DOCSLIB.ORG

NCLR-Annual-Report-2

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
NCLR-Annual-Report-2 national center for lesbian rights 2005 ANNUAL REPORT WWW.NCLRIGHTS.ORG 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 9 9 2000 2001 2002 2003 2004 2005 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 9 1 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 1977 1978 1979 1980 1981 1982 983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 4 2005 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 997 1998 1999 2000 2001 2002 2003 2004 2005 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 89 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2003 2004 2005 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 9 5 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 9 7 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 1977 1978 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003“ 2004Since 2005 1977,1977 1978 the1979 1980National 1981 1982 Center1983 1984 1985for 1986Lesbian 1987 1988 Rights 1989 1990 1991 1992 9 3 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 1977 1978 1979 1980 1981 1982 1983 1984 85 1986 1987 1988 1989has 1990 been 1991 at 1992 the 1993 forefront 1994 1995 1996 of 1997nearly 1998 1999every 2000 legal 2001 2002 gain 2003 2004 2005 7 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 9 9 2000 2001 2002 2003 2004 2005 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 9 1 1992 1993 1994won 1995 1996 for 1997 LGBT 1998 1999people 2000 2001and 2002 families. 2003 2004 And 2005 because 1977 1978 1979 I 1980 1981 1982 983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 4 2005 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 997 1998 1999 2000know 2001 2002 this 2003 to 2004be true,2005 1977 I promise 1978 1979 1980 you: 1981 we 1982 are 1983 going 1984 1985 to 1986 1987 1988 89 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 1977 1978 1979 1980 1981 1982 1983 1984turn 1985 1986the 1987tide, 1988 and 1989 we 1990 are 1991 1992going 1993 to1994 shape 1995 1996 this 1997 1998 1999 2000 2001 2003 2004 2005 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 9 5 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 9 7 1988 1989 1990country 1991 1992 1993 in 1994our 1995 vision 1996 1997of what 1998 1999 we 2000 know 2001 2002it can 2003 be. 2004” 2005 1977 1978 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 9 3 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 1977 1978 1979 1980 1981 1982 1983 1984 85 1986 1987 1988 1989 1990 1991 1992 1993– Kate 1994 Kendell,1995 1996 1997NCLR 1998 Executive 1999 2000 2001Director 2002 2003 2004 2005 7 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 9 9 2000 2001 2002 2003 2004 2005 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 9 1 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 1977 1978 1979 1980 1981 1982 983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 4 2005 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 997 1998 1999 2000 2001 2002 2003 2004 2005 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 89 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2003 2004 2005 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 9 5 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 9 7 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 1977 1978 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 001 20024 2003 2004 2005 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 93 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 1977 1978 1979 1980 1981 1982 1983 1984 Dear NCLR Friend and Supporter: An Annual Report tries to do the impossible. Ideally we wish to give you, as our dearest supporters, a clear, concise, and passionate picture of the work we’ve been doing for the past year; graciously and meaningfully thank you for your life-altering and landscape-changing support; generate new and untapped reservoirs of pride and awe in our effort and accomplishments; and inspire you to an even greater level of investment. My effort here will be more modest but critical, for in that list of what we’d like this document to do, the first and foremost task is to thank you. Without your support and commitment, nothing else would be possible. As you review this report you will see a strengthened and ever more effective organization. We have been at the forefront of transformative legal and public policy change. We have launched unprecedented conversations and moved hearts and minds. We have made a positive difference in the lives of individuals and in entire communities. We have felt daily the privilege and responsibility of trying to protect and amplify the security and safety of our clients and the thousands of others who contact us throughout the year seeking assistance and help. And as we begin celebrating our 30th Anniversary, we know that the challenges and opportunities will only increase. We are honored and humbled by your support. Some of you have been investing in us for decades. Whether you are a first-time donor or a longtime supporter, you are the heart of who we are and we carry the trust you place in us every moment of every day. The most spectacular Annual Report cannot capture nor convey how grateful we are and how much you mean to us; however, we hope that our work—done with great passion and effectiveness—does. With great thanks, Kate 1 NCLR’S GROUNDBREAKING LEGAL WORK With your support, the National Center for Lesbian Rights has: Argued successfully in the California Supreme Court to uphold a court order declaring a non-biological mother to be her child’s legal parent despite separating from her partner, and in spite of her partner’s efforts to deny parental status, including custody and visitation. This groundbreaking victory offers unprecedented protections to LGBT families. Challenged Penn State Coach Rene Portland's outrageous twenty-five-year-old “no drugs, no alcohol, no lesbians” policy. The federal lawsuit alleges Portland, athletic director Tim Curley, and Penn State University violated numerous federal and state laws and constitutional protections prohibiting discrimination based on race, gender, and sexual orientation. In addition to representing a courageous student basketball star, Jennifer Harris, this highly visible case has encouraged many athletes to come forward and speak out. Secured initial victory as lead counsel in Woo v. California, when a San Francisco Superior Court Justice ruled that California’s exclusion of same-sex couples from marriage discriminates on the basis of sex and violates the fundamental right to marry. 2 2005 G LEGAL WORK Successfully defended the Persuaded a Florida school board to Secured initial victory for a same- validity of the first marriage of a change its senior portrait policy and sex couple who attempted to post same-sex couple in the Cherokee add sexual orientation to its non- a profile as potential adoptive Nation, inviting a larger discrimination policy for both students parents on Adoption.com, which discussion about the rights of and teachers after a senior high rejected the posting because the two-spirit Native Americans. school student was denied the right to company does not allow same- appear in her senior yearbook sex couples to use their services.
Load more

Recommended publications
  • Producer/ Director Obin Olson Talks About Operator PAGE 12
    APRIL VOLUME 15 2015 ISSUE 2 Where everyone goes for scripts and writers ™ Producer/ Director Obin Olson Talks About Operator PAGE 12 Q&A with Operator Screenwriter, Dwain Worrell PAGE 16 FIND YOUR NEXT SCRIPT HERE! Where everyone goes for writers and scripts™ IT’S FAST AND EASY TO FIND THE SCRIPT OR WRITER YOU NEED. WWW.INKTIP.COM A FREE SERVICE FOR ENTERTAINMENT PROFESSIONALS. Peruse this magazine, find the scripts/books you like, and go to www.InkTip.com to search by title or author for access to synopses, resumes and scripts! l For more information, go to: www.InkTip.com. l To register for access, go to: www.InkTip.com and click Joining InkTip for Entertainment Pros l Subscribe to our free newsletter at http://www.inktip.com/ep_newsletters.php Note: For your protection, writers are required to sign a comprehensive release form before they can place their scripts on our site. Table of Contents Recent Successes 3, 9, 11 Feature Scripts – Grouped by Genre 7 Industry Endorsements 3 Feature Article: Operator 12 Contest/Festival Winners 4 Q&A: Operator Screenwriter Dwain Worrell 16 Writers Represented by Agents/Managers 4 Get Your Movie on the Cover of InkTip Magazine 18 Teleplays 5 3 Welcome to InkTip! The InkTip Magazine is owned and distributed by InkTip. Recent Successes In this magazine, we provide you with an extensive selection of loglines from all genres for scripts available now on InkTip. Entertainment professionals from Hollywood and all over the Bethany Joy Lenz Options “One of These Days” world come to InkTip because it is a fast and easy way to find Bethany Joy Lenz found “One of These Days” on InkTip, great scripts and talented writers.
    [Show full text]
  • Fame Attack : the Inflation of Celebrity and Its Consequences
    Rojek, Chris. "The Icarus Complex." Fame Attack: The Inflation of Celebrity and Its Consequences. London: Bloomsbury Academic, 2012. 142–160. Bloomsbury Collections. Web. 1 Oct. 2021. <http://dx.doi.org/10.5040/9781849661386.ch-009>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 1 October 2021, 16:03 UTC. Copyright © Chris Rojek 2012. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 9 The Icarus Complex he myth of Icarus is the most powerful Ancient Greek parable of hubris. In a bid to escape exile in Crete, Icarus uses wings made from wax and feathers made by his father, the Athenian master craftsman Daedalus. But the sin of hubris causes him to pay no heed to his father’s warnings. He fl ies too close to the sun, so burning his wings, and falls into the Tsea and drowns. The parable is often used to highlight the perils of pride and the reckless, impulsive behaviour that it fosters. The frontier nature of celebrity culture perpetuates and enlarges narcissistic characteristics in stars and stargazers. Impulsive behaviour and recklessness are commonplace. They fi gure prominently in the entertainment pages and gossip columns of newspapers and magazines, prompting commentators to conjecture about the contagious effects of celebrity culture upon personal health and the social fabric. Do celebrities sometimes get too big for their boots and get involved in social and political issues that are beyond their competence? Can one posit an Icarus complex in some types of celebrity behaviour? This chapter addresses these questions by examining celanthropy and its discontents (notably Madonna’s controversial adoption of two Malawi children); celebrity health advice (Tom Cruise and Scientology); and celebrity pranks (the Sachsgate phone calls involving Russell Brand and Jonathan Ross).
    [Show full text]
  • 2003 Annual Report Breast Cancer Action
    Breast Cancer Action Annual Report 2003 Coming Together: Moving From Illness to Activism Founded by a group of women who realized the power of community, Breast Cancer Action was born from a need for a grassroots organization with a unique understanding of the political, economic, and social context of breast cancer. Today BCA’s mission is to carry the voices of people affected by breast cancer in order to inspire and compel the changes necessary to end this epidemic. Never straying far from our community-based roots, and with a keen eye toward structural change, BCA organizes people to do something besides worry about breast cancer. 2003 was an extraordinary year for our organization and our movement. We came togeth- er in entirely new ways. New bridges were built. New steps were taken. Bold moves for- ward were made. Our community grew exponentially and our critical messages—that every woman should have access to information and care, that we need true prevention of breast cancer, and that we must develop more effective and less toxic treatments—reached an ever- growing audience. Together we demanded, and ultimately effected, lasting change. Information: The Key to Activism Information is an essential precursor to action. BCA has always been committed to providing accurate, reliable, and honest information about breast cancer. We reach the public through our English- and Spanish-language newsletters, our web site, and a toll-free number. By pro- viding information, BCA both enables people to make informed decisions for themselves and supports their activism. In 2003, we mailed the BCA Newsletter to an expanding list of more than 12,000 individu- als and institutions.
    [Show full text]
  • 2012 Annual Report
    2012 ANNUAL REPORT LIGHTING THE WAY FOR LGBT RIGHTS ABOUT NCLR The National Center for Lesbian Rights is a national legal organization committed to advancing the civil and human rights of lesbian, gay, bisexual, and transgender (LGBT) people and their families through litigation, public policy advocacy, and public education. Thirty-six years ago, a brave and determined woman, fresh out of law school and eager to make a difference, decided to put her knowledge to good use. As a legal scholar, Donna Hitchens saw the courtroom as a way to change the world. As a lesbian, she had experienced both personal and professional frustrations and fears, and didn’t want others to suffer the same. That was in 1977. Today, that pioneering spirit and unwavering commitment to advance the civil and human rights of all LGBT people continues. Each year, through litigation, public policy advocacy, and public education, NCLR helps more than 5,000 LGBT people and their families nationwide. Our precedent-setting case victories literally rewrite the law, changing the legal landscape for all LGBT people and families across the nation. For more than three decades we’ve been leaders in bringing historic cases, and today we are still blazing trails in pursuit of justice, fairness, and legal protections for all LGBT people. From a humble yet tenacious initial focus on addressing the overlooked discrimination against lesbians, NCLR has grown to expand its life- and law-changing work in order to advance the legal landscape for every LGBT person. Our programs focusing on elder law, employment, family law, federal legislation, healthcare, immigration, marriage, relationship protections, sports, transgender law, and youth create safer homes, safer jobs, and a more just world.
    [Show full text]
  • 2014 Annual Report Contents Vision/Mission
    2014 ANNUAL REPORT CONTENTS VISION/MISSION Letter from Executive Director ...................................................................3 In 1977 a group of women came Achievements .................................................................................................4 together across racial and class differences to build a truly just social Unique Collaborations Fueled the Global Movement movement that prioritized the needs for LGBTQI Rights .......................................................................................5 and vision of lesbians and women of CommsLabs: Defending Human Rights Through Media and Tech ...6 color. In order to do so, they realized they would need to fund the work Grantee Partners in Action ...................................................................... 11 themselves. Their uncompromising Art to End Silence ...................................................................................... 11 vision became the Astraea Lesbian Foundation for Justice. Building an LGBTQI Movement in West Africa .................................. 12 Undocumented, Unafraid and Organized ............................................. 13 Astraea remains true to this founding lesbian feminist ethos, supporting In Colombia, Trans* Women Demand Changes from Cops ............ 14 movement building through four Thank You! ................................................................................................... 15 strategic pillars: Financial Statement of Activities ..........................................................
    [Show full text]
  • Refresh + Renovate
    FOURTH OF JULY 400+ MARKET ART + DESIGN’S pages to WEEKEND DEBUT! savor! THE MAIDSTONE CLUB CELEBRATES ITS 125TH! The Ultimate Guide to the BROOKE SHIELDS Philanthropic CURATES AT Party Scene ART SOUTHAMPTON 6 SUPERSTAR CHEFS PREPARE THE Refresh ULTIMATE BBQ + Renovate BEHIND THE SCENES WITH THE BEST An Inside View of BREWMASTERS the Chicest Homes in the Hamptons PLUS RACHELLE HRUSKA MACPHERSON, ERIC FISCHL, AND PIPPA SMALL BLAKE STUNSLively THIS SUMMER IN THE SHALLOWS hamptons-magazine.com GREENGALE PUBLISHING, LLC SCENE EVERYBODY’S TALKING ABOUT WILD “WHAT I LOVE ABOUT THE KINGDOM SCHOOL IS THAT THEIR FOCUS IS ON TRADITIONAL ACTRESS BROO E SHIELDS CURATES A SPECIAL EXHIBITION TRAINING IN PAINTING, FOCUSED ON ANIMALS AND DRAWING, AND SCULPTURE, NATURE FOR THIS YEAR’S ART SOUTHAMPTON. SO THEY’RE ALL HIGHLY BY R. COURI HAY SKILLED ARTISTS”. Brooke Shields—actress, model, —BROOKE SHIELDS author, original Calvin Klein jeans ingénue, and onetime Tom Cruise nemesis—is expanding her repertoire to the visual arts. The Princeton grad has cocurated an exhibit for the New York Academy of Art titled “Call of the Wild.” Featuring more than 60 paintings and sculptures inspired by nature and the animal kingdom by alumni of the Academy (of which Shields is a board member), it will be shown at this year’s edition of the art fair Art Southampton, running from July 7 through 11. The theme seems apt, as the school’s MFA program has a long history of working with human mod- els as well as exotic animals brought in by handlers; the Academy also partners each year with the Westminster Kennel Club to run its art competition, with the winning work adorning the club’s annual post- card and official promotional poster.
    [Show full text]
  • Jones, Cherry (B
    Jones, Cherry (b. 1956) by Linda Rapp Encyclopedia Copyright © 2015, glbtq, Inc. Cherry Jones in 2009. Entry Copyright © 2002, glbtq, Inc. Image appears under the Reprinted from http://www.glbtq.com Creative Commons Attribution-Share Alike 2.0 Generic license. Cherry Jones became the first out lesbian to win a Tony Award when she was chosen as Image courtesy Kristin Best Actress in 1995. Classically trained and notably versatile, she has performed in a Dos Santos. Photograph wide range of stage and film roles, gaining admiration for her professionalism. by Kristin Dos Santos or her staff. Onstage, comments Nicholas Martin, the director of the Huntington Theatre Company, Jones "has a direct connection from the playwright's voice to the audience." Because she values being able to relate to the spectators, Jones particularly relishes working on stage, but she has also appeared in a number of films, including a television movie about a lesbian couple and the legal battle to retain custody of their daughter. Jones began acting at an early age, "playing everything from Tarzan to cowboys-and-Indians to Romeo and Juliet" in the woods in Paris, Tennessee, the town where she was born on November 21, 1956. Her parents encouraged her interest by sending her to classes with Ruby Crider, a local drama teacher. Seeing Colleen Dewhurst in Eugene O'Neill's A Moon for the Misbegotten caused Jones, then sixteen, to aspire to be a professional actress herself. Her grandmother, Thelma Cherry, supported her in this ambition, and Crider helped her get into the acting program at Carnegie Mellon University.
    [Show full text]
  • Lipstick Jungle's Kim Raver Proves It's Possible to Have It All
    www.resident.com • January 29-February 4, 2008 • Vol. 20, No. 33 • $2.95 RESIDENTNew York/Hamptons www.resident.com • Special Edition • Vol. 20, N0. 55 • $4.95 POWER WOMAN Exclusive! Lipstick Jungle's Kim Raver proves it's possible to have it all The best things to do, see, eat and buy in NY COVER Power Woman Lipstick Jungle’s Kim Raver proves it is possible to have it all. By Rachel Bowie im Raver hearts New York. In fact, she loves it so much that she’s embraced the city’s most effi cient way Kof getting around — taking the subway. But as Raver’s career reaches new heights, going incognito under- ground is becoming more and more diffi cult for the native New Yorker. “People come up to me on the sub- way and ask, ‘Do you know Kim Raver?’” she laughs. “This one guy was so persistent and kept saying, ‘But you look so much like her!’ Maybe they know and they’re just trying to get me to say, ‘It’s me!’ It’s really very funny.” If you ask us, getting recognized underground — or anywhere else in the city — is something Raver better get used to. This fall, she returns to the small screen for the second season of NBC’s Lipstick Jungle, a series about three successful New York women (played by Raver, Brooke Shields and Lindsay Price) struggling to manage their busy lives and, in turn, have it all. Raver plays Nico Reilly, editor-in-chief of Bonfi re magazine, giving a performance that is both touching and heartfelt, not to mention one that hits home for many of the show’s view- ers.
    [Show full text]
  • Tyson a Film by James Toback
    TYSON A FILM BY JAMES TOBACK A Sony Pictures Classics Release USA / 88' / 35 MM / 1:85 / DOLBY SR / COLOUR / 2008 Press Contacts: East Coast Publicity West Coast Publicity Distributor 42 West Block-Korenbrot PR Sony Pictures Classics Kerry McAleer Melody Korenbrot Carmelo Pirrone Scott Feinstein Lisa Danna Leila Guenancia 220 West 42nd Street 12th Fl. 110 S. Fairfax Ave. #310 550 Madison Ave. 8th fl. New York, NY 10036 Los Angeles, CA 90036 New York, NY 10022 Tel:212-277-7555 Tel: 323-634-7001 Tel: 212-833-8842 Fax: 212-277-7550 Fax: 323-6334-7030 Fax: 212-833-5872 E: [email protected] E: [email protected] E: [email protected] E: [email protected] E: [email protected] E: [email protected] TYSON CREDITS DIRECTED BY James Toback DP Larry McConkey EDITOR Aaron Yanes ORIGINAL MUSIC Salaam Remi SONG “LEGENDARY” BY Nas SUPERVISING SOUND EDITOR Byron Wilson SOUND EFFECTS EDITOR Brad North ASSISTANT SOUND EDITOR Joel Dougherty RE-RECORDING MIXERS Skip Lievsay Brad North PRODUCERS James Toback Damon Bingham CO-PRODUCERS Warren Farnes Bill Newcomb Salaam Remi Nas EXECUTIVE PRODUCERS Mike Tyson Harlan Werner Nicholas Jarecki Henry Jarecki Carmelo Anthony David Haines Bob Yari TYSON Director’s Statement Mike Tyson, a figure of staggering complexity and iconic impact on the world stage, has been a friend since 1985 when he came by the set of THE PICK UP ARTIST to meet Robert Downey. We spent hours talking-- about love, madness, crime, sports, sex, boxing, money, and death. I was left with a certainty that I would eventually want to use him in some future film.
    [Show full text]
  • Tom Cruise Is Dangerous and Irresponsible
    Tom Cruise is dangerous and irresponsible Ushma S. Neill J Clin Invest. 2005;115(8):1964-1965. https://doi.org/10.1172/JCI26200. Editorial Yes, even the JCI can weigh in on celebrity gossip, but hopefully without becoming a tabloid. Rather, we want to shine a light on the reckless comments actor Tom Cruise has recently made that psychiatry is a “quack” field and his belief that postpartum depression cannot be treated pharmacologically. We can only hope that his influence as a celebrity does not hold back those in need of psychiatric treatment. Find the latest version: https://jci.me/26200/pdf Editorial Tom Cruise is dangerous and irresponsible Yes, even the JCI can weigh in on celebrity gossip, but hopefully without Though it is hard to believe Cruise has becoming a tabloid. Rather, we want to shine a light on the reckless com- ample time to help legions of drug addicts, ments actor Tom Cruise has recently made that psychiatry is a “quack” field given his intense movie production and and his belief that postpartum depression cannot be treated pharmacologi- publicity responsibilities, it is admirable cally. We can only hope that his influence as a celebrity does not hold back that he tries. But he goes on to say, “I have those in need of psychiatric treatment. an easier time stepping people off heroin then I do these psychotropic drugs” (2). Several interviews have aired in which Tom in females) and is on average 3–5 inches. In his efforts to help drug abusers, Cruise Cruise has publicized his disdain for psy- Hyperbole on the part of Mr.
    [Show full text]
  • Lifetime TV Airs Movie on FL Court Custody Battle L
    PAGE 16 ▼ Q-Notes ▼ January 20, 2001 Center Continued from page 1 words. Shanghai, a card game, kept folks busy, while the GLBT community was given a new twist on Twistet, a popular game from the 60s. Cranium was a real hit, with participants en­ tertained by its players’ antics. A Millionnaire- styled gay trivia game challenged its pattici- Baskets were full of goodj'ey pants to sweep out cobwebs of information to For more information, or to volunteer your compete fot a free massage or win other prizes. time on the Project, call 704-569-9977or send To date, over 100 membership applications [email protected]. Lifetime TV airs movie on FL have been taken, along with monies in excess Development progess and announcements of of $20,000. New members received a box of othet events can be followed through the Sweetheart candy when they signed up at the center’s web site, www.gaycharlotte.com/ event held on January 6. communitycenter. T court custody battle by Clay Ollis Q-Notes Staff WORLD PREMIERE! NEW PLAY FESTIVAL GRADUATE! L!n the early 1980s, the gay community was A phy about life, loss, gay acceptance, incensed — along with most of America, but for opposite reasons — by the Nieksen v. Catildi court and what it meapa to have battle in the state of Florida. Janine Nielssen and Sandy Catildi, a lesbian couple, conceived a child through artificial insemination in 1979 and raised her together. Five years later, Sandy, who had car­ ried their daughter Heather, died of lupus. Janine’s unswerving resistance to acknowledging Sandy’s impending death and her refusal to make contin­ gency plans led to unforeseen consequences.
    [Show full text]
  • 2020-QWOCFF-Program-Book.Pdf
    WELCOME Greetings from Yelamu, the traditional unceded territory of the Ramaytush Ohlone people, which is known as San Francisco. This naming is crucial. The hemisphere that QWOCMAP inhabits, the entire Americas, from Canada to Chile, was founded on anti-Native and anti-Black racist violence, from dispossession and enslavement to policing and incarceration, that affects our safety to this very day. QWOCMAP works to end oppression and advance abolition. We use film as protest, as respite, as imagination for a just future. This embodiment of art and culture is grounded in the spiritual and ethical aspects of Black and Indigenous resistance, and that of all people of color. We welcome you to our 16th annual San Francisco International Queer Women of Color Film Festival. Our Festival Focus SafeSpace/NoPlace digs up the roots of injustice, showing how it seeds discourse and proliferates violence against our oppressed communities. From gentrification and displacement to the global pandemic, from the street to our homes, the safety of our communities is crucial to the new world we all need. We want the films and discussions to connect us, even as we are physically distant from each other. We want to spark joy for you and galvanize your courage to act. When we act, we learn and change. And action, making the road as we walk it, creates hope. We cherish working in solidarity with you to create justice. With light, love, and liberation, QWOCMAP STAFF QWOCMAP BOARD Madeleine Lim, Executive Director Alisha Klatt T. Kebo Drew, Managing Director Cassandra Falby Christina Lang, Program Manager Leis Rodriguez, J.D.
    [Show full text]