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Artistmax 2015 Mentors*
ArtistMax 2015 Mentors* COLBIE CAILLAT GRAMMY® Award-winning, multiplatinum songstress. Has sold over 6 million albums worldwide and over 10 million singles to date. She has also written songs with Jason Mraz, OneRepublic’s Ryan Tedder, as well as written songs on Taylor Swift’s album “Fearless." KEN CAILLAT GRAMMY® Award Winning Producer. Ken is best known for engineering the Fleetwood Mac albums Rumours, Tusk, Mirage, Live, and The Chain Box Set, as well as working with artists such as Colbie Caillat, Michael Jackson, and Paul McCartney. ANTHONY FRANCO Anthony Franco is a self-taught designer whose professional experience ranges from commercials, music videos, live stage shows, personal styling, movie design, and also showing collections of his own. In 2007 he earned the Mercedes-Benz presents Designer of the Year award, for his Fall 2007 collection. AISHA FRANCIS Aisha Francis toured the world as Beyonce’s right hand dancer and dance captain, formerly serving as assistant choreographer and co-creator of the “Crazy in Love” Booty Dance. Other movement clients include Christina Aguilera, Rita Ora, Nelly Furtado, EnVogue, Rihanna, and Kelly Rowland, just to name a few. More recently, Aisha has been featured on such prominent television shows as American Idol, Dancing With the Stars, The Oprah Winfrey Show, The View, Good Morning America, Ellen, The Tonight Show with Jay Leno, The Late Show with David Letterman, This past season of So You Think You Can Dance? JODI VANESSA WATLEY American singer, songwriter and record producer, whose music crosses genres including pop, R&B, jazz, dance and electronic soul.[ In 1987, she won the GRAMMY® Award for "Best New Artist."Along with Janet Jackson and Madonna, she ranks as one of MTV Video Music Awards most nominated female artists ever, with six nominations for her ‘Real Love’ video. -
Lightning in a Bottle
LIGHTNING IN A BOTTLE A Sony Pictures Classics Release 106 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS STEVE BEEMAN LEE GINSBERG CARMELO PIRRONE 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, ANGELA GRESHAM SUITE 1005 SUITE 200 550 MADISON AVENUE, NEW YORK, NY 10024 LOS ANGELES, CA 90046 8TH FLOOR PHONE: (212) 445-7100 PHONE: (323) 655-0593 NEW YORK, NY 10022 FAX: (212) 445-0623 FAX: (323) 655-7302 PHONE: (212) 833-8833 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com 1 Volkswagen of America presents A Vulcan Production in Association with Cappa Productions & Jigsaw Productions Director of Photography – Lisa Rinzler Edited by – Bob Eisenhardt and Keith Salmon Musical Director – Steve Jordan Co-Producer - Richard Hutton Executive Producer - Martin Scorsese Executive Producers - Paul G. Allen and Jody Patton Producer- Jack Gulick Producer - Margaret Bodde Produced by Alex Gibney Directed by Antoine Fuqua Old or new, mainstream or underground, music is in our veins. Always has been, always will be. Whether it was a VW Bug on its way to Woodstock or a VW Bus road-tripping to one of the very first blues festivals. So here's to that spirit of nostalgia, and the soul of the blues. We're proud to sponsor of LIGHTNING IN A BOTTLE. Stay tuned. Drivers Wanted. A Presentation of Vulcan Productions The Blues Music Foundation Dolby Digital Columbia Records Legacy Recordings Soundtrack album available on Columbia Records/Legacy Recordings/Sony Music Soundtrax Copyright © 2004 Blues Music Foundation, All Rights Reserved. -
November 2009 Newsletter
November 09 Newsletter ------------------------------ Yesterday & Today Records PO Box 54 Miranda NSW 2228 Phone/fax: (02)95311710 Email:[email protected] Web: www.yesterdayandtoday.com.au ------------------------------------------------ Postage: 1cd $2/ 2cds 3-4 cds $6.50 ------------------------------------------------ Loudon Wainwright III “High Wide & Handsome – The Charlie Poole Project” 2cds $35. If you have any passion at all for bluegrass or old timey music then this will be (hands down) your album of the year. Loudon Wainwright is an artist I have long admired since I heard a song called “Samson and the Warden” (a wonderfully witty tale of a guy who doesn’t mind being in gaol so long as the warden doesn’t cut his hair) on an ABC radio show called “Room to Move” many years ago. A few years later he had his one and only “hit” with the novelty “Dead Skunk”. Now Loudon pundits will compare the instrumentation on this album with that on that song, and if a real pundit with that of his “The Swimming Song”. The backing is restrained. Banjo (Poole’s own instrument of choice), with guitar, some great mandolin (from Chris Thile) some fiddle (multi instrumentalist David Mansfield), some piano and harmonica and on a couple of tracks some horns. Now, Charlie Poole to the uninitiated was a major star in the very early days of country music. He is said to have pursued a musical career so he wouldn’t have to work and at the same time he could ensure his primary source of income, bootleg liquor, was properly distilled. He was no writer and adapted songs he had heard to his style. -
Should Music Labels Pay for Radio Airplay? Investigating the Relationship Between Album Sales and Radio Airplay
Print Date: 8/20/2002 Should Music Labels Pay for Radio Airplay? Investigating the Relationship Between Album Sales and Radio Airplay by Alan L. Montgomery and Wendy W. Moe August 2002 The authors wish to thank Pete Fader and Capitol Records for the data used in this research. Alan L. Montgomery is an Associate Professor of Industrial Administration at Carnegie Mellon University, GSIA, 5000 Forbes Ave., Pittsburgh, PA 15213 (e-mail: [email protected]) and Wendy W. Moe is an Assistant Professor of Marketing at the University of Texas at Austin, McCombs Schools of Business, Austin, TX 78712-1178 (e-mail: [email protected]). Copyright © 2002 by Alan L. Montgomery and Wendy W. Moe, All rights reserved Should Music Labels Pay for Radio Airplay? Investigating the Relationship Between Album Sales and Radio Airplay Abstract: Managers in the music industry closely monitor both radio airplay of an album as well as the album's sales. Their interest in radio airplay is due to the belief that airplay can increase an album’s sales. Therefore it is natural for managers to attempt to influence radio airplay so as to subsequently impact album sales and ultimately profits. Over the past several years the concept of “pay-for-play” has resurfaced. If direct payments for radio airplay are to be made, then a precise understanding of the dynamic relationship between sales and airplay is needed. Typically radio airplay and album sales both show an exponential declining pattern. It is natural to ask whether both series are evolving concurrently–but independently–or is there some type of dependence? If there is a causal relationship, what is the direction of causality, or is there be a feedback relationship where both series influence each other? The purpose of this paper is to address these modeling questions using vector autoregressive models (VARMA), and show how these models can be used to answer the substantive question of whether the music industry should pay for airplay. -
Noviembre 2016 CULTURA BLUES. LA REVISTA ELECTRÓNICA Página | 1
Número 66 – noviembre 2016 CULTURA BLUES. LA REVISTA ELECTRÓNICA Página | 1 Contenido Directorio PORTADA Bonnie Raitt (1) ……………………………………………..……..…. 1 Cultura Blues. La Revista Electrónica CONTENIDO - DIRECTORIO ..……………………………………..…….. 2 www.culturablues.com EDITORIAL Tendencias y equilibrio (2) ....................................…. 3 Número 66 – noviembre de 2016 BLUES A LA CARTA Bonnie Raitt, a sus 67 (2) ………………..…….. 4 Derechos Reservados 04 – 2013 – 042911362800 – 203 Registro ante INDAUTOR ESPECIAL DE MEDIANOCHE Bob Dylan, la respuesta no está en el Nobel (3) …………………………..…………..……………………….….….. 9 Director general y editor: CORTANDO RÁBANOS La respuesta está en el viento (4) .... 14 José Luis García Fernández DE COLECCIÓN The Rolling Stones: Totalmente Desnudos (2) . 15 Subdirector general: José Luis García Vázquez ¿QUIÉN LO DIJO? 12 (2) …………………………………………………....…. 19 Diseño: HUELLA AZUL Entrevista a Emmanuel González. Aida Castillo Arroyo Acerca de Armando Bravo “El Rockanroñero” (5 y 6) ………………….… 21 Consejo Editorial: CULTURA BLUES DE VISITA María Luisa Méndez Flores En Steelwood Guitar Shop & Club con Rhino Bluesband Mario Martínez Valdez En Las Musas de Papá Sibarita con los Blues Dealers (2 y 7) ............ 29 BLUES EN EL REINO UNIDO Black Cat Bone, Mojo Hand Colaboradores en este número: y John The Conqueror (8) .................................................................. 33 1. José Luis García Vázquez COLABORACIÓN ESPECIAL 2. José Luis García Fernández Alligator Records: 45Th Anniversary Collection (2) ………………….….... 37 3. -
Tangible Hedonic Portfolio Products: a Joint Segmentation Model of Music CD Sales
Tangible Hedonic Portfolio Products: A Joint Segmentation Model of Music CD Sales by Wendy W. Moe and Peter S. Fader The Wharton School University of Pennsylvania Marketing Department 1400 Steinberg Hall-Dietrich Hall Philadelphia, PA 19104-6371 telephone: (215) 898-7603 fax: (215) 898-2534 e-mail: [email protected] July 1999 Wendy W. Moe is a doctoral candidate in Marketing and Peter S. Fader is an Associate Professor of Marketing. The authors thank Capitol Records for the data used in this research and are grateful for the comments of numerous colleagues at Wharton including Eric Bradlow, Dave Schmittlein, and Christophe Van den Bulte. Tangible Hedonic Portfolio Products: A Joint Segmentation Model of Music CD Sales Abstract This paper presents a framework with which to better differentiate between a wide array of hedonic products. Specifically, we define and discuss characteristics of hedonic portfolio products and offer a joint segmentation model appropriate for this class of products. We construct a flexible duration-time model that can be used to capture the dynamic purchase patterns across a broad portfolio of different albums. We apply the model to music CD sales for 20 different albums. The model simultaneously models multiple albums and can accommodate a very large degree of product heterogeneity through product clusters and model covariates. We allow explanatory variables to have a differential impact on both components of the model, i.e., accelerating purchase rates within segment, and/or changing the proportions drawn by each cluster. To illustrate the role of covariates in our model, we discuss the different effects of radio airplay and holiday buying on sales for our sample in the music industry. -
Bonnie Raitt Biography.Pdf
Bonnie Raitt Long a critic's darling, singer/guitarist Bonnie Raitt did not begin to win the comparable commercial success due her until the release of the aptly titled 1989 blockbuster Nick of Time; her tenth album, it rocketed her into the mainstream consciousness nearly two decades after she first committed her unique blend of blues, rock and R&B to vinyl. Born in Burbank, California on November 8, 1949, she was the daughter of Broadway star John Raitt, best known for his starring performances in such smashes as Carousel and Pajama Game. After picking up the guitar at the age of 12, Raitt felt an immediate affinity for the blues, and although she went off to attend Radcliffe in 1967, within two years she had dropped out to begin playing the Boston folk and blues club circuit. Signing with noted blues manager Dick Waterman, she was soon performing alongside the likes of idols including Howlin' Wolf, Sippie Wallace and Mississippi Fred McDowell, and in time earned such a strong reputation that she was signed to Warner Bros. Debuting in 1971 with an eponymously titled effort, Raitt immediately emerged as a critical favorite, applauded not only for her soulful vocals and thoughtful song selection but also for her guitar prowess, turning heads as one of the few women to play bottleneck. Her 1972 follow-up, Give It Up, made better use of her eclectic tastes, featuring material by contemporaries like Jackson Browne and Eric Kaz, in addition to a number of R&B chestnuts and even three Raitt originals. 1973's Takin' My Time was much acclaimed, and throughout the middle of the decade she released an LP annually, returning with Streetlights in 1974 and Home Plate a year later. -
UE Inv 200303
CDs & HDCDs Uncle Ed's List of CDs Catalog# Artist Title Label Format Released Release No Added MedCover Media Notes 440 066 165-2 3 Doors Down Away From The Sun Republic Records CD, Album + DVD 2002 419692 02/05/20GoodGood (G) (G) CD CD 3910 DX 207138 Special (2) Flashback A&M Records CD, Album, Comp 1987 11561072 02/05/20GoodGood (G) (G) CD BK 57450 3T Brotherhood MJJ Music, 550 Music CD, Album 1995 2260007 02/22/20Fair Fair(F) (F) CD 92715-2 Aaliyah One In A Million Blackground Enterprises,CD, Atlantic Album 1996 5171453 01/29/20GoodGood (G) (G) CD 92715-2 Aaliyah One In A Million Blackground Enterprises,CD, Atlantic Album 1996 5171453 01/29/20GoodGood (G) (G) CD G2 7243 8 20027Aaron 2 7 SSD0027 Jeoffrey Aaron Jeoffrey Star Song CD 1994 5573517 02/05/20Good (G)Fair (F) CD 31454 0086 2 Aaron Neville The Grand Tour A&M Records CD, Album 1993 4070382 02/05/20GoodGood (G) (G) CD BRH 0017-2 Aaron Shust Anything Worth Saying Brash Music CD, Album 2005 3242971 02/05/20GoodGood (G) (G) CD A2-81650 AC/DC Who Made Who Atlantic CD, Album, Comp, Club 1986 8154799 01/22/20GoodGood (G) (G) 16033-2 AC/DC Dirty Deeds Done Dirt Cheap Atlantic CD, Album, RE, SRC 1987 9034255 01/22/20GoodGood (G) (G) 92418-2 AC/DC Back In Black ATCO Records CD, Album, Club, RE, RM 1994 5229533 01/22/20Good (G)Fair (F) cd case is broke 92418-2 AC/DC Back In Black ATCO Records CD, Album, Club, RE, RM 1994 5229533 01/22/20Good (G)Fair (F) 61780-2 AC/DC Ballbreaker EastWest Records AmericaCD, Album, Club 1995 2821916 01/22/20GoodGood (G) (G) 62494-2 AC/DC Stiff Upper Lip EastWest CD, Album, Enh 2000 1323056 01/22/20GoodGood (G) (G) EK 80201 AC/DC High Voltage Epic CD, Album, Enh, RE, RM, Dig 2003 570078 Good01/22/20Good Plus Plus (G+) (G+) 88697 33829 2 AC/DC Black Ice Columbia CD, Album, Dig 2008 1511807 01/22/20GoodGood Plus (G) (G+) 7 81749-2, 81749-2Ace Frehley Frehley's Comet Atlantic, Megaforce Worldwide,CD, Album Atlantic, Megaforce Worldwide1987 2692827 01/22/20GoodGood (G) (G) 9 46151-2 Adam Sandler What The Hell Happened To Me? Warner Bros. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
Brazil: “Que País É Este”?
BRAZIL: “QUE PAÍS É ESTE”? MUSIC AND POWER IN LEGIÃO URBANA Ana Cláudia Lessa Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy September 2011 0 Abstract This thesis addresses, amongst other issues, the phenomenon of protest music with particular reference to Brazil within its pre- and post-dictatorship period. The time- frame being understood as that which finds its roots many decades prior to the 1964 so-called revolution – a de facto military putsch – and comes to flower in the democratic moment of the 1980s and since. The focus will be, eventually, directed to one of the most celebrated Brazilian rock phenomena, the band Legião Urbana, the impact of which still resonates across the artistic, cultural and political scene in Brazil and beyond. In order to establish the context in which such a claim can be viable, the thesis explores the ideological and historical background to the emergence, on a national, and international, stage of something beyond the artistic and cultural ‗dependence‘ seing before that period within Brazilian music. Key Words Rock‗n‘Roll, Punk rock, protest music, popular culture, BRock, Brazilian music, dictatorship, Legião Urbana. 1 Acknowledgements I would like to thank all my previous colleges and professors who helped me to be here today, contributing in different forms and through different periods of the development of this thesis. Also a great thank you to all my students ever, for their curiosity and interest in everything-Brazilian. Without those students I would not exist as a professional. To Nicholas Shaw, my friend and mentor, who has been such an important influence and inspiration during my stay in the UK, and my love for this green land. -
Rhythm and Blues Rocker Bonnie Raitt Plays Cal Poly Nov. 18
Skip to Content Cal Poly News Search Cal Poly News Go California Polytechnic State University Oct. 23, 2002 FOR IMMEDIATE RELEASE CONTACT: LISA WOSKE (805) 756-7110 Rythm and Blues Rocker Bonnie Raitt Plays Cal Poly Nov. 18 SAN LUIS OBISPO- Nine-time Grammy Award-winner Bonnie Raitt will bring her "Silver Lining Tour" to the Christopher Cohan Center November 18 as part of the Cal Poly Arts Center Stage Series. The concert starts at 8 p.m. The concert will also feature an array of roots, R&B and funk music styles by special guests Jon Cleary and the Absolute Monster Gentlemen. A best-selling artist, respected guitarist, expressive singer, and accomplished songwriter, Bonnie Raitt has become an institution in American music. In 2000, she was inducted into the Rock and Roll Hall of Fame. Thirty years after her recording debut, Raitt's sixteenth album, "Silver Lining," continues her search for universal elements in diverse musical cultures to incorporate with her mastery of the blues. Born to a musical family, Raitt is the daughter of celebrated Broadway singer John Raitt ("Carousel," "Oklahoma!," "The Pajama Game") and accomplished pianist/singer Marge Goddard. By the late '60s, she was deeply involved with folk music and the blues and was opening for artists such as Muddy Waters and John Lee Hooker. In 1971, she released her debut album, "Bonnie Raitt." Her interpretations of classic blues made a powerful critical impression. Over the next seven years, she recorded six albums and delivered her first hit single, a gritty Memphis/R&B arrangement of Del Shannon's "Runaway." Three Grammy nominations followed in the 1980s and a compilation of highlights from the Warners albums, as well as two unreleased live duets, was released in 1990 as "The Bonnie Raitt Collection." During this time, Raitt also devoted herself to playing benefits and speaking out in support of many social causes, including stopping the war in Central America, the Sun City anti-apartheid project, and the historic 1980 No Nukes concerts at Madison Square Garden. -
July 2013 Newsletter
July 2013 NEWSLETTER ------------------- Yesterday & Today Records P O Box 54 Miranda NSW 2228 Ph(02) 95311710 Email: [email protected] Web: www.yesterdayandtoday.com.au --------------------------------------------------- POSTAGE 1cd $2 2cds $3 3/4/5 cds $8. Larger orders will be sent in satchels where possible. What a couple of months it has been with 3 major players passing away. George Jones: what can you say that hasn’t already been said. His passing really took every one by surprise. He had had a few trips to hospital over the past couple of years and most were of a precautionary nature so it was a real shock. Vern Gosdin, in the great “Chip Off the Old BlocK” says “Jones sounded just like Hank” when he first heard him so the classic voice we came to know and love was honed over many years. His greatest moment is unquestionably “He Stopped Loving Here Today”. Written by two of the best in Bobby Braddock and Curly Putman it gained the award for the CMA Song of the Year in two consecutive years, 1980 and 1981 which is unprecedented. Everything about the song is wrong as far as hit potential goes. There is a ridiculously long intro and the song is sad. George apparently didn’t like the song and insisted the lost love make a return...or so the story goes. And indications are the final single release was actually culled from a few recording session. But who cares. It is beyond criticism. Superb enough to play and play and pay and never get tired of it.