2011 Annual Report 2 Torstar Corporation 2011 Annual Report 3

Total Page:16

File Type:pdf, Size:1020Kb

2011 Annual Report 2 Torstar Corporation 2011 Annual Report 3 ANNUAL REPORT 2011_TORSTAR AR.indd 1 12-03-13 3:05 PM OPERATING RESULTS ($000) 2011 2010 Operating revenue $1,548,757 $1,483,768 EBITDA (1) 242,249 250,333 Operating profit 189,673 186,193 Net income 218,141 210,729 Cash from operating activities 114,955 157,654 EBITDA – Percentage of revenue 15.6% 16.9% Operating profit – percentage of revenue 12.2% 12.5% Cash from operating activities – percentage of average shareholders’ equity 17.8% 31.2% PER CLASS A AND CLASS B SHARES Net income $2.74 $2.65 Dividends $0.47 $0.37 Price range (high/low) $15.25/7.55 $13.23/5.92 FINANCIAL POSITION ($000) Long-term debt $196,191 $404,586 Equity $706,264 $584,560 The Annual Meeting of shareholders will be held Wednesday, May 9, 2012 at Le Méridien King Edward Hotel, 37 King Street East, Toronto beginning at 10 a.m. It will also be webcast live on the Internet. OPERATING REVENUE ($MILLIONS)(2) OPERATING PROFIT ($MILLIONS) (2) 07 1,547 07 163 08 1,534 08 118 09 1,451 09 95 10 1,484 10 186 11 1,548 11 190 INCOME (LOSS) FROM CONTINUING EBITDA ($MILLIONS) (1) (2) OPERATIONS PER SHARE (2) 07 1.29 07 225 (2.01) 08 08 213 09 0.45 09 192 10 2.65 10 250 11 2.74 11 242 (1) Consolidated operating profit, as presented on the consolidated statements of income, which is before charges for interest and taxes adjusted for depreciation and amortization of intangible assets. It also excludes restructuring and other charges. Please see “Non-IFRS Measures” on page 7. (2) 2010 is restated to an IFRS basis. 2007-2009 are based on Canadian GAAP and are not restated to IFRS. This annual report contains forward-looking statements within the meaning of certain securities laws, including the “safe harbour“ provisions of the Securities Act (Ontario). We caution readers not to place undue reliance on these statements as a number of factors could cause our results to differ materially from the beliefs, plans, objectives, expectations, anticipations, estimates and intentions expressed in such forward-looking statements. Additional information about these factors is contained on page 7. under the heading “Forward-Looking Statements”. 72567$5&25325$7,21$118$/5(3257 B72567$5$5LQGG 30 Message frOM the Chair John honderich Chair, Board of Directors In spite of strong digital and economic headwinds, Torstar broke through to register another stellar year in 2011. While overall earnings (EBITDA) were off slightly from previous year, the company made significant investments across the board that we believe have strengthened both our financial position and our ability to compete in the future. With a very solid balance sheet and limited long-term debt, the Board of Directors approved more than $100 million in new investments. They include increasing our ownership in the Metro newspaper operations (Free Daily News Group) to 90 per cent and creating new Metro papers in Winnipeg and London, establishing new community papers in Brantford, North Bay, Kitchener and London, purchasing the Smith Falls-based Performance Printing Limited, creating a new entertainment weekly in Toronto called The Grid, and purchasing approximately 25 per cent of Blue Ant Media Inc, a new independent media company. When considered together, these investments constitute a significant expansion of our footprint, particularly in Ontario, our primary area of operation. Also, with our cross-country network of Metro newspapers, Torstar now has control of a national platform that positions us well for the future. On the digital side, Harlequin has been undergoing a dramatic transformation as sales shifted to digital books, which leapfrogged ahead at a strong rate. The team at Harlequin has done an outstanding job managing this transformation. Indeed, Harlequin registered its best year ever, leaving aside the impact of foreign exchange. On the newspaper side, investment in new digital opportunities continues apace with digital media revenues now accounting for more than 11 per cent of total media revenues, an increase of 22.8 per cent year over year. One of Torstar’s greatest strengths is the quality of the members of our executive team who bring a superb mix of experience, dedication and commitment to the company. President and Chief Executive Officer David Holland and Chief Financial Officer and Executive Vice-President Lorenzo DeMarchi have expertly steered Torstar through this difficult year, continuing their pattern of innovative leadership and collaboration. Harlequin Publisher and Chief Executive Officer Donna Hayes continues to excel at the highest level, reaffirming her position as one of the world’s great book publishers. 190 John Cruickshank, Publisher of the Toronto Star and President of the Star Media Group, forged ahead with his dynamic transformation at the Toronto Star, leading it to new heights of editorial excellence. Ian Oliver, President of Metroland Media Group, had an outstanding year as the principal architect of his group enlarging its Ontario footprint. Finally, Torstar Digital President Tomer Strolight continued to play a critical role at the core of Torstar’s digital strategy, moving forward with innovative thinking. As usual, a huge part of Torstar’s success in 2011 was the quality of performance and leadership exhibited throughout the company. In tough times, individual employees are often called upon to excel and 2011 was no exception. Time and again, they were more than up to the challenge. In an era of economic challenge, it was necessary to take steps to restructure our businesses that inevitably led to some painful decisions on staffing. We salute those who have departed, knowing their contributions will not be forgotten. 2011 also saw the return of Neil Clark, former Senior Vice-President Strategic Planning at the Toronto Star, to the Torstar Board of Directors. Mr. Clark has previously served on the Board. Throughout the year, the company has been extremely well served by the Board and I would like to express my personal appreciation for their wisdom, sagacity and good humour. TORSTAR CORPORATION 2011 ANNUAL REPORT 2 TORSTAR CORPORATION 2011 ANNUAL REPORT 3 2011_TORSTAR AR.indd 3 12-03-13 3:05 PM We are also thrilled that our newspapers, websites and journalists continued to be recognized for their outstanding editorial efforts throughout the year. tO Our sharehOlDers In 2011, the Toronto Star won three National Newspaper Awards for reporting and photography and captured the 2011 Canadian Journalism Foundation’s Excellence in Journalism Award in the large or national category. It was David holland the first time in the history of the award that a news organization had President and Chief Executive Officer won the top prize for two consecutive years. Also, Metroland newspapers earned 103 awards from the Ontario Community Newspaper Association Better Newspaper Awards and 91 awards from the Suburban Newspaper of America (SNA) Editorial Contest. Metroland led all companies with an Torstar delivered a very solid performance in 2011, with good operating strengths and capabilities. Across these operations, we have powerful brands, impressive 75 awards in the SNA Advertising and Promotions Contest. The results for the company as a whole, major accomplishments in our book access to significant print and digital audiences, a content development Grid, a weekly publication that was launched in the Toronto area in May, publishing and Canadian Media operations that contributed directly to capability, a distribution capability, promotional power and very committed, was named one of the five best designed newspapers in the world by the strategic progress, and a significant strengthening of the company’s financial talented and passionate employees. The Media division had revenues of $1.1 Society for News Design, an international non-profit design organization. position. billion in the year. Torstar Digital showed positive revenue growth in 2011. Among its portfolio Operating results Metroland Media Group is one of Canada’s leading community media of digital businesses, Workopolis, Canada’s foremost career website Despite the challenging economic environment, 2011 proved to be a good companies. Over the years, it has evolved into a diversified business, with a which is owned jointly by Torstar and Square Victoria Digital Properties year for Torstar. We believe the strategic moves we made both in investing in core platform of three daily and more than 110 community newspapers, and (a subsidiary of Power Corporation), enjoyed double-digit revenue and organic growth initiatives within our business and in acquisitions increases operations in flyer distribution, magazines, specialty publications, consumer EBITDA growth in 2011 and continued to expand its leading audience the diversity of our revenue base and will serve Torstar well as we move shows, commercial printing, teleshopping, product sales, directories and position. In 2011, Olive Media, a leading online advertising solutions forward. numerous digital operations. provider, continued to grow revenues. Also, WagJag, a digital marketing platform that features deep discounts to Canadians on local products and Torstar earned EBITDA of $242 million, a slight decrease from the $250 Considering the economic environment in Ontario, Metroland enjoyed a services, sold 2.2 million vouchers, a remarkable achievement given that million earned in 2010. The decline included $6 million from the negative solid year in 2011, with revenues up $41 million over the prior year to $582 it has only been in operation within Torstar since 2010. This initiative in impact of foreign exchange due to the strengthening of the Canadian dollar. million. Revenue growth included $45 million from higher product sales in group buying and the success enjoyed to date results from the powerful Total revenues were $1.55 billion, up from $1.48 billion the prior year. The the TMGTV operations and digital revenue growth of $11 million. Offsetting collaboration of Torstar Digital and Metroland assisted by the promotional growth in total revenue was driven by media segment revenues, which these increases were lower print revenues.
Recommended publications
  • Filed Via Intervention/Comment/Answer Form
    February 15, 2018 Filed via Intervention/Comment/Answer Form Mr. Claude Doucet Secretary General Canadian Radio-television and Telecommunications Commission Ottawa, Ontario K1A 0N2 Dear Mr. Doucet: RE: Blue Ant Television General Partnership’s Broadcasting Licence Renewal Application for A.Side (formerly AUX TV); Makeful TV (formerly BITE Television); travel + escape; Cottage Life (formerly Bold); BBC Earth (formerly radX); Love Nature (formerly Oasis HD); HIFI (formerly Treasure HD) (Application no. 2017-0841-3) and SN Channel General Partnership’s Broadcasting Licence Renewal Application for Smithsonian Channel (formerly eqhd) (Application no. 2017-0842-1) – Intervention from the Canadian Media Producers Association Introduction 1. The Canadian Media Producers Association (CMPA) is pleased to provide the following comments with respect to the broadcasting licence renewal applications for Blue Ant Television General Partnership’s discretionary services A.Side (formerly AUX TV); Makeful TV (formerly BITE Television); travel + escape; Cottage Life (formerly Bold); BBC Earth (formerly radX); Love Nature (formerly Oasis HD); HIFI (formerly Treasure HD) (Application no. 2017- 0841-3) and SN Channel General Partnership’s discretionary service Smithsonian Channel (formerly eqhd) (Application no. 2017-0842-1) (hereinafter collectively referred to as “Blue Ant Television” when referring to the Applicants and “Blue Ant Group” when referring to the group-based licence). In the event the Commission announces a public hearing with respect to the above-noted licence renewal applications, the CMPA requests to appear to further elaborate on this intervention. 2. The CMPA is the country’s leading member-based advocacy organization for independent producers. We represent hundreds of companies engaged in the development and distribution of English-language content made for television, cinema, and digital media channels.
    [Show full text]
  • John Semley Named A.V. Club Toronto City Editor
    Source: Toronto Star September 16, 2011 10:31 ET John Semley Named A.V. Club Toronto City Editor Toronto Launch Event for The Onion Set for Sept. 28 TORONTO, ONTARIO--(Marketwire - Sept. 16, 2011) - The A.V. Club Toronto has appointed John Semley, a Toronto-based editor and writer, as its city editor. In his new position, Semley will oversee the editorial operations of the A.V. Club Toronto, which will feature local entertainment and arts news and commentary. The A.V. Club Toronto will be distributed free each week in Toronto starting Thursday, Sept. 29, along with The Onion as part of a new arrangement announced in July between the Toronto Star, Canada's largest newspaper, and the American-based owner of the weekly news parody The Onion and its pop-culture sister publication, The A.V. Club. Semley has been a staff writer and contributing editor since 2009 with Torontoist, a widely-read local website. He has also written for Toronto Life, The Grid, The Walrus, Exclaim and Maisonneuve. Semley has a Bachelor of Arts from McGill University and a Masters of Arts in cinema studies from the University of Toronto. The official launch event for The Onion and The A.V. Club Toronto will be held Wednesday, Sept. 28, at The Drake Hotel. The event is open to the public starting at 8:00 p.m. There will be a $5 entry fee, which will be donated to the United Way of Greater Toronto. The event will include special DJ sets by Jay Ferguson (Sloan) and Justin Peroff (Broken Social Scene).
    [Show full text]
  • Blue Ant Media and Multi Channels Asia Target Accelerated Growth Through Newly-Formed Alliance
    BLUE ANT MEDIA AND MULTI CHANNELS ASIA TARGET ACCELERATED GROWTH THROUGH NEWLY-FORMED ALLIANCE Canadian media group to launch factual channels Love Nature, Baby Wildlife and Vistas SINGAPORE / TORONTO, September 2nd, 2015 – Multi Channels Asia (MCA), Asia-Pacific’s largest independent channel distributor and Canadian integrated media group, Blue Ant Media (BAM) are bringing three new factual channels to Asia and the Pacific. MCA will oversee the launch of a suite of factual channels – Love Nature (Asia), as well as two companion channels, Love Nature: Baby Wildlife and Love Nature: Vistas – later in 2015 across the Asia-Pacific region. Love Nature is a factual genre leader in Canada with a production slate of over 300 hours of original, 4K Ultra High Definition (UHD) natural history programming per year. Baby Wildlife and Vistas offer 24/7 uncut and unscripted wildlife and nature scenes in High Definition (HD) or 4K UHD set to music for the ultimate, lean-back slow television experience. Gregg Creevey, Managing Director, Multi Channels Asia said “With its extensive experience operating both traditional Pay TV alongside multi-platform, digital media assets, Blue Ant Media is an ideal partner for MCA to continue developing and monetizing unique content offerings. It also reinforces and reinvigorates our belief in the value of tightly defined thematic linear channel propositions at a time when more generic content offerings are increasingly under threat from spiraling content piracy, SVOD erosion and accelerating audience fragmentation.” Raja Khanna, CEO, Television & Digital, Blue Ant Media, said “MCA is the perfect partner to help introduce Love Nature’s suite of channels to the Asian market.
    [Show full text]
  • Blue Ant Media Discretionary Services
    Blue Ant Media Discretionary Services #228 Ownership – Broadcasting - CRTC 2020-10-06 UPDATE Cancellation – 2016-05-31 – the specialty services GlassBOX Créneau musical : musiques émergentes, GlassBOX Horror, GlassBOX News and GlassBOX Système were not implemented within the prescribed timeframes. CRTC 2016-487 – approved a multi-step reorganization resulting in the acquisition by 8946337 Canada Limited and Blue Ant Media Solutions Inc., partners in a general partnership carrying on business as Blue Ant Television General Partnership, and Mr. Michael MacMillan, on behalf of a corporation to be incorporated to be known as Newco, partners in a general partnership carrying on business as the Smithsonian Channel General Partnership, of the assets of the specialty Category B service Smithsonian Channel. Update – 2017-01-31 – the specialty service known as radX changed name to BBC Earth. Update – 2017-06-05 – incorporation of SN Channel ULC on 2017-01-05. Update – 2017-06-05 – Smithsonian Channel General Partnership changed to SN Channel General Partnership effective 2017-01-12. Update – 2017-06-05 – the specialty service known as AUX TV changed name to A.Side effective 2017-05-30. Update – 2018-09-26 – changes of specialty services to discretionary services. Update – 2020-10-06 – on 1 September 2020, Blue Ant Media Inc. and Blue Ant Media Solutions Inc. amalgamated to continue as Blue Ant Media Inc. NOTICE The CRTC ownership charts reflect the transactions approved by the Commission and are based on information supplied by licensees. The CRTC does not assume any responsibility for discrepancies between its charts and data from outside sources or for errors or omissions which they may contain.
    [Show full text]
  • Use of C-Band Downlinks Into Singapore by Selected AVIA Content Companies
    Use of C-band Downlinks into Singapore by Selected AVIA Content Companies Content Provider Total channels Total in extended C-band Total in standard C-band Total not in C-band AETN ASIA 4 0 4 0 BBC Studios 4 0 4 0 Blue Ant Media 7 0 7 0 Disney 3 0 3 0 Fox 29 0 19 10 HBO Asia 7 0 7 0 NHK WORLD 2 0 2 0 Turner International Asia Pacific Limited 9 0 9 0 TV5MONDE 4 0 4 0 SUM TOTAL: 69 0 59 10 *Data is Partial; includes only content companies who volunteered information for this study. Content Provider Channel Name Downlinked in band 3400 - 3700 MHz Downlinked in band 3700 - 4200 MHz Not carried in C-band AETN ASIA HISTORY P AETN ASIA HISTORY2 P AETN ASIA CI P AETN ASIA LIFETIME P BBC Studios BBC Earth Asia P BBC Studios BBC Lifestyle Asia P BBC Studios CBeebies Asia P BBC Studios CBeebies Taiwan P Blue Ant Media Entertainment HD P Blue Ant Media Entertainment SD P Blue Ant Media Extreme P Blue Ant Media ZooMoo P Blue Ant Media Love Nature 4K P Blue Ant Media Love Nature HD P Blue Ant Media Smithsonian Channel P Disney Disney Channel Singapore P Disney Disney Junior SEA P Disney XD SEA P Fox Fox Life P Fox Fox Life HD P Fox Fox Movies P Fox Fox Movies HD P Fox Fox News HD P Fox Fox Sports 2 HD Singapore P Fox Fox Sports 3 HD P Fox Fox Sports HD Singapore P Fox FX HD P Fox NG HD P Fox NG People HD (1) P Fox NG People HD (2) P Fox NG SEA HD P Fox NG Wild HD (1) P Fox NG Wild HD (2) P Fox Sky News HD P Fox Sky News SD P Fox Star Chinese Channel Int HD (1) P Fox Star Chinese Channel Int HD (2) P Fox Star Chinese Movies Legend HD P Fox Star Chinese
    [Show full text]
  • For More Information on Our Content: [email protected] | Blueantinternational.Com Table of Contents
    blue ant media For more information on our content: [email protected] | blueantinternational.com Table of Contents FACTUAL ENTERTAINMENT 4 SPECIALIST FACTUAL 4272 HIGH IMPACT DOCUMENTARIES 13042 KIDS & FAMILY 18442 SCRIPTED 19642 CONTACTS 20042 FACTUAL ENTERTAINMENT Searching For Secrets Every great city has its secrets, you just have to know where to search for them…Scratch the surface of any city, and you’ll discover a secret history packed with fascinating stories, remarkable characters, and surprising twists. And more often than not, it’s right there in plain sight. If we only knew where to look. In SEARCHING FOR SECRETS, a cast of local guides, bloggers and historians, takes us on an extraordinary journey around some of the world’s most iconic cities…from the eerie catacombs of Paris, to the hustle and bustle of London’s west end. From New York’s iconic Statue of Liberty, to the grafiti covered remains of the Berlin Wall. With the help of intriguing clues and objects, we journey back in time to reveal the secret history of the cities we know and love, and shine new light on the exciting, and often surprising stories that helped shape them. 6 x 60’ 4K & HD TRAVEL, HISTORY Original Broadcaster: Smithsonian US & Smithsonian Canada Producer: Bigger Bang & Saloon Media 4 5 FACTUAL ENTERTAINMENT Deep Water World’s Most Scenic Salvage River Journeys While extreme weather continues to increase and disrupt There’s no better perspective than from a boat on a river, the shipping industry, it’s creating a boom for another one. as it gently winds its way through stunning landscapes Marine salvage crews are regularly called on to save the day and outstanding natural beauty.
    [Show full text]
  • Show Administrator, Consumer Shows Division, Blue Ant Media
    WE CONNECT PEOPLE TO THEIR PASSIONS THROUGH GREAT CONTENT Blue Ant Media is a privately held, international content producer, distributor and channel operator. We own and operate numerous production companies in North America and Asia-Pacific under the Blue Ant Studios banner, creating content for broadcasters and streaming platforms in multiple genres including factual entertainment, natural history, documentary, adult animation and drama. Our distribution business, Blue Ant International, offers a substantial catalogue of content, including one of the world’s largest 4K natural history offerings. Blue Ant Media operates channels under nine brands including Love Nature, Smithsonian Channel Canada, BBC Earth (Canada) and more. Blue Ant Media is headquartered in Toronto, with seven international offices in Los Angeles, New York, Singapore, Tokyo, London, Washington and Beijing. Blueantmedia.com Our productions and media brands are a product of our employees who are passionate experts in all of these areas. They are fanatical about creating outstanding content and experiences; and enthusiastic about delivering it on new and evolving platforms. We actively seek out people who embody our core values: optimism, creativity, entrepreneurism, agility and integrity. We attract creative talents who are optimistic about the evolving future of content and who take pride in seeing opportunity where others see challenges. We encourage employees to think like small business owners by taking ownership on projects and giving them the flexibility to take risks and embrace an evolving media landscape. Our team members excel at collaborating with internal and external partners and our culture fosters sharing ideas and treating all people with respect. Are you one of us? Blue Ant Media’s Toronto-based Cottage Life family of media includes magazines, consumer shows, and digital media.
    [Show full text]
  • Blue Ant Media: Exhibit 1: Re: Broadcasting Notice of Consultation
    EXHIBIT 1 Blue Ant’s submissions re: Broadcasting Notice of Consultation CRTC 2017-359 See attached 5 December 1, 2017 FILED ELECTRONICALLY Mr. Chris Seidl Acting Secretary General Canadian Radio-television and Telecommunications Commission Ottawa, Ontario K1A 0N2 Re: Broadcasting Notice of Consultation CRTC 2017-359 Call for comments on the Governor in Council’s request for a report on future programming distribution models 1. Blue Ant Media Inc. (“Blue Ant”) is pleased to respond to Broadcasting Notice of Consultation CRTC 2017-359 (the “Notice”). As a producer, distributor and channel operator, Blue Ant is keenly interested in the important questions posed in the Notice and in the continuing evolution of Canada’s broadcasting policies to keep pace with changing technologies and viewing habits. Who is Blue Ant? 2. Blue Ant, (through its affiliates, Blue Ant Television General Partnership and SN Channel General Partnership) operates 8 national, English-language Canadian specialty services: Cottage Life, Travel +Escape, A.Side, Makeful, HiFi, BBC Earth, Love Nature and Smithsonian Channel. 3. Blue Ant is also the producer of quality and compelling linear and digital content in the genres of lifestyle, nature and travel that is telecast domestically and internationally on Blue Ant’s linear channels, that is published over multiple platforms (including Internet and mobile through its proprietary websites, social media platforms and VOD services) and that is distributed internationally through Blue Ant’s international distribution arm. Why do we need to support the creation, production and distribution of Canadian content? 4. In 1949, in light of the increasing infiltration of United States culture into Canada, the Royal Commission on National Development in the Arts, Letters and Sciences that culminated in the 1951 Massey Report recognized that “it is it is in the national interest to give encouragement to institutions which express national feeling, promote common understanding and add to the variety and richness of Canadian life, rural as well as urban”1.
    [Show full text]
  • Copy of Press Release
    CONTACT Evertz Bob Fung 1 905-335-3700 [email protected] www.evertz.com FOR IMMEDIATE RELEASE Evertz Supports Love Nature’s 4K Television Launch in Canada with UHD Solution August 22, 2017 – Burlington, Canada – Evertz Microsystems, the global leader in media and entertainment technology solutions, announces that its UHD solution was selected by Blue Ant Media for its recently launched Love Nature 4K (Ultra-HD) linear TV channel in Canada, now available to subscribers on cable carrier, Videotron. The new 4K channel offers the same line-up of exclusive wildlife and nature series as seen on Love Nature’s pre-existing HD channel, but for the first time, will give Canadian TV audiences the advantage of enjoying the programming in its optimal, crystal clear 4K resolution. Love Nature’s 4K TV leverages Evertz’s advanced Mediator and OvertureRT LIVE technologies. Mediator provides Blue Ant with a fully automated workflow including content preparation, media asset management (MAM), and playout automation. Blue Ant Media will use OvertureRT LIVE 4K integrated playout engines under Mediator control for this new UHD channel. “Evertz and Blue Ant Media have a long standing and deep partnership. This relationship and the existing core Mediator system, allowed us to define a quick and simple way to add an additional 4K channel to their system with only incremental costs,” said Dan Turow, Vice President of File Based Solutions at Evertz. “Evertz is considered a leader in providing innovative solutions for UHD and their commitment to service speaks for itself," said Ajay Sirohi, VP, Technology, Blue Ant Media. "We are thrilled with our collaboration with Evertz to bring Love Nature 4K TV to audiences in Canada.” About Blue Ant Media Blue Ant Media is a privately held international media company that owns and operates 10 media brands including Cottage Life, Love Nature, Smithsonian Channel Canada and Makeful.
    [Show full text]
  • Toronto Star Newspapers Ltd. Against Mayor Rob Ford
    INTEGRITY COMMISSIONER REPORT ACTION REQUIRED Report on Code of Conduct Complaint: Toronto Star Newspapers Ltd. against Mayor Rob Ford Date: March 22, 2013 To: City Council From: Integrity Commissioner Wards: All Reference Number: SUMMARY On December 12, 2011, The Toronto Star Newspapers Ltd. (the "Toronto Star Ltd.") filed a formal complaint with the Office of the Integrity Commissioner alleging that Mayor Rob Ford had violated Articles VIII (Improper Use of Influence) and XVI (Discreditable Conduct) of the Code of Conduct for Members of Council (the “Code of Conduct”) by directing his staff not to provide the Toronto Star Ltd. with official mayoral communications from his office because of an article published by the Toronto Star about Mayor Ford during the municipal election in 2010. The complaint was investigated and dismissed. This report provides Council with the reasons for the dismissal, and also raises the issue of whether corporate complainants are included in the Code of Conduct and in the Code of Conduct Complaint Protocol for Members of Council (“Complaint Protocol”). The public nature of the complaint and the novel issues raised by this complaint are exceptional circumstances that justify a report to Council under the Complaint Protocol. RECOMMENDATIONS The Integrity Commissioner recommends that City Council adopt the following: Integrity Commissioner Report to Council – March 22, 2013 Page 1 1. That the Integrity Commissioner in consultation with the City Solicitor report to Council on any amendments to the Code of Conduct for Members of Council and the Code of Conduct Complaint Protocol for Members of Council to clarify whether corporations may make a formal complaint.
    [Show full text]
  • 2013 Annual Report
    2013 ANNUAL REPORT TORSTAR CORPORATION 2013 ANNUAL REPORT PB OPERATING RESULTS ($000) 2013 2012 (2) Operating revenue $1,308,791 $1,406,768 EBITDA (1) 161,900 185,742 Operating profit 11,321 131,077 Net income (loss) (27,413) 82,933 Cash from operating activities 80,732 89,835 EBITDA – Percentage of revenue 12.4% 13.2% Operating profit – percentage of revenue 0.9% 9.3% Cash from operating activities – percentage of average equity 10.6% 12.6% PER CLASS A AND CLASS B SHARES Net income (loss) ($0.35) $1.03 Dividends $0.5250 $0.5188 Price range (high/low) $8.36/$5.20 $11.30/$6.56 FINANCIAL POSITION ($000) Long-term debt $175,898 $178,027 Equity $796,784 $723,680 The Annual Meeting of shareholders will be held Wednesday, May 7, 2014 at The Westin Harbour Castle Hotel, 1 Harbour Square, Toronto beginning at 10 a.m. It will also be webcast live on the Internet. OPERATING REVENUE ($MILLIONS) (2) OPERATING PROFIT ($MILLIONS) (2) 09 1,451 09 95 10 1,484 10 186 11 1,549 11 190 12 1,407 12 131 13 1,309 13 11 INCOME (LOSS) PER SHARE (2) EBITDA ($MILLIONS) (1) (2) 09 0.45 09 192 10 2.65 10 250 11 2.74 11 242 12 1.03 12 186 (0.35) 13 13 162 (1) Consolidated operating profit, as presented on the consolidated statement of income, which is before charges for interest and taxes adjusted for depreciation and amortization of intangible assets. It also excludes restructuring and other charges and impairment of assets.
    [Show full text]
  • Appendix Economic Contribution of the Canadian Independent Broadcasting Sector
    Appendix Economic Contribution of the Canadian Independent Broadcasting Sector Economic Contribution of the Canadian Independent Broadcasting Sector Prepared for: Independent Broadcast Group (IBG)/ Le groupe de diffuseurs indépendants (GDI) Prepared by: Nordicity January 11, 2019 About Nordicity Nordicity (www.nordicity.com) is a leading international consulting firm providing private and public- sector clients with solutions for Economic Analysis, Strategy and Business, and Policy and Regulation across four priority sectors: arts, culture and heritage; digital and creative media; information and communication technologies (ICTs) and innovation; and, telecommunications and spectrum. With offices in Ottawa, Toronto, Vancouver and London (UK), Nordicity is ideally placed to assist our clients to succeed in the rapidly evolving global markets. Economic Contribution of the Canadian Independent Broadcasting Sector Table of Contents Canadian Independent Broadcasting Sector: Key Statistics 2017 i Executive summary ii 1. Introduction 1 1.1 Background 1 1.2 Definition of independent broadcasting 1 1.3 Methodology 3 1.4 Outline of study 5 2. Diversity and business innovation 6 2.1 Ownership 6 2.2 Lines of business 7 2.3 Diversity 9 2.4 Entrepreneurialism and business innovation 11 3. Independent television broadcasting 13 3.1 Revenue 13 3.2 Economic contribution 15 4. Independent broadcasters’ Canadian television production 16 4.1 Canadian program expenditures (CPE) 16 4.2 Programs of national interest 19 4.3 Spending on Canadian news and information programming 20 4.4 External production 20 4.5 Original production 22 4.6 Total production output 23 4.7 Affiliated production companies 25 4.8 Economic contribution 27 5. Audiovisual distribution 29 5.1 Distribution revenue 29 5.2 Economic contribution 30 6.
    [Show full text]