Wildbrain Cplg Rides Into Twin Peaks X Milltag Collaboration
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Twin Peaks #1.003
TWIN PEAKS #1.003 by Harley Peyton FIRST DRAFT: September 26, 1989 REVISIONS: October 3, 1989 Converted to PDF by Andre for PDFSCREENPLAYS.NET ACT ONE FADE IN: EXT. GREAT NORTHERN HOTEL - DAY Morning breaks over the stately hotel. CUT TO: INT. GREAT NORTHERN DINING ROOM - DAY DALE COOPER, at the corner table, takes a sip of coffee and orders breakfast from waitress TRUDY. COOPER Shortstack of griddlecakes, maple syrup, lightly heated and a slice of ham. Nothing beats the taste of maple syrup when it collides with ham. TRUDY Griddlecakes, side a' ham. Warmup? Cooper nods appreciatively. Trudy refills his cup, exits. Cooper takes a sip, nearly hums with approval. Then looks up to find AUDREY HORNE standing before him. Audrey smiles, beautiful, rubs a little sleep out of her eyes. AUDREY Good morning, Colonel Cooper. COOPER Just Agent, Audrey. Special Agent. AUDREY (caressing the words) Special Agent. COOPER Please. Sit down. AUDREY (unsure) I'm in a hurry. COOPER For what? She doesn't know what to say or do. So she offers a nervous shrug instead. 2. COOPER (CONT'D) Audrey, that perfume you're wearing is incredible. AUDREY Do you really think so? Cooper takes a pen from his pocket, hands it to her with a napkin. COOPER Write your name down for me. AUDREY (eager) Okay. She takes the pen and writes carefully, hands it back to Cooper. He looks at it. COOPER Audrey, there's something you'd like to tell me. AUDREY (blushing) There is? Beat. All she wants is to be close to him. -
Twin Peaks #1.002
TWIN PEAKS #1.002 by Mark Frost and David Lynch FIRST DRAFT: August 2, 1989 Converted to PDF by Andre for PDFSCREENPLAYS.NET ACT ONE EXT. GREAT NORTHERN HOTEL - EVENING Establish. CUT TO: INT. HORNE RESIDENCE WING - EVENING JERRY HORNE sits before a roaring fireplace, tumbler of bourbon in hand, eating nuts compulsively from a giant bowl while rapidly adding figures on a large computer while scores of numbers flash up and down on the large computer monitor, all the while talking into a headset phone receiver in a melange of Icelandic and English. In another part of the spacious room, the Horne family sits quietly around the dinner table. AUDREY HORNE plays listlessly with her food. A NURSE helps JOHNNY-still-wearing- his- headdress-HORNE eat, while MRS. HORNE stares at her full plate. For no discernable reason, Johnny bursts into tears. The Nurse comforts him and he starts to eat again. In spite of her feigned indifference, a small, sad tear slips down Audrey's cheek as she watches her brother. BENJAMIN HORNE finishes carving up and chewing a big rare steak and looks around at his family. He puts his napkin on the table, rises, then smiles. BENJAMIN Always a pleasure. (calls to his brother) Power down, Jer. We've got a "meeting." Jerry gets up, switches off the computer and does an Indian dance towards and eventually around the dinner table, making "traditional" Indian noises. JERRY (his idea of being a funny guy) Nephew Johnny, don't be forlorn... things're bound to get better in the morn.. -
Twin Peaks 101: Pilot 1990
TWIN PEAKS #001 Written by Mark Frost and David Lynch Based on, If Any First Draft JULY 12, 1989 Revisions: August 10, 1989 - Blue August 18, 1989 - Pink ACT ONE FADE IN: 1. EXT. GREAT NORTHERN HOTEL - DAY 1. Dawn breaks over the Great Northern. CUT TO: 2. INT. GREAT NORTHERN HOTEL ROOM - DAY 2. We hear him before we see him, but DALE COOPER is perched six inches above the floor in a one-handed yoga "frog" position, wearing boxer shorts and a pair of socks, talking into the tape recorder which is sitting on the carpet near his head. COOPER Diane ... 6:18 a.m., room 315, Great Northern Hotel up here in Twin Peaks. Slept pretty well. Non- smoking room. No tobacco smell. That's a nice consideration for the business traveller. A hint of douglas fir needles in the air. As Sheriff Truman indicated they would, everything this hotel promised, they've delivered: clean, reasonably priced accomodations ... telephone works ... bathroom in really tip-top shape ... no drips, plenty of hot water with good, steady pressure ... could be a side- benefit of the waterfall just outside my window ... firm mattress, but not too firm ... and no lumps like that time I told you about down in El Paso ... Diane, what a nightmare that was, but of course you've heard me tell that story once or twice before. Haven't tried the television. Looks like cable, probably no reception problems. But the true test of any hotel, as you know, is that morning cup of coffee, which I'll be getting back to you about within the half hour .. -
Twin Peaks at Twenty-Five
IN FOCUS: Returning to the Red Room—Twin Peaks at Twenty-Five Foreword by DAVID LAVERY or Twin Peaks (ABC, 1990–1991), 2015 was a damn fine year. The last annum has seen the completion of a new collection of critical essays ( Jeffrey Weinstock and Catherine Spooner’s Return to “Twin Peaks”: New Approaches to Theory & Genre in Television), an international conference in the United Kingdom (“ ‛I’ll See You Again Fin 25 Years’: The Return of Twin Peaks and Generations of Cult TV” at the University of Salford), and the current In Focus.1 Not coincidently, this has transpired alongside the commissioning of the return of the series on the American premium cable channel Showtime for a 2017 debut. Long before this Twin Peaks renaissance, the place of David Lynch and Mark Frost’s “quirky quality” series in TV history was, however, already secure.2 As the creator of the iconic series Mad Men, Matthew Weiner, now fifty years old, put it definitively: “I was already out of college when Twin Peaks came on, and that was where I became aware of what was possible on television.”3 Twin Peaks has played a central role as well in our understanding of what is possible in television studies. As I have written and spoken about elsewhere, the collection Full of Secrets: Critical Approaches to “Twin 1 See Jeffrey Weinstock and Catherine Spooner, eds., Return to “Twin Peaks”: New Approaches to Materiality, Theory, and Genre on Television (Basingstoke, UK: Palgrave Macmillan, 2015). For a review of the conference, see Ross Garner, “Conference Review: “‘I’ll See You Again in 25 Years’: The Return of Twin Peaks and Generations of Cult TV”: University of Salford, 21–22 May 2015,” Critical Studies in Television Online, June 5, 2015, http://cstonline.tv/twin-peaks. -