ABSTRACT KEYWORDS: Walter Scott, Count Robert of Paris, Castle
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Proquest Dissertations
RICE UNIVERSITY Material Fictions: Readers and Textuality in the British Novel, 1814-1852 by Duncan Ingraham Haseli A THESIS SUBMITTED EM PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE Doctor of Philosophy AppRavæD, THESIS CPMMITTEE: Robert L. Patten, Lynette S. Autrey Professor in the Humanities, Director Helena Michie, Agnes Cullen Arnold Professor in the Humanities, Professor of and Chair, English Martin Wiener, Mary Gibbs Jones Professor, History HOUSTON, TEXAS JANUARY 2009 UMI Number: 3362239 Copyright 2009 by Hasell, Duncan Ingraham INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI® UMI Microform 3362239 Copyright 2009 by ProQuest LLC All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 AnnArbor, Ml 48106-1346 Copyright Duncan Ingraham Hasell 2009 ABSTRACT Material Fictions: Readers and Textuality in the British Novel, 1814-1852 by Duncan Ingraham Hasell I argue in the first chapter that the British novel's material textuality, that is the physical features of the texts that carry semantic weight and the multiple forms in which texts are created and distributed, often challenges and subverts present conceptions of the cultural roles of the novel in the nineteenth century. -
Sir Walter Scott's Templar Construct
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. SIR WALTER SCOTT’S TEMPLAR CONSTRUCT – A STUDY OF CONTEMPORARY INFLUENCES ON HISTORICAL PERCEPTIONS. A THESIS PRESENTED IN FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN HISTORY AT MASSEY UNIVERSITY, EXTRAMURAL, NEW ZEALAND. JANE HELEN WOODGER 2017 1 ABSTRACT Sir Walter Scott was a writer of historical fiction, but how accurate are his portrayals? The novels Ivanhoe and Talisman both feature Templars as the antagonists. Scott’s works display he had a fundamental knowledge of the Order and their fall. However, the novels are fiction, and the accuracy of some of the author’s depictions are questionable. As a result, the novels are more representative of events and thinking of the early nineteenth century than any other period. The main theme in both novels is the importance of unity and illustrating the destructive nature of any division. The protagonists unify under the banner of King Richard and the Templars pursue a course of independence. Scott’s works also helped to formulate notions of Scottish identity, Freemasonry (and their alleged forbearers the Templars) and Victorian behaviours. However, Scott’s image is only one of a long history of Templars featuring in literature over the centuries. Like Scott, the previous renditions of the Templars are more illustrations of the contemporary than historical accounts. One matter for unease in the early 1800s was religion and Catholic Emancipation. -
University^ Microfilms International 300 N
INFORMATION TO USERS This reproduction was made from a copy or a document sent to us Tor microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. (.The sign or "target” for pages apparently lacking from the document photographed is "Missing Pagc(s)”. If it was possible to obtain the missing pagc(s) or section, they arc spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image of the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note will appear listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photographed, a definite method of “sectioning" the material has been followed. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right in equal sections with small overlaps. If neccssaty, sectioning is continued again-beginning below the first row and continuing on until complete. -
A Comparative Analysis of the Medieval Element in the Prose of Sir Walter Scott and John Henry Newman
Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1949 A Comparative Analysis of the Medieval Element in the Prose of Sir Walter Scott and John Henry Newman Margaret B. Kearney Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the English Language and Literature Commons Recommended Citation Kearney, Margaret B., "A Comparative Analysis of the Medieval Element in the Prose of Sir Walter Scott and John Henry Newman" (1949). Master's Theses. 767. https://ecommons.luc.edu/luc_theses/767 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1949 Margaret B. Kearney JIIIj. A COMPARATIVE ANALYSIS OF THE MBDIEV AI.. ElEMENT IN THE PROSE OF SIR WALTER SCOTT AND JOHN REh'RY NEWMAN By Margaret B. Kearney A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIHEMENTS FOR THE DEGREE OF MASTER OF ARTS Il~ LOYOLA UNIVERSITY February J949 TABIE OF CONTENTS CHAPTER PAGE I Introduotion • • • • • • • • • • • • • • • • • • • 1 Presentation of the problem - Definition of Medievalimn - Reaotion against Classioism - Soott a pure romantioist rather than a striot medievalist - ~ew.man a late echo of the period. II The Medievalism of Soott and Ne~n As a Natural Outgrowth of Their Environmental and Literary Ute • • • • • • • • • • • • • . • • • • • • • . • 16 Scott: AIloe stry - home and family - Border in fluence - early reading habits - diversified education - value derived - influenoe of eighteenth-oentury novelists - as oompared with Ne'Wll18.n: Home and family - early reading habi ts Oxford eduoation - influenoe of Oriel Masters - stu~ of early Fathers - Mediterranean voyage - Oxford Movement - R a spiritual awakening of spiritual wants" - personal conclusions. -
Walter Scott, James Hogg and Uncanny Testimony: Questions of Evidence and Authority Deirdre A
Walter Scott, James Hogg and Uncanny Testimony: Questions of Evidence and Authority Deirdre A. M. Shepherd PhD – The University of Edinburgh – 2009 Contents Preface i Acknowledgements ii Abstract iii Chapter One: Opening the Debate, 1790-1810 1 1.1 Walter Scott, James Hogg and Literary Friendship 8 1.2 The Uncanny 10 1.3 The Supernatural in Scotland 14 1.4 The Minstrelsy of the Scottish Border, 1802-3, The Lay of the Last Minstrel, 1805, and The Mountain Bard, 1807 20 1.5 Testimony, Evidence and Authority 32 Chapter Two: Experimental Hogg: Exploring the Field, 1810-1820 42 2.1 The Highlands and Hogg: literary apprentice 42 2.2 Nineteenth-Century Edinburgh: ‘Improvement’, Periodicals and ‘Polite’ Culture 52 2.3 The Spy, 1810 –1811 57 2.4 The Brownie of Bodsbeck, 1818 62 2.5 Winter Evening Tales, 1820 72 Chapter Three: Scott and the Novel, 1810-1820 82 3.1 Before Novels: Poetry and the Supernatural 82 3.2 Second Sight and Waverley, 1814 88 3.3 Astrology and Witchcraft in Guy Mannering, 1815 97 3.4 Prophecy and The Bride of Lammermoor, 1819 108 Chapter Four: Medieval Material, 1819-1822 119 4.1 The Medieval Supernatural: Politics, Religion and Magic 119 4.2 Ivanhoe, 1820 126 4.3 The Monastery, 1820 135 4.4 The Three Perils of Man, 1822 140 Chapter Five: Writing and Authority, 1822-1830 149 5.1 Divinity Matters: Election and the Supernatural 149 5.2 Redgauntlet, 1824 154 5.3 The Private Memoirs and Confessions of a Justified Sinner, 1824 163 Chapter Six: Scott: Reviewing the Fragments of Belief, 1824-1830 174 6.1 In Pursuit of the Supernatural 174 6.2 ‘My Aunt Margaret’s Mirror’ and ‘The Tapestried Chamber’ in The Keepsake, 1828 178 6.3 Letters on Demonology and Witchcraft, addressed to J. -
J. H. Alexander with P. D. Garside and Claire Lamont, Eds., Walter Scott, Introductions and Notes from the Magnum Opus: Waverley to a Legend of the Wars of Montrose
The BARS Review, No. 44 (Autumn 2014) J. H. Alexander with P. D. Garside and Claire Lamont, eds., Walter Scott, Introductions and Notes from the Magnum Opus: Waverley to A Legend of the Wars of Montrose. The Edinburgh Edition of the Waverley Novels. Edinburgh: Edinburgh University Press, 2012. Pp. 493. £85. ISBN 9780748605903. J. H. Alexander with P. D. Garside and Claire Lamont, eds., Walter Scott, Introductions and Notes from the Magnum Opus: Ivanhoe to Castle Dangerous. The Edinburgh Edition of the Waverley Novels. Edinburgh: Edinburgh University Press, 2012. Pp. 761. £85. ISBN 9780748614912. The study of Sir Walter Scott’s works reached a crucial stage of its development in the early 1990s, with the presentation to the public in 1993 of the very first volumes of the Edinburgh Edition of the Waverley Novels (EEWN), including The Black Dwarf, The Tale of Old Mortality and Kenilworth. However, this large-scale and long-term project was in fact initiated as early as February 1984, and the last two titles of the edition, Introductions and Notes from the Magnum Opus: Waverley to A Legend of the Wars of Montrose (Volume 25a) and Introductions and Notes from the Magnum Opus: Ivanhoe to Castle Dangerous (Volume 25b), were published in October 2012, almost twenty years after the appearance of the first volumes. The publication of these latest and last volumes therefore marks a significant milestone in the modern history of the publication of Scott’s works for they conclude the EEWN. This complete set of the EEWN, in total, comprises thirty volumes – twenty-eight volumes of novels and two volumes of Introductions and Notes from the Magnum Opus, the last collected edition of Scott’s novels published during the author’s lifetime. -
Or, a Summer Ramble in Scotland
SONG AND SCENERY; OR, ^ Rummer |(mnlrU in ^wtlani JAMES C. MOFFAT, PROFESSOR OF CHURCH HISTORY IN PKIN'CETON, NEW JERSEY; AUTHOR OF "a COMPARATIVE HISTORY OF RELIGIONS." ' Songs of my native Innd, To me how dear 1 Songs of my infancy. Sweet to mine ear ! Entwined with my youthtul days, Wi' the bonny banks and braes, . Where the winding burnie strays, Murmuring near." BARONESS NAIRNE. '; \ NEW YORK: ; >s^-:jH; . L. D. l^OBERTSON, 117 WALKER STREET. 1874. Entereil according to Act of Congress, in the year 1S73. by L. D. ROBERTSON, in the oftlce of the Librarian of Congress, at Washington, D. C. %%5 Hi (.1 REV. JOHN MACLEAN, D.D., LL.D. EX-PRESIDENT OF PRINCETON COLLEGE ^his li^olume is r^espectfully inscijibed, BY THE AUTHOR. CHAPTER I. PAGE Society at Sea —A Herald of approaching Death—Paths of the Ocean—Ireland—Lough Foyle — First sight of Scottish Land and Sea^Firth of Clyde, 9 CHAPTER IL General Features of Scottish Scenery --Compared with Switzer- land — First sight of Edinburgh —Hawthornden—Roslyn— William Dunbar— Abbotsford, . .20 CHAPTER IIL Melrose — Cowdenknowes — Thomas of Erceldoune—Hawick— Teviotdale — John Leyden — Jedburgh — Kelso — Thomas Pringle—Berwick—Tweedside, 33 CHAPTER IV. To Lindisfarne —The Island —The Ruins —The Missionaries from lona—Aidan—Finan—Conflict with Canterbury— Cuthbert — Posthumous Adventures of St. Cuthbert—Fate of Holy Island —Poetry about it, 44 — CONTENTS. CHAPTER V. PAGE Eskdale — Kirkconnel—Annandale—The Bruces—Ettrick—-The Ettrick Shepherd—Yarrow, 66 CHAPTER VI. Lochmaben —The Castle of the Bruces —The Lochmaben Hai-per —Moffat—Craigie Burn Wood—The "Grey Mare's Tail"— Lanarkshire—The Douglas—Castle Dangerous, . -
Walter Scott and Short Fiction
PERFORMING ROBERT BURNS ‘This book is a reminder that experiencing Burns has always been as much a voice or an event as pages in a book. In our time, as in his own, Burns is encountered as recitation, on stage and screen, in speeches, preeminently as song, and in the drama and debates surrounding new discoveries and new editions. Contributors to this imaginative new interdisciplinary collection bridge the divide between performers and scholars, with readable but authoritative short essays that will spark interest in all Burnsians and open up new directions for Burns research.’ Patrick Scott, University of South Carolina Examines representations of Robert Burns and his work in a wide range of performance modes This book opens up fresh aspects of performance and performativity and their impact on our perception of Robert Burns and his work. Bringing together leading experts on music, song, drama, public ceremonial and literature, it studies Burns as a performed and performative construct. It explores ways in which he is encountered as a living author, setting the popularity of his poetry and songs in the context of his representation in popular and Gerard Carruthers Edited by Ian Brown culture. Ian Brown is Honorary Senior Research Fellow in Scottish Literature at Glasgow University and Professor Emeritus in Drama at Kingston University. WALTER SCOTT Gerard Carruthers FRSE is Francis Hutcheson Professor of Scottish Literature at the University of Glasgow. AND SHORT Cover image: www.iangeorgesonphotography.co.uk ISBN 978-1-4744-5714-9 Cover design: www.hayesdesign.co.uk FICTION edinburghuniversitypress.com Daniel Cook Walter Scott and Short Fiction ‘I begged to have a specimen of his talent as we went along.’ Walter Scott, Redgauntlet Walter Scott and Short Fiction Daniel Cook Edinburgh University Press is one of the leading university presses in the UK. -
Walter Scott and Comics
Studies in Scottish Literature Volume 44 Article 15 Issue 2 Reworking Walter Scott 12-31-2018 Walter Scott nda Comics Christopher Murray University of Dundee Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the Illustration Commons, and the Literature in English, British Isles Commons Recommended Citation Murray, Christopher (2019) "Walter Scott nda Comics," Studies in Scottish Literature: Vol. 44: Iss. 2, 152–170. Available at: https://scholarcommons.sc.edu/ssl/vol44/iss2/15 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. WALTER SCOTT IN COMICS Christopher Murray There is a long history of visual interpretations and adaptations of Walter Scott’s writings. From illustrations and frontispieces, to chapbooks, paintings interpreting scenes from the stories, theatrical performances, illustrated children’s editions, and, eventually, film adaptations, these remediations of Scott’s work have informed and influenced one another.1 In her article “The Illustration of Sir Walter Scott: Nineteenth-Century Enthusiasm and Adaptation” (1971), Catherine Gordon observes that hundreds of painters and sculptors produced and exhibited over a thousand works inspired by Scott at the Royal Academy and British Institution, and what she refers to as “Scott mania” resulted in Minton and Wedgwood producing Scott inspired -
Sir Walter Scott's Journal
Sir Walter Scott's Journal J. A. BRAMLEY IR WALTER SCOTT'S Journal has been described as one of the great books of the world, since in it he succeeded in giving S a convincing picture of his own greatness. It was not only his quiet and unobtrusive heroism that enabled him to do this but also the natural simplicity and dignity of his character. He started keeping his Gurnal, as he preferred to call it, on 20 Novem• ber 1825, during the last few years of his life and only three weeks before he was overtaken by the financial storm that ruined him. On the very day he got news of his bankruptcy the Journal records that he received a visit from a neighbour, one R. P. Gillies, an impecunious literary hack who was to pester Scott for help almost for the rest of his life. Some idea of the type of man Gillies was may be gathered from the fact that he had once asked Scott to put his name to a book he intended to write. It was characteristic of Scott that on this occasion he never even mentioned that only that day he had learned of his own bankruptcy. On 14 December the Journal begins to assume a very ominous note. The publishing house of Hurst and Robinson, as well as Constable, had failed, and it now appears certain 'that I must go with poor James Ballantyne for company'. He knew he had been rash and imprudent in embarking on publishing, and leaving the control of business matters largely to others ; he had never tried to absolve himself from the major share of the blame, yet the thought that he might lose Abbotsford made his heart bleed. -
Sir Walter Scott As Historical Novelist
Studies in Scottish Literature Volume 5 | Issue 2 Article 3 10-1-1967 Sir Walter Scott sa Historical Novelist: Part V James Anderson Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Anderson, James (1967) "Sir Walter Scott as iH storical Novelist: Part V," Studies in Scottish Literature: Vol. 5: Iss. 2, 83–97. Available at: https://scholarcommons.sc.edu/ssl/vol5/iss2/3 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. JAMES ANDERSON Sir Walter Scott as Historical Novelist Part V The Fortunes of Nigel (1822) may be described as a semi-Scotch novel, since the best part of it is supplied by the Scotch humourists King James, Sir Mungo Malagrowther, and Richie Moniplies, the rest being English Jacobean. (Sir Mungo Murray was, Scott tells us, whipping-boy to King Charles I, as the fictitious Sir Mungo was to King James).l Many of the details in Scott's picture of King James are to be found in the sources; for example, the King's leCture to his courtiers at Whitehall 2 on the superiority of the Scottish pronunciation of Latin is based on a speech he made at Stirling in 1617, reported in Thomas Crawfurd's History of the University of Edinburgh.3 Scott himself gives most of the rest in the notes. -
Johnson and Scott, England and Scotland, Boswell, Lockhart, and Croker
Johnson and Scott, England and Scotland, Boswell, Lockhart, and Croker The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Engell, James. 2014. Johnson and Scott, England and Scotland, Boswell, Lockhart, and Croker. In Samuel Johnson: New Contexts for a New Century, ed. Howard D. Weinbrot: 313-342. San Marino, Ca: Huntington Library. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:29864800 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA samuel johnson: new contexts for a new century Edited by Howard D. Weinbrot Huntington Library San Marino, California Contents Acknowledgments ix Contributors xi Notes toward New Johnsonian Contexts 1 hoWaRd d. WeinbRoT Part I: Johnson and the Arts of ought “The future in the instant”: Johnson, Garrick, Boswell, and the Perils of Theatrical Prolepsis 15 STUaRT SheRman The Agile Johnson 33 daVid faiReR “’Tis well an old age is out”: Johnson, Swift, and His Generation 47 hoWaRd d. WeinbRoT Part II: Johnson the Writer Johnson’s Poetry of Repetition 71 ThomaS keYmeR “A disposition to write”: Johnson as Correspondent 89 jack lYnch “Hoot him back again into the common road”: The Problem of Singularity, and the Human Comedy of the Lives of the Poets 107 daVid nUnneRY continued overleaf Part III: Johnson and the Dull Duties Writing the Dictionary of the English Language: Johnson’s Journey into Words 131 lYnda mUggleSTone “The dreams of a poet”: Vocational Self-Definition in Johnson’s Dictionary Preface 143 STephen fiX Fragments and Disquisitions: Johnson’s Shakespeare in Context 157 maRcUS WalSh Part IV: Johnson and Politics “To preserve order and support Monarchy”: Johnson’s Political Writings 175 f.