Winogrand Interview
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Camera Night at the Ivar a Group Show
727 S. Spring Street Los Angeles, CA 90014 213.612.0276 www.drkrm.com/ivar.html [email protected] Camera Night at the Ivar a group show October 20 - November 25, 2012 Opening Reception Saturday October 20, 7-10 pm The Ivar Theatre, Hollywood 1977 "It’s cold out there, colder than a ticket taker's smile at the Ivar Theatre, on Saturday night" Tom Waits - Nighthawks at the Diner drkrm is pleased to present Camera Night at the Ivar, a group exhibition featuring rarely seen images from the Ivar Theatre in Hollywood presented for the first time together. Photographers featured include Norman Breslow!, Bill Dane, !David Fahey, !Anthony Friedkin, !Michael Guske!, Ryan Herz, Beth Herzhaft and Paul McDonough. On display from October 20 through November 25, 2012. The Ivar Theatre in Hollywood has inspired lyrics in the songs of Tom Waits. Photographer Garry Winogrand's images of Ivar strippers have been displayed at the Museum of Modern Art. Performers through the years have included Lord Buckley, Lenny Bruce and many others. Elvis made a movie there. The Ivar started life as a legitimate performance theater when it first opened in 1951. It later became a rock club; The Grateful Dead played there in 1966. The theatre changed hands frequently and by the late 60’s it became a full-nudity strip joint - one of the last standing “Burlesk” houses in the United States. The Ivar was lewd and notorious in its day. It was described by its patrons as “a chamber of desperation, a mausoleum for souls -- on and off the runway.” Ross MacLean, one time stage manager and spotlight operator for two years, says "It's difficult to convey how bizarrely un-sexy and un-romantic the place was. -
Download Date 11/10/2021 08:07:08
Exhibiting Photography: Twenty Years at the Center for Creative Photography Item Type text; Book Publisher Center for Creative Photography, University of Arizona (Tucson, AZ) Rights Center for Creative Photography, University of Arizona, Copyright © 1996 Arizona Board of Regents. All Rights Reserved. Copyright notices for individual photographs appear in the captions. Download date 11/10/2021 08:07:08 Item License http://rightsstatements.org/vocab/InC/1.0/ Link to Item http://hdl.handle.net/10150/641074 80 homas F.Bar row Red Ma11), 1979- T Ho111e of the 0 cm Arizona (Last rint, 49 .0 x 39 . Holbrook, gelatin silver p k, reassembled Spray-paint, caul 01 81:016:0 es n Altered I111ag Exhibited i as F.Barrow © 1981 Thom Joyce Neimanas Umirled #3, 1980 Polaroid SX-70 print collage,80 x101 cm (irregular) 82:013.002 Exhibited in Joyce 1\'ci111a11as 1980 Joyce Neimanas EXHIBITING PHOTOGRAPHY Twenty Years at the Center for Creative Photography Center for Creative Photography • The University of Arizona Copyright © 1996 Center for Creative Photography Arizona Board of Regents All Rights Reserved Copyright notices for individual photographs appear in the photograph captions. Design by Nancy Solomon Printing and Separations by Print Expressions Binding by Roswell Bookbinding FRONT CoVErl..: Thomas Struth's Art Institute of Chicago II, Chicago, 1990 on exhibition in Art Museum by Dianne Nilsen BACK COVER: poster/announcement for the first exhibition at the Center for Creative Photography Library of Congress Catalog Card Number 96-85230 ISBN 0-938262-28-9 ISSN 0735-5572 The Archive, Research Series, of the Center for Creative Photography is supported in part by Polaroid Corporation. -
LARRY SULTAN B.1946, Brooklyn, New York D. 2009 Greenbrae, California
LARRY SULTAN b.1946, Brooklyn, New York d. 2009 Greenbrae, California EDUCATION 1973 MFA, Photography, San Francisco Art Institute 1968 BA, Political Science, University of California, Santa Barbara PROFESSIONAL SERVICE 2009 Elected Member, Board of Trustees, San Francisco Museum of Modern Art 1989 – 2009 Distinguished Professor of Art, California College of the Arts, San Francisco 1993 – 1999 Chair Photography Department, California College of the Arts, San Francisco 1978 – 1988 Instructor of Photography, San Francisco Art Institute 1992 – 1998 Board of Trustees, Headlands Center for the Arts SOLO AND COLLABORATIVE EXHIBITIONS 2018 Galerie Thomas Zander: Köln, Germany 2017 San Francisco Museum of Modern Art: California 2015 Milwaukee Art Museum: Wisconsin Kunst Museum Bonn: Germany S.M.A.K.: Ghent, Belgium 2014 Los Angeles County Museum of Art: California Stephen Wirtz Gallery: San Francisco, California 2012 Amon Carter Museum of American Art: Fort Worth, Texas 2010 Kestnergesellschaft: Hannover, Germany, Katherine Avenue 2009 Galerie Thomas Zander: Köln, Germany Royal Botanical Gardens: Madrid, Spain Kunstverein: Bremerhaven, Germany 2007 Domus Atrium O2: Salamanca, Spain Museum of Contemporary Photography: Chicago, Illinois Alexandre Pollazzon Gallery: London, England 2006 Campus Galerie: University of Bayreuth, Germany Jackson Fine Art: Atlanta, Georgia 2005 Musée de l’Elysée: Lausanne Switzerland Maes & Matthys Gallery: Antwerp Belgium Photographers Gallery: Vassar College Art Gallery, London, England 2004 San Francisco Museum of -
San Francisco Museum of Modern Art Regional Oral History Office 75Th Anniversary the Bancroft Library Oral History Project University of California, Berkeley
San Francisco Museum of Modern Art Regional Oral History Office 75th Anniversary The Bancroft Library Oral History Project University of California, Berkeley SFMOMA 75th Anniversary Larry Sultan Interview conducted by Jess Rigelhaupt in 2007 Copyright © 2011 by San Francisco Museum of Modern Art Funding for the Oral History Project provided in part by Koret Foundation. ii Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the nation. Oral History is a method of collecting historical information through tape-recorded interviews between a narrator with firsthand knowledge of historically significant events and a well-informed interviewer, with the goal of preserving substantive additions to the historical record. The tape recording is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The corrected manuscript is bound with photographs and illustrative materials and placed in The Bancroft Library at the University of California, Berkeley, and in other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ********************************* All uses of this manuscript are covered by a legal agreement between The Regents of the University of California and Larry Sultan, April 1, 2009. The manuscript is thereby made available for research purposes. All copyrights and other intellectual property rights in the manuscript, including the right to publish, are reserved to the San Francisco Museum of Modern Art. -
Larry Sultan
LARRY SULTAN 1946 – 2009 Born: Brooklyn, New York EDUCATION 1973 MFA, Photography, San Francisco Art Institute 1968 BA, Political Science, University of California, Santa Barbara PROFESSIONAL AFFILATIONS 1989 – 2009 Distinguished Professor of Art, California College of the Arts, San Francisco 1993 – 1999 Chair Photography Department, California College of the Arts, San Francisco 1978 – 1988 Instructor of Photography, San Francisco Art Institute 1992 – 1998 Board of Trustees, Headlands Center for the Arts AWARDS 2000 Civitella Ranieri Foundation Fellowship 2000 United States State Department: International Arts and Lectures Grant 2000 Flintridge Foundation Artist’s Fellowship 1999 Gerbode Foundation 1997 Society of Environmental Graphic Design - Award of Merit 1996 Haas Foundation - Creative Work Fund Award 1996 Marin Arts Council, Artist Fellowship 1992 National Endowment for the Arts, Photography Fellowship 1991 Louis Comfort Tiffany Foundation Biennial Award 1989 Fleishhacker Foundation Eureka Fellowship 1988 Englehard Fellowship, ICA Boston 1986 National Endowment for the Arts, Photography Fellowship 1986 Marin Arts Council, Artists Fellowship 1983 Guggenheim Fellowship 1980 National Endowment for the Arts, Photography Fellowship 1978 California Arts Council, Special Projects (with Mike Mandel) 1977 National Endowment for the Arts, Photography Fellowship 1976 National Endowment for the Arts, Art in Public Places with (Mike Mandel) PUBLISHED BOOKS 2012 Larry Sultan and Mike Mandel, Verlag der Buchhandlung Walther König/D.A.P. 2010 Katherine