Andhra Pradesh State Nandi Film Awards for Year 2011
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List of Candidates Shortlisted for Phase - Iii Computer Skill Test for the Post of Udc
LIST OF CANDIDATES SHORTLISTED FOR PHASE - III COMPUTER SKILL TEST FOR THE POST OF UDC Medium of Computer S. No. Post Region Roll No Candidate Name Skill Test Shift Center of Exam. 1 UDC TELANGANA 1181000002 KONA NAGALAXMI ENGLISH Shift I Mahatma Gandhi Institute of Technology, Gandipet, Hyderabad - 500075 2 UDC TELANGANA 1181000015 GUMMADI SUJATHA ENGLISH Shift I Mahatma Gandhi Institute of Technology, Gandipet, Hyderabad - 500075 3 UDC TELANGANA 1241000723 BADUGULA NARASIMHA RAO ENGLISH Shift I Mahatma Gandhi Institute of Technology, Gandipet, Hyderabad - 500075 4 UDC TELANGANA 1241000730 VARANASI SAI SHANMUKA SRINIVAS ENGLISH Shift I Mahatma Gandhi Institute of Technology, Gandipet, Hyderabad - 500075 5 UDC TELANGANA 1251000004 AMBATI KRISHNAMMA ENGLISH Shift I Mahatma Gandhi Institute of Technology, Gandipet, Hyderabad - 500075 6 UDC TELANGANA 2681000005 PRASANN JEET SINGH ENGLISH Shift I Mahatma Gandhi Institute of Technology, Gandipet, Hyderabad - 500075 7 UDC TELANGANA 2681004016 T SIVAPRASADREDDY ENGLISH Shift I Mahatma Gandhi Institute of Technology, Gandipet, Hyderabad - 500075 8 UDC TELANGANA 2681004021 MOHAMMAD NASREEN ENGLISH Shift I Mahatma Gandhi Institute of Technology, Gandipet, Hyderabad - 500075 9 UDC TELANGANA 2681004022 BOYAPATI SATYA SREE ENGLISH Shift I Mahatma Gandhi Institute of Technology, Gandipet, Hyderabad - 500075 10 UDC TELANGANA 2681004050 N SATYA NARAYANA ENGLISH Shift I Mahatma Gandhi Institute of Technology, Gandipet, Hyderabad - 500075 11 UDC TELANGANA 2681004052 VADREVU SAI KARTHIK ENGLISH Shift I -
In the Name of Krishna: the Cultural Landscape of a North Indian Pilgrimage Town
In the Name of Krishna: The Cultural Landscape of a North Indian Pilgrimage Town A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Sugata Ray IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Frederick M. Asher, Advisor April 2012 © Sugata Ray 2012 Acknowledgements They say writing a dissertation is a lonely and arduous task. But, I am fortunate to have found friends, colleagues, and mentors who have inspired me to make this laborious task far from arduous. It was Frederick M. Asher, my advisor, who inspired me to turn to places where art historians do not usually venture. The temple city of Khajuraho is not just the exquisite 11th-century temples at the site. Rather, the 11th-century temples are part of a larger visuality that extends to contemporary civic monuments in the city center, Rick suggested in the first class that I took with him. I learnt to move across time and space. To understand modern Vrindavan, one would have to look at its Mughal past; to understand temple architecture, one would have to look for rebellions in the colonial archive. Catherine B. Asher gave me the gift of the Mughal world – a world that I only barely knew before I met her. Today, I speak of the Islamicate world of colonial Vrindavan. Cathy walked me through Mughal mosques, tombs, and gardens on many cold wintry days in Minneapolis and on a hot summer day in Sasaram, Bihar. The Islamicate Krishna in my dissertation thus came into being. -
Cricket Poster
India ODI Strike Rate Sachin Sourav Rahul R Tendulkar C Ganguly Dravid Mohammad Yuvraj Virender Mahendra Azharuddin Singh Sehwag S Dhoni Sunil Mohammad Virat Vinod Alaysinhji Kapil M Gavaskar Kaif Kohli G Kambli D Jadeja Dev Manoj Rohit Irfan Nayan Ajit VangipurappuM VPrabhakarG Sharma K Pathan R Mongia B Agarkar S Laxman Dillip Navjot Javagal Yashpal Hemang Yusuf Robin B Vengsarkar Dinesh Srinath Sharma K Badani K Pathan V Uthappa S Sidhu Mongia Rabindra Roger M Woorkeri Kiran Praveen Raman Sunil S More K Amre R Singh Lamba H Binny V Raman B Joshi Harbhajan Singh Syed M Saba Ajinkya Hrishikesh Ashok Nikhil H Kirmani Karim M Rahane H Kanitkar Chopra Suresh Malhotra Gautam Zaheer Khan K Raina Sameer Brijesh Bapu K Yalaka Vijay Chandrakant S Dighe P PatelVenkatesh PrasadVenugopal Rao Dahiya Gambhir S Pandit Krishna K Chetan Sanjay D Karthik Sharma Murali Atul Jacob Chetandra P Rohan Amay Vijay C Bedade J Martin S ChauhanS GavaskarR Khurasiya V Manjrekar Ravindra Reetinder S Sodhi A Jadeja AshishRavichandranArunLakshmipathyVijay Arshad Vikram Nehra Ashwin Lal Balaji Yadav Ayub Gundappa S Rathore R Viswanath Gagan Surinder Syed Ajay Vakkadai Sandeep Praveen AmarnathAbid Ali RatraB Chandrasekhar Sanjay Vijay R K Khoda M Patil Kumar R Bhardwaj Pathiv B Bangar Sridharan Jai SanjeevSubramaniamMunaf Krishnamachari Farokh SriramP YadavK SharmaBadrinathM Patel Ravishankar A Patel Ajay M Engineer Surinder Rajesh Jatin K Sharma K Chauhan Ajit ManinderIshantSarandeepAshok Kirtivardhan C Khanna KarsanL WadekarV ParanjpeSinghSharmaSinghV Mankad J Shastri -
2-10 Conferences
2nd Conference to 10th Conference Second TANA Conference (Detroit 1979) Tummala Madhava Rao Kakarla Subba Rao - President Souvenir Editorial Co-ordinators Famous artist Puranam Subrahmanya Sarma Nanduri Rammohana Rao S.V. Rama Rao Prof. C.R.Rao P.V. Narasimharao Akkineni Nageswara Rao P.V. Narasimharao Dasaradhi Rangacharya Prabhakar Kakarala Ramoji Rao Committee Chairman Raghavendra Prasad Avula Sambaiva Rao Veeragandham Subbarao, with Lakshmi Parvathi Left to right Bandla Hanumaiah, Madhavarao Tummala, Tirupataiah Tella, Satyanarayana Nallamothu, Gangadhar Nadell, Prabhakar Kakarala, Chandrasekhara rao Kakarala Third TANA Conference (Chicago 1981) Conference Venue - Oak Park and River Forest High School Tella Tirupatiah Tummala Madhava Rao RavindranathGuttikonda Tirupataiah tella,r k , Tella Tirupathaiah Tummala Madhava Rao Narayanganj Bhatnagar M. Baga Reddy C. Narayana Reddy with Tirupathaiah right last Nallamotu Satyanarayana in the middle Mullapudi Harischandra Guttikonda Ravindranath, Padma Prasad Nadella Bhaskar NTR with Tirupathaiah Ramoji Rao, Nadella Bhaskar Tirupathaiah Tella, Narayanganj Saluri Rajeswara Rao Sri Sri Yadlapati Venkata Rao Fourth TANA Conference (Washington DC 1983) Venue of the Conference Chennareddy Tella Titupataiah S.V.Rao Art committee Chairman Jakkampudi Subbaraidu convenor from left 3rd N.G. Ranga, Guttikonda Ravidranath Fifth TANA Conference (Los Angeles 1985) Long Beach Convention Long Beach Convention Center Raghavendra Prasad Potturi Venkateswara Upendra Vasantha Nageswara Rao Mandapaka Sarada Sobhanaidu -
Bapubomma” and Her Idealisation
© 2018 JETIR June 2018, Volume 5, Issue 6 www.jetir.org (ISSN-2349-5162) TIED IN TRADITION: THE “BAPUBOMMA” AND HER IDEALISATION D. Sreeja Abstract-The “BapuBomma” (Bapu’s dolls/ Bapu’s drawings) is a familiar term in Telugu language, and it refers to the ideal Telugu woman, as picturised by SattirajuLakshminarayana (1933-2014), commonly known as ‘Bapu’, through his artwork. Bapu was a painter, cartoonist, and filmmaker and in all three mediums he has constructed the image of the Telugu maiden as sensuous and domestic. There has been research done in the field of the Telugu literary tradition, but contemporary art remains unexplored, and there is no study of Bapu’s work in these three mediums, especially his portrayals of women. This paper will be looking exclusively at the artworkconsidered the traditional “BapuBommas”. Through a semiotic analysis, the paper will study the symbols embedded within the paintingsand place them in the context of Telugu society to study their nature and implications. Being part of the mainstream, his work has managed to do much more than express the prevailing artistic tradition of his times- it creates and reflects society directly. The paper will also look at how this image has percolated into another form of art- film, in order to substantiate this argument. In a postcolonial and increasingly westernised context, there is a strong urge to retain a certain identity that is rooted in what is understood as rural and traditional, and this urge is depicted extensively in Bapu’s work. Keywords-Bapu, Telugu, art, cultural identity, femininity, performativity, popular culture, commercial art In popular culture, there are no mere works of art; there are phenomena, spectacles, trends, and entire narratives that depend on much more than just the artist. -
What They Say
WHAT THEY SAY What THEY SAY Mrs. Kishori Amonkar 27-02-1999 “It was great performing in the new reconstructed Shanmukhananda Hall. It has improved much from the old one, but still I’ve a few suggestions to improve which I’ll write to the authorities later” Pandit Jasraj 26-03-1999 “My first concert here after the renovation. Beautiful auditorium, excellent acoustics, great atmosphere - what more could I ask for a memorable concert here for me to be remembered for a long long time” Guru Kelucharan Mohapatra 26-03-1999 “It is a great privilege & honour to perform here at Shanmukhananda Auditorium. Seeing the surroundings here, an artiste feeling comes from inside which makes a performer to bring out his best for the art lovers & the audience.” Pandit Birju Maharaj 26-03-1999 “ yengle mece³e kesÀ yeeo Fme ceW efHeÀj DeekeÀj GmekeÀe ve³ee ©He osKekeÀj yengle Deevevo ngDee~ Deeies Yeer Deeles jnW ³en keÀecevee keÀjles ngS~ μegYe keÀecevee meefnle~” Ustad Vilayat Khan 31-03-1999 “It is indeed my pleasure and privilege to play in the beautiful, unique and extremely musical hall - which reconstructed - renovated is almost like a palace for musicians. I am so pleased to be able to play today before such an appreciative audience.” § 34 § Shanmukhananda culture redefined2A-Original.indd 34 02/05/19 9:02 AM Sant Morari Bapu 04-05-1999 “ cesjer ÒemeVelee Deewj ÒeYeg ÒeeLe&vee” Shri L. K. Advani 18-07-1999 “I have come to this Auditorium after 10 years, for the first time after it has been reconstructed. -
Megastar: Chiranjeevi and Telugu Cinema After NT Ramo
1 Whistling Fans and Conditional Loyalty hat can cinema tell us about the politics of our time? There can of Wcourse be little doubt that studies of the cinema, from Siegfried Kracauer's magnum opus on German cinema (2004) to M.S.S. Pandian's (1992) study of MGR, have attempted to answer precisely this question. The obscene intimacy between film and politics in southern India provides an opportunity for students of cinema to ask the question in a manner that those in the business of studying politics would have to take seriously. This chapter argues that this intimacy has much to do with the fan-star relationship. Chiranjeevi's career foregrounds the manner in which this relationship becomes one of the important distinguishing features of Telugu cinema, as also a key constituent of the blockage that it encounters. Earlier accounts of random by social scientists (Hardgrave Jr. 1979, Hardgrave Jr. and Niedhart 1975, and Dickey 1993: 148-72) do not ponder long enough upon this basic question of how it is a response to the cinema. As a consequence, their work gives the impression that the fan is a product of everything (that is, religion, caste, language, political movements) but the cinema. I will argue instead that the engagement with cinema's materiality—or what is specific to die cinema: filmic texts, stars and everything else that constitutes thjs industrial-aesthetic form—is crucial for comprehending random. STUDYING FANS Fans' associations (FAs) are limited to south Indian states.1 Historically speaking, however, some of the earliest academic studies of Indian 4 Megastar Whistling Fans and Conditional Loyalty 5 popular cinema were provoked, at least in part, by the south Indian occasion to discuss (mis) readings of audiences at some length in the star-politician and his fans (for example, Hardgrave Jr. -
KPMG FICCI 2013, 2014 and 2015 – TV 16
#shootingforthestars FICCI-KPMG Indian Media and Entertainment Industry Report 2015 kpmg.com/in ficci-frames.com We would like to thank all those who have contributed and shared their valuable domain insights in helping us put this report together. Images Courtesy: 9X Media Pvt.Ltd. Phoebus Media Accel Animation Studios Prime Focus Ltd. Adlabs Imagica Redchillies VFX Anibrain Reliance Mediaworks Ltd. Baweja Movies Shemaroo Bhasinsoft Shobiz Experential Communications Pvt.Ltd. Disney India Showcraft Productions DQ Limited Star India Pvt. Ltd. Eros International Plc. Teamwork-Arts Fox Star Studios Technicolour India Graphiti Multimedia Pvt.Ltd. Turner International India Ltd. Greengold Animation Pvt.Ltd UTV Motion Pictures KidZania Viacom 18 Media Pvt.Ltd. Madmax Wonderla Holidays Maya Digital Studios Yash Raj Films Multiscreen Media Pvt.Ltd. Zee Entertainmnet Enterprises Ltd. National Film Development Corporation of India with KPMG International Cooperative (“KPMG International”), a Swiss entity. All rights reserved. entity. (“KPMG International”), a Swiss with KPMG International Cooperative © 2015 KPMG, an Indian Registered Partnership and a member firm of the KPMG network of independent member firms affiliated and a member firm of the KPMG network of independent member firms Partnership KPMG, an Indian Registered © 2015 #shootingforthestars FICCI-KPMG Indian Media and Entertainment Industry Report 2015 with KPMG International Cooperative (“KPMG International”), a Swiss entity. All rights reserved. entity. (“KPMG International”), a Swiss with KPMG International Cooperative © 2015 KPMG, an Indian Registered Partnership and a member firm of the KPMG network of independent member firms affiliated and a member firm of the KPMG network of independent member firms Partnership KPMG, an Indian Registered © 2015 #shootingforthestars: FICCI-KPMG Indian Media and Entertainment Industry Report 2015 Foreword Making India the global entertainment superpower 2014 has been a turning point for the media and entertainment industry in India in many ways. -
Conference Program July 26-29, 2021 | Pacific Daylight Time 2021 Asee Virtual Conference President’S Welcome
CONFERENCE PROGRAM JULY 26-29, 2021 | PACIFIC DAYLIGHT TIME 2021 ASEE VIRTUAL CONFERENCE PRESIDENT’S WELCOME SMALL SCREEN, SAME BOLD IDEAS It is my honor, as ASEE President, to welcome you to the 128th ASEE Annual Conference. This will be our second and, almost certainly, final virtual conference. While we know there are limits to a virtual platform, by now we’ve learned to navigate online events to make the most of our experience. Last year’s ASEE Annual Conference was a success by almost any measure, and all of us—ASEE staff, leaders, volunteers, and you, our attendees—contributed to a great meeting. We are confident that this year’s event will be even better. Whether attending in person or on a computer, one thing remains the same, and that’s the tremendous amount of great content that ASEE’s Annual Conference unfailingly delivers. From our fantastic plenary speakers, paper presentations, and technical sessions to our inspiring lineup of Distinguished Lectures and panel discussions, you will have many learning opportunities and take-aways. I hope you enjoy this week’s events and please feel free to “find” me and reach out with any questions or comments! Sincerely, SHERYL SORBY ASEE President 2020-2021 2 Schedule subject to change. Please go to https://2021asee.pathable.co/ for up-to-date information. 2021 ASEE VIRTUAL CONFERENCE TABLE OF CONTENTS 2021 ASEE VIRTUAL CONFERENCE AND EXPOSITION PROGRAM ASEE BOARD OF DIRECTORS ................................................................................4 CONFERENCE-AT-A-GLANCE ................................................................................6 -
How Power Star Pawan Kalyan Lost Before He Began Playing, Caravan
How Power Star Pawan Kalyan Lost Before He Began Playing http://caravanmagazine.in/vantage/power-star-pawan-kalyan In March 2014, Pawan Kalyan, one of Telugu cinema’s biggest stars and the youngest brother of actor-turned-politician Chiranjeevi, took the plunge into politics by establishing the Jana Sena Party (JSP). He made a grand entry with a thrilling speech on 14 March at the party’s inauguration in a convention centre in Hyderabad. But he arrives at a time when Andhra Pradesh—which votes as one state but will have two assemblies with the formation of Telangana on 2 June—more than most other parts of India, is witnessing a stampede of celebrities in politics. With the exception of Venkatesh, all the major male stars of the industry, who have hundreds of thousands of fans’ associations among them, are either campaigning themselves, endorsing individual candidates or expected to campaign. Kalyan’s brother Chiranjeevi leads the Congress campaign. Nandamuri Balakrishna, who had limited his role to campaigning in the past, is now contesting for the assembly on a Telugu Desam Party ticket. Mahesh Babu is endorsing a TDP contestant. Akkineni Nagarjuna met Narendra Modi and fuelled speculations that he is all set to campaign for BJP. On the face of it, this degree of enthusiasm by stars and political parties for each other is counterintuitive. Indeed, with the exception of NT Rama Rao, whose party swept the Congress (I) out of power in January 1983, no other film star has had a lasting political career of any significance in Andhra Pradesh. -
B.Tech Computer Science and Engineering Academic Year 2020-21
B.TECH COMPUTER SCIENCE AND ENGINEERING ACADEMIC YEAR 2020-21 BATCH : 2019-23 1 U19 U19CB001 THANNEERU RAM PRIYATHAM CHOWDARY M 2 U19 U19CB002 THARALA PRANAY M 3 U19 U19CB003 THATIPARTHI PAVAN KALYAN REDDY M 4 U19 U19CB004 THELLAGORLA RAM GOPI M 5 U19 U19CB005 THELLURI HEMANTH RATNA SAGAR REDDY M 6 U19 U19CB006 THIRUMAL REDDY NITHIN KUMAR REDDY M 7 U19 U19CB007 THIRUMALAI VASAN R M 8 U19 U19CB008 THIRUMANI THARUN M 9 U19 U19CB009 THOKALA SRI RAM CHARAN M 10 U19 U19CB010 THOTA ANAND M 11 U19 U19CB011 THOTA BHARATH KUMAR M 12 U19 U19CB012 THOTA DINESH M 13 U19 U19CB013 THOTA HEMANTH M 14 U19 U19CB014 THOTAKURA VEERA SATYA SAI CHANDRA M 15 U19 U19CB015 THULLURI SAI RAM M 16 U19 U19CB016 TIKKALA PARTHIV ADITYA M 17 U19 U19CB017 TIRUMALASETTI PAVAN SAI M 18 U19 U19CB018 TIRUVEEDULA SATISH M 19 U19 U19CB019 TOGARANA YASWANTH M 20 U19 U19CB020 TOKLE PRASAD UDDHAV M 21 U19 U19CB021 TUMMALA ANJAN MAHESH BABU M 22 U19 U19CB022 TUNGALA TEJOSAI M 23 U19 U19CB023 ULLI MANIKANTA M 24 U19 U19CB024 UMMAGANI VIGNESH M 25 U19 U19CB025 UNDAMATLA VENKATA PRASAD M 26 U19 U19CB026 UNDELA LEKHANA F 27 U19 U19CB027 UNDRA VAMSI KRISHNA M 28 U19 U19CB028 S UPENDRA REDDY M 29 U19 U19CB029 UPPALA HARSHAVARDHAN SAI M 30 U19 U19CB030 UPPALA RAKESH M 31 U19 U19CB031 UPPALA SAI PRASAD M 32 U19 U19CB032 UPPALAPATI PAVAN KUMAR M 33 U19 U19CB033 UPPARI SAI RAHUL M 34 U19 U19CB034 UPPU SATHISH M 35 U19 U19CB035 UPPUTURI AKANKSHA F 36 U19 U19CB036 VADDELLI SRIJA F 37 U19 U19CB037 VADDI AKASH M 38 U19 U19CB038 VADLA SAI BHARGAVA ACHARI M 39 U19 U19CB039 VADLA SHRAVAN KUMAR -
Premam 2015 Malayalam 720P Bdrip X264 AC3 51 14GB 53Golkes
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