Iranian Actor Crowned Best in Italian Festival
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Music for a New Day Artist Bio
Music for a New Day Artist bio Fariba Davody: Fariba Davody is a musician, vocalist, and teacher who first captured public eye performing classical Persian songs in Iran, and donating her proceeds from her show. She performed a lot of concerts and festivals such as the concert in Agha khan museum in 2016 in Toronto , concerts with Kiya Tabassian in Halifax and Montreal, and Tirgan festival in 2017, 2018, 2019, and 2021 in Toronto. Fariba opened a Canadian branch of Avaye Mehr music and art school where she continues to teach. Raphael Weinroth-Browne: Canadian cellist and composer Raphael Weinroth- Browne has forged a uniQue career and international reputation as a result of his musical creativity and versatility. Not confined to a single genre or project, his musical activities encompass a multitude of styles and combine influences from contemporary classical, Middle Eastern, and progressive metal music. His groundbreaking duo, The Visit, has played major festivals such as Wave Gotik Treffen (Germany), 21C (Canada), and the Cello Biennale Amsterdam (Netherlands). As one half of East-meets-West ensemble Kamancello, he composed “Convergence Suite,” a double concerto which the duo performed with the Windsor Symphony Orchestra to a sold out audience. Raphael's cello is featured prominently on the latest two albums from Norwegian progressive metal band Leprous; he has played over 150 shows with them in Europe, North America, and the Middle East. Raphael has played on over 100 studio albums including the Juno Award-winning Woods 5: Grey Skies & Electric Light (Woods of Ypres) and Juno-nominated UpfRONt (Ron Davis’ SymphRONica) - both of which feature his own compositions/arrangements - as well as the Juno-nominated Ayre Live (Miriam Khalil & Against The Grain Ensemble). -
Kayhan Kalhor/Erdal Erzincan the Wind
ECM Kayhan Kalhor/Erdal Erzincan The Wind Kayhan Kalhor: kamancheh; Erdal Erzincan: baglama; Ulaş Özdemir: divan baglama ECM 1981 CD 6024 985 6354 (0) Release: September 26, 2006 After “The Rain”, his Grammy-nominated album with the group Ghazal, comes “The Wind”, a documentation of Kayhan Kalhor’s first encounter with Erdal Erzincan. It presents gripping music, airborne music indeed, pervasive, penetrating, propelled into new spaces by the relentless, searching energies of its protagonists. Yet it is also music firmly anchored in the folk and classical traditions of Persia and Turkey. Iranian kamancheh virtuoso Kalhor does not undertake his transcultural projects lightly. Ghazal, the Persian-Indian ‘synthesis’ group which he initiated with sitarist Shujaat Husain Khan followed some fifteen years of dialogue with North Indian musicians, in search of the right partner. “Because I come from a musical background which is widely based on improvisation, I really like to explore this element with players from different yet related traditions, to see what we can discover together. I’m testing the water – putting one foot to the left, so to speak, in Turkey. And one foot to the right, in India. I’m between them. Geographically, physically, musically. And I’m trying to understand our differences. What is the difference between Shujaat and Erdal? Which is the bigger gap? And where will this lead?” Kayhan began his association with Turkish baglama master Erdal Erzincan by making several research trips, in consecutive years, to Istanbul, collecting material, looking for pieces that he and Erdal might play together. He was accompanied on his journeys by musicologist/player Ulaş Özdemir who also served as translator and eventually took a supporting role in the Kalhor/Erzincan collaboration. -
Genocide and Deportation of Azerbaijanis
GENOCIDE AND DEPORTATION OF AZERBAIJANIS C O N T E N T S General information........................................................................................................................... 3 Resettlement of Armenians to Azerbaijani lands and its grave consequences ................................ 5 Resettlement of Armenians from Iran ........................................................................................ 5 Resettlement of Armenians from Turkey ................................................................................... 8 Massacre and deportation of Azerbaijanis at the beginning of the 20th century .......................... 10 The massacres of 1905-1906. ..................................................................................................... 10 General information ................................................................................................................... 10 Genocide of Moslem Turks through 1905-1906 in Karabagh ...................................................... 13 Genocide of 1918-1920 ............................................................................................................... 15 Genocide over Azerbaijani nation in March of 1918 ................................................................... 15 Massacres in Baku. March 1918................................................................................................. 20 Massacres in Erivan Province (1918-1920) ............................................................................... -
Administrative Department of the President of the Republic of Azerbaijan P R E S I D E N T I a L L I B R a R Y
Administrative Department of the President of the Republic of Azerbaijan P R E S I D E N T I A L L I B R A R Y CHRONOLOGY Chronology of events that led Azerbaijan to independence and remarkable days after gaining the independence An extraordinary session of the Council of People's Deputies February 20,1988 of the Nagorno Karabakh Autonomous Republic (NKAR) was held in Hankendi. The session appealed to the Presidium of Supreme Soviet of Azerbaijan and Armenia with the request that they treat with understanding the decision to sever the NKAR from Azerbaijan SSR and transfer it to Armenian SSR. It was also applied to the Supreme Soviet of the USSR for the positive solution of this issue. February 22,1988 Two young Azerbaijanis were killed by Armenians in Askeran February 28,1988 Bloody outrages were perpetrated by Armenian instigators in Sumgait March 24, 1988 By the decree of the Presidium of the Supreme Council of Azerbaijan SSR an official prohibition was imposed on activity of separatist organization "Krung" to be accused of breeding strife among the peoples. Abdurrahman Vezirov was elected the first secretary of the Central May 21,1988 Committee of the Azerbaijan Communist Party. The session of the Council of People's Deputies of the NKAR July 12, 1988 adopted an illegal decree on annexation of autonomous region to the Armenian SSR. July 18, 1988 The issue “About decisions of the Supreme Councils of the Armenian SSR and the Azerbaijan SSR regarding Nagorno- Karabakh” was discussed at the enlarged meeting of the Presidium of the USSR Supreme Council. -
Seismoprognosis Observations in the Territory of Azerbaijan
ISSN 2219-6641 SEISMOPROGNOSIS OBSERVATIONS IN THE TERRITORY OF AZERBAIJAN Volume 18, № 1, 2020 http://www.seismology.az/journal Republican Seismic Survey Center of Azerbaijan National Academy of Sciences SEISMOPROGNOSIS OBSERVATIONS IN THE TERRITORY OF AZERBAIJAN EDITORIAL BOARD INTERNATIONAL EDITORIAL BOARD G.J.Yetirmishli (chief editor) A.G.Aronov (Belarus) R.M.Aliguliyev (Baku, Azerbaijan) T.L.Chelidze (Georgia) F.A.Aliyev (Baku, Azerbaijan) Rengin Gok (USA) T.A.Aliyev (Baku, Azerbaijan) Robert van der Hilst (USA Massa- F.A.Gadirov (Baku, Azerbaijan) chusetts) H.H.Guliyev (Baku, Azerbaijan) A.T.Ismayilzadeh (Germany) I.S.Guliyev (Baku, Azerbaijan) R.Javanshir (Great Britain) T.N.Kengerli (Baku, Azerbaijan) A.V.Kendzera (Ukraine) P.Z.Mammadov (Baku, Azerbaijan) A.A.Malovichko (Russia) T.Y. Mammadli (Baku, Azerbaijan) Robert Mellors (USA Livermore) H.O. Valiyev (Baku, Azerbaijan) X.P.Metaxas (Greece) E.A.Rogozhin (Russia) Eric Sandvol (USA Missouri) L.B.Slavina (Russia) N.Turkelli (Turkey) Responsible Secretary: Huseynova V.R. SEISMOPROGNOSIS OBSERVATIONS IN THE TERRITORY OF AZERBAIJAN, V. 18, №1, 2020, pp. 3-9 3 MOHO DEPTH DETERMINATION BY CONVERTED PS-WAVE METHOD FOR THE TERRITORY OF THE GREAT CAUCASUS Kazimova S.E.1 Introduction The first definitions of the depth of the surface of Mokhorovich in Azerbaijan were made on the basis of seismological data. Using the data from the DSS in compiling the gravitational model of the Earth's crust, the depth and accuracy of research have sharply increased. The DSS data provided the uniqueness of the solution of the inverse problem of gravimetry - the calculation of the depth density distribution. -
History of Azerbaijan (Textbook)
DILGAM ISMAILOV HISTORY OF AZERBAIJAN (TEXTBOOK) Azerbaijan Architecture and Construction University Methodological Council of the meeting dated July 7, 2017, was published at the direction of № 6 BAKU - 2017 Dilgam Yunis Ismailov. History of Azerbaijan, AzMİU NPM, Baku, 2017, p.p.352 Referents: Anar Jamal Iskenderov Konul Ramiq Aliyeva All rights reserved. No part of this book may be reproduced or transmitted in any form by any means. Electronic or mechanical, including photocopying, recording or by any information storage and retrieval system, without permission in writing from the copyright owner. In Azerbaijan University of Architecture and Construction, the book “History of Azerbaijan” is written on the basis of a syllabus covering all topics of the subject. Author paid special attention to the current events when analyzing the different periods of Azerbaijan. This book can be used by other high schools that also teach “History of Azerbaijan” in English to bachelor students, master students, teachers, as well as to the independent learners of our country’s history. 2 © Dilgam Ismailov, 2017 TABLE OF CONTENTS Foreword…………………………………….……… 9 I Theme. Introduction to the history of Azerbaijan 10 II Theme: The Primitive Society in Azerbaijan…. 18 1.The Initial Residential Dwellings……….............… 18 2.The Stone Age in Azerbaijan……………………… 19 3.The Copper, Bronze and Iron Ages in Azerbaijan… 23 4.The Collapse of the Primitive Communal System in Azerbaijan………………………………………….... 28 III Theme: The Ancient and Early States in Azer- baijan. The Atropatena and Albanian Kingdoms.. 30 1.The First Tribal Alliances and Initial Public Institutions in Azerbaijan……………………………. 30 2.The Kingdom of Manna…………………………… 34 3.The Atropatena and Albanian Kingdoms…………. -
Celebrated Virtuoso Kalhor Granted WOMEX 19 Award
Art & Culture August 11, 2019 3 This Day in History Celebrated Virtuoso Kalhor This Day in History (August 11) Today is Sunday; 20th of the Iranian month of Mordad 1398 solar hijri; corresponding to 9th of the Islamic month of Zil-Hijjah 1440 lunar hijri; and August 11, 2019 of the Christian Gregorian Calendar. Today is the Day of Arafa, which means striving to gain proper and profound Granted WOMEX 19 Award cognition of God Almighty. It is a day of great blessings for mankind. It is the sical music tradition to the ears of people all Frerichs Trio, Kalhor’s musical partnerships day on which God the All-Merciful accepted the repentance of the Father of the human race, Adam, after he was cast out of the Garden for eating of the over the world, Piranha Arts, the organisers are many and the results are invariably world- fruit of the tree that was forbidden to him as a divine test. It is the day when of WOMEX presented the WOMEX Artist class. Abraham as per God’s commandment, revived Adam’s tradition to spend the Award 2019 to Kayhan Kalhor, according to On confirming his attendance to receive the day in supplication and prayer on the plain of Arafaat around the “Jabal ar- the event’s website. WOMEX Artist Award 2019, Kayhan Kalhor Rahma” (Mount Mercy), southeast of Mecca. It is the day whose significance all Prophets of God had emphasized to their nations. It is the day when during Receiving the prestigious award at the 25th shared: his farewell pilgrimage, the Almighty’s Last and Greatest Messenger, Prophet jubilee edition of WOMEX in Tampere, Fin- “Receiving the WOMEX Artist Award means Mohammad (SAWA), delivered a memorable sermon from atop Mount Mercy, land, on Sunday 27 October, Kayhan Kalhor so much to me. -
Kayhan Kalhor Shah Kaman Ali Bahrami Fard Bass Santour
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Establishment of the Stablishment of the Araz-Turkic Republic and Its Fight
From the past Ismayil HAJIYEV Chairman of the Nakhchivan branch of the Azerbaijan National Academy of Sciences, Professor ESTABLISHMENT OF THE ARAZ-TURKIC REPUBLIC AND ITS FIGHT TO DEFEND THE REGION FROM ARMENIAN OCCUPATION n the first year of the Azerbaijan Democratic Repub- First of all, it is necessary to clarify when, where lic – on November 3 [18], 1918, the Araz-Turkic Re- and why the Araz-Turkic Republic was established. It is Ipublic was established to protect the Nakhchivan known that since the Azerbaijan Democratic Republic region and surrounding areas from occupation by the was faced with difficult internal and external factors in Armenian Dashnaks. A. Madatev, A. Aliyev, A. Hajiyev, I. its first year, it was unable to pay any attention to the Musayev, Sh. Tagiyeva, N. Nasibzadeh, T. Azizov, S. Sadi- Nakhchivan region. Taking advantage of this, Armenian gov, N. Mustafa, I. Atnur, A. Gokdemir, E. Madatli, H. Ja- armed forces made numerous raids on the region, kept farov, A. Abbasoglu, N. Aliyev, Z. Ajar and others wrote the population in fear and panic and subjected them to monographs, books and articles about the history and genocide, and tried to cleanse Nakhchivan from Azer- activity of the republic. In particular, among research- baijanis and incorporate it into “Greater Armenia.” Along ers, we should note the studies of A. Hajiyev and I. with that, the local people fought bravely and gave a Musayev. Hajiyev’s book studies the history of the Kars worthy response to the Armenian butchers. Neverthe- (Southwest Caucasus Democratic Republic) and Araz- less, in order to prevent the Armenian atrocities, “at the Turkic Republics and the resistance of these republics end of May 1918, the population of the Nakhchivan and against Armenian aggression on the basis of numer- Sharur-Daralayaz districts sent a special delegation to ous new archival materials. -
Lisa Bielawa: in Medias Res Roam | Double Violin Concerto | Unfinish’D, Sent | Synopses #1–15 1 Lisa Bielawa B
LISA BIELAWA: IN MEDIAS RES ROAM | DOUBLE VIOLIN CONCERTO | unfinish’D, SENT | SYNOPSES #1–15 1 LISA BIELAWA b. 1968 ROAM DOUBLE VIOLIN CONCERTO DISC 1 unfinish’D, SENT [1] ROAM (2001) 12:06 IN MEDIAS RES DOUBLE VIOLIN CONCERTO (2008) Carla Kihlstedt, violin and voice SYNOPSES #1-15 Colin Jacobsen, violin [2] I. Portico 8:05 [3] II. Song 5:06 CARLA KIHLSTEDT violin and voice [4] III. Play Within a Play 14:39 COLIN JACOBSEN violin LISA BIELAWA soprano [5] unfinish’d, SENT (2000) 8:48 Lisa Bielawa, soprano BOSTON MODERN ORCHESTRA PROJECT IN MEDIAS RES, GIL ROSE, CONDUCTOR CONCERTO FOR ORCHESTRA (2009) [6] I. and 12:44 [7] II. or 11:12 TOTAL 72:42 DISC 2 SYNOPSEs #1–15 (2006–2009) [1] Synopsis #1 [9] Synopsis #9 It’s Over (But It Was Fun) 4:48 I Don’t Even Play the Bassoon 3:51 Sarah Bob, piano Kate Vincent, viola [2] Synopsis #2 [10] Synopsis #10 In the Eye of the Beholder 3:57 I Know This Room So Well 3:29 Aaron Trant, unpitched percussion Jennifer Slowik, English horn [3] Synopsis #3 [11] Synopsis #11 I Think We Should Tell Her 4:18 It Takes One to Know One 5:20 Y Sarah Brady, flute Robert Schulz, drum set and spoken voice R [4] Synopsis #4 [12] Synopsis #12 I’m Not That Kind Of Lawyer 3:32 What I Did Over Summer Vacation 6:52 TALY, 13TH CENTU TALY, Tony D’Amico, double bass Michael Norsworthy, clarinet I A, A, cc [5] Synopsis #5 [13] Synopsis #13 U L I He Figures Out What Clouds Mean 4:16 Thy Sting is Not So Sharp 4:29 D Terry Everson, trumpet Gabriela Diaz, violin TATALE S A [6] Synopsis #6 [14] Synopsis #14 C Why Did You Lie to Me? -
Masters of Persian Classical Music Sunday, February 27, 2005, 7 Pm Zellerbach Hall
CAL PERFORMANCES PRESENTS Masters of Persian Classical Music Sunday, February 27, 2005, 7 pm Zellerbach Hall Mohammad Reza Shajarian, vocals Hossein Alizadeh, tar Kayhan Kalhor, kamancheh Homayoun Shajarian, tombak This tour is organized by World Music Institute, New York Masters of Persian Music’s New Double CD Faryad is available on the World Village label This performance has been made possible in part by the Friends of Cal Performances. Cal Performances thanks the William and Flora Hewlett Foundation, The Wallace Foundation, and the Zellerbach Family Foundation for their generous support. 27 CAL PERFORMANCES PROGRAM Saz va Avaz (instrument and vocal improvisation) Mohammad Reza Shajarian and Kayhan Kalhor Instrumental piece Raqs-e Zar Tasnif-e Niyayesh Poetry by Sohrab Sepeheri Tasnif-e Bezan Zakhmeh Poetry by Shafe’ie Kadkani Compositions by Hossein Alizadeh INTERMISSION Dastgah Avaz-e Bayat-e Zand Moghadammeh Najva* (Whisper) Poetry by Sa’adi Saz va Avaz Ghazal by Sa’adi Nowrooz* (instrumental) Saz va Avaz Tasnif-e Selseleh Mou** Chaharmezrab Saz va Avaz (in Dashti) Tasnif-e Mara raha kon*** Poetry by Mowlana, Masnavi Tasnif-e Dayreh Fani Poetry by Mowlana * composed by Hossein Alizadeh **anonymous composer ***based on a Kurdish melody by S. Ali Asghar Kurdestani, the distinguished singer of the Qajar period 28 CAL PERFORMANCES ABOUT THE ARTISTS Mohammad Reza Shajarian is the undisputed Tehran in 1975, where he received his degree in master of Persian traditional (classical) singing and composition and performance. During the same is regarded as a national treasure by both musicians period he studied with various ostads of traditional and music lovers. -
Hossein Alizadeh Rembrandt Trio
JL007 HOSSEIN ALIZADEH REMBRANDT TRIO » SAME SELF, SAME SILENCE « » SAME SELF, SAME SILENCE « These are sounds of the ancient and the modern. • Echoes of jazz solidify among the chromatics of the dastgāh, adorned by ornaments both Persian and Baroque. • Musical instruments that were nearly lost to history resonate with those that are the first of their kind. • The art music of three continents swirls together as sweet-scented vapour and become one. HOSSEIN ALIZADEH Few musicians of contemporary Iran are as respected as Hossein Alizadeh. He is the leading master of Persian lutes: the tar (the hourglass-shaped lute), the setar (a long-necked lute with variants across Central Asia and the Middle East), and, as you can hear on Same Silence, Same Self, the shurangiz, an instru- ment built to his own specifications that serves as a midpoint between the two. Born in Tehran in 1950 to mixed Persian-Azeri parentage, Alizadeh quickly became immersed in the tradition of musiqi-e assil – the classical music of Iran that can be traced back many centuries. He became a professional musi- cian aged just 15, and was soon noted for his powerful yet delicate performance style and his virtuosity in improvisation within the classical structures. Aside from strict interpretations of classical and traditional music, Alizadeh has also been at the forefront of innovative music in Iran, and has ex- panded the possibilities of what is thinkable within the realms of Persian music. He has been particularly celebrated as a composer, with notable works including HOSSEIN ALIZADEH a concerto for ney (end-blown reed flute) and string orchestra entitled NayNava (1983) and scores for the films Gabbeh (1996) and Turtles Can Fly (2004).