March 2020 Online Sale Catalogue
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After Three Months of Controversy About the Contractor Hired to Restore Watts Towers in Los Angeles, the City Council Has Been A
WATTS TOWER UPDATE edited by Victor Sorrel1 and published by versary by becoming a quarterly, starting the Chicago Council on Fine Arts, 78 E. Wa- with January 1979 issue. Previously, it was After three months of controversy about shington St., Chicago, IL 60602, available a twice a year publication. the contractor hired to restore Watts Towers upon request. in Los Angeles, the City Council has been Art Hazards News issued its first number in asked to authorize ending the contract and PUBLISHERS' CATALOGS October. Published by the Center for Occu- turning over the project to the State. Several pational Hazards, 5 Beekman St., New actions, however, must be done before the Modern First Editions: Catalogue One by York, NY 10038, its program is to inform long-delayed restoration work can proceed.. Canfield & Stephens includes some rare ar- people of the hazards of arts and crafts ma- One of the key problems will be for the city tists' books, although most of it is literature. terials and how to work with these materials of Los Angeles to negotiate a money settle- Write to Canfield & Stephens, 21 E. 67th St. safely. A Question and Answer column, a ment to end its existing restoration contract New York, NY 10021 for their catalog. column on commerical art hazards by with Ralph Vaughn Associates. Michael McCann, calendar of events, new New York University Press is having a publications, and other pertinent material Cover to Cover Book Sale with savings up such as the Art Hazards Information Center to 90%. Sale ends on midnight, 28 Feb. -
Bruno Bobak the Full Palette
BRUNO BOBAK THE FULL PALETTE Edited by Bernard Riordon Goose Lane Editions and The Beaverbrook Art Gallery Bobak-V2.indd 3 9/7/06 11:03:46 AM Copyright © 2006 by The Beaverbrook Art Gallery. All rights reserved. No part of this work may be reproduced or used in any form or by any means, electronic or mechanical, including photocopying, recording, or any retrieval system, without the prior written permission of the publisher or a licence from the Canadian Copyright Licensing Agency (Access Copyright). To contact Access Copyright, visit www.accesscopyright.ca or call 1-800-893-5777. On the cover: The Tired Wrestler, 1964, oil canvas, 120.0 x 100.0 cm. Gift of Mel and Stephen Ross in memory of Reuben Ross. NAC: 965.29. Leonard and Bina Ellen Art Gallery, Concordia University, Montreal QC Book jacket and page design by Julie Scriver. Typeset by Troy Cole – Envision Graphic Design. Printed in Canada. 10 9 8 7 6 5 4 3 2 1 Library and Archives Canada Cataloguing in Publication Bruno Bobak: the full palette / Bernard Riordon, editor. Co-published by Beaverbrook Art Gallery. Includes bibliographical references and index. ISBN 0-86492-481-X 1. Bobak, Bruno. 2. Artists — Canada — Biography. I. Riordon, Bernard II. Beaverbrook Art Gallery. III. Title: Full palette. N6549.B6252F84 2006 709'.2 C2006-904661-1 Goose Lane Editions acknowledges the financial support of the Canada Council for the Arts, the Government of Canada through the Book Publishing Industry Development Program (BPIDP), and the New Brunswick Department of Wellness, Culture and Sport for its publishing activities. -
26727 Consignor Auction Catalogue Template
Auction of Important Canadian & International Art September 24, 2020 AUCTION OF IMPORTANT CANADIAN & INTERNATIONAL ART LIVE AUCTION THURSDAY, SEPTEMBER 24TH AT 7:00 PM ROYAL ONTARIO MUSEUM 100 Queen’s Park (Queen’s Park at Bloor Street) Toronto, Ontario ON VIEW Please note: Viewings will be by appointment. Please contact our team or visit our website to arrange a viewing. COWLEY ABBOTT GALLERY 326 Dundas Street West, Toronto, Ontario JULY 8TH - SEPTEMBER 4TH Monday to Friday: 9:00 am to 5:00 pm SEPTEMBER 8TH - 24TH Monday to Friday: 9:00 am to 5:00 pm Saturdays: 11:00 am to 5:00 pm Sunday, September 20th: 11:00 am to 5:00 pm 326 Dundas Street West (across the street from the Art Gallery of Ontario) Toronto, Ontario M5T 1G5 416-479-9703 | 1-866-931-8415 (toll free) | [email protected] 2 COWLEY ABBOTT | September Auction 2020 Cowley Abbott Fine Art was founded as Consignor Canadian Fine Art in August 2013 as an innovative partnership within the Canadian Art industry between Rob Cowley, Lydia Abbott and Ryan Mayberry. In response to the changing landscape of the Canadian art market and art collecting practices, the frm acts to bridge the services of a retail gallery and auction business, specializing in consultation, valuation and professional presentation of Canadian art. Cowley Abbott has rapidly grown to be a leader in today’s competitive Canadian auction industry, holding semi-annual live auctions, as well as monthly online Canadian and International art auctions. Our frm also ofers services for private sales, charity auctions and formal appraisal services, including insurance, probate and donation. -
Your Source for Canadian Photography Volume 24, No
YOUR SOURCE FOR CANADIAN PHOTOGRAPHY VOLUME 24, NO. 1 / SPRING 2015 VOLUME 24, NO. 1 / SPRING 2015 / $6.98 News PHOTO PORTFOLIO: TONY BECK Images of Nature MICHEL ROY The Magic of Slow Shutter Speed MICHAEL DEFREITAS What’s in My Bag? FRANÇOIS DESROSIERS Portrait Lighting Technique KRISTIAN BOGNER Lighting on Location PLUS: DR. WAYNE LYNCH Iwokrama – The Green Heart of Guyana MICHELLE VALBERG Antarctic Adventure Photo by Tony Beck COMPLIMENTARY ISSUE • FREE COPY and more! Spring 2015 3 Focal Point BY NORM ROSEN, EDITOR | [email protected] TRIPPING THE NIGHT FANTASTIC his issue of PHOTONews features ite images have been made with this equipment; if you Ta selection of images captured use a remote shutter release and turn off the vibration after sunset – when the challenge of compensation when using a tripod or camera support, low-light photography coincides with the results can be quite spectacular. Search the pool at the opportunity to explore new cre- the flickr® group for images tagged “night” to see some Join the ative techniques. From Gemy Bom’s great shots from the group members, and by all means, conversation! spectacular stitched night panorama tag your own images to add them to our gallery of fan- in our Springboard section, to Fran- tastic photos. cis Audet’s adventure in astrophotog- If you are looking for inspiration this issue certainly raphy, this is the ideal time to grab fills the bill. From Michel Roy’s “Magic of Slow Shutter facebook.com/ photonewscanada your tripod and head out after dark to Speeds” to Kristian Bogner’s tips for lighting on loca- “trip the night fantastic!” tion, and François DesRosier’s tutorial on wireless It is amazing how easy night flash, there are many ways to expand your photograph- twitter.com/ photography can be – and how re- ic skills. -
1976-77-Annual-Report.Pdf
TheCanada Council Members Michelle Tisseyre Elizabeth Yeigh Gertrude Laing John James MacDonaId Audrey Thomas Mavor Moore (Chairman) (resigned March 21, (until September 1976) (Member of the Michel Bélanger 1977) Gilles Tremblay Council) (Vice-Chairman) Eric McLean Anna Wyman Robert Rivard Nini Baird Mavor Moore (until September 1976) (Member of the David Owen Carrigan Roland Parenteau Rudy Wiebe Council) (from May 26,1977) Paul B. Park John Wood Dorothy Corrigan John C. Parkin Advisory Academic Pane1 Guita Falardeau Christopher Pratt Milan V. Dimic Claude Lévesque John W. Grace Robert Rivard (Chairman) Robert Law McDougall Marjorie Johnston Thomas Symons Richard Salisbury Romain Paquette Douglas T. Kenny Norman Ward (Vice-Chairman) James Russell Eva Kushner Ronald J. Burke Laurent Santerre Investment Committee Jean Burnet Edward F. Sheffield Frank E. Case Allan Hockin William H. R. Charles Mary J. Wright (Chairman) Gertrude Laing J. C. Courtney Douglas T. Kenny Michel Bélanger Raymond Primeau Louise Dechêne (Member of the Gérard Dion Council) Advisory Arts Pane1 Harry C. Eastman Eva Kushner Robert Creech John Hirsch John E. Flint (Member of the (Chairman) (until September 1976) Jack Graham Council) Albert Millaire Gary Karr Renée Legris (Vice-Chairman) Jean-Pierre Lefebvre Executive Committee for the Bruno Bobak Jacqueline Lemieux- Canadian Commission for Unesco (until September 1976) Lope2 John Boyle Phyllis Mailing L. H. Cragg Napoléon LeBlanc Jacques Brault Ray Michal (Chairman) Paul B. Park Roch Carrier John Neville Vianney Décarie Lucien Perras Joe Fafard Michael Ondaatje (Vice-Chairman) John Roberts Bruce Ferguson P. K. Page Jacques Asselin Céline Saint-Pierre Suzanne Garceau Richard Rutherford Paul Bélanger Charles Lussier (until August 1976) Michael Snow Bert E. -
DAVID URBAN Born 1966, Toronto, Ontario Lives and Works in Toronto, Ontario EDUCATION 1992-1994 University of Guelph, M.F.A
DAVID URBAN Born 1966, Toronto, Ontario Lives and works in Toronto, Ontario EDUCATION 1992-1994 University of Guelph, M.F.A. Visual Arts(Painting/Drawing) 1990-1991 University of Windsor, M.A. English Literature and Creative Writing, 1985-1989 York University, B.A English Literature, B.F.A. Visual Arts (Painting/Drawing) SELECTED EXHIBITIONS Solo 2007 Time Machines, TrépanierBaer, Calgary, Alberta Actual Fiction, Corkin Gallery, Toronto, Ontario 2005 A Toy in the Pond, TrépanierBaer, Calgary, Alberta 2004 David Urban: Treats for the NightWalker, Moore Gallery, Toronto, Ontario 2003 The Recognitions, Michael Gibson Gallery, London, Ontario Galerie Rene Blouin, Montreal, Quebec 2002 Present Tense 24, Art Gallery of Ontario, Toronto, Ontario Of Being Numerous, Trepanier Baer Gallery, Calgary, Alberta 2000 Credences of Summer - New Works, TrépanierBaer, Calgary, Alberta Sable-Castelli Gallery, Toronto, Ontario 1999 David Urban: Parts of a World, McMaster Museum, Hamilton, Ontario David Urban: Parts of a World, University of Waterloo Art Gallery, Waterloo, Ontario Galerie René Blouin, Montreal, Quebec 1998 David Urban: Parts of a World, Galerie Barbara Farber/Rob Jurka, Amsterdam, Netherlands David Urban: Parts of a World, Art Gallery of Peel, Brampton, Ontario, travelling to University of Waterloo Art Gallery, Waterloo, Ontario and McMaster Museum, Hamilton, Ontario in 1999 Jim Schmidt Contemporary Art, St. Louis, Missouri Like Seeing Fallen Brightly Away, Sable-Castelli Gallery, Toronto, Ontario 1997 David Urban: New Paintings, TrépanierBaer, -
Radiant Energy the Hard-Edged Abstractions of Rita Letendre, Doris Mccarthy and Janet Jones
Radiant Energy The Hard-Edged Abstractions of Rita Letendre, Doris McCarthy and Janet Jones Reflecting on her earliest years at her grandparents’ farm in Drummondville, Quebec, Rita Letendre mused in 1969 that it was there “I learned to fight, fist fight. And I learned to draw.”i That she paired anger with art-making at the very onset of her life and practice is unsurprising: Gaston Roberge, in his essay for Woman of Light, a 1997 retrospective highlighting fifty years of Letendre’s works on paper, titled his first subsection “Rage” in deference to her difficult upbringing and the racism she encountered in small-town Quebec: “My childhood is like a serious injury that has never healed… very early in life, I got used to protecting myself against people,” he quotes Letendre.ii Wanda Nanibush, co-curator of the Letendre retrospective Fire & Light at the Art Gallery of Ontario in 2017, situated this emotion within the artist’s intersectional subject position: “Her rage could well have sprung up as resistance to the violence she experienced as a child just for being Abenaki; a society that kept many in grinding poverty and its attendant social problems; a culture of deep religious conservatism; and a ridiculous world where the fact of being a woman limited all of one’s endeavors.”iii Making art at mid-century was an embattled undertaking for a woman. To make abstract art as an Indigenous woman could only be harder. Anger was one motivation that allowed Letendre to crash through the barriers put in her path, but Letendre also chased light and held it in each of her canvasses. -
The Grace of a Gesture Rafael Lozano-Hemmer Angelica Mesiti EM15
Already Fifty Years! The Grace of a Gesture Rafael Lozano-Hemmer Angelica Mesiti EM15 • BIAN Ryoji Ikeda Artur Zmijewski Printemps du MAC Nocturnes Magazine of the contemporain Musée d’art de Montréal Volume 25, Number 1 — Summer 25, 2014 Volume editorial | 1 In his classic work The Gift, French anthropologist Marcel Mauss theorizes and reflects upon the giver, the gift and the recipient: “The objects are never completely separated from the men who exchange them,” he writes tellingly. An indissoluble link between the giver and the gift— the gift being a part of the giver—makes the act of giving not as innocent a transaction as it might seem. Indeed, it creates a social bond and an obligation to reciprocate on the part of the recipient. It creates relationships. Reciprocity and exchange are the basis of friendship, perhaps also of just and prosperous societies. Ultimately, reciprocity promotes a better way of living. Photo: George Fok © 2013 The month of June marks the fiftieth anniversary of the founding of the Musée d’art con- temporain, a museum that grew out of the wishes, the enterprise and, perhaps most impor- tantly, the donations of collectors and artists. The Musée’s very inception is the result of the kindness of givers. The Grace of a Gesture is our sprawling homage to the builders and makers of the MAC, a celebratory exhibition comprising some 200 artworks donated over the last fifty years—a formal act of reciprocity, in the form of an exhibition, for the generosity of the museum’s many donors and supporters. -
FP 9.3 Fall1989.Pdf
The University of Wisconsin System ___5 I -====3 -6 A CURRENT LISTING OF CONTENTS VOLUME 9, NUMBER 3 FALL 1989 Published by Susan Searing, Women's Studies Librarian i:i? University of Wisconsin System 112A Memorial Library -iilii: 728 State Street Madison, Wisconsin 53706 :iii'i'i (608) 262-5754 MINIST ODICALS A CURRENT LISTING OF CONTENTS Volume 9, Number 3 Fall 1989 r Qa Periodical literatureis the cutting edge of women's scholarship, feminist theory, and much of women's culture. .rnrst . Periodicals: A Current Listina of Contents is published by the Office of the University of Wisconsin System Women's Studies Librarian on a quarterly basis with the intent of increasing public awareness of feminist periodicals. It is our hope that Feminist Periodicalswill serve several purposes: to keep the reader abreast of current topics in feminist literature; to increase readers' familiarity with a wide spectrum of feminist periodicals; and to provide the requisite bibliographic information should a reader wish to subscribe to a joumal or to obtain a particular article at her library or through interlibrary loan. (Users will need to be aware of the limitations of the new copyright law with regard to photocopying of copyrighted materials.) Table of contents pages from current issues of major feminist journals are reproduced in each issue of Feminist Periodicals, preceded by a comprehensive annotated listing of all journals we have selected. As publication schedules vary enormously, not every periodical will have table of contents pages reproduced in each issue of FP. The annotated listing provides the following information on each journal: 1. -
List of Third Round of Acquisitions from The
National Gallery of Art Acquisitions from the Collection of the Corcoran Gallery of Art - January 22, 2016 Paintings: American 1. Thomas Hart Benton Martha's Vineyard c. 1925 oil on canvas, image: 21 3/4 x 23 1/2 in. (55.25 x 59.69 cm) framed: 25 3/4 x 27 3/4 x 2 1/2 in. (65.41 x 70.49 x 6.35 cm) National Gallery of Art, Corcoran Collection (Bequest of George Biddle) 2. George Biddle Black Ice on Calabaugh Pond 1929 oil on canvas, framed: 32 1/2 x 38 3/4 x 1 1/2 in. (82.55 x 98.43 x 3.81 cm) unframed: 25 1/4 x 31 3/4 in. (64.14 x 80.65 cm) National Gallery of Art, Corcoran Collection (Gift of Katherine Garrison Biddle) 3. George Biddle Yoke of Oxen 1932 oil on canvas, unframed: 15 3/8 x 19 1/2 in. (39.05 x 49.53 cm) framed: 20 1/8 x 24 1/8 x 2 in. (51.12 x 61.28 x 5.08 cm) National Gallery of Art, Corcoran Collection (Gift of Katherine Garrison Biddle) 4. Thomas Birch View of Eaglesfield 1808 oil on canvas, framed: 31 x 41 x 2 1/2 in. (78.74 x 104.14 x 6.35 cm) National Gallery of Art, Corcoran Collection (Gift of the Hope C. Patterson Estate) 5. George de Forest Brush Mother and Child 1902 oil on canvas, framed: 49 1/4 x 39 3/4 x 6 1/2 in. -
YVES GAUCHER Life & Work by Roald Nasgaard
YVES GAUCHER Life & Work by Roald Nasgaard 1 YVES GAUCHER Life & Work by Roald Nasgaard Contents 03 Biography 13 Key Works 34 Significance & Critical Issues 40 Style & Technique 47 Where to See 52 Notes 54 Glossary 61 Sources & Resources 66 About the Author 67 Copyright & Credits 2 YVES GAUCHER Life & Work by Roald Nasgaard Yves Gaucher (1934–2000) was one of Canada’s foremost abstract painters of the second half of the twentieth century. He first made his mark as an innovative printmaker, winning international prizes for his work. After turning to painting in 1964 and for the rest of his life, he pursued his abstract style with relentless self-criticism and uncommon purity. 3 YVES GAUCHER Life & Work by Roald Nasgaard EARLY YEARS Yves Gaucher was born in Montreal on January 3, 1934, the sixth of eight children. His father owned a pharmacy and also practised as an optometrist and optician. The business was sufficiently successful that Gaucher and his siblings attended the best Montreal schools. During the last years of his father’s life the family lived in Westmount, an affluent residential area in the city. Gaucher’s school years were spent in the Catholic system. After grade school he attended the Jesuit- founded Collège Sainte-Marie and subsequently the Collège Jean-de- Brébeuf. By his own account he was an undisciplined student, but he developed a predilection for Greek and Latin literature, and drawing was his favourite diversion during study periods. Combining his two interests, however, proved fatal: he was expelled from Collège Brébeuf when he was caught copying an “indecent” image from ancient art (presumably a nude) from his illustrated Larousse Three-year-old Yves Gaucher in 1937. -
La Collection De Peinture Canadienne De La CIL / New Patrons of Art the CIL Collection of Canadian Painting
Document generated on 09/29/2021 1:34 p.m. Vie des arts Le nouveau mécénat: La collection de peinture canadienne de la CIL New Patrons of Art the CIL Collection of Canadian Painting Paul Dumas Volume 21, Number 84, Fall 1976 URI: https://id.erudit.org/iderudit/54976ac See table of contents Publisher(s) La Société La Vie des Arts ISSN 0042-5435 (print) 1923-3183 (digital) Explore this journal Cite this article Dumas, P. (1976). Le nouveau mécénat: La collection de peinture canadienne de la CIL / New Patrons of Art the CIL Collection of Canadian Painting. Vie des arts, 21(84), 38–92. Tous droits réservés © La Société La Vie des Arts, 1976 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ 38 EXISTENCE DE LA COULEUR Paul Dumas Le nouveau mécénat: La collection de peinture canadienne de la CIL . EXISTENCE DE LA COULEUR 39 Les éléments les plus dynamiques du monde des affaires sont conscients des besoins sociaux et culturels — c'est-à-dire de la qualité de la vie — des populations qui les entourent, et cela consti tue, pour notre pays, un potentiel énorme. (Charles Lussier, Conférence prononcée à Toron to, le 7 mai 1976, devant l'Institut de Recherche en Dons et en Affaires Publiques.) 1.