FAA Safety Briefing July August 2011
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By Jacob Dorn
By Jacob Dorn © Copyright 2014, Pioneer Drama Service, Inc. Professionals and amateurs are hereby warned that a royalty must be paid for every performance, whether or not admission is charged. All inquiries regarding rights should be addressed to Pioneer Drama Service, Inc., PO Box 4267, Englewood, CO 80155. All rights to this play—including but not limited to amateur, professional, radio broadcast, television, motion picture, public reading and translation into foreign languages—are controlled by Pioneer Drama Service, Inc., without whose permission no performance, reading or presentation of any kind in whole or in part may be given. These rights are fully protected under the copyright laws of the United States of America and of all countries covered by the Universal Copyright Convention or with which the United States has reciprocal copyright relations, including Canada, Mexico, Australia and all nations of the United Kingdom. COPYING OR REPRODUCING ALL OR ANY PART OF THIS BOOK IN ANY MANNER IS STRICTLY FORBIDDEN BY LAW. On all programs, printing and advertising, the following information must appear: 1. The full name of the play 2. The full name of the playwright 3. The following notice: “Produced by special arrangement with Pioneer Drama Service, Inc., Englewood, Colorado” SNOW WHITE LITE BY JACOB DORN CAST OF CHARACTERS (In order of speaking) # of lines Mirror ............................................23 Queen ...........................................33 Hunter .............................................9 Snow White ....................................34 Dwarves Bossy ......................................13 Jumpy......................................12 Silly .........................................16 Meany �������������������������������������10 Snoozy ������������������������������������14 Prince Heimlich ������������������������������10 NOTE: The roles of Hunter and Prince Heimlich can be doubled, if desired. SETTING The stage is divided into three playing areas: the Castle DOWN LEFT, the Dark Forest UP CENTER and the Dwarves’ Cottage DOWN RIGHT. -
Twin Peaks’ New Mode of Storytelling
ARTICLES PROPHETIC VISIONS, QUALITY SERIALS: TWIN PEAKS’ NEW MODE OF STORYTELLING MIKHAIL L. SKOPTSOV ABSTRACT Following the April 1990 debut of Twin Peaks on ABC, the TV’, while disguising instances of authorial manipulation evi- vision - a sequence of images that relates information of the dent within the texts as products of divine internal causality. narrative future or past – has become a staple of numerous As a result, all narrative events, no matter how coincidental or network, basic cable and premium cable serials, including inconsequential, become part of a grand design. Close exam- Buffy the Vampire Slayer(WB) , Battlestar Galactica (SyFy) and ination of Twin Peaks and Carnivàle will demonstrate how the Game of Thrones (HBO). This paper argues that Peaks in effect mode operates, why it is popular among modern storytellers had introduced a mode of storytelling called “visio-narrative,” and how it can elevate a show’s cultural status. which draws on ancient epic poetry by focusing on main char- acters that receive knowledge from enigmatic, god-like figures that control his world. Their visions disrupt linear storytelling, KEYWORDS allowing a series to embrace the formal aspects of the me- dium and create the impression that its disparate episodes Quality television; Carnivale; Twin Peaks; vision; coincidence, constitute a singular whole. This helps them qualify as ‘quality destiny. 39 SERIES VOLUME I, SPRING 2015: 39-50 DOI 10.6092/issn.2421-454X/5113 INTERNATIONAL JOURNAL OF TV SERIAL NARRATIVES ISSN 2421-454X ARTICLES > MIKHAIL L. SKOPTSOV PROPHETIC VISIONS, QUALITY SERIALS: TWIN PEAKS’ NEW MODE OF STORYTELLING By the standards of traditional detective fiction, which ne- herself and possibly The Log Lady, are visionaries as well. -
A Postmodern Sense of Nostalgia: Demonstrating Through a Textual Analysis of Twin Peaks How Cult Membership Can Be Inculcated
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Digital Commons @Salve Regina University Salve Regina University Digital Commons @ Salve Regina Pell Scholars and Senior Theses Salve's Dissertations and Theses 8-1-2012 A Postmodern Sense of Nostalgia: Demonstrating Through a Textual Analysis of Twin Peaks How Cult Membership Can Be Inculcated. Nicholas G. Albanese Salve Regina University, [email protected] Follow this and additional works at: http://digitalcommons.salve.edu/pell_theses Part of the American Popular Culture Commons, Film and Media Studies Commons, and the Television Commons Albanese, Nicholas G., "A Postmodern Sense of Nostalgia: Demonstrating Through a Textual Analysis of Twin Peaks How Cult Membership Can Be Inculcated." (2012). Pell Scholars and Senior Theses. Paper 81. http://digitalcommons.salve.edu/pell_theses/81 This Article is brought to you for free and open access by the Salve's Dissertations and Theses at Digital Commons @ Salve Regina. It has been accepted for inclusion in Pell Scholars and Senior Theses by an authorized administrator of Digital Commons @ Salve Regina. For more information, please contact [email protected]. Nostalgia & Twin Peaks 1 Running head: Nostalgia and Twin Peaks A Postmodern Sense of Nostalgia : demonstrating through a textual analysis of Twin Peaks how cult membership can be inculcated Nicholas Albanese Salve Regina University Pell 450 Dr. Esch December 16, 2011 Nostalgia & Twin Peaks 2 Abstract This paper explores a “cult” -
Olivia Rodrigo's
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayMARCH 1, 2021 Page 1 of 27 Leader; Travis Denning Makes History INSIDE Olivia Rodrigo’s ‘Drivers License’ Tops Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debuts at No. 1 on Billboard’s lion audience impressions, up 16%). Top Country• Morgan Albums Wallen’s chart dated AprilHot 18. In its first 100 week (ending for April 9),7th it Week, Chris Brown & earned‘Dangerous’ 46,000 equivalentBecomes album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cordingOnly to Country Nielsen Album Music/MRC Data.Young Thug’s ‘Goand total Crazy’ Country Airplay No. Jumps1 as “Catch” (Big Machine to Label No. Group) ascends 3 Southsideto Spend marksFirst Seven Hunt’s second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartWeeks and fourth at No. top 1 10.on It follows freshman LP BY GARY TRUST Young’s first of six chart entries, “Sleep With- MontevalloBillboard, which 200 arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You Olivia Rodrigo’s “Drivers License” logs a seventh ing Feb. -
The Muppets Take the Mcu
THE MUPPETS TAKE THE MCU by Nathan Alderman 100% unauthorized. Written for fun, not money. Please don't sue. 1. THE MUPPET STUDIOS LOGO A parody of Marvel Studios' intro. As the fanfare -- whistled, as if by Walter -- crescendos, we hear STATLER (V.O.) Well, we can go home now. WALDORF (V.O.) But the movie's just starting! STATLER (V.O.) Yeah, but we've already seen the best part! WALDORF (V.O.) I thought the best part was the end credits! They CHORTLE as the credits FADE TO BLACK A familiar voice -- one we've heard many times before, and will hear again later in the movie... MR. EXCELSIOR (V.O.) And lo, there came a day like no other, when the unlikeliest of heroes united to face a challenge greater than they could possibly imagine... STATLER (V.O.) Being entertaining? WALDORF (V.O.) Keeping us awake? MR. EXCELSIOR (V.O.) Look, do you guys mind? I'm foreshadowing here. Ahem. Greater than they could possibly imagine... CUT TO: 2. THE MUPPET SHOW COMIC BOOK By Roger Langridge. WALTER reads it, whistling the Marvel Studios theme to himself, until KERMIT All right, is everybody ready for the big pitch meeting? INT. MUPPET STUDIOS The shout startles Walter, who tips over backwards in his chair out of frame, revealing KERMIT THE FROG, emerging from his office into the central space of Muppet Studios. The offices are dated, a little shabby, but they've been thoroughly Muppetized into a wacky, cozy, creative space. SCOOTER appears at Kermit's side, and we follow them through the office. -
FW May-June 03.Qxd
IRISH COMICS • KLEZMER • NEW CHILDREN’S COLUMN FREE Volume 3 Number 5 September-October 2003 THE BI-MONTHLY NEWSPAPER ABOUT THE HAPPENINGS IN & AROUND THE GREATER LOS ANGELES FOLK COMMUNITY Tradition“Don’t you know that Folk Music is Disguisedillegal in Los Angeles?” — WARREN C ASEY of the Wicked Tinkers THE FOLK ART OF MASKS BY BROOKE ALBERTS hy do people all over the world end of the mourning period pro- make masks? Poke two eye-holes vided a cut-off for excessive sor- in a piece of paper, hold it up to row and allowed for the resump- your face, and let your voice tion of daily life. growl, “Who wants to know?” The small mask near the cen- The mask is already working its ter at the top of the wall is appar- W transformation, taking you out of ently a rendition of a Javanese yourself, whether assisting you in channeling this Wayang Topeng theater mask. It “other voice,” granting you a new persona to dram- portrays Panji, one of the most atize, or merely disguising you. In any case, the act famous characters in the dance of masking brings the participants and the audience theater of Java. The Panji story is told in a five Alban in Oaxaca. It represents Murcielago, a god (who are indeed the other participants) into an arena part dance cycle that takes Prince Panji through of night and death, also known as the bat god. where all concerned are willing to join in the mys- innocence and adolescence up through old age. -
Twin Peaks 101: Pilot 1990
TWIN PEAKS #001 Written by Mark Frost and David Lynch Based on, If Any First Draft JULY 12, 1989 Revisions: August 10, 1989 - Blue August 18, 1989 - Pink ACT ONE FADE IN: 1. EXT. GREAT NORTHERN HOTEL - DAY 1. Dawn breaks over the Great Northern. CUT TO: 2. INT. GREAT NORTHERN HOTEL ROOM - DAY 2. We hear him before we see him, but DALE COOPER is perched six inches above the floor in a one-handed yoga "frog" position, wearing boxer shorts and a pair of socks, talking into the tape recorder which is sitting on the carpet near his head. COOPER Diane ... 6:18 a.m., room 315, Great Northern Hotel up here in Twin Peaks. Slept pretty well. Non- smoking room. No tobacco smell. That's a nice consideration for the business traveller. A hint of douglas fir needles in the air. As Sheriff Truman indicated they would, everything this hotel promised, they've delivered: clean, reasonably priced accomodations ... telephone works ... bathroom in really tip-top shape ... no drips, plenty of hot water with good, steady pressure ... could be a side- benefit of the waterfall just outside my window ... firm mattress, but not too firm ... and no lumps like that time I told you about down in El Paso ... Diane, what a nightmare that was, but of course you've heard me tell that story once or twice before. Haven't tried the television. Looks like cable, probably no reception problems. But the true test of any hotel, as you know, is that morning cup of coffee, which I'll be getting back to you about within the half hour .. -
Straight Shooter
Danny Reinberg chose an unconventional model organism to study gene expression. In the process, he’s revealed fascinating things about ants, behavior, and aging. by robin marantz henig Straight Shooter photography by mackenzie stroh HHMI Bulletin / Winter 2014 17 Photo credit Photo 18 Winter 2014 / HHMI Bulletin Supportive and Intense From a young age, Reinberg set about defying expectations. As the oldest in a family of two boys and two girls, he was expected to take over the family business. But he hated working in his father’s stores, where he sold jewelry and furniture during school breaks. Like most young people in his city, he was expected to live at home until he married, but he couldn’t wait to get away from a household filled with discord. So at age 19, he moved into his grandfather’s small apartment in Viña del Mar, one and a half hours away, and eventually studied science at the Pontificia Universidad Católica de Valparaíso. “My father hoped that if I didn’t take over the family business, I’d at least become a doctor or a lawyer,” he says. “But that’s not what I wanted.” At the university, Reinberg loved all of science: physics, chemistry, and especially biology—the more the better. “In Chile no one worked on weekends,” he says. “I was the only crazy person at the microscope on Saturdays and Sundays.” He finished with a degree in cell biology in 1976 and started a doctoral program in Santiago in a histology/cell biology lab. When he found the science to be too descriptive, he switched to biochemistry. -
Story on Page Commons
Fredonia State University of New York The Issue No. 5, Volume CXXILeader Wednesday, October 1, 2014 The event formerly known as FRED Fest Changes to event include new name, date and reorganization S. L. FULLER of the proposed changes Rachel Prychodko / Special to The Leader News Editor are currently in conver- sation. Many members If at first you don’t of the general assembly succeed, try and try again. voiced their questions and This old adage seems concerns, which included to be the mentality of specific aspects of the the Fredonia administra- event that will be changed tion when it comes to and whether Spectrum has FRED Fest. In March of enough time to initiate the last semester, all FRED changes. Fest planning was sus- The following day pended as Dr. David Her- Herman met with SA ex- man, Vice President of ecutives to discuss the Student Affairs, tried to changes. He plans to meet rally student group lead- with Spectrum and then ers to come up with a way attend the GA meeting on to make the event more Oct. 2 in order to speak to positive and safe. While the general assembly him- the on-campus events met self about the changes. expectations, the off-cam- Part of the letter read pus events were less than as follows: Maggie Gilroy / Editor in Chief Rebecca Hale / Assistant Reverb Maggie Gilroy / Editor in Chief Editor optimal. Herman and the “After much discus- administration are not go- sion and deliberation, the ing to let that trend con- University Administration tinue. believes that FRED Fest “Off-campus [dur- needs to be re-envisioned, Story on ing FRED Fest has] been reorganized, rebranded, about the same for the rescheduled and renamed. -
SDTA Template
James Idell Interview conducted by Helen Weiss, Historian November 30, 2016 James Idell Mr. Idell retired in 2007 as a Senior Vice-President of Corporate Development after 30 years with Science Applications International Corporation (SAIC). For the last 21 of those years, he reported directly to the CEO and was responsible for keeping track of business development throughout the corporation and for organizational development and change. Prior to that, he served in various capacities, as a Group level business development lead, senior program manager, and system engineer. Prior to joining SAIC, Mr. Idell worked as a systems analyst for Systems Development Corporation and 4 years as an Air Force project engineer with the Air Force Satellite Control Facility. Mr. Idell graduated with a BS and an MSEE from Cornell University in 1972. THE SAN DIEGO TECHNOLOGY ARCHIVE INTERVIEWEE: James Idell INTERVIEWER: Helen Weiss, Historian DATE: November 30, 2016 1 WEISS: I'm Helen Weiss for the San Diego Technology Archive housed at the 2 Special Collections at the UC San Diego Geisel Library. I'm interviewing Mr. James 3 Idell on November 30, 2016 in the Geisel Library. Mr. Idell joined SAIC in 1977 and 4 served in various capacities as a group level business develop lead, senior program 5 manager and system engineer before becoming senior vice president of corporate 6 development. When he retired in 2007, he had served for 21 years in this capacity 7 where he was responsible for keeping track of business development throughout the 8 corporation and for organizational development and change as SAIC expanded its 9 scope and workforce. -
How Twin Peaks Changed the Face of Contemporary Television
“That Show You Like Might Be Coming Back in Style” 44 DOI: 10.1515/abcsj-2015-0003 “That Show You Like Might Be Coming Back in Style”: How Twin Peaks Changed the Face of Contemporary Television RALUCA MOLDOVAN Babeş-Bolyai University, Cluj-Napoca Abstract The present study revisits one of American television’s most famous and influential shows, Twin Peaks, which ran on ABC between 1990 and 1991. Its unique visual style, its haunting music, the idiosyncratic characters and the mix of mythical and supernatural elements made it the most talked-about TV series of the 1990s and generated numerous parodies and imitations. Twin Peaks was the brainchild of America’s probably least mainstream director, David Lynch, and Mark Frost, who was known to television audiences as one of the scriptwriters of the highly popular detective series Hill Street Blues. When Twin Peaks ended in 1991, the show’s severely diminished audience were left with one of most puzzling cliffhangers ever seen on television, but the announcement made by Lynch and Frost in October 2014, that the show would return with nine fresh episodes premiering on Showtime in 2016, quickly went viral and revived interest in Twin Peaks’ distinctive world. In what follows, I intend to discuss the reasons why Twin Peaks was considered a highly original work, well ahead of its time, and how much the show was indebted to the legacy of classic American film noir; finally, I advance a few speculations about the possible plotlines the series might explore upon its return to the small screen. Keywords: Twin Peaks, television series, film noir, David Lynch Introduction: the Lynchian universe In October 2014, director David Lynch and scriptwriter Mark Frost announced that Twin Peaks, the cult TV series they had created in 1990, would be returning to primetime television for a limited nine episode run 45 “That Show You Like Might Be Coming Back in Style” broadcast by the cable channel Showtime in 2016. -
December 2020 in This Issue Since 2014, NOVA Has Provided the Livesafe Mobile Safety App Penelope’S Advice at No Charge to the NOVA Community
NOVA PUBLIC SAFETY NEWSLETTER NOVA Public Safety Newsletter Sergeant Kerry Haynes retires after 11 years of serving the NOVA Community. LiveSafe Updated December 2020 In this issue Since 2014, NOVA has provided the LiveSafe mobile safety app Penelope’s Advice at no charge to the NOVA community. Thousands of faculty, students, staff and their LiveSafe Updated Penelope’s Advice families and friends have Do you know that more than 700 downloaded this outstanding Chief Dan Dusseau people are killed or injured every resource on their Android or i- Honored day in distracted driving cases phones / devices. according to the NHTSA? With Christmas Tree Safety the excitement of the approaching NOVA Police Chief Dan holiday season and more people Dusseau, who helped develop on the roads, often traveling to the app, is understandably a big No Shave November unfamiliar places, the risk of fan. “LiveSafe improves accidents due to distraction communications between the NOVA Police Training increases. NOVA community and its Announcements Don’t be a victim and help keep police”, he stated. “It allows others safe on the roads, just as instantaneous and, if desired, you want them to help keep your anonymous contact with the Download the FREE LiveSafe loved ones safe. police to provide tips on Remember: talking on a cell Mobile Safety App suspicious, illegal, or phone, even a hands free device, texting or programming an in- emergency activities, and it vehicle infotainment system, allows the user to upload audio, checking or sending emails, and video and photographs. This Police Dispatch reading or updating social media evidence greatly assists us in (703) 764-5000 distract your attention and put you responding more effectively, and fellow travelers at risk.