Tom Cruise Is Dangerous and Irresponsible
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See It Big! Action Features More Than 30 Action Movie Favorites on the Big
FOR IMMEDIATE RELEASE ‘SEE IT BIG! ACTION’ FEATURES MORE THAN 30 ACTION MOVIE FAVORITES ON THE BIG SCREEN April 19–July 7, 2019 Astoria, New York, April 16, 2019—Museum of the Moving Image presents See It Big! Action, a major screening series featuring more than 30 action films, from April 19 through July 7, 2019. Programmed by Curator of Film Eric Hynes and Reverse Shot editors Jeff Reichert and Michael Koresky, the series opens with cinematic swashbucklers and continues with movies from around the world featuring white- knuckle chase sequences and thrilling stuntwork. It highlights work from some of the form's greatest practitioners, including John Woo, Michael Mann, Steven Spielberg, Akira Kurosawa, Kathryn Bigelow, Jackie Chan, and much more. As the curators note, “In a sense, all movies are ’action’ movies; cinema is movement and light, after all. Since nearly the very beginning, spectacle and stunt work have been essential parts of the form. There is nothing quite like watching physical feats, pulse-pounding drama, and epic confrontations on a large screen alongside other astonished moviegoers. See It Big! Action offers up some of our favorites of the genre.” In all, 32 films will be shown, many of them in 35mm prints. Among the highlights are two classic Technicolor swashbucklers, Michael Curtiz’s The Adventures of Robin Hood and Jacques Tourneur’s Anne of the Indies (April 20); Kurosawa’s Seven Samurai (April 21); back-to-back screenings of Mad Max: Fury Road and Aliens on Mother’s Day (May 12); all six Mission: Impossible films -
Producer/ Director Obin Olson Talks About Operator PAGE 12
APRIL VOLUME 15 2015 ISSUE 2 Where everyone goes for scripts and writers ™ Producer/ Director Obin Olson Talks About Operator PAGE 12 Q&A with Operator Screenwriter, Dwain Worrell PAGE 16 FIND YOUR NEXT SCRIPT HERE! Where everyone goes for writers and scripts™ IT’S FAST AND EASY TO FIND THE SCRIPT OR WRITER YOU NEED. WWW.INKTIP.COM A FREE SERVICE FOR ENTERTAINMENT PROFESSIONALS. Peruse this magazine, find the scripts/books you like, and go to www.InkTip.com to search by title or author for access to synopses, resumes and scripts! l For more information, go to: www.InkTip.com. l To register for access, go to: www.InkTip.com and click Joining InkTip for Entertainment Pros l Subscribe to our free newsletter at http://www.inktip.com/ep_newsletters.php Note: For your protection, writers are required to sign a comprehensive release form before they can place their scripts on our site. Table of Contents Recent Successes 3, 9, 11 Feature Scripts – Grouped by Genre 7 Industry Endorsements 3 Feature Article: Operator 12 Contest/Festival Winners 4 Q&A: Operator Screenwriter Dwain Worrell 16 Writers Represented by Agents/Managers 4 Get Your Movie on the Cover of InkTip Magazine 18 Teleplays 5 3 Welcome to InkTip! The InkTip Magazine is owned and distributed by InkTip. Recent Successes In this magazine, we provide you with an extensive selection of loglines from all genres for scripts available now on InkTip. Entertainment professionals from Hollywood and all over the Bethany Joy Lenz Options “One of These Days” world come to InkTip because it is a fast and easy way to find Bethany Joy Lenz found “One of These Days” on InkTip, great scripts and talented writers. -
Fame Attack : the Inflation of Celebrity and Its Consequences
Rojek, Chris. "The Icarus Complex." Fame Attack: The Inflation of Celebrity and Its Consequences. London: Bloomsbury Academic, 2012. 142–160. Bloomsbury Collections. Web. 1 Oct. 2021. <http://dx.doi.org/10.5040/9781849661386.ch-009>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 1 October 2021, 16:03 UTC. Copyright © Chris Rojek 2012. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 9 The Icarus Complex he myth of Icarus is the most powerful Ancient Greek parable of hubris. In a bid to escape exile in Crete, Icarus uses wings made from wax and feathers made by his father, the Athenian master craftsman Daedalus. But the sin of hubris causes him to pay no heed to his father’s warnings. He fl ies too close to the sun, so burning his wings, and falls into the Tsea and drowns. The parable is often used to highlight the perils of pride and the reckless, impulsive behaviour that it fosters. The frontier nature of celebrity culture perpetuates and enlarges narcissistic characteristics in stars and stargazers. Impulsive behaviour and recklessness are commonplace. They fi gure prominently in the entertainment pages and gossip columns of newspapers and magazines, prompting commentators to conjecture about the contagious effects of celebrity culture upon personal health and the social fabric. Do celebrities sometimes get too big for their boots and get involved in social and political issues that are beyond their competence? Can one posit an Icarus complex in some types of celebrity behaviour? This chapter addresses these questions by examining celanthropy and its discontents (notably Madonna’s controversial adoption of two Malawi children); celebrity health advice (Tom Cruise and Scientology); and celebrity pranks (the Sachsgate phone calls involving Russell Brand and Jonathan Ross). -
Sogni Rubatirubati
SogniSogni RubatiRubati © Di Jeff Hawkins, 2008. Tratto da http://counterfeitdreams.blogspot.com/ Traduzione in italiano © Simonetta Po per “Allarme Scientology” www.allarmescientology.it , 2009 Prefazione del traduttore Jeff Hawkins è stato staff della Chiesa di Scientology per 35 anni, la maggioranza dei quali in Sea Org. Per tutta la sua carriera si è occupato di promozione e marketing, ha tra l'altro lavorato, curato e diretto le riviste interne e ha progettato e lanciato alcune tra le campagne pubblicitarie di maggior successo della Chiesa di Scientology. Ha lavorato a Pubs WW a Edimburgo, partecipato al trasferimento a Copenhagen di quella che sarebbe diventata la New Era Publications, concluso la carriera a Golden Era Productions oltre a collaborazioni con Bridge Publications e ASI (Author Services Inc.) Il suo è un racconto dettagliato della vita di staff e mostra la schizofrenia delle decine e decine di organizzazioni Scientology, la loro farraginosa burocrazia, il complicato organigramma. Parla dell'indifferenza verso il vero merito del lavoro svolto, della follia delle "statistiche", di come venga premiata l'obbedienza piuttosto che la creatività e il buon senso, spesso messo da parte per compiacere i capi di turno. E di come, in definitiva, a vincere sia sempre l'ottusità, in quello che dovrebbe invece essere il regno per eccellenza della razionalità (caratteristica dell'Essere "chiarito" con la "tecnologia" di Hubbard) e dell'intelligenza al suo massimo livello. Ciononostante quello di Hawkins è un racconto pacato e sereno che non scade mai nel vittimismo, ma nemmeno nell'apologia. Con Hawkins si ripercorrono quattro decenni fondamentali per la storia della Chiesa di Scientology: gli anni della costituzione della Sea Org come organizzazione veramente "del mare", imbarcata sulla piccola flotta privata del "Commodoro". -
The Dangerous Discourse of Dianetics: Linguistic Manifestations of Violence Toward Queerness in the Canonical Religious Philosophy of Scientology
Relics, Remnants, and Religion: An Undergraduate Journal in Religious Studies Volume 2 Issue 2 Article 4 5-5-2017 The Dangerous Discourse of Dianetics: Linguistic Manifestations of Violence Toward Queerness in the Canonical Religious Philosophy of Scientology Francesca Retana University of Puget Sound, [email protected] Follow this and additional works at: https://soundideas.pugetsound.edu/relics Recommended Citation Retana, Francesca (2017) "The Dangerous Discourse of Dianetics: Linguistic Manifestations of Violence Toward Queerness in the Canonical Religious Philosophy of Scientology," Relics, Remnants, and Religion: An Undergraduate Journal in Religious Studies: Vol. 2 : Iss. 2 , Article 4. Available at: https://soundideas.pugetsound.edu/relics/vol2/iss2/4 This Article is brought to you for free and open access by the Student Publications at Sound Ideas. It has been accepted for inclusion in Relics, Remnants, and Religion: An Undergraduate Journal in Religious Studies by an authorized editor of Sound Ideas. For more information, please contact [email protected]. Retana: The Dangerous Discourse of Dianetics: Linguistic Manifestations Page 1 of 45 The Dangerous Discourse of Dianetics: Linguistic Manifestations of Violence Toward Queerness in the Canonical Religious Philosophy of Scientology I. Uncovering the Anti-Queer Sentiment in the Dianetic Perspective At present, there is a groundswell of public sensational interest in the subject of Scientology; and, in fact, in the time since I began this research paper, a nine-episode documentary series has premiered and reached finale on A&E titled “Scientology and the Aftermath”— a personal project hosted by sitcom celebrity, ex-Scientologist, and author of Troublemaker: Surviving Hollywood and Scientology, Leah Remini.1 I could not begin to enumerate the myriad exposés/memoirs of ex-Scientologists that have been published in recent years nor could I emphasize enough the rampant conspiracy theories that are at the disposal of any curious mind on what many have termed “the cult” of Scientology. -
Volume 2, Issue 4 July—August 2018
The Journal of CESNUR $ Volume 2, Issue 4 July—August 2018 $ The Journal of CESNUR $ Director-in-Charge | Direttore responsabile Marco Respinti Editor-in-Chief | Direttore Massimo Introvigne Center for Studies on New Religions, Turin, Italy Associate Editor | Vicedirettore PierLuigi Zoccatelli Pontifical Salesian University, Turin, Italy Editorial Board / International Consultants Milda Ališauskienė Vytautas Magnus University, Kaunas, Lithuania Eileen Barker London School of Economics, London, United Kingdom Luigi Berzano University of Turin, Turin, Italy Antoine Faivre École Pratique des Hautes Études, Paris, France Holly Folk Western Washington University, Bellingham, Washington, USA Liselotte Frisk Dalarna University, Falun, Sweden J. Gordon Melton Baylor University, Waco, Texas, USA Susan Palmer McGill University, Montreal, Canada Stefania Palmisano University of Turin, Turin, Italy Bernadette Rigal-Cellard Université Bordeaux Montaigne, Bordeaux, France Instructions for Authors and submission guidelines can be found on our website at www.cesnur.net. ISSN: 2532-2990 The Journal of CESNUR is published bi-monthly by CESNUR (Center for Studies on New Religions), Via Confienza 19, 10121 Torino, Italy. $ The Journal of CESNUR $ Volume 2, Issue 4, July—August 2018 Contents Articles 3 Introduction—Emperor Nero Redux: Fake News and Anti-Cult Movements Massimo Introvigne 10 Fake News! Chinese Mobilization of Resources Against The Church of Almighty God as a Global Phenomenon Massimo Introvigne 28 Degrees of Truth: Engineering L. Ron Hubbard Ian C. Camacho 61 Trance, Meditation and Brainwashing: The Israeli Use of Hypnosis Law and New Religious Movements Marianna Ruah-Midbar Shapiro and Sharon Warshawski 97 La “fobia delle sette” in Italia: fake news al servizio della denigrazione religiosa Massimo Giusio 118 La Soka Gakkai che non c’è. -
NCLR-Annual-Report-2
national center for lesbian rights 2005 ANNUAL REPORT WWW.NCLRIGHTS.ORG 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 9 9 2000 2001 2002 2003 2004 2005 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 9 1 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 1977 1978 1979 1980 1981 1982 983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 4 2005 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 997 1998 1999 2000 2001 2002 2003 2004 2005 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 89 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2003 2004 2005 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 9 5 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 9 7 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 1977 1978 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003“ 2004Since 2005 1977,1977 1978 the1979 1980National 1981 1982 Center1983 1984 1985for 1986Lesbian 1987 1988 Rights 1989 1990 1991 1992 9 3 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 1977 1978 1979 1980 1981 1982 1983 1984 85 1986 1987 1988 1989has 1990 been 1991 at 1992 the 1993 forefront 1994 1995 1996 of 1997nearly 1998 1999every 2000 legal 2001 2002 gain 2003 2004 2005 7 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 9 9 2000 2001 2002 2003 2004 2005 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 9 1 1992 1993 1994won 1995 1996 for 1997 LGBT 1998 1999people 2000 2001and 2002 families. -
From Printed to “Wikified” Encyclopedias Sociological Aspects of an Incipient Cultural Revolution
www.ssoar.info From printed to "wikified" encyclopedias: sociological aspects of an incipient cultural revolution Geser, Hans Arbeitspapier / working paper Zur Verfügung gestellt in Kooperation mit / provided in cooperation with: SSG Sozialwissenschaften, USB Köln Empfohlene Zitierung / Suggested Citation: Geser, H. (2007). From printed to "wikified" encyclopedias: sociological aspects of an incipient cultural revolution.. Zürich: Universität Zürich, Philosophische Fakultät, Soziologisches Institut. https://nbn-resolving.org/urn:nbn:de:0168- ssoar-334256 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Deposit-Lizenz (Keine This document is made available under Deposit Licence (No Weiterverbreitung - keine Bearbeitung) zur Verfügung gestellt. Redistribution - no modifications). We grant a non-exclusive, non- Gewährt wird ein nicht exklusives, nicht übertragbares, transferable, individual and limited right to using this document. persönliches und beschränktes Recht auf Nutzung dieses This document is solely intended for your personal, non- Dokuments. Dieses Dokument ist ausschließlich für commercial use. All of the copies of this documents must retain den persönlichen, nicht-kommerziellen Gebrauch bestimmt. all copyright information and other information regarding legal Auf sämtlichen Kopien dieses Dokuments müssen alle protection. You are not allowed to alter this document in any Urheberrechtshinweise und sonstigen Hinweise auf gesetzlichen way, to copy it for public or commercial purposes, to exhibit the Schutz beibehalten werden. Sie dürfen dieses Dokument document in public, to perform, distribute or otherwise use the nicht in irgendeiner Weise abändern, noch dürfen Sie document in public. dieses Dokument für öffentliche oder kommerzielle Zwecke By using this particular document, you accept the above-stated vervielfältigen, öffentlich ausstellen, aufführen, vertreiben oder conditions of use. anderweitig nutzen. -
Church of Scientology Statement Andrew Morton’S Unauthorized Biography of Tom Cruise
CHURCH OF SCIENTOLOGY INTERNATIONAL 14 January 2008 For further information contact: Karin Pouw, Public Affairs Director (323) 960-3500 CHURCH OF SCIENTOLOGY STATEMENT ANDREW MORTON’S UNAUTHORIZED BIOGRAPHY OF TOM CRUISE For the last two years, the Church of Scientology requested to be interviewed or be presented with any allegations so we could respond. Morton refused despite our insistence in offering our cooperation. At no time did he request interviews nor did he attempt to get any information from us. Accuracy and truth were not on Morton’s agenda. While making all sorts of bizarre and false allegations about Mr. Miscavige, the Church’s ecclesiastical leader, Morton at no time ever attempted to contact, speak to or interview him. As a result his book is a bigoted, defamatory assault replete with lies. Morton comes from a tabloid background and his book reads like British tabloid journalism at its worst. British publishers rejected the book because of Morton’s inability to prove the truth of his allegations, something the laws of the UK require and of which Morton is well aware. Notwithstanding his US publisher’s knowledge that his British publishing house refused publication of Morton’s diatribe due to his inability to substantiate his claims, they still steadfastly refused to present any of the allegations for either refutations or response. Furthermore, scandalous falsehoods attributed to Morton appeared in the UK press 2 months ago. The Church demanded he correct these falsehoods which he and his publisher refused to do. However, the newspaper that published Morton’s lies did take responsibility—printing a full retraction when presented with the facts by the Church. -
Case Number: 70 /2005 Date of Hearing
CASE NUMBER: 70 /2005 DATE OF HEARING: 07 NOVEMBER 2005 C FERREIRA 1ST COMPLAINANT C BYSSHE 2ND COMPLAINANT V LOPEZ 3rd COMPLAINANT vs 5FM 1ST RESPONDENT JACARANDA FM 2nd RESPONDENT TRIBUNAL: Prof Kobus van Rooyen SC (Chairperson) Mr Ratha Mokgoatlheng Ms Lauren Gower Mr Robin Sewlal Dr Linda Venter 5FM - Complainants: Ms Ferreira and Ms Bysshe accompanied by Mr Ryan Hogarth. JACARANDA 94.2 FM – Complainant did not attend For the SABC: Mr Fakir Hassen, Manager Broadcast and Compliance, Policy and Regulatory Affairs of the SABC accompanied by Mr Nick Grubb, Programme Manager, 5fm For Jacaranda FM: Mr Peter Grealy of Webber Wentzel Bowens ________________________________________________________________________ Religion- Scientology – silent birth joked with – involvement of famous actors making the references less invasive. Ferreira and Bysshe vs 5fm and V Lopez vs Jacaranda 94.2 FM, Case No: 70/2005 ________________________________________________________________________ 2 SUMMARY The Registrar received complaints from adherents of the Scientology faith that broadcasts on Jacaranda FM and SABC’s 5fm offended them. The comments by presenters of programmes, in both instances made reference to Tom Cruise and Katie Holmes’ plan to have a “silent birth” in accordance with their faith, Scientology. Since the complaints deal with the same subject, I will deal with both matters in one judgment. The Tribunal held that in the particular programmes which have been complained about, it did not believe that the Scientology belief in still birth would have been criticized, had it not been for the world famous actors involved. Of course, the references go further than mere criticism but amount to joking with what Scientology believers regard as part of their faith and the practices and respect for Ron Hubbard that go with it. -
Samuel L Jackson Golf Clause
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Refresh + Renovate
FOURTH OF JULY 400+ MARKET ART + DESIGN’S pages to WEEKEND DEBUT! savor! THE MAIDSTONE CLUB CELEBRATES ITS 125TH! The Ultimate Guide to the BROOKE SHIELDS Philanthropic CURATES AT Party Scene ART SOUTHAMPTON 6 SUPERSTAR CHEFS PREPARE THE Refresh ULTIMATE BBQ + Renovate BEHIND THE SCENES WITH THE BEST An Inside View of BREWMASTERS the Chicest Homes in the Hamptons PLUS RACHELLE HRUSKA MACPHERSON, ERIC FISCHL, AND PIPPA SMALL BLAKE STUNSLively THIS SUMMER IN THE SHALLOWS hamptons-magazine.com GREENGALE PUBLISHING, LLC SCENE EVERYBODY’S TALKING ABOUT WILD “WHAT I LOVE ABOUT THE KINGDOM SCHOOL IS THAT THEIR FOCUS IS ON TRADITIONAL ACTRESS BROO E SHIELDS CURATES A SPECIAL EXHIBITION TRAINING IN PAINTING, FOCUSED ON ANIMALS AND DRAWING, AND SCULPTURE, NATURE FOR THIS YEAR’S ART SOUTHAMPTON. SO THEY’RE ALL HIGHLY BY R. COURI HAY SKILLED ARTISTS”. Brooke Shields—actress, model, —BROOKE SHIELDS author, original Calvin Klein jeans ingénue, and onetime Tom Cruise nemesis—is expanding her repertoire to the visual arts. The Princeton grad has cocurated an exhibit for the New York Academy of Art titled “Call of the Wild.” Featuring more than 60 paintings and sculptures inspired by nature and the animal kingdom by alumni of the Academy (of which Shields is a board member), it will be shown at this year’s edition of the art fair Art Southampton, running from July 7 through 11. The theme seems apt, as the school’s MFA program has a long history of working with human mod- els as well as exotic animals brought in by handlers; the Academy also partners each year with the Westminster Kennel Club to run its art competition, with the winning work adorning the club’s annual post- card and official promotional poster.