoughts that had followed him from Traken, in a completely different sector of the Universe, in a place called Earth, one such small foreshadowing was already beginning to unfold. It was a simple thing. A policeman leaned his bicycle against a police box, took a key from the breast pocket of his uniform jacket and unlocked the little telephone door to make a phone call. Police Constable Donald Seagrave was in a jovial mood. The sun was shining, the bicycle was performing perfectly since its overhaul last Saturday afternoon, and now that the water-main flooding in Burney Street was repaired he was on his way home for tea, if that was all right with the Super. It seemed to be a bad line. Seagrave could hear his Superintendent at the far end saying, 'Speak up . Who's that . .?', but there was this whirring noise, and then a sort of chuffing and groaning . The baffled constable looked into the telephone, and then banged it on his helmet to try to improve the connection. -
Doctor Who: Castrovalva
Still weak and confused after his fourth regeneration, the Doctor retreats to Castrovalva to recuperate. But Castrovalva is not the haven of peace and tranquility the Doctor and his companions are seeking. Far from being able to rest quietly, the unsuspecting time-travellers are caught up once again in the evil machinations of the Master. Only an act of supreme self-sacrifice will enable them to escape the maniacal lunacy of the renegade Time Lord. Among the many Doctor Who books available are the following recently published titles: Doctor Who and the Leisure Hive Doctor Who and the Visitation Doctor Who – Full Circle Doctor Who – Logopolis Doctor Who and the Sunmakers Doctor Who Crossword Book UK: £1 · 35 *Australia: $3 · 95 Malta: £M1 · 35c *Recommended Price TV tie-in ISBN 0 426 19326 1 This book is dedicated to M. C. Escher, whose drawings inspired it and provided its title. Thanks are also due to the Barbican Centre, London, England, where a working model of the disorienteering experiments provided valuable practical experience. DOCTOR WHO CASTROVALVA Based on the BBC television serial by Christopher H. Bidmead by arrangement with the British Broadcasting Corporation CHRISTOPHER H. BIDMEAD published by The Paperback Division of W. H. Allen & Co. Ltd A Target Book Published in 1983 by the Paperback Division of W.H. Allen & Co. Ltd A Howard & Wyndham Company 44 Hill Street, London W1X 8LB Novelisation copyright © Christopher H. Bidmead 1983 Original script copyright © Christopher H. Bidmead 1982 ‘Doctor Who’ series copyright © British Broadcasting Corporation 1982, 1983 Printed and bound in Great Britain by Hunt Barnard Printing Ltd, Aylesbury, Bucks ISBN 0 426 19326 1 This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. -
Mccrimmon Mccrimmon
ISSUE #14 APRIL 2010 FREE! NOT FOR RESALE MARC PLATT chats about Point of Entry RICHARD EARL on his roles in Doctor Who and Sherlock Holmes MAGGIE staBLES is back in the studio as Evelyn Smythe! RETURN OF THE McCRIMMON FRazER HINEs Is baCk IN THE TaRdIs! PLUS: Sneak Previews • Exclusive Photos • Interviews and more! EDITORIAL Well, as you read this, Holmes and the Ripper will I do adore it. But it is all-consuming. And it reminded finally be out. As I write this, I have not long finished me of how hard the work is and how dedicated all our doing the sound design, which made me realize one sound designers are. There’s quite an army of them thing in particular: that being executive producer of now. When I became exec producer we only had a Big Finish really does mean that I don’t have time to do handful, but over the last couple of years I have been the sound design for a whole double-CD production. on a recruitment drive, and now we have some great That makes me a bit sad. But what really lifts my spirits new people with us, including Daniel Brett, Howard is listening to the music, which is, at this very moment, Carter, Jamie Robertson and Kelly and Steve at Fool being added by Jamie Robertson. Only ten more Circle Productions, all joining the great guys we’ve been minutes of music to go… although I’m just about to working with for years. Sound design is a very special, download the bulk of Part Two in a about half an hour’s crazy world in which you find yourself listening to every time. -
Camelot: Rules
Original Game Design: Tom Jolly Additional Game Design: Aldo Ghiozzi C a m e l o t : V a r i a t i o n R u l e s Playing Piece Art & Box Cover Art: The Fraim Brothers Game Board Art: Thomas Denmark Graphic Design & Box Bottom Art: Alvin Helms Playtesters: Rick Cunningham, Dan Andoetoe, Mike Murphy, A C C O U T R E M E N T S O F K I N G S H I P T H E G U A R D I A N S O F T H E S W O R D Dave Johnson, Pat Stapleton, Kristen Davis, Ray Lee, Nick Endsley, Nate Endsley, Mathew Tippets, Geoff Grigsby, Instead of playing to capture Excalibur, you can play In this version, put aside one of the 6 sets of tokens (or © 2005 by Tom Jolly Allan Sugarbaker, Matt Stipicevich, Mark Pentek and Aldo Ghiozzi to capture the Accoutrements of Kingship (hereafter make 2 new tokens for this purpose). Take two of the referred to as "Items") from the rest of the castle, Knights (Lancelots) from that set and place them efore there was King Arthur, there was… well, same time. Each player controls a small army of 15 returning the collected loot to your Entry. If you can within 2 spaces of Excalibur before the game starts. Arthur was a pretty common name back then, pieces, attempting to grab Excalibur from the claim any 2 of the 4 Items (the Crown, the Scepter, During the game, any player may move and attack with B since every mother wanted their little Arthur to center of the game board and return it to their the Robe, the Throne) one or both of these Knights, or use one of these be king, and frankly nobody really knew who "the real starting location. -
Doctor Who 4 Ep.18.GOLD.SCW
DOCTOR WHO 4.18 by Russell T Davies Shooting Script GOLDENROD ??th April 2009 Prep: 23rd February Shoot: 30th March Tale Writer's The Doctor Who 4 Episode 18 SHOOTING SCRIPT 20/03/09 page 1. 1 OMITTED 1 2 FX SHOT. GALLIFREY - DAY 2 FX: LONG FX SHOT, craning up to reveal the mountains of Gallifrey, as Ep.3.12 sc.40. But now transformed; the mountains are burning, a landscape of flame. The valley's a pit of fire, cradling the hulks of broken spaceships. Keep craning up to see, beyond; the Citadel of the Time Lords. The glass dome now cracked and open. CUT TO: 3 INT. CITADEL - DAY 3 FX: DMP WIDE SHOT, an ancient hallway, once beautiful, high vaults of stone & metal. But the roof is now broken, open to the dark orange sky, the edges burning. Bottom of frame, a walkway, along which walk THE NARRATOR, with staff, and 2 TIME LORDS, the latter pair in ceremonial collars. FX: NEW ANGLE, LONG SHOT, the WALKWAY curves round, Narrator & Time Lords now following the curve, heading towards TWO HUGE, CARVED DOORS, already open. A Black Void beyond. Tale CUT TO: 4 INT. BLACK VOID 4 FX: OTHER SIDE OF THE HUGE DOORS, NARRATOR & 2 TIME LORDS striding through. The Time Lords stay by the doors, on guard; lose them, and the doors, as the Narrator walks on. FX: WIDE SHOT of the Black Void - like Superman's Krypton, the courtroom/Phantom Zone scenes - deep black, starkly lit from above. Centre of the Void: a long table, with 5 TIME LORDS in robes Writer's(no collars) seated. -
A IDEOLOGICAL CRITICISM of DOCTOR WHO Noah Zepponi University of the Pacific, [email protected]
University of the Pacific Scholarly Commons University of the Pacific Theses and Dissertations Graduate School 2018 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO Noah Zepponi University of the Pacific, [email protected] Follow this and additional works at: https://scholarlycommons.pacific.edu/uop_etds Part of the Communication Commons Recommended Citation Zepponi, Noah. (2018). THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO. University of the Pacific, Thesis. https://scholarlycommons.pacific.edu/uop_etds/2988 This Thesis is brought to you for free and open access by the Graduate School at Scholarly Commons. It has been accepted for inclusion in University of the Pacific Theses and Dissertations by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. 2 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi A Thesis Submitted to the Graduate School In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS College of the Pacific Communication University of the Pacific Stockton, California 2018 3 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi APPROVED BY: Thesis Advisor: Marlin Bates, Ph.D. Committee Member: Teresa Bergman, Ph.D. Committee Member: Paul Turpin, Ph.D. Department Chair: Paul Turpin, Ph.D. Dean of Graduate School: Thomas Naehr, Ph.D. 4 DEDICATION This thesis is dedicated to my father, Michael Zepponi. 5 ACKNOWLEDGEMENTS It is here that I would like to give thanks to the people which helped me along the way to completing my thesis. First and foremost, Dr. -
The Arthurian Legend Now and Then a Comparative Thesis on Malory's Le Morte D'arthur and BBC's Merlin Bachelor Thesis Engl
The Arthurian Legend Now and Then A Comparative Thesis on Malory’s Le Morte D’Arthur and BBC’s Merlin Bachelor Thesis English Language and Culture, Utrecht University Student: Saskia van Beek Student Number: 3953440 Supervisor: Dr. Marcelle Cole Second Reader: Dr. Roselinde Supheert Date of Completion: February 2016 Total Word Count: 6000 Index page Introduction 1 Adaptation Theories 4 Adaptation of Male Characters 7 Adaptation of Female Characters 13 Conclusion 21 Bibliography 23 van Beek 1 Introduction In Britain’s literary history there is one figure who looms largest: Arthur. Many different stories have been written about the quests of the legendary king of Britain and his Knights of the Round Table, and as a result many modern adaptations have been made from varying perspectives. The Cambridge Companion to the Arthurian Legend traces the evolution of the story and begins by asking the question “whether or not there ever was an Arthur, and if so, who, what, where and when.” (Archibald and Putter, 1). The victory over the Anglo-Saxons at Mount Badon in the fifth century was attributed to Arthur by Geoffrey of Monmouth (Monmouth), but according to the sixth century monk Gildas, this victory belonged to Ambrosius Aurelianus, a fifth century Romano-British soldier, and the figure of Arthur was merely inspired by this warrior (Giles). Despite this, more events have been attributed to Arthur and he remains popular to write about to date, and because of that there is scope for analytic and comparative research on all these stories (Archibald and Putter). The legend of Arthur, king of the Britains, flourished with Geoffrey of Monmouth’s The History of the Kings of Britain (Monmouth). -
King Arthur and the Round Table Movie
King Arthur And The Round Table Movie Keene is alee semestral after tolerable Price estopped his thegn numerically. Antirust Regan never equalises so virtuously or outflew any treads tongue-in-cheek. Dative Dennis instilling some tabarets after indwelling Henderson counterlights large. Everyone who joins must also sign or rent. Your britannica newsletter for arthur movies have in hollywood for a round table, you find the kings and the less good. Oxford: Oxford University Press. Why has been chosen to find this table are not return from catholic wedding to. The king that, once and possess it lacks in modern telling us an enchanted lands. Get in and arthur movie screen from douglas in? There that lancelot has an exchange is eaten by a hit at britons, merlin argues against mordred accused of king arthur and the round table, years of the round tabletop has continued to. Cast: Sean Connery, Ben Cross, Liam Cunningham, Richard Gere, Julia Ormond, and Christopher Villiers. The original site you gonna remake this is one is king arthur marries her mother comes upon whom he and king arthur the movie on? British nobles defending their affection from the Saxon migration after the legions have retreated back to mainland Europe. Little faith as with our other important characters and king arthur, it have the powerful magic garden, his life by. The morning was directed by Joshua Logan. He and arthur, chivalry to strike a knife around romance novels and fireballs at a court in a last tellers of the ends of his. The Quest Elements in the Films of John Boorman. -
Read Ebook {PDF EPUB} Doctor Who Cat's Cradle Time's Crucible by Marc Platt Doctor Who: Cat's Cradle: Time's Crucible by Marc Platt
Read Ebook {PDF EPUB} Doctor Who Cat's Cradle Time's Crucible by Marc Platt Doctor Who: Cat's Cradle: Time's Crucible by Marc Platt. THIS STORY TAKES. PLACE BETWEEN THE NOVEL "TIMEWYRM: THE BIG FINISH AUDIO. RECOMMENDED. OFFICIAL VIRGIN 'NEW. ADVENTURE' PAPERBACK. (ISBN 0-426-20365-8) RELEASED IN FEBRUARY. The TARDIS is invaded. by an alien presence. and destroyed. The. Ace finds herself in a. bizarre deserted city. ruled by A leech-like. monster known as the. Lost voyagers drawn. forTH from Ancient. Gallifrey perform. obsessive rituals. in the ruins. strands of time are. tangled in a cat�s. cradle of dimensions. Only the Doctor can. challenge the rule. of the Process and. restore the stolen. But the Doctor was. destroyed long ago, before Time began. As popular as Ghost Light was, truncated into three episodes with its exposition on the cutting room floor, Marc Platt�s atmospheric television serial never quite worked for me. With this novel, however, the written word allows Platt the freedom to tell his story at a slower pace, making it easier for the reader to follow not only the broad strokes but also the intricate subtleties of his plot. For me, the brilliance of Cat�s Cradle: Time�s Crucible can be summed up in just one word: Gallifrey. This novel is the first story since The Deadly Assassin to really get to grips with. the rudiments of Time Lord civilisation, and the first story ever to flesh out the culture of this fascinating race in any sort of satisfactory fashion. -
Number 42 Michaelmas 2018
Number 42 Michaelmas 2018 Number 42 Michaelmas Term 2018 Published by the OXFORD DOCTOR WHO SOCIETY [email protected] Contents 4 The Time of Doctor Puppet: interview with Alisa Stern J A 9 At Last, the Universe is Calling G H 11 “I Can Hear the Sound of Empires Toppling’ : Deafness and Doctor Who S S 14 Summer of ‘65 A K 17 The Barbara Wright Stuff S I 19 Tonight, I should liveblog… G H 22 Love Letters to Doctor Who: the 2018 Target novelizations R C 27 Top or Flop? Kill the Moon J A, W S S S 32 Haiku for Kill the Moon W S 33 Limerick for Kill the Moon J A 34 Utopia 2018 reports J A 40 Past and present mixed up: The Time Warrior M K 46 Doctors Assemble: Marvel Comics and Doctor Who J A 50 The Fan Show: Peter Capaldi at LFCC 2018 I B 51 Empty Pockets, Empty Shelves M K 52 Blind drunk at Sainsbury’s: Big Finish’s Exile J A 54 Fiction: A Stone’s Throw, Part Four J S 60 This Mid Curiosity: Time And Relative Dimensions In Shitposting W S Front cover illustration by Matthew Kilburn, based on a shot from The Ghost Monument, with a background from Following Me Home by Chris Chabot, https://flic.kr/p/i6NnZr, (CC BY-NC 2.0) Edited by James Ashworth and Matthew Kilburn Editorial address [email protected] Thanks to Alisa Stern and Sophie Iles This issue was largely typeset in Minion Pro and Myriad Pro by Adobe; members of the Alegreya family, designed by Juan Pablo del Peral; members of the Saira family by Omnibus Type; with Arial Rounded MT Bold, Baskerville, Bauhaus 93, and Gotham Narrow Black. -
Surgeon in Blue: Jonathan Letterman, the Civil War Doctor Who Pioneered Battlefield Care
Civil War Book Review Fall 2013 Article 20 Surgeon in Blue: Jonathan Letterman, the Civil War Doctor Who Pioneered Battlefield Care Rea Redd Follow this and additional works at: https://digitalcommons.lsu.edu/cwbr Recommended Citation Redd, Rea (2013) "Surgeon in Blue: Jonathan Letterman, the Civil War Doctor Who Pioneered Battlefield Care," Civil War Book Review: Vol. 15 : Iss. 4 . DOI: 10.31390/cwbr.15.4.20 Available at: https://digitalcommons.lsu.edu/cwbr/vol15/iss4/20 Redd: Surgeon in Blue: Jonathan Letterman, the Civil War Doctor Who Pio Review Redd, Rea Fall 2013 McGaugh, Scott Surgeon in Blue: Jonathan Letterman, The Civil War Doctor Who Pioneered Battlefield Care. Arcade Publishing, $25.95 ISBN 978-1-61145-839-8 Saving Lives On Battlefields: Jonathan Letterman’s Innovations During the Civil War The American Civil War was fought before the medical community understood germs, which had been seen under a microscope but had yet to be named. During its first battles the wounded were left where they fell unless they hobbled away with the help of a comrade. Wounded soldiers, lucky to find themselves away from the battlefields, sat on cities’ curbs and on the front steps of homes and waiting for caregivers to arrive. In July 1861, Williams S. King, the medical director of Irvin McDowell’s Federal army arrived only a few days before the troops began their march toward Manassas Junction, Virginia. King estimated that he would need 20 wagons of medical supplies to accompany the army. The quartermaster of the army denied the request. Though 50 wagons were available for ambulance duty, they were driven by musicians who had no other specific task to perform in this instance. -
Technologies Journal of Research Into New Media
Convergence: The International Journal of Research into New Media Technologies http://con.sagepub.com Doctor Who and the Convergence of Media: A Case Study in `Transmedia Storytelling' Neil Perryman Convergence 2008; 14; 21 DOI: 10.1177/1354856507084417 The online version of this article can be found at: http://con.sagepub.com/cgi/content/abstract/14/1/21 Published by: http://www.sagepublications.com Additional services and information for Convergence: The International Journal of Research into New Media Technologies can be found at: Email Alerts: http://con.sagepub.com/cgi/alerts Subscriptions: http://con.sagepub.com/subscriptions Reprints: http://www.sagepub.com/journalsReprints.nav Permissions: http://www.sagepub.co.uk/journalsPermissions.nav Citations http://con.sagepub.com/cgi/content/refs/14/1/21 Downloaded from http://con.sagepub.com by Roberto Igarza on December 6, 2008 021-039 084417 Perryman (D) 11/1/08 09:58 Page 21 Convergence: The International Journal of Research into New Media Technologies Copyright © 2008 Sage Publications London, Los Angeles, New Delhi and Singapore Vol 14(1): 21–39 ARTICLE DOI: 10.1177/1354856507084417 http://cvg.sagepub.com Doctor Who and the Convergence of Media A Case Study in ‘Transmedia Storytelling’ Neil Perryman University of Sunderland, UK Abstract / The British science fiction series Doctor Who embraces convergence culture on an unprecedented scale, with the BBC currently using the series to trial a plethora of new technol- ogies, including: mini-episodes on mobile phones, podcast commentaries, interactive red-button adventures, video blogs, companion programming, and ‘fake’ metatextual websites. In 2006 the BBC launched two spin-off series, Torchwood (aimed at an exclusively adult audience) and The Sarah Jane Smith Adventures (for 11–15-year-olds), and what was once regarded as an embarrass- ment to the Corporation now spans the media landscape as a multi-format colossus.