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UWE Obergs LACY POOL Uwe Oberg Piano / Rudi Mahall Clarinets / Michael Griener Drums
UWE OBERGs LACY POOL Uwe Oberg piano / Rudi Mahall clarinets / Michael Griener drums Just released! LACY POOL_2 (Leo Records / London) LACY POOL was founded by German pianist Uwe Oberg. With an intriguing lineup with the Berlin-based clarinettist Rudi Mahall and drummer Michael Griener, the band explores different styles in Steve Lacy's music and Oberg's compositions. It's a joyful celebration as well as an deconstruction, that transfers the Lacy's pieces into the present. Fresh and inquisitive. JAZZWEEKLY July 2017 “On Lacy Pool, an intriguing lineup (piano-trombone-drums) revisit what might one day become standards - 10 compositions penned by Steve Lacy. Uwe Oberg's angular lines, Christof Thewes' soaring trombone and drummer Michael Griener's clever support help bring out the joy that inhabits those pieces. Their truculent nods at Dixieland or Thelonious Monk are a reminder of how both influences informed the late soprano sax player's development. They never get lost in a meditative state, because Oberg and company's mood is definetely more celebratory than mournful. To sum up, this is an excellent addition to the recent tributes paid to Lacy's legacy that will surely inspire more generations to come. DOWNBEAT, December 2010 Great players, luminously entertaining album. TOUCHING EXTREMES, Okt. 2010 Confirming that the music of a true original like Lacy is best celebrated by adding to it rather than copying, the three leap into the Lacy Pool at the deep end. Accepting this challenge, they still manage an Olympic medal-like performance. KEN WAXMAN, March 2010 This refreshing and innovative, forward-thinking look on Steve Lacy's music is imaginatively clever as it is delightful. -
Acclaimed Drummer-Composer John
Bio information: THE CLAUDIA QUINTET Title: SUPER PETITE (Cuneiform Rune 427) Format: CD / DIGITAL RELEASE DATE: JUNE 24, 2016 Cuneiform promotion dept: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American & world radio) www.cuneiformrecords.com FILE UNDER: JAZZ / POST-JAZZ Acclaimed Drummer-Composer John Hollenbeck Pens Rich, Complex Tunes for an Era of Short Attention Spans on The Claudia Quintet's 8th album – Super Petite – a Potent Package that Condenses Virtuoso Playing and a Wealth of Ideas into Ten Compact Songs Short doesn’t necessarily mean simple. Drummer-composer John Hollenbeck acrobatically explores the dichotomy between brevity and complexity on Super Petite, the eighth release by the critically acclaimed, proudly eccentric Claudia Quintet. The oxymoronic title of the band’s newest album on Cuneiform Records captures the essence of its ten new compositions, which pack all of the wit and virtuosity that listeners have come to expect from the Claudia Quintet into the time frame of radio-friendly pop songs. As always, Hollenbeck’s uncategorizable music – which bridges the worlds of modern jazz and new music in surprising and inventive ways - is realized by Claudia’s longstanding line-up: clarinetist/tenor saxophonist Chris Speed, vibraphonist Matt Moran, bassist Drew Gress, and accordionist Red Wierenga. Over the course of 19 years and 8 albums, the band has forged an astounding chemistry and become expert at juggling mind-boggling dexterity with inviting emotion and spirit. Like the band’s name, the title Super Petite originated as an affectionate nickname for one of the band’s fans. -
Johnny O'neal
OCTOBER 2017—ISSUE 186 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BOBDOROUGH from bebop to schoolhouse VOCALS ISSUE JOHNNY JEN RUTH BETTY O’NEAL SHYU PRICE ROCHÉ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2017—ISSUE 186 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : JOHNNY O’NEAL 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : JEN SHYU 7 by suzanne lorge General Inquiries: [email protected] ON The Cover : BOB DOROUGH 8 by marilyn lester Advertising: [email protected] Encore : ruth price by andy vélez Calendar: 10 [email protected] VOXNews: Lest We Forget : betty rochÉ 10 by ori dagan [email protected] LAbel Spotlight : southport by alex henderson US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Robert Bush, 13 Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, special feature 14 by andrey henkin Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, CD ReviewS 16 Suzanne Lorge, Mark Keresman, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, Miscellany 41 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Event Calendar Contributing Writers 42 Brian Charette, Ori Dagan, George Kanzler, Jim Motavalli “Think before you speak.” It’s something we teach to our children early on, a most basic lesson for living in a society. -
The New York City Jazz Record
BEST OF 2017 BEST OF 2017 BEST OF 2017 BEST OF 2017 BEST OF 2017 BEST OF 2017 THE NEW YORK CITY JAZZ RECORD BEST OF 2017 BEST OF 2017 BEST OF 2017 BEST OF 2017 BEST OF 2017 BEST OF 2017 ALBUMS OF THE YEAR CONCERTS OF THE YEAR MISCELLANEOUS CATEGORIES OF THE YEAR ANTHONY BRAXTON—Solo (Victoriaville) 2017 (Victo) BILL CHARLAP WITH CAROL SLOANE DARCY JAMES ARGUE’S SECRET SOCIETY PHILIPP GERSCHLAUER/DAVID FIUCZYNSKI— January 11th, Jazz Standard Dave Pietro, Rob Wilkerson, Chris Speed, John Ellis, UNEARTHED GEMS BOXED SETS TRIBUTES Mikrojazz: Neue Expressionistische Musik (RareNoise) Carl Maraghi, Seneca Black, Jonathan Powell, Matt Holman, ELLA FITZGERALD—Ella at Zardi’s (Verve) WILLEM BREUKER KOLLEKTIEF— TONY ALLEN—A Tribute to Art Blakey REGGIE NICHOLSON BRASS CONCEPT Nadje Noordhuis, Ingrid Jensen, Mike Fahie, Ryan Keberle, Out of the Box (BVHaast) and The Jazz Messengers (Blue Note) CHARLES LLOYD NEW QUARTET— Vincent Chancey, Nabate Isles, Jose Davila, Stafford Hunter Jacob Garchik, George Flynn, Sebastian Noelle, TUBBY HAYES QUINTET—Modes and Blues Passin’ Thru (Blue Note) February 4th, Sistas’ Place Carmen Staaf, Matt Clohesy, Jon Wikan (8th February 1964): Live at Ronnie Scott’s (Gearbox) ORNETTE COLEMAN—Celebrate Ornette (Song X) KIRK KNUFFKE—Cherryco (SteepleChase) THE NECKS—Unfold (Ideological Organ) January 6th, Winter Jazzfest, SubCulture STEVE LACY—Free For A Minute (Emanem) WILD BILL DAVISON— WADADA LEO SMITH— SAM NEWSOME/JEAN-MICHEL PILC— ED NEUMEISTER SOLO MIN XIAO-FEN/SATOSHI TAKEISHI THELONIOUS MONK— The Danish Sessions: -
Convallaria Press Release
Bio information: THUMBSCREW Title: CONVALLARIA (Cuneiform Rune 415) Format: CD / DIGITAL RELEASE DATE: MAY 20, 2016 Cuneiform promotion dept: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American & world radio) www.cuneiformrecords.com FILE UNDER: JAZZ Mary Halvorson, Michael Formanek, and Tomas Fujiwara – the All-Star Collective Trio Thumbscrew — Deliver a Startlingly Beautiful Second Album with Convallaria, Featuring Music Cultivated During an Inspired Residency at City of Asylum/Pittsburgh “The barrage of riffs are both epic and melodic, the low end beefy and the percussion massive. Expect nothing less than magic from these three avant purveyors." –The Village Voice Creative artists aren’t subject to state persecution in the United States, but indifference can exact its own cost, just as generous support can pay steep dividends. Convallaria, the startlingly beautiful new Cuneiform album by the collective trio Thumbscrew, offers an all- too-rare case study in the power of underwritten sequestration. Featuring veteran bass master Michael Formanek, protean guitarist Mary Halvorson, and indefatigably resourceful drummer Tomas Fujiwara, Thumbscrew spent two weeks honing the tunes on Convallaria at City of Asylum, an artist residency program in Pittsburgh originally launched as a refuge for writers in exile. In recent years City of Asylum has expanded its purview to include musicians, establishing the BNY Mellon Jazz Residency that in June/July 2015 hosted Thumbscrew. For Thumbscrew, the opportunity for intensive, undistracted collaboration yielded a particularly striking body of music, even by the standards of these prodigious players. Already closely bonded by extensive collaborations in a variety of overlapping ensembles, the powerhouse triumvirate got to spend the kind of concentrated time together that’s “almost unheard of these days,” says Formanek. -
June 2020 Volume 87 / Number 6
JUNE 2020 VOLUME 87 / NUMBER 6 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow. -
132 New on Maybe Monday
New on INTAKT RECORDS www.intaktrec.ch One marker of bassist Michael Formanek's creativity and versatility is the range of distinguished musicians of several generations he's worked with. While still a teenager in the 1970s he toured with drummer Tony Williams and saxophonist Joe Henderson. Starting in the '80s he played long stints with Stan Getz, Fred Hersch and Freddie Hubbard. Formanek is also a composer and leader of various bands. One of his principal recording and international touring vehicles has been his acclaimed quartet with Tim Berne, Craig Taborn and Gerald Cleaver. His occasional groups include the 18-piece all-star Ensemble Kolos- sus, roping in many New York improvisers he works with. Currently his primary focus is the Michael Formanek Elusion Quartet with Tony Malaby, Kris Davis, and Ches Smith. In putting together the Elusion Quartet, interpreting his music with these specific musicians, Michael Formanek says he sought “a more direct connection to emotions: mine, theirs and the listener’s.” Hank Shteamer writes in the liner notes: "As one zeroes in on the details of Time Like This, it's clear that this sort of emotional immediacy permeates the album. You hear it in Kris Davis’ flowing, balletic solo on “A Fine Mess”; in Tony Malaby's ululating tenor cries on “The Soul Goodbye”; in Ches Smith’s raucous grooves on “That Was Then”; or the leader’s poised, sinewy lines on “Culture of None.” Elusive? MicHaeL FOrManek Certainly. But as this album proves, under the right conditions, with the eLusiOn QuarTeT right personnel, it’s still out there." Der New Yorker Bassist und Komponist Michael Formanek präsen- TIME LIKE THIS tiert mit seinem Elusion Quartett ein neues, wegweisendes Projekt. -
The Singing Guitar
August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW. -
SFJAZZ Announces 2019-2020 Season Programming September 5, 2019 – May 31, 2020
FOR IMMEDIATE RELEASE SFJAZZ Announces 2019-2020 Season Programming September 5, 2019 – May 31, 2020 Tickets on Sale to SFJAZZ Members, Friday, June 28 at 11:00amPST Tickets on Sale to Public, Thursday, July 12 at 11:00amPST SFJAZZ.ORG (SAN FRANCISCO, CA, June 6, 2019) -- SFJAZZ announces artist programming for the 2019-20 season running September 5, 2019 to May 31, 2020 presenting concerts at the SFJAZZ Center’s Robert N. Miner Auditorium and Joe Henderson Lab, Herbst Theatre, Grace Cathedral, and Paramount Theatre in Oakland. Tickets on sale to SFJAZZ Members, Friday, June 28 at 11:00amPST and on sale to public on Thursday, July 12 at 11:00amPST. For more information, visit sfjazz.org. “This is our 8th Season in the Center: we opened in January of 2013. And it is SFJAZZ’s 37th year: we debuted in 1983 as Jazz in the City,” says SFJAZZ Founder and Artistic Director Randall Kline. “At the time of our founding, neither I, nor anyone who was a part of it, could have imagined that here at the corner of Franklin Street and Fell Street, in one of the world’s greatest cities, a dedicated community center built expressly for the appreciation and development of jazz would be thriving. The key elements of this vitality are the intersection of our dedicated audiences, our superb artists, and the Center itself—we work together to create this community.” The SFJAZZ Resident Artistic Director program was established to give today’s most innovative and influential artists the chance to curate exclusive programming at the SFJAZZ Center often featuring unprecedented collaborations and world premiere projects between world-renowned artists. -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
Thumbscrew-Never Is Enough PR
Bio information: THUMBSCREW Title: NEVER IS ENOUGH (Cuneiform Rune 478) Format: CD / VINYL (DOUBLE) / DIGITAL www.cuneiformrecords.com FILE UNDER: JAZZ How much is too much when it comes to THUMBSCREW? The All-Star Collective Trio Delivers a Decisive Answer with Their Sixth Album NEVER IS ENOUGH a Riveting Program of Originals by Tomas Fujiwara, Mary Halvorson and Michael Formanek A funny thing happened while Thumbscrew was hunkered down at City of Asylum, the Pittsburgh arts organization that has served as a creative hotbed for the collective trio via a series of residencies. Late in the summer of 2019 the immediate plan was for drummer Tomas Fujiwara, guitarist Mary Halvorson and bassist Michael Formanek to rehearse and record a disparate program of Anthony Braxton compositions they’d gleaned from his Tri-Centric Foundation archives, pieces released last year on The Anthony Braxton Project, a Cuneiform album celebrating his 75th birthday. At the same time, the triumvirate brought in a batch of original compositions that they also spent time refining and recording, resulting in Never Is Enough, a brilliant program of originals slated for release on Cuneiform. There’s a precedent for twined projects by the trio serving as fascinating foils for each other. In June 2018, Cuneiform simultaneously released an album of Thumbscrew originals, Ours, and Theirs, a disparate but cohesive session exploring music by the likes of Brazilian choro master Jacob do Bandolim, pianist Herbie Nichols, and Argentine tango master Julio de Caro. Those albums were also honed and recorded during a City of Asylum residency. While not intended as the same kind of dialogue, The Anthony Braxton Project and Never Is Enough do seem to speak eloquently (if cryptically) to each other. -
Cambodge Soir
> Disques Ludovic Beier, Pernille Bévort, Jim Black, Erin Bode, Bik Bent Braam, Christian Brazier, John Burrus, Cachao y su Ritmo Caliente, Calamity Jazz, Patrice Caratini, Charco, La Compagnie des musiques à ouïr & Heavy Spirits, Eddie Condon, Larry Coryell, Paolo Damiani, Tom Dempsey/Tim Ferguson, Dites 33, Flukt, Glerum, Caroline Henderson, Ixo, Horst Jankowski Quartett-Horst Jankowski Studio Orchestra, Trio Jauvain/ Ithursarry/Bras, Jazz Accordion, Kadoré, Goran Kajfe, Kif Kif, Koppel-Andersen-Koppel, Volker Kriegel, Joachim Kühn, Mini Compagnie Laccarrière, Byard Lancaster, Marimba Plus, Motian-Peacock-Kikushi, David-Olivier Mougel, Nanette Natal, Paris jazz Big Band, Stéphane Pinard Quintet, Damien Prud’homme Quartet, Pip Pyle’s Bash, Kurt Rosenwinkel, Simon Schott (2), Débora Seffer, Swingamajig, Trio Obscur (2), Rich West, Wood in di Fire, Le Workshop de Lyon rencontre Heavy Spirits Comp@cts on line Supplément au n°615 Novembre 2004 www.jazzhot.net - email : [email protected] comp@cts on line - supplément Jazz Hot n°615 - Novembre 2004 David-Olivier Mougel La chanteuse possède une gentille voix, elle (b), Montez Coleman (dm), Steve Nelson (vib), Les Enfants de Marguerite-Marie Théorie, Cat chante dans une tessiture très limitée comme on Adam Rogers (g), Meg Okura (vln), Adam Maness Dance, Dayom, Joho, New Siam, Orientation, le fait dans sa salle de bain. La bossa «Quiet (p), Sydney Rodway (ts), Jerry Barnes (voc) Nights» est bien enlevée et le ténor of course fait Cambodjazz, Valse pour Marie Guillaume Serre Enregistré les 3-4