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Twin Peaks #1.003
TWIN PEAKS #1.003 by Harley Peyton FIRST DRAFT: September 26, 1989 REVISIONS: October 3, 1989 Converted to PDF by Andre for PDFSCREENPLAYS.NET ACT ONE FADE IN: EXT. GREAT NORTHERN HOTEL - DAY Morning breaks over the stately hotel. CUT TO: INT. GREAT NORTHERN DINING ROOM - DAY DALE COOPER, at the corner table, takes a sip of coffee and orders breakfast from waitress TRUDY. COOPER Shortstack of griddlecakes, maple syrup, lightly heated and a slice of ham. Nothing beats the taste of maple syrup when it collides with ham. TRUDY Griddlecakes, side a' ham. Warmup? Cooper nods appreciatively. Trudy refills his cup, exits. Cooper takes a sip, nearly hums with approval. Then looks up to find AUDREY HORNE standing before him. Audrey smiles, beautiful, rubs a little sleep out of her eyes. AUDREY Good morning, Colonel Cooper. COOPER Just Agent, Audrey. Special Agent. AUDREY (caressing the words) Special Agent. COOPER Please. Sit down. AUDREY (unsure) I'm in a hurry. COOPER For what? She doesn't know what to say or do. So she offers a nervous shrug instead. 2. COOPER (CONT'D) Audrey, that perfume you're wearing is incredible. AUDREY Do you really think so? Cooper takes a pen from his pocket, hands it to her with a napkin. COOPER Write your name down for me. AUDREY (eager) Okay. She takes the pen and writes carefully, hands it back to Cooper. He looks at it. COOPER Audrey, there's something you'd like to tell me. AUDREY (blushing) There is? Beat. All she wants is to be close to him. -
Twin Peaks’ New Mode of Storytelling
ARTICLES PROPHETIC VISIONS, QUALITY SERIALS: TWIN PEAKS’ NEW MODE OF STORYTELLING MIKHAIL L. SKOPTSOV ABSTRACT Following the April 1990 debut of Twin Peaks on ABC, the TV’, while disguising instances of authorial manipulation evi- vision - a sequence of images that relates information of the dent within the texts as products of divine internal causality. narrative future or past – has become a staple of numerous As a result, all narrative events, no matter how coincidental or network, basic cable and premium cable serials, including inconsequential, become part of a grand design. Close exam- Buffy the Vampire Slayer(WB) , Battlestar Galactica (SyFy) and ination of Twin Peaks and Carnivàle will demonstrate how the Game of Thrones (HBO). This paper argues that Peaks in effect mode operates, why it is popular among modern storytellers had introduced a mode of storytelling called “visio-narrative,” and how it can elevate a show’s cultural status. which draws on ancient epic poetry by focusing on main char- acters that receive knowledge from enigmatic, god-like figures that control his world. Their visions disrupt linear storytelling, KEYWORDS allowing a series to embrace the formal aspects of the me- dium and create the impression that its disparate episodes Quality television; Carnivale; Twin Peaks; vision; coincidence, constitute a singular whole. This helps them qualify as ‘quality destiny. 39 SERIES VOLUME I, SPRING 2015: 39-50 DOI 10.6092/issn.2421-454X/5113 INTERNATIONAL JOURNAL OF TV SERIAL NARRATIVES ISSN 2421-454X ARTICLES > MIKHAIL L. SKOPTSOV PROPHETIC VISIONS, QUALITY SERIALS: TWIN PEAKS’ NEW MODE OF STORYTELLING By the standards of traditional detective fiction, which ne- herself and possibly The Log Lady, are visionaries as well. -
A Postmodern Sense of Nostalgia: Demonstrating Through a Textual Analysis of Twin Peaks How Cult Membership Can Be Inculcated
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Digital Commons @Salve Regina University Salve Regina University Digital Commons @ Salve Regina Pell Scholars and Senior Theses Salve's Dissertations and Theses 8-1-2012 A Postmodern Sense of Nostalgia: Demonstrating Through a Textual Analysis of Twin Peaks How Cult Membership Can Be Inculcated. Nicholas G. Albanese Salve Regina University, [email protected] Follow this and additional works at: http://digitalcommons.salve.edu/pell_theses Part of the American Popular Culture Commons, Film and Media Studies Commons, and the Television Commons Albanese, Nicholas G., "A Postmodern Sense of Nostalgia: Demonstrating Through a Textual Analysis of Twin Peaks How Cult Membership Can Be Inculcated." (2012). Pell Scholars and Senior Theses. Paper 81. http://digitalcommons.salve.edu/pell_theses/81 This Article is brought to you for free and open access by the Salve's Dissertations and Theses at Digital Commons @ Salve Regina. It has been accepted for inclusion in Pell Scholars and Senior Theses by an authorized administrator of Digital Commons @ Salve Regina. For more information, please contact [email protected]. Nostalgia & Twin Peaks 1 Running head: Nostalgia and Twin Peaks A Postmodern Sense of Nostalgia : demonstrating through a textual analysis of Twin Peaks how cult membership can be inculcated Nicholas Albanese Salve Regina University Pell 450 Dr. Esch December 16, 2011 Nostalgia & Twin Peaks 2 Abstract This paper explores a “cult” -
Wildbrain Cplg Rides Into Twin Peaks X Milltag Collaboration
WILDBRAIN CPLG RIDES INTO TWIN PEAKS X MILLTAG COLLABORATION Limited edition cyclewear range to celebrate original TV series’ 30th anniversary London UK – 24 July 2020 – WildBrain CPLG, one of the world’s leading entertainment, sport and brand licensing agencies, has inked a deal with London-based cyclewear brand Milltag for a capsule collection to celebrate the 30th anniversary of original TV series, Twin Peaks, which premiered in 1990. Brokered by WildBrain CPLG on behalf of ViacomCBS Consumer Products, the Twin Peaks x Milltag collection features a full range of cycle clothing including a jersey, shorts, mitts, snood and cap, and will be available for a limited time in the UK this summer. The range combines cutting-edge garment technology, high-performance fabrics and a slim fit. The collection’s earthy green and brown tone colourway is inspired by the natural surroundings depicted in Twin Peaks, and is adorned with the logos of iconic local businesses from the series including Double R diner, and the Packard Sawmill. Laura Quinn, Category Manager UK at WildBrain CPLG, said: “Twin Peaks has an avid and highly engaged following thanks to its bold, original and genre-bending approach which remains influential to this day. With the show now celebrating its 30th anniversary, we’re very excited to be collaborating with Milltag and translating the brand into a dynamic and high-quality cyclewear range, which we’re sure will be a huge hit with fans across the UK.” Ed Cowburn, Owner at Milltag, said: "Milltag's favourite projects are ones that hold emotions for people. Whether it be producing products based around someone's favourite film, album, band or in this case, television show. -
Twin Peaks #1.002
TWIN PEAKS #1.002 by Mark Frost and David Lynch FIRST DRAFT: August 2, 1989 Converted to PDF by Andre for PDFSCREENPLAYS.NET ACT ONE EXT. GREAT NORTHERN HOTEL - EVENING Establish. CUT TO: INT. HORNE RESIDENCE WING - EVENING JERRY HORNE sits before a roaring fireplace, tumbler of bourbon in hand, eating nuts compulsively from a giant bowl while rapidly adding figures on a large computer while scores of numbers flash up and down on the large computer monitor, all the while talking into a headset phone receiver in a melange of Icelandic and English. In another part of the spacious room, the Horne family sits quietly around the dinner table. AUDREY HORNE plays listlessly with her food. A NURSE helps JOHNNY-still-wearing- his- headdress-HORNE eat, while MRS. HORNE stares at her full plate. For no discernable reason, Johnny bursts into tears. The Nurse comforts him and he starts to eat again. In spite of her feigned indifference, a small, sad tear slips down Audrey's cheek as she watches her brother. BENJAMIN HORNE finishes carving up and chewing a big rare steak and looks around at his family. He puts his napkin on the table, rises, then smiles. BENJAMIN Always a pleasure. (calls to his brother) Power down, Jer. We've got a "meeting." Jerry gets up, switches off the computer and does an Indian dance towards and eventually around the dinner table, making "traditional" Indian noises. JERRY (his idea of being a funny guy) Nephew Johnny, don't be forlorn... things're bound to get better in the morn.. -
Twin Peaks 101: Pilot 1990
TWIN PEAKS #001 Written by Mark Frost and David Lynch Based on, If Any First Draft JULY 12, 1989 Revisions: August 10, 1989 - Blue August 18, 1989 - Pink ACT ONE FADE IN: 1. EXT. GREAT NORTHERN HOTEL - DAY 1. Dawn breaks over the Great Northern. CUT TO: 2. INT. GREAT NORTHERN HOTEL ROOM - DAY 2. We hear him before we see him, but DALE COOPER is perched six inches above the floor in a one-handed yoga "frog" position, wearing boxer shorts and a pair of socks, talking into the tape recorder which is sitting on the carpet near his head. COOPER Diane ... 6:18 a.m., room 315, Great Northern Hotel up here in Twin Peaks. Slept pretty well. Non- smoking room. No tobacco smell. That's a nice consideration for the business traveller. A hint of douglas fir needles in the air. As Sheriff Truman indicated they would, everything this hotel promised, they've delivered: clean, reasonably priced accomodations ... telephone works ... bathroom in really tip-top shape ... no drips, plenty of hot water with good, steady pressure ... could be a side- benefit of the waterfall just outside my window ... firm mattress, but not too firm ... and no lumps like that time I told you about down in El Paso ... Diane, what a nightmare that was, but of course you've heard me tell that story once or twice before. Haven't tried the television. Looks like cable, probably no reception problems. But the true test of any hotel, as you know, is that morning cup of coffee, which I'll be getting back to you about within the half hour .. -
FAA Safety Briefing July August 2011
FAA Safety July/August 2011 BRIEG FIN Your source for general aviation news and information Above and Beyond Professionalism and Mentoring in GA Federal Aviation Administration www.faa.gov/news/safety_briefing/ The July/August 2011 issue of FAA Safety Briefing presents ideas for enhancing mentoring and professionalism in general aviation. Articles highlight the importance of the attitudes, skills, and knowledge needed to take you to the top of your flying game. Photo by James Williams Features BEYOND THE AIR SHOW U.S. Department Expanding Your Aeronautical Knowledge ..........................................4 of Transportation BY JAMES WILLIAMS Federal Aviation TEAMWORK AT ITS BEST Administration The Aviation Community Spirit Shines Through Adversity ...............6 BY KIERAN O’FARRELL ABOVE AND BEYOND ISSN: 1057-9648 Attitude Determines Your Altitude ....................................................10 FAA Safety Briefing BY RANDY BABBITT July/August 2011 Volume 50/Number 4 FLY LIKE A PRO Raymond H. LaHood Secretary of Transportation Professionalism and Flight Discipline in GA .....................................14 J. Randolph Babbitt Administrator BY EVERETTE ROCHON Margaret Gilligan Associate Administrator for Aviation Safety John M. Allen Director, Flight Standards Service IT TAKES A PRO TO MAKE A PRO Mel O. Cintron Manager, General Aviation and Commercial Division Susan Parson Editor Professionalism in Flight Training .....................................................16 Anna Allen Contributing Editor BY BRYAN NEVILLE Tom Hoffmann Associate Editor James R. Williams Assistant Editor / Photo Editor WHAT DO I DO NOW? Emanuel Cruz Assistant Copy Editor The Magic of Mentoring .......................................................................20 John Mitrione Art Director BY SUSAN PARSON Published six times a year, FAA Safety Briefing, formerly FAA Aviation News, promotes aviation safety by discussing current technical, regulatory, and procedural aspects affecting the safe operation and maintenance of aircraft. -
How Twin Peaks Changed the Face of Contemporary Television
“That Show You Like Might Be Coming Back in Style” 44 DOI: 10.1515/abcsj-2015-0003 “That Show You Like Might Be Coming Back in Style”: How Twin Peaks Changed the Face of Contemporary Television RALUCA MOLDOVAN Babeş-Bolyai University, Cluj-Napoca Abstract The present study revisits one of American television’s most famous and influential shows, Twin Peaks, which ran on ABC between 1990 and 1991. Its unique visual style, its haunting music, the idiosyncratic characters and the mix of mythical and supernatural elements made it the most talked-about TV series of the 1990s and generated numerous parodies and imitations. Twin Peaks was the brainchild of America’s probably least mainstream director, David Lynch, and Mark Frost, who was known to television audiences as one of the scriptwriters of the highly popular detective series Hill Street Blues. When Twin Peaks ended in 1991, the show’s severely diminished audience were left with one of most puzzling cliffhangers ever seen on television, but the announcement made by Lynch and Frost in October 2014, that the show would return with nine fresh episodes premiering on Showtime in 2016, quickly went viral and revived interest in Twin Peaks’ distinctive world. In what follows, I intend to discuss the reasons why Twin Peaks was considered a highly original work, well ahead of its time, and how much the show was indebted to the legacy of classic American film noir; finally, I advance a few speculations about the possible plotlines the series might explore upon its return to the small screen. Keywords: Twin Peaks, television series, film noir, David Lynch Introduction: the Lynchian universe In October 2014, director David Lynch and scriptwriter Mark Frost announced that Twin Peaks, the cult TV series they had created in 1990, would be returning to primetime television for a limited nine episode run 45 “That Show You Like Might Be Coming Back in Style” broadcast by the cable channel Showtime in 2016. -
Twin Peaks at Twenty-Five
IN FOCUS: Returning to the Red Room—Twin Peaks at Twenty-Five Foreword by DAVID LAVERY or Twin Peaks (ABC, 1990–1991), 2015 was a damn fine year. The last annum has seen the completion of a new collection of critical essays ( Jeffrey Weinstock and Catherine Spooner’s Return to “Twin Peaks”: New Approaches to Theory & Genre in Television), an international conference in the United Kingdom (“ ‛I’ll See You Again Fin 25 Years’: The Return of Twin Peaks and Generations of Cult TV” at the University of Salford), and the current In Focus.1 Not coincidently, this has transpired alongside the commissioning of the return of the series on the American premium cable channel Showtime for a 2017 debut. Long before this Twin Peaks renaissance, the place of David Lynch and Mark Frost’s “quirky quality” series in TV history was, however, already secure.2 As the creator of the iconic series Mad Men, Matthew Weiner, now fifty years old, put it definitively: “I was already out of college when Twin Peaks came on, and that was where I became aware of what was possible on television.”3 Twin Peaks has played a central role as well in our understanding of what is possible in television studies. As I have written and spoken about elsewhere, the collection Full of Secrets: Critical Approaches to “Twin 1 See Jeffrey Weinstock and Catherine Spooner, eds., Return to “Twin Peaks”: New Approaches to Materiality, Theory, and Genre on Television (Basingstoke, UK: Palgrave Macmillan, 2015). For a review of the conference, see Ross Garner, “Conference Review: “‘I’ll See You Again in 25 Years’: The Return of Twin Peaks and Generations of Cult TV”: University of Salford, 21–22 May 2015,” Critical Studies in Television Online, June 5, 2015, http://cstonline.tv/twin-peaks. -