Redalyc.¡Palante, Siempre Palante!, Interview with Richie Perez
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Radicals in Black and Brown
January 27 – March 2, 2007 The Robert and Sallie Brown Gallery and Museum THE SONJA HAYNES STONE CENTER FOR BLACK CULTURE AND HIstORY THE UNIVERSI T Y O F N OR T H CAROLINA AT C H A P E L H ILL A BOUT THE ROBERT A ND SA LLIE BROWN G A LLERY A ND MUSEUM The Robert and Sallie Brown Gallery and Museum at the Sonja Haynes Stone Center for Black Culture and History is dedicated to the enrichment of visual culture on campus and in the community. The Brown Gallery supports the Stone Center’s commitment to the critical examination of all dimensions of African-American and African diaspora cultures through the formal exhibition of works of art, artifacts and forms of material culture. Project Directors Joseph Jordan, The University of North Carolina at Chapel Hill Johanna Fernandez, Carnegie-Mellon University Charles Jones, Georgia State University Project Advisors Jose “Cha Cha” Jimenez Kathleen Cleaver Denise Oliver-Velez Darrell Enck-Wanzer Mickey Melendez Hiram Maristany Iris Morales Alden Kimbrough Ahmad Rahman Carlos Flores Co-Sponsors Institute of African-American Research at UNC at Chapel Hill The Latina/o Studies Minor at UNC at Chapel Hill Centro de Estudios Puertorriqueños in New York African-American Latina/o Alliance of North Carolina Special Thanks to Sandra B. Hill Olympia Friday Jumoke Blaize Randy Simmons Trevaughn Eubanks Lotticia Mack Reginald Hildebrand Works featured in the exhibit were acquired from the Alden Kimbrough and Mary Kimbrough Collection, the Centro de Estudios Puertorriqueños, the Carlos Flores Collection, the Hiram Maristany Collection, and the Sonja Haynes Stone Collection. -
¡Palante, Siempre Palante!, Interview with Richie Perez
CENTRO Journal Volume7 xxi Number 2 fall 2009 ¡PALANTE, SIEMPRE PALANTE!, INTERVIEW WITH RICHIE PEREZ Iris Morales RICHIE PEREZ PASSED AWAY IN 2004. I conducted this interview with him for the documentary, ¡Palante, Siempre Palante! The Young Lords, broadcast on national public television in 1996. We spoke for about three hours in a makeshift studio at NEON, the New Educational Opportunity Network, an organization I co-founded to do media work with Latino/as and African American youth. I first met Richie in the Young Lords in 1969. He and I served together on the Young Lords National Staff and, for a time, shared a three-room apartment on Tinton Avenue in the Bronx with our respective significant others. He remained with the organization until 1976; I resigned a year earlier. The interview offered us an opportunity to sum up and reflect on the ideas and organization that had forever shaped our political commitments. We knew that it would be an emotional experience; Martha, his wife and compañera, and Danny, his son, were present for the taping. Richie begins discussing the economic, social, and political landscape that influenced his thinking as a college graduate and high school teacher. One night at a party in the Bronx, two young women told him, “If you believe all that political stuff, you should be down at the church with those crazy Young Lords.” As Richie would, he considered what they said and headed down to the People’s Church on 111th Street, where he remained until arrested with 104 other supporters. It was the beginning of a political journey and association that took him from the Young Lords Organization to the Young Lords Richie Perez (with bullhorn) at a Young Lords rally protesting Pablo ‘Yoruba’ Guzman’s incarceration for draft evasion (Bronx, NY 28 Party and finally to the Puerto Rican Revolutionary Workers Organization (PRRWO). -
¡Palante Siempre Palante! the Young Lords
¡Palante Siempre Palante! The Young Lords P.O.V.’s Youth Views Youth Outreach Toolkit ¡Palante Siempre Palante! The Young Lords Youth Outreach Toolkit Table of Contents Introduction Background Information on ¡Palante Siempre Palante! The Young Lords q Film Synopsis q Cast of characters q Background Information on the Young Lords ¡Palante Siempre Palante! The Young Lords Screening Goals q Screening Goal One: Learning the Importance of Knowing Our History q Screening Goal Two: Developing a Plan for How Student Activists Can Impact Their Community q Screening Goal Three: Increasing Understanding of the Unique Immigrant Experience of Each Ethnic Group q Screening Goal Four: Understanding the Art of Storytelling in Filmmaking: How the Structure Influences the Message q Screening Goal Five: Examining the Impact of Gender Expectations on Revolutionary Movements Step-by-Step Guide on How to Organize a Screening Event Index of Companion Materials and Resources Acknowledgements INTRODUCTION Welcome to the ¡Palante Siempre Palante! The Young Lords Youth Outreach Toolkit! We are very excited to have your participation in the Youth Views program. Youth Views’ dedicated to collaborating with young people that want to explore the use of documentaries as community building tools. The ¡Palante Siempre Palante! The Young Lords Youth Outreach Toolkit focuses on involving young people in the creation of screening events where critical dialogues and civic response can succeed under youth leadership and initiative. With your input, we hope to continue creating more youth outreach toolkits for other P.O.V. programs. The Goals of The ¡Palante Siempre Palante! The Young Lords Youth Outreach Toolkit Are To… Support youth by… encouraging the development of critical thinking, media literacy, community organizing, peer support, personal expression, leadership, coalition building, and solution seeking through the organizing and execution of the ¡Palante Siempre Palante! The Young Lords screening event in their communities. -
The Young Lords
University of North Carolina Press THE YOUNG LORDS Copyrighted Material • Further Distribution Prohibited University of North Carolina Press INTRODUCTION In the !nal days of "#$#, the Young Lords were on top of the world. As the decade entered its midnight hour, this group of poor and working- class Puerto Rican radicals brought an alternative vision of society to life in their own neighbor- hood. Their aim was to reclaim the dignity of the racially oppressed and elevate basic human needs—food, clothing, housing, health, work, and community— over the pursuit of pro!t. In the course of a !ght with East Harlem’s First Spanish United Methodist Church (FSUMC), they found an unlikely but irresistible se%ing for the public presentation of their revolutionary project. The Young Lords had simply been looking for a space to feed breakfast to poor children before school. The church seemed an ideal place. It was conve- niently situated in the center of East Harlem and housed in a beautiful, spacious building that was closed all week except for a couple of hours on Sunday. But its priest, an exile of Castro’s revolutionary Cuba, denied the use of its building. In response, the Young Lords charged that the church’s benign indi&erence to the social and economic su&ering of the people of East Harlem—one of the poor- est districts in the city—mirrored government indi&erence and enabled social violence. They argued further that the church’s professed goals of service to mankind and promises of happiness and freedom from earthly worries in the herea'er cloaked a broader project of social control. -
From the Young Patriots to the Rainbow Coalition a Review of ‘Hillbilly Nationalists, Urban Race Rebels, and Black Power’
1 From the Young Patriots to the Rainbow Coalition A review of ‘Hillbilly Nationalists, Urban Race Rebels, and Black Power’ Introduction The last twenty years or so have seen a wave of publications recounting and examining the history of the New Left1 and radical Black2, Latino3 and Native American4 organisations of the 1960s and 70s in the United States. Many of these books have been concerned with the spectacular exploits of these formations, particularly the armed struggle fractions which appeared in the 1970s such as the Weather Underground5, Black Liberation Army6 and the paramilitary sections of the American Indian Movement (AIM). In tandem with these works there has been significant interest in the Counter- Intelligence Program (COINTELPRO) run by the FBI in the 1960s-70s7 which is often cited for the decline and sometimes violent collapse of some of these organisations. The consequence of this focus on spectacular actions, political prisoners and state repression has been to the detriment of analyses of day-to-day ‘community organising’8 which most of these movements undertook, to varying degree, in one form or another. However, in the histories of these movements another aspect beyond ‘community organising’ has been even more obscured or ignored; that of White working class involvement with the New Left and the relationship of these groups to the other radical ethnic organisations. Considering the simple fact that, despite significant stratifications within the class as a whole, the White working class were and remain the majority of the proletariat in the U.S.; there are clearly some pertinent questions to be asked. -
Young Lords/Puerto Rican Radical Nationalists During the Late 20Th Century
UC Irvine UC Irvine Electronic Theses and Dissertations Title Puerto Rico En Mi Corázon: Young Lords/Puerto Rican Radical Nationalists During the Late 20th Century Permalink https://escholarship.org/uc/item/1jk3960d Author Arguello, Martha Mercedes Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, IRVINE Puerto Rico En Mi Corazón: Young Lords/Puerto Rican Radical Nationalists During the Late 20th Century DISSERTATION Submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in History by Martha Mercedes Argüello Dissertation Committee: Professor Winston A. James, Chair Professor Vicky Lynn Ruiz Associate Professor Lauren Robin Derby 2015 ©2015 Martha Mercedes Argüello TABLE OF CONTENTS Page LIST OF TABLES ii ACKNOWLEDGEMENTS iii CURRICULUM VITAE vi ABSTRACT OF DISSERTATION vii INTRODUCTION 1 CHAPTER 1: La Isla 20 CHAPTER 2: Migration, Labor, Transnational Politics 60 CHAPTER 3: Chicago: Rising Up Poor, Rising Up Angry 102 CHAPTER 4: New York and Beyond 146 CHAPTER 5: The Young Lords Movement Dreams, Demands, Platform and Vision 181 CONCLUSION: Pa’lante 216 BIBLIOGRAPHY 219 i LIST OF TABLES Page Table 2.1 Puerto Rican Population, States: New York, Illinois, 1950-1970 94 Table 2.2 Puerto Rican Population, Increase States: New York, Illinois 95 ii ACKNOWLEDGEMENTS This dissertation represents a long journey of discovery and development, one that allowed me to become immersed in histories that profoundly impacted me. Its completion would not have been possible without the support of many. The process has been long and often challenging. However, I was continually reminded of the reason that I embarked on this journey, namely, that the stories and histories of the people who surrounded me, are indeed important. -
Young Lords in New York, 1969-1976
LESSON PLANS ECONOMIC RIGHTS POWER TO ALL OPPRESSED PEOPLE: The Young Lords in New York, 1969-1976 Image Caption (Detail) [ Link ] OVERVIEW COMMON CORE STATE Students will investigate the intersections between health and racial justice STANDARDS and the inventive actions that the Young Lords used to promote unity and CCSS.ELA-LITERACY.RI.3.1: demand equality. Ask and answer questions to demonstrate understanding of a text, referring explicitly to STUDENT GOALS the text as the basis for the answers. (Grade 3) Students will examine the creative and bold strategies that the Young Lords used to raise awareness about daily issues and make visible CCSS.ELA-LITERACY.RI.6.6: the effects of urban poverty and racism. Determine an author’s point of view or purpose in a text and explain how it is Students will examine the diversity within the Young Lords conveyed in the text. membership and the connections they made between local and (Grade 6) international causes. They will also discuss how the Young Lords addressed internal struggles surrounding gender in their own CCSS.ELA-LITERACY.RI.11-12.6: organization. Determine an author’s point of view or purpose in a text in which the rhetoric Students will discuss the ways the Young Lords demonstrated “self- is particularly effective, analyzing how determination” and created alternative solutions to demand and style and content contribute to the power, create the change they wanted to see. persuasiveness or beauty of the text. Students will consider how the Young Lords used media as (Grades 11-12) an organizing tool and then write and design their own school newspaper. -
An International Film Circuit Presentation of a She's Beautiful
An International Film Circuit presentation of a She’s Beautiful Film Project Production www.shesbeautifulwhenshesangry.com/ DOWNLOADABLE HI RES IMAGES www.internationalfilmcircuit.com/sbwsa/press.html www.fb.com/ShesBeautifulWhenShesAngry https://twitter.com/SBWSA @SBWSA Trailer: https://vimeo.com/90762657 Press Contact: Distribution Contact: Sasha Berman Wendy Lidell tel. 310.450.5571 [email protected] [email protected] US • 2014 • 16:9 • Stereo • 92 mins • NR SHE’S BEAUTIFUL WHEN SHE’S ANGRY SHORT SYNOPSIS SHE’S BEAUTIFUL WHEN SHE’S ANGRY resurrects the buried history of the outrageous, often brilliant women who founded the modern women’s movement from 1966 to 1971. SHE’S BEAUTIFUL takes us from the founding of NOW, with ladies in hats and gloves, to the emergence of more radical factions of women’s liberation; from intellectuals like Kate Millett to the street theatrics of WITCH (Women’s International Conspiracy from Hell!). It does not shy away from controversies over race, sexual preference and leadership that arose in the women’s movement, and brilliantly captures the spirit of the time -- thrilling, scandalous, and often hilarious. LONG SYNOPSIS SHE’S BEAUTIFUL WHEN SHE’S ANGRY is a provocative and rousing look at the birth of the women’s liberation movement in the late 1960’s. The film offers a unique focus on local and lesser-known activists, including the Boston authors of Our Bodies, Ourselves , the Chicago Women’s Liberation Union, and grassroots organizations across the country, using never-seen before archival footage, great music from the period and artful re-enactments. She’s Beautiful depicts the early days of the National Organization for Women (NOW) when ladies wore hats and gloves. -
Young Lords : a Reader / Edited by Darrel Enck-Wanzer ; Foreword by Iris Morales and Denise Oliver-Velez
The Young Lords This page intentionally left blank The Young Lords A Reader Edited by Darrel Enck-Wanzer Foreword by Iris Morales and Denise Oliver-Velez a NEW YORK UNIVERSITY PRESS New York and London NEW YORK UNIVERSITY PRESS New York and London www.nyupress.org © 2010 by New York University All rights reserved Library of Congress Cataloging–in–Publication Data The Young Lords : a reader / edited by Darrel Enck-Wanzer ; foreword by Iris Morales and Denise Oliver-Velez. p. cm. Includes bibliographical references and index. ISBN 978–0–8147–2241–1 (cloth : acid-free paper) — ISBN 978–0–8147–2242–8 (pbk. : acid-free paper) 1. Young Lords (Organization)—History—Sources. 2. Puerto Ricans— New York (State)—New York—Social conditions—20th century—Sources. 3. Puerto Ricans—New York (State)—New York—Politics and government— 20th century—Sources. 4. Puerto Ricans—New York (State)—New York— Biography. 5. Political activists—New York (State)—New York—Biography. 6. New York (N.Y.)—Social conditions—20th century—Sources. 7. New York (N.Y.)—Ethnic relations—Sources. 8. New York (N.Y.)—Biography. 9. Readers. I. Enck-Wanzer, Darrel. F128.9.P85Y68 2010 305.868'72950747—dc22 2010020183 New York University Press books are printed on acid-free paper, and their binding materials are chosen for strength and durability. We strive to use environmentally responsible suppliers and materials to the greatest extent possible in publishing our books. Manufactured in the United States of America c 10 9 8 7 6 5 4 3 2 1 P 10 9 8 7 6 5 4 3 2 1 Contents Foreword: Why Read the Young Lords Today? .