Draft G. Melancholia' , \('Itation

Total Page:16

File Type:pdf, Size:1020Kb

Draft G. Melancholia' , \('Itation 98 Decemberry,r$g4 Draft G 99 cordial greetings to you and your dearwife; let me hear from you (D) The typical and extreme form of melancholia seems to be the very soon. periodic or cyclic hereditary form. Your Sigm.Fr. II I. Freud writes in the margin, next to this sentence, the word,,abstinent.,, In order to make anything of this material/ one needs some secure points of departure. These seem to be provided by the following considerations: (a) The affect corresponding to melancholia is that of mourning Decemberry,tSg4 - that is, longing for something lost. Thus in melancholia it must be a question of a loss - that is, a loss in rnstin ctual life. IX., Berggasse19 Dear Wilhelm, (b)The neurosis concerned with eating, parallel to melancholia, is anorexia. The famous anorexia nervosa of young girls seems to me I am not writing you much anymore becauseI hope to seeyou here (on careful observation) to be a melancholia where sexuality is un- very shortly.Your manuscript is at paschkis,;,I dld not daretrr tleveloped. The patient asserted that she had not eaten, simply be- remove the business"about labor pains. you can still do it here. cause she had no appetite, and for no reason. Loss of appetite I hope you will havesome good dayshere and we a few beautiful other hours. - in sexual terms, loss of libido. Cordial greetingsfrom us to you both. It would not be so bad, therefore, to start from the idea: melan- , holia consists in mourning over the loss of libido. Your It remains to be seen whether this formula explains the occur- Sigm. rcnce and characteristics of melancholia. This will be discussed on I' Heinrich Paschkis (r8+q- r Irc I9z3) was editor of the Wiener Hinische Rund.schatt basis of the schematic diagram of sexuality. 2. Or "case history.// III I shall now discuss, on the basis of the schematic diagram of ,t rrrality, which I have often used, the conditions under which the 1'.'vchicsexual group (ps.S.l suffers a loss in the amount of its Draft G. Melancholia' , \('itation. There are two possible cases: (r) if the production of ,,rrrrrtic sexual excitation (s.S) sinks or ceases;(z) if the sexual r( I rrsion is diverted from the ps. S. The first case,in whichthepro- ,lrrr t ion of s. S.ceases, is probably what is characteristic of.genuine' The facts on hand seem to be as follows: ., \'('(a melancholia proper, which recurs periodically, or of cyclic (A) There are striking connections between melancholia ancl Iscx rrr.lrrncholia,in which periods of increaseand cessationof produc- uall anesthesia. This is borne our (r) by the finding that in ,o ,rrr,,, r,rn :rltrrrnate; it can further be assumed that excessive mas- melancholics there has been a long'previous history of anesthesi;r, r,rrlr;rtion-which accrtrding to the theory leads to too great an (z) bv the observation that everything that provokes anesthesir crr ,rrrl,;rtlingof E. (thc end organ)3and thus to a low level of stimulus in courages the development of melancholia, (3)by the existencc .l .r I t'xcessivcrnasturbation extends to the production of s. S. and type of woman/.very needy psychically, ir-whom longing c,:rsrlv r rrrrr',s:rborrt rr lesting rcduction in the s. S., thus a weakening changesinto melancholia and who is anesthctic. t tlrt' l) S.oThis is ncurrrsthcnic rnelancholia.The [second]case, in Melancholia {B) develops as an intcnsificrrti.n of ncurrrstht.rrr.r , lrr, lr \('xu:tl tcrr.sionis tlivcrtccl f nrm the p. S.,while the production through masturbation. | \ rs not tlirnirrislrctl, l)rcsupposcsthat the s. S. is employed (C) Melancholia occurs typicellv irr t'rrrlrpr;rrrrrr witlr st,vc,r-(.irrx I , rr lrt'rt' rtt tlrt'lroturtlrtrv r)tltc sotnutic anclthepsychicl. iety. lbctwce i lrr, llo\\'( \'( 1, rs llrt'l)r('(orrtlitiott ol rlnxictv; luttl :tccortlingly this IOO Draft G Draft G coincideswith the caseof anxiety melancholia,a mixed form com- Anesthesiaalways consists, to be sure/in the omissionof V. [feel- bining anxiety neurosisand melancholia. ings of pleasurel,which ought to be conductedinto the ps. S. after In this discussion,therefore/ the three forms of melancholia, the reflexaction that unloadsthe end organ.The feeling of pleasure which must in fact be distinguished,are explained. is measuredby the amount of unloading. (alThe E. is not sufficientlyloaded; hence the dischargeat coitus IV is slight and the V. very small: the caseof frigidity. How does it come about that anesthesia plays this role in melan- (b)The pathway from sensationto the reflexaction is damaged,so cholia? that the action is not sufficiently strong. Then the unloading and According to the schematic diagram [Fig. r], there are the follow- the V. are alsoslight: the caseof masturbatoryanesthesia, the anes- ing kinds of anesthesia. thesiaof coitus interruptus,and so on. (c) Everything below is in order; only V. is not admitted to the ps. S. because it is linked with other factors (with disgust- Boundary Ego defense):this is hystericalanesthesia, which is entirely analogousto Pych 0roup..:i....... hystericalanorexia (disgust). '"Pect fxternal world To what extent, then, doesanesthesia facilitate melancholia? Sexualobject In case(al , of frigidity, anesthesiais not the causeof melancholia but a sign of a predispositionto it. This tallies with Fact (A)(r) E mentioned at the beginning. In other casesthe anesthesiais the rl .s .a [, causeof the melancholia,because the ps. S. is strengthenedby the ,' q, 3 arrival of V. and weakened by its omission. (Basedon general v tr< theoriesof the binding of excitationin memory.)Fact (n)(z) is thus j taken into account. Somat-psychBoundery Accordingly, it is possibleto be anestheticwithout being melan- s cholic,because - .S l\ t\ Melancholiais relatedto the omissionof s. S. t) t l,; Anesthesiais relatedto the omissionof V., but anesthesiais a R sign of or a preparationfor melancholia,since the p. S. is asmuch gs weakenedby the omissionof V. asby the omissionof s. S. \ r t centft Seruololfect in position v { irol /awurable We must considerwhy anesthesiais so predominantly a charac- tcristic of women. This arises from the passive role played by women.An anestheticman will sooncease to undertakeany coitus; rr woman is not asked. She becomes anestheticmore easily be- clluse- (r) Her entire upbringing works in the direction of not awakening s S., but of changing all excitations which could have that effect Ternina! nrto psychic stirnuli - that is, of directing the dotted line [in the tf sehcrnatic cliagrarn,Fig. rl from the sexual object entirely into the ^t^f. ps S. This is ncccssary bccausc if there were a vigorous s. S., the ps S. worrltl soon rrc(lr.lircsuch strcngth intcrmittently that, as in ( r tlrt'crlsc of rttc'rr,it worrltl brirrg tlte scxurrlobjcct into a favorable Figure i Schematic [)irrgranr of scxtrrtl itv l l rr t lrt. r )n'1ul;rl ;rll t ltt',rrr )\\'\ .lr I'ositiott lrv nl(';nrsof ;t sPct'ilicrr':tct iorr. lJrrtirr tlrc cltscof worncn, it drawn itr rcd, exct' ltt tlrc tlottr.'rl r)t)('rll tltt't'xll('tll(' l('ll I IO2 Draft G Draft G ro3 is required that the arc of specificreaction not take place;instead, permanentspecific actions are required of them, *hi"h entice thc. male into the specific action. Thus sexualtension is kept low, its accessto the ps. S. so-far aspossiblecut off, and the i"Jlp.rrsabie r{Y strengthof the.ps.s. ' ,ni"i defray.d ir, another way.If, now, tt . p-r.s. g.,, ,;i;f l'ftig into a stateof longing, then, in view of the io* lerrel[of tension]in the E.,that stateiseaslly transform.a i"to The ps.S. in itself is capable of little resistance.This is-.tancholia. the juvenile, immarurc type of_libido, and the demanding, *o-"n menrionerl rb,oy:_LFact (A)(3)l merely continuJ'this".r.rrh"ii. ryp..- women , lz) [becomeanesthetic more.nrity than men do] because ,h."y so often approach the sexualr"t 1-rrivl *i,rro"t love - that is, with lesss. s. and tension in the E. In th^icase they are-frigid anrl {' *u remain so. .**,.6 The low level of tension in the E. seemsto contain the mai' dispositionto melancholia. In individuals of this kind everyneuro sis easilytakes on a melancholicstamp. Thus, whereaspor..ri irrai viduals-easily . ,.'i.n-"' acquire anxiety neuroses,impotent ones incline ; *./,u*t f Nt ;,/:* melancholia. t. I VI fir I How, then, can the effects . of melancholia be explained? The bcsr descripti on: psychic inhibition with instinctual impoverishme rtt and pain concerning it. Ps..I Figure 4 ( )nc can imagine that, if the ps. s. meets with a very great loss in rlrt'rrrrount of its excitation, there may come about an in-d_rawing, r' lt were, into the psychic sphere, which produces an effect of rr(lr()rl Llpon thc edjoir-ringamounts of excitation. The associated rr rlr()ncsrlrrust givc Fi.qrlrr trp tlrcir cxcitation, which produces pain[Fig. 3 ' I lrc rttlcotrplittgttI rrssocirrtionsis alwrys painful; there setsin, as rlrrrttglr tltrottglt rnr itttt'rrrttl ltt,tttorrltu.gt:,:rn irn;ltlvcrishrnent in rt [:tr,.tttt') rt;ltrolr{irr tlrt, llt't.stort.ol itl wlrit.lr rrr:rkr,sitscllkn()wn inthc ' 'tlrt I rn\l lll( l rr;rl ,ll ll't's ;rrrtl lrrrrtl l()rls As ;rrr rrrlrilritiorr, llris in LO4 Draft G Draft G ro5 ,' tend to the psychic sexual group. The manifestations are in reality ll so similar that many casesmust be sorted out very carefully. [Editor's Note: Included in the envelope that contained Draft G was another drawing by Freud, which he titled "Normalschema.,, It was not included in the original German or English editions, proba- /;-* t bly because it is so difficult to understand.
Recommended publications
  • Apathetic Anthropophagy and Racial Melancholia in Houellebecq's
    Foreign Food, Foreign Flesh: Apathetic Anthropophagy and Racial Melancholia in Houellebecq’s Submission Luke F. Johnson SubStance, Volume 49, Number 1, 2020 (Issue 151), pp. 25-40 (Article) Published by Johns Hopkins University Press For additional information about this article https://muse.jhu.edu/article/751173 [ This content has been declared free to read by the pubisher during the COVID-19 pandemic. ] Foreign Food, Foreign Flesh: Apathetic Anthropophagy and Racial Melancholia in Houellebecq’s Submission Luke F. Johnson Abstract This article explores the cannibalistic dimensions of racial disgust and desire in Michel Houellebecq’s Submission. Situated within broader discourses of French déclinisme, Submis- sion offers a melancholic portrait of white nostalgia. Through the tastes and consumptive practices of his characters, Houellebecq depicts white identification as dependent on an ambivalent relationship to corporeal difference. Paying close attention to the mouth’s dual function as a site of ontological triage (sorting out the human from the non-human, the edible from the inedible) and ontological transformation (converting dead matter into living flesh), I argue that cannibalist desire is integral to white nationalist anxiety. I. Meat One of the more telling projects of the Rassemblement National is their vendetta against halal meat. Calling for a lawsuit against commercial fraud in 2012, Marine Le Pen claimed that “the entirety of meat distrib- uted in Île-de-France, unbeknownst to the consumer, is exclusively halal” (“L’offensive,” my translation). For Le Pen, this insidious ruse was a way of showing the French that they were being disrespected in their own country. She continues in Le Parisien, “the fact that everybody is obligated to submit to dietary constraints imposed by a religion… is profoundly unacceptable and disgraceful” (“L’offensive”; my translation and emphasis).
    [Show full text]
  • FROM MELANCHOLIA to DEPRESSION a HISTORY of DIAGNOSIS and TREATMENT Thomas A
    1 FROM MELANCHOLIA TO DEPRESSION A HISTORY OF DIAGNOSIS AND TREATMENT Thomas A. Ban International Network for the History of Neuropsychopharmacology 2014 2 From Melancholia to Depression A History of Diagnosis and Treatment1 TABLE OF CONTENTS Introduction 2 Diagnosis and classifications of melancholia and depression 7 From Galen to Robert Burton 7 From Boissier de Sauvages to Karl Kahlbaum 8 From Emil Kraepelin to Karl Leonhard 12 From Adolf Meyer to the DSM-IV 17 Treatment of melancholia and depression 20 From opium to chlorpromazine 21 Monoamine Oxidase Inhibitors 22 Monoamine Re-uptake Inhibitors 24 Antidepressants in clinical use 26 Clinical psychopharmacology of antidepressants 30 Composite Diagnostic Evaluation of Depressive Disorders 32 The CODE System 32 CODE –DD 33 Genetics, neuropsychopharmacology and CODE-DD 36 Conclusions 37 References 37 INTRODUCTION Descriptions of what we now call melancholia or depression can be found in many ancient documents including The Old Testament, The Book of Job, and Homer's Iliad, but there is virtually 1 The text of this E-Book was prepared in 2002 for a presentation in Mexico City. The manuscript was not updated. 3 no reliable information on the frequency of “melancholia” until the mid-20th century (Kaplan and Saddock 1988). Between 1938 and 1955 several reports indicated that the prevalence of depression in the general population was below 1%. Comparing these figures, as shown in table 1, with figures in the 1960s and ‘70s reveals that even the lowest figures in the psychopharmacological era (from the 1960s) are 7 to 10 times greater than the highest figures before the introduction of antidepressant drugs (Silverman 1968).
    [Show full text]
  • A Dialogue on Racial Melancholia  David L
    Psychoanalytic Dialogues, 10(4):667–700, 2000 A Dialogue on Racial Melancholia David L. Eng, Ph.D. Shinhee Han, C.S.W. As Freud’s privileged theory of unresolved grief, melancholia presents a compelling framework to conceptualize registers of loss and depression attendant to both psychic and material processes of Asian American immigration, assimilation, and racialization. Freud initially formulates melancholia as a pathological form of individual mourning for lost objects, places, or ideals. However, we propose a concept of melancholia as a depathologized structure of everyday group experience for Asian Americans. We analyze a number of Asian American cultural productions (literature and film) as well as two case histories of university students involving intergenerational conflicts and lost ideals of whiteness, Asianness, home, and language. Exploring these analyses against Klein’s notions of lost objects, we propose a more refined theory of good and bad racialized objects. This theory raises the psychic and political difficulties of reinstatement and the mediation of the depressive position for Asian Americans. In addition, this theory suggests that processes of immigration, assimilation, and racialization are neither pathological nor permanent but involve the fluid negotiation between mourning and melancholia. Throughout this essay, we consider methods by which a more speculative approach to psychoanalytic theory and clinical practice might offer a deeper understanding of Asian American mental health issues. David L. Eng, Ph.D., is an Assistant Professor of English and Comparative Literature at Columbia University, where he is also an affiliate faculty member of the Asian American Studies Program. He is author of the forthcoming Racial Castration: Managing Masculinity in Asian America (Duke University Press) as well as the Coeditor (with Alice Y.
    [Show full text]
  • On Periodical Melancholia
    ON PERIODICAL MELANCHOLIA. BY WILLIAM B. NEFTEL, M.D. ON Periodical Melancholia. BY WILLIAM B. NEFTEL, M.D. A Paper read before the New Yorh Medical Library and Journal Association, October 3 Oth, 1874. Reprinted from The Medical Eecoed of August 14, 1875. NEW YORK. JOHN F. TROW & SON, PRINTERS AND BOOKBINDERS. 1875. ON PERIODICAL MELANCHOLIA. Among the many cases of intense psychical depres- sion which I have been observing of late, one particu- lar group presents certain characteristic phenomena of great theoretical interest and practical importance. This variety of melancholia I designate by the name of “periodical melancholia, ” and give here, as an illustra- tion of it, the following case: Mr. H., 48 years old. His father was affected with ossification of the coronary arteries, and died during an attack of angina pectoris, at the age of 78. His mother, now 79 years old, is suffering from melancholia, the first attack of which she had in 1887, the second in 1857, and since then remains melancholic, with only occasional intervals of improvement. Of his three brothers, one died suddenly in his 48th year, the other two and a sister are healthy, though all have a slight tendency to depression of mind. The patient’s health was very good until 1845,when during four months he was dangerously ill with dys- entery, from which, however, he entirely recovered. Since 1850 he has had a great deal of pruritus ani, with a mucous discharge. In 1850 he entered the banking business, and filled a position of responsi- bility, demanding his incessant attention, and a great deal of work.
    [Show full text]
  • I Decided to Study Boredom, Both Chronic and Momentary, and Its Effects on Humans
    I decided to study boredom, both chronic and momentary, and its effects on humans. While momentary boredom is generally argued as an emotion that promotes creativity and ingenuity, chronic boredom can be similar to depression, in both its symptoms and its effects. Experiencing both types also involve the risk of turning to reckless behavior, falling prey to addiction, or battling heavy anxiety. Those who are bored often find themselves under-stimulated and frustrated with their lives. While research on boredom is quite new, the emotion is not. Historic works of literature and art illustrate boredom in other times. Thus, the idea of portraying bored people is not a new theme in art, especially in old paintings. For my artwork, I wanted to pay homage to that, so I built a sculpture depicting a human form experiencing boredom. The sculpture is constructed from a base of two steel rods, with thinner black wire wrapped over and over around the rods. It stands on a wooden base, and is adorned by black ribbon. The combined mediums are intended to induce an image that portrays a figure wasting away due to chronic boredom with the world. A Japanese folding screen stands behind the figure, forcing the human to remain separate from the more inspiring world behind them that others have the ability to experience. I hope the viewer sees the frustration that can come with boredom. Boredom can be a terrible emotion, despite usually being dismissed as trivial or childish. While this work is an interpretation of my personal ennui, I invite the viewer to ponder and explore their own experience with the emotion, as well as review its place in their life.
    [Show full text]
  • It Has Almost Become an Unwritten Law Among Those Who Defend
    The Irony of Pity: Nietzsche contra Schopenhauer and Rousseau MICHAEL URE t has almost become an unwritten law among those who defend Nietzschean Iideals of self-cultivation to skirt the issue of his critique of pity, dismissing it as an extraneous diatribe or an embarrassing fulmination.1 On the other hand, critics who denounce Nietzsche’s ideal of self-cultivation as a dangerous solipsism that all too easily gives license to indifference or outright contempt for others seize on this aspect of his thought as cut-and-dried evidence for the claim that, as Charles Taylor coyly phrases it, “Nietzsche’s influence was not entirely foreign [to fascism].”2 Rather than dismissing or denouncing the “pitiless” Nietzsche, this essay carefully examines his subtle psychological analysis of pitié/Mitleid. It does so by training a spotlight on his principal object of criticism: Jean-Jacques Rousseau and Arthur Schopenhauer’s ethics of pity. I shall argue that Nietzsche’s psychological analysis presents a compelling case for interpreting Rousseauian and Schopenhauerian pity not as a sign of living for others or as a form of mutu- ality and recognition, as its defenders routinely assume, but as a veiled means of assuaging narcissistic loss at the other’s expense. In this respect, I claim that Nietzsche joins hands with and strengthens Stoic arguments and anxieties to the effect that pity breeds vengefulness and cruelty and that he does so by drawing on his psychoanalytic insights into our subterranean intrapsychic and intersub- jective stratagems for restoring to ourselves the illusion of majestic plenitude.3 The Gilded Sheath of Pity: Rousseau and Schopenhauer Pity.—In the gilded sheath of pity there is sometimes stuck the dagger of envy.
    [Show full text]
  • Psychological States and the Artist: the Problem of Michelangelo
    Studies in Visual Communication Volume 6 Issue 1 Spring 1980 Article 9 1980 Psychological States and the Artist: The Problem of Michelangelo Jane Kromm Recommended Citation Kromm, J. (1980). Psychological States and the Artist: The Problem of Michelangelo. 6 (1), 69-76. Retrieved from https://repository.upenn.edu/svc/vol6/iss1/9 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/svc/vol6/iss1/9 For more information, please contact [email protected]. Psychological States and the Artist: The Problem of Michelangelo This contents is available in Studies in Visual Communication: https://repository.upenn.edu/svc/vol6/iss1/9 Psychological States and the Artist: The Problem of Michelangelo Jane Kromm The reality of Michelangelo's melancholia has in the As this last example suggests, characterizations of past been a major consideration in the work of schol­ Michelangelo's personality often lead to, and some­ ars attempting to understand the difficult personality of times replace, our critical understanding of stylistic this great artist. Interpretations have ranged from an problems and anomalies in Michelangelo's art. That extreme, virtually psychotic, melancholia to a general this tendency is pervasive is seen both in general ob­ melancholic state of mind affected to indicate creative servations that' 'works ... translate the passionate suffering. In recent scholarship, however, judgments side of his temperament'' and in specific instances have become more severe. For example, Howard Hib­ such as the David, in which "an ambiguous, unfulfilled, bard (1974:175, 179) maintains variously that Michel­ emotionally tense moment in the hero's career" is said angelo was "ultra-sensitive," "undoubtedly neurotic," ''to correspond to his [Michelangelo's] own mental and subject to "continual depression," in a somewhat state'' (de Tolnay 1975:2-3, Hibbard 1974:61 ).
    [Show full text]
  • Melancholia As Motivation in the Novels of Dick Francis
    Teaching Psychology and Literature: Melancholia as Motivation in the Novels of Dick Francis By Elaine Wagner (Emory University—Retired Librarian) 7/12/10 Abstract Teaching literature from a psychological perspective provides a basis for the study and analysis of human motivation and behavior, as psychology and literature make mutual contributions to the study of both disciplines. Melancholia is a recurring theme in the novels of Dick Francis, and the first-person accounts of despair and depression are sensitive, perceptive insights into the thoughts and emotions of the protagonists. Francis effectively illustrates the melancholy hero who attempts to overcome self-doubt and fear, the loner, isolated and withdrawn from society, who can be motivated by depression to become passionately and intensely involved in his professional life. Freud wrote in Civilization and it’s Discontents, "No other technique for the conduct of life attaches the individual so firmly to reality as laying emphasis on work; for his work at least gives him a secure place in a portion of reality, in the human community.” 2 Teaching Psychology and Literature: Melancholia as Motivation in the Novels of Dick Francis By Elaine Wagner Psychoanalytic interpretation of literature can provide a valuable basis for the study and analysis of human motivation and behavior, as literature and psychology make mutual contributions to the development of both disciplines. Bennet describes coordinating courses in which introductory psychology and freshman composition were taught to students enrolled in both courses. “Principles of behavior introduced in the psychology class were portrayed in action through the literature read and discussed in the English class” (Bennett 26).
    [Show full text]
  • The Empirical Status of Melancholia: Implications for Psychology
    Clinical Psychology Review 25 (2005) 25–44 The empirical status of melancholia: Implications for psychology Adam M. Leventhal*, Lynn P. Rehm Department of Psychology, University of Houston, Houston, TX 77204-5022, USA Received 19 April 2004; received in revised form 27 July 2004; accepted 17 September 2004 Abstract The concept of a subtype of depression with a biological rather than a psychological set of causes has been more prominent in the psychiatric literature than in the psychological literature on depression. There has been dispute as to whether research on melancholia supports the distinction of a separate subtype with a distinct symptomatic profile characterized by marked anhedonia, psychomotor difficulties, excessive guilt or hopelessness, suicidal features, and appetite and weight disturbances. Research suggests that individuals with melancholic depression are qualitatively different from those with non-melancholic depression in their symptomatology. Examination of biological functioning, personality traits, responsiveness to treatment, and suicidality also tend to support the melancholic–non-melancholic distinction. This paper reviews the status of the melancholia concept and explores its implications for psychological research and practice. D 2004 Elsevier Ltd. All rights reserved. Keywords: Melancholia; Psychology; Depression; Endogenous depression 1. Introduction Depression has been conceptualized as a heterogeneous mixture of conditions and disorders, but finding meaningful groupings has been a difficult endeavor. The idea of somatogenesis, manifest disease arising from internal biological dysfunction, is at least as old as Hippocrates’ writings in the 5th century BC. Melancholia preceded the term depression to describe human despondency. The word is derived * Corresponding author. Tel.: +1 7137438600; fax: +1 7137438588. E-mail address: [email protected] (A.M.
    [Show full text]
  • A Dialogue on Racial Melancholia
    A Dialogue on Racial Melancholia David L. Eng and Shinhee Han I wondered if whiteness were contagious. If it were, then surely I had caught it. I imagined this "condition"affected the way I walked, talked, dressed, danced, and at its most advanced stage, the way I looked at the world and at other people. DANZY SENNA, Caucasia THE "CONDITION"OF WHITENESS Configuring whiteness as contagion, Birdie Lee, the narrator of Danzy Senna’s Caucasia, connects assimilation to illness and disease. Separated from her African American activist father, Birdie Lee and her blue-blooded mother flee from the law in a racialized and radicalized 1970s Boston. Eventually, the two take up residence in New Hampshire, where Birdie passes as "Jesse"and for white.[1] This assimilation into the whiteness of New Hampshire plagues Birdie, who wonders if she "had actually become Jesse, and it was this girl, this Birdie Lee who haunted these streets, searching for ghosts, who was the lie." This vexing "condition"of whiteness not only alters the narrator’s physical world— the manner in which Birdie walks, talks, dresses, and dances. It also configures the sphere of the affective—the ways in which Birdie ultimately apprehends the world and its occupants around her. Physically and psychically haunted, Birdie/Jesse feels "contaminated."[2] This is the condition of racial melancholia. IN PLACE OF A DIALOGUE This essay is the result of a series of sustained dialogues on racial melancholia that we recorded in the autumn and winter of 1998. We—a Chinese American male professor in the humanities and a Korean American female psychotherapist—transcribed, rewrote, and edited these dialogues into their present form.
    [Show full text]
  • Lower Cortisol Levels in Depressed Patients with Comorbid Post-Traumatic Stress Disorder
    Neuropsychopharmacology (2003) 28, 591–598 & 2003 Nature Publishing Group All rights reserved 0893-133X/03 $25.00 www.neuropsychopharmacology.org Lower Cortisol Levels in Depressed Patients with Comorbid Post-Traumatic Stress Disorder ,1 1 1 1 1 1 1 MA Oquendo* , G Echavarria , HC Galfalvy , MF Grunebaum , A Burke , A Barrera , TB Cooper , 1 1 KM Malone and J John Mann 1 Department of Neuroscience, New York State Psychiatric Institute, Columbia University, New York, NY, USA Post-traumatic stress disorder (PTSD) is often comorbid with major depressive episodes (MDEs) and both conditions carry a higher rate of suicidal behavior. Hypothalamic–pituitary–adrenal (HPA) axis and serotonin abnormalities are associated with both conditions and suicidal behavior, but their inter-relation is not known. We determined cortisol response to placebo or fenfluramine in MDE, MDE and PTSD (MDE+PTSD), and healthy volunteers (HVs) and examined the relation of cortisol responses to suicidal behavior. A total of 58 medication-free patients with MDE (13 had MDE+PTSD) and 24 HVs were studied. They received placebo on the first day and fenfluramine on the second day. Cortisol levels were drawn before challenge and for 5 h thereafter. The MDE+PTSD group had the lowest plasma cortisol, the MDE group had the highest, and HVs had intermediate levels. There were no group differences in cortisol response to fenfluramine. Suicidal behavior, sex, and childhood history of abuse were not predictors of baseline or postchallenge plasma cortisol. Cortisol levels increased with age. This study finds elevated cortisol levels in MDE and is the first report of lower cortisol levels in MDE+PTSD.
    [Show full text]
  • An Emotional Bias of Melancholic Depression
    Journal of Affective Disorders 135 (2011) 251–257 Contents lists available at ScienceDirect Journal of Affective Disorders journal homepage: www.elsevier.com/locate/jad Research report Sad benefit in face working memory: An emotional bias of melancholic depression Stefanie C. Linden a, Margaret C. Jackson b, Leena Subramanian c, David Healy c, David E.J. Linden c,⁎ a Institute of Psychiatry, Kings College, London, UK b Wolfson Centre for Clinical and Cognitive Neuroscience, School of Psychology, Bangor University, Bangor, UK c Dept. of Psychological Medicine & Neurology, Cardiff University, Cardiff, UK arti cle i nfo a bstract Article history: Emotion biases feature prominently in cognitive theories of depression and are a focus of Received 17 March 2011 psychological interventions. However, there is presently no stable neurocognitive marker of Received in revised form 31 July 2011 altered emotion–cognition interactions in depression. One reason may be the heterogeneity of Accepted 1 August 2011 major depressive disorder. Our aim in the present study was to find an emotional bias that Available online 27 August 2011 differentiates patients with melancholic depression from controls, and patients with melancholic from those with non-melancholic depression. We used a working memory Keywords: paradigm for emotional faces, where two faces with angry, happy, neutral, sad or fearful Depression expression had to be retained over one second. Twenty patients with melancholic depression, Melancholia 20 age-, education- and gender-matched control participants and 20 patients with non- Working memory melancholic depression participated in the study. We analysed performance on the working Facial expression Emotion memory task using signal detection measures.
    [Show full text]