Sélection Thématique "Les Films Tournés En Bretagne"

Total Page:16

File Type:pdf, Size:1020Kb

Sélection Thématique Sélection de DVD Septembre-octobre 2018 SCD Rennes 2 Médiathèque Caravane saharienne, Bachmond CC-BY Pour débuter cette année universitaire, et pour conserver (un peu) un air de vacances, la médiathèque vous propose une sélection de films tournés dans la région. Une façon, également, de souhaiter la bienvenue aux nouveaux arrivants ! Parfois, le film a été tourné entièrement en Bretagne. Parfois, seules quelques scènes y ont été réalisées. À vous d’être perspicaces ! Mais, pour vous aider, nous avons essayé de faire un classement par département, en essayant au maximum de détailler les lieux de tournage. Par ailleurs, c’est l’occasion pour nous de mettre la breton à l’honneur, en vous présentant des fictions ou des documentaires, français comme étrangers, doublés dans notre langue régionale. 22 – Côtes d’Armor Aodoù an Arvor V L’affaire Seznec (Version bretonne : An afer Sezneg) / Yves Boisset , 1993 (Saint-Brieuc) 791.437 BOI Afe V La bataille du rail / René Clément , 1946 (Guingamp, Lannion, Saint-Brieuc, Plouaret, Trégrom) 791.437 CLEM Bat V Le bel âge / Laurent Perreau , 2009 (Dinan, Saint-Samson sur Rance) 791.437 PERRE-L Bel V Belle dormant / Adolfo Arrietta , 2016 (Ploubezre) 791.437 ARR Bel V Le blé en herbe / Claude Autant-Lara , 1947 (Erquy) 791.437 AUT Ble V Le bois des amants / Claude Autant-Lara , 1960 (Erquy) 791.437 AUT Boi V Capitaine Conan / Bertrand Tavernier , 1996 (Plévenon) 791.437 TAV Cap V Chouans ! / Philippe De Broca , 1988 (Plévenon) 791.437 BROC Cho V Conte d'été / Eric Rohmer , 1996 (Saint-Jacut) 791.437 ROH Con/3 V Des vents contraires / Jalil Lespert , 2011 (Plévenon) À venir ! V Fleur de Tonnerre / Stéphanie Pillonca , 2017 (Erquy, Hénon, Moncontour, Planguenoual, Trédaniel) 791.437 PILL Fle V L’heure zéro / Pascal Thomas , 2007 (Dinan, Lancieux) 791.437 THOM-P Heu V Un jour / Lone Scherfig , USA, 2011 (Dinan) 791.437 SCHER Jou V Lancelot du Lac / Robert Bresson , 1974 (Plévenon) À venir ! V Un long dimanche de fiançailles / Jean-Pierre Jeunet , 2004 (Bréhat) 791.437 JEU Lon V Les mains en l’air / Romain Goupil , 2010 (Tréméven) 791.437 GOU Mai V Les naufrageurs / Charles Brabant , 1959 (Paimpol) 791.437 BRAB Nau V Non ma fille tu n'iras pas danser / Christophe Honoré (Saint- Brieuc, Saint-Gilles-Vieux-Marché) 791.437 HONO Non V Passer l’hiver / Aurélia Barbet , 2014 (Lamballe, Ploubalay, Pluduno, Saint-Cast-le-Guildo) 791.437 BARB-A Pas V Pattes blanches / Jean Grémillon , 1949 (Erquy) (791.437 GREM Pat) V Que la fête commence ! / Bertrand Tavernier , 1975 (Ploubezre, Tonquédec) 791.437 TAV Que V Si j’avais mille ans / Monique Enckell , 1983 (Plévenon, Saint-Cast, Saint-Jacut-de-la-Mer) 791.437 ENC Sij V Le temps qui reste / François Ozon , 2005 (Pléneuf Val André) 791.437 OZO Tem V Tess / Roman Polanski , 1979 (Le Leslay) 791.437 POL Tes V Les vacances de Monsieur Hulot / Jacques Tati , 1953 (Dinan) , 791.437 TAT Vac V Une vieille maîtresse / Catherine Breillat , 2007 (Bréhat) 791.437 BREI Vie V Les Vikings / Richard Fleischer , 1958 (Plévenon) 791.437 FLEI Vik V Les yeux de sa mère / Thierry Klifa , 2011 (Erquy) 791.437 KLIF Yeu Courts-métrages V Loguivy-de-la-Mer / Pierre Gout , 1953 (Ploubazlanec) . Dans : Qu’est-ce qu’un auteur, Petite collection de Bref n°10 791.437 5 BRE/10 Documentaires V Kan Tri sur scène / Alain Gallet , 2004 (Trégueux) 781.62 GAL 29 – Finistère Penn-ar-Bed V L’affaire Seznec (Version bretonne : An afer Sezneg) / Yves Boisset , 1993 (Morlaix) 791.437 BOI Afe V L’amour à la mer / Guy Gilles , 1960 (Brest) 791.437 GILL Amo V L’amour d’une femme / Jean Grémillon (Ouessant) 791.437 GREM Amo V Le bois des amants / Claude Autant-Lara , 1960 (Clohars-Carnoët, Douarnenez, Quimperlé) 791.437 AUT Boi V Chanson d’Armor / Jean Epstein , 1934 (Audierne, Concarneau, Huelgoat, Locronan, Quimper, Saint-Vougay) 791.437 EPS Poe V Le cheval d’orgueil (Version bretonne : Marc’h al lorc’h) / Claude Chabrol , 1980 (Quimper, Saint-Jean-Trolimon, Landudec, Plogastel- Saint-Germain, Plonéour-Lanvern, Pont-Croix) 791.437 CHA Mar V Le chien jaune / Jean Tarride , 1932 (Concarneau) 791.437 TARRI Chi V Chouans ! / Philippe De Broca , 1988 (Locronan) 791.437 BROC Cho V Dancing / Xavier Brillat, Patrick Mario Bernard, Pierre Trividic , 2003 (Audierne) 791.433 BER Dan V Elle s’en va / Emmanuelle Bercot , 2013 (Tourch, Le Trévoux) 791,437 BERC Ell V L’équipier / Philippe Lioret , 2004 (Brest, Ouessant) 791.437 LIO Equ V Les étoiles restantes / Loïc Paillard , 2017 (Brest) 791.437 PAIL Eto V Les fantômes du chapelier / Claude Chabrol , 1982 (Concarneau, Quimper) 791.437 CHA Fan V La fille de Brest / Emmanuelle Bercot (Brest, Guipavas, Lampaul- Plouarzel, Landerneau) 791.437 BERC Fil V Finis Terrae / Jean Epstein , 1929 (Ouessant, Ile de Bannec) 791.437 EPS Poe V Les galettes de Pont-Aven / Joël Seria , 1975 (Pont-Aven, Névez) 791.437 SERI Gal V L’homme du large / Marcel L’Herbier , 1920 (Penmarc’h, Saint- Guénolé) 791.437 LHE Hom V Je me suis fait tout petit / Cecilia Rouaud , 2012 (Crozon) 791.437 ROUA-C Jem V Lann Vraz / Soazig Daniellou , 2013 (Loperhet, Plougasnou, Plougastel-Daoulas) 791.437 DANIE Lan V Les Leningrad Cowboys rencontrent Moïse / Ari Kaurismäki , 1993 (Brest, Porspoder) 791,437 KAU Len V Un long dimanche de fiançailles / Jean-Pierre Jeunet , 2004 (Locronan, Penmarc’h, Plogonnec) 791.437 JEU Lon V Ma nuit chez Maud / Eric Rohmer , 1969 (56 : Belle-Ile en Mer) 791.437 ROH Man V Les mains en l’air / Romain Goupil , 2010 (Moëlan-sur-Mer, Quimperlé) 791.437 GOU Mai V Les maudits / René Clément , 1947 (Brest) 791.437 CLEM Mau V Melody / Bernard Bellefroid , 2014 (Crozon) 791.437 BELLE Mel V Microclimat / Marie Hélia , 2007 (Douarnenez) 791.437 HELI Mic V Les naufrageurs / Charles Brabant , 1959 (Bénodet, Penmarc’h, Plobannalec-Lesconil, Plomeur, Saint-Jean-Trolimon) 791.437 BRAB Nau V Non ma fille tu n'iras pas danser / Christophe Honoré (Saint-Rivoal) 791.437 HONO Non V Pêcheur d’Islande / Pierre Schoendoerffer , 1959 (Concarneau, Fouesnant) 791.437 SCHOEN Pec V Petits arrangements avec les morts / Pascale Ferran , 1994 (Audierne, Pont-Croix) 791.437 FERRAN Pet V Un poison violent / Katell Quillévéré , 2010 (Brasparts, Brest) 791.437 QUI Poi V Que la bête meure / Claude Chabrol , 1969 (Argol, Crozon, Plonévez-Porzay, Quimper) 791.437 CHA Que V Que la fête commence ! / Bertrand Tavernier , France, 1975 (Landuvez, St Michel de Brasparts) 791.437 TAV Que V Remorques / Jean Grémillon , 1941 (Brest, Plouzané, Plougonvelin, Guissény) 791.437 GREM Rem V Rester vertical / Alain Guiraudie , 2016 (Brest) 791.437 GUIR Res V Rêve de Siam / Olivier Bourbeillon , 1992 (Brest) À venir ! V Le temps qui reste / François Ozon , 2005 (Crozon) 791.437 OZO Tem V Tess / Roman Polanski , 1979 (Locronan) 791.437 POL Tes V Les trois mousquetaires / Henri Diamant-Berger , 1921 (Locronan) 791.437 DIA Tro V Western / Manuel Poirier , 1997 (Le Guilvinec, Penmarc’h, Plonéour-Lanvern, Quimper) 791.437 POI Wes V Les yeux de sa mère / Thierry Klifa , 2011 (Douarnenez, Plonévez- Porzay, Quimper) 791.437 KLIF Yeu Courts-métrages V Les feux de la mer / Jean Epstein , 1948 (Ouessant) 791.437 EPS Poe V Le marin masqué / Sophie Letourneur , 2012. (29 : Quimper). Dans « Jeunesses françaises, Petite collection de « Bref » n° 23 » 791.437 5 BRE / 23 V Mor ‘vran / Jean Epstein , 1930 (Ile-de-Sein) 791.437 EPS Poe V Le mystère des roches de Kador / Léonce Perret , 1912 (Morgat) . Dans Léonce Perret, boulevardier et novateur (1909-1913) 791.437 5 PER V Les princesses de la piste / Marie Hélia , 2005 (Brest) 791.437 5 HEL Pri Documentaires V Brest fête sa libération / Céline Serrano , 2005 (Brest) 944.1 BRE V Le manteau de papier / Olivier Bourbeillon (Brest) 730.92 BOU Man V Le peuple migrateur / Jacques Perrin, Jacques Cluzaud, Michel Debats , 2001 (Kerlouan, Lampaul-Ploudalmézeau, Saint-Pabu) 791.437 PERRI Peu V Plogoff : des pierres contre des fusils / Nicole Le Garrec, Félix Le Garrec (Plogoff) 944.1LEG V Prad don : le pré d’Anicet / Soazig Daniellou , 2007 (Bannalec) 305.891 DAN Cinéma d’animation V Un homme est mort / Olivier Cossu , 2018 (Brest) 791,433 1 COS Hom 35 – Ille-et-Vilaine Il ha Gwilun V 24 mesures / Jalil Lespert , 2007 (Rennes, Vezin-le-Coquet) 791.437 LES Vin V Au cœur du mensonge / Claude Chabrol , 1999 (Saint-Malo, Saint-Méloir-des-Ondes) 791.437 CHA Auc V L’avenir / Mia Hansen-Love , 2016 (Cancale, Saint-Malo) 791.437 HANS Ave V Le bel âge / Laurent Perreau , 2009 (Bréal-sous-Montfort, Dinard, Rennes, Saint-Malo, Vitré) 791.437 PERRE-L Bel V Les beaux gosses / Riad Sattouf , 2009 (Rennes) 791.437 SAT Bea V Belle dormant / Adolfo Arrietta , 2016 (Bourg-des-Comptes, Les Iffs, Paimpont, Rennes) 791.437 ARR Bel V Capitaine Conan / Bertrand Tavernier , 1996 (Saint-Suliac) 791.437 TAV Cap V La cérémonie / Claude Chabrol , 1995 (Saint-Coulomb, Saint-Malo) 791.437 CHA Cer V Chanson d’Armor / Jean Epstein , 1934 (Dinard) 791.437 EPS Poe V Conte d'été / Eric Rohmer , 1996 (Dinard, Saint-Briac-sur-Mer, Saint-Lunaire, Saint-Malo) 791.437 ROH Con/3 V De l’usage du sextoy en temps de crise / Eric Pittard , 2013 (Rennes) 791.437 PITT Del V Déchirés / Graves / Vincent Dieutre , 2013 (Rennes) À venir ! V Des vents contraires / Jalil Lespert , 2011 (Dinard, Saint-Lunaire, Saint-Malo) À venir ! V En équilibre / Denis Dercourt , 2016 (Saint-Malo) 791.437 DER Ene V Le glaive et la balance / André Cayatte , 1963 (Saint-Malo) 791.437 CAY Gla V L’heure zéro / Pascal Thomas , 2007 (Dinard, Cancale) 791.437 THOM-P Heu V Je me tue à le dire / Xavier Seron , 2016 (Rennes) 791.437 SERO Jem V Un jour / Lone Scherfig , 2011 (Dinard)
Recommended publications
  • Here Was Obviously No Way to Imagine the Event Taking Place Anywhere Else
    New theatre, new dates, new profile, new partners: WELCOME TO THE 23rd AND REVAMPED VERSION OF COLCOA! COLCOA’s first edition took place in April 1997, eight Finally, the high profile and exclusive 23rd program, years after the DGA theaters were inaugurated. For 22 including North American and U.S Premieres of films years we have had the privilege to premiere French from the recent Cannes and Venice Film Festivals, is films in the most prestigious theater complex in proof that COLCOA has become a major event for Hollywood. professionals in France and in Hollywood. When the Directors Guild of America (co-creator This year, our schedule has been improved in order to of COLCOA with the MPA, La Sacem and the WGA see more films during the day and have more choices West) decided to upgrade both sound and projection between different films offered in our three theatres. As systems in their main theater last year, the FACF board an example, evening screenings in the Renoir theater made the logical decision to postpone the event from will start earlier and give you the opportunity to attend April to September. The DGA building has become part screenings in other theatres after 10:00 p.m. of the festival’s DNA and there was obviously no way to imagine the event taking place anywhere else. All our popular series are back (Film Noir Series, French NeWave 2.0, After 10, World Cinema, documentaries Today, your patience is fully rewarded. First, you will and classics, Focus on a filmmaker and on a composer, rediscover your favorite festival in a very unique and TV series) as well as our educational program, exclusive way: You will be the very first audience to supported by ELMA and offered to 3,000 high school enjoy the most optimal theatrical viewing experience in students.
    [Show full text]
  • Collège Au Cinéma
    COLLÈGE AU CINÉMA Ministère de la Culture et de la Communication Centre National du Cinéma et de l’Image Animée Ministère de l’Education nationale, de la Jeunesse et de la Vie associative Conseils généraux L’Homme de Rio France, 1963, 35mm, couleurs, 1h52’. Philippe de Broca Réal : Philippe de Broca. Scén. : Philippe de Broca, Daniel Boulanger, NAISSANCE DU FILM Ariane Mnouchkine, Jean-Paul Rappeneau Philippe de Broca de Ferrussac, descendant de nobles gascons, naît en 1933 Prod. : Alexandre Mnouchkine, à Paris. Son grand-père, peintre, son père photographe, lui transmettent un Georges Dancigers goût pour l’imaginaire. L’invention permet l’évasion, qui devient désir concret Interprétation : de voyager. Après une formation d’opérateur à l’École Louis Lumière, fraî- Adrien Dufourquet (Jean-Paul Belmondo), Agnès chement diplômé à 19 ans, il s’embarque pour l’Afrique avec l’expédition Villermosa (Françoise Dorléac), Professeur Citroën-Bosch Lavalette et commence sa vraie vie d’aventurier, caméra au Catalan (Jean Servais)… poing. Le service militaire l’entraîne en Algérie, en pleine guerre. Confronté à une réalité violente, il s’accroche au cinéma comme remède contre les tragé- dies. Un coup de chance lui permet de devenir l’assistant de Claude Chabrol, qui l’engage pour plusieurs films, et de rencontrer Jean-Paul Belmondo en 1959. Chabrol lui signe un chèque pour qu’il puisse se lancer à son tour dans la réalisation. Philippe de Broca tourne alors coup sur coup trois comédies sentimentales, qui mettent en avant la spontanéité des personnages, plus atta- chants, plus vrais et plus complexes que de simples figures comiques.
    [Show full text]
  • Classic French Film Festival 2015
    Mon Oncle SEVENTH ANNUAL ROBERT CLASSIC FRENCH FILM FESTIVAL Presented by March 13 - 29, 2015 Sponsored by the Jane M. & Bruce P. Robert Charitable Foundation A co-production of Cinema St. Louis and Webster University Film Series Vive la FrAnce! WANT TO SPEAK FRENCH? REFRESH YOUR FRENCH CULTURAL KNOWLEDGE? CONTACT US! Alliance Française de St. Louis A member-supported nonprofit center engaging the St. Louis community in French language and culture. Contact info: 314-432-0734, [email protected], alliancestl.org American Association of Teachers of French The only professional association devoted exclusively to the needs of French teach- ers at all levels, with the mission of advancing the study of the French language and French-speaking literatures and cultures both in schools and in the general public. Contact info: Anna Amelung, president, Greater St. Louis Chapter, [email protected], www.frenchteachers.org Centre Francophone at Webster University An organization dedicated to promoting Francophone culture and helping French educators. Contact info: Lionel Cuillé, Ph.D., Jane and Bruce Robert Chair in French and Francophone Studies, Webster University, 314-246-8619, [email protected], facebook.com/centrefrancophoneinstlouis Les Amis A support group for the French heritage programs of the Missouri Department of Natural Resources, with the mission of promoting the preservation, interpretation, and purchase of historic property in Missouri’s unique French colonial region. Contact info: 314-454-3160, [email protected], www.les-amis.org La Société Française de Saint Louis An organization dedicated to the survival of the language, culture, and traditions of the French in St. Louis.
    [Show full text]
  • The Phenomenological Aesthetics of the French Action Film
    Les Sensations fortes: The phenomenological aesthetics of the French action film DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Matthew Alexander Roesch Graduate Program in French and Italian The Ohio State University 2017 Dissertation Committee: Margaret Flinn, Advisor Patrick Bray Dana Renga Copyrighted by Matthew Alexander Roesch 2017 Abstract This dissertation treats les sensations fortes, or “thrills”, that can be accessed through the experience of viewing a French action film. Throughout the last few decades, French cinema has produced an increasing number of “genre” films, a trend that is remarked by the appearance of more generic variety and the increased labeling of these films – as generic variety – in France. Regardless of the critical or even public support for these projects, these films engage in a spectatorial experience that is unique to the action genre. But how do these films accomplish their experiential phenomenology? Starting with the appearance of Luc Besson in the 1980s, and following with the increased hybrid mixing of the genre with other popular genres, as well as the recurrence of sequels in the 2000s and 2010s, action films portray a growing emphasis on the importance of the film experience and its relation to everyday life. Rather than being direct copies of Hollywood or Hong Kong action cinema, French films are uniquely sensational based on their spectacular visuals, their narrative tendencies, and their presentation of the corporeal form. Relying on a phenomenological examination of the action film filtered through the philosophical texts of Maurice Merleau-Ponty, Paul Ricoeur, Mikel Dufrenne, and Jean- Luc Marion, in this dissertation I show that French action cinema is pre-eminently concerned with the thrill that comes from the experience, and less concerned with a ii political or ideological commentary on the state of French culture or cinema.
    [Show full text]
  • A Mode of Production and Distribution
    Chapter Three A Mode of Production and Distribution An Economic Concept: “The Small Budget Film,” Was it Myth or Reality? t has often been assumed that the New Wave provoked a sudden Ibreak in the production practices of French cinema, by favoring small budget films. In an industry characterized by an inflationary spiral of ever-increasing production costs, this phenomenon is sufficiently original to warrant investigation. Did most of the films considered to be part of this movement correspond to this notion of a small budget? We would first have to ask: what, in 1959, was a “small budget” movie? The average cost of a film increased from roughly $218,000 in 1955 to $300,000 in 1959. That year, at the moment of the emergence of the New Wave, 133 French films were produced; of these, 33 cost more than $400,000 and 74 cost more than $200,000. That leaves 26 films with a budget of less than $200,000, or “low budget productions;” however, that can hardly be used as an adequate criterion for movies to qualify as “New Wave.”1 Even so, this budgetary trait has often been employed to establish a genealogy for the movement. It involves, primarily, “marginal” films produced outside the dominant commercial system. Two Small Budget Films, “Outside the System” From the point of view of their mode of production, two titles are often imposed as reference points: Jean-Pierre Melville’s self-produced Silence of 49 A Mode of Production and Distribution the Sea, 1947, and Agnes Varda’s La Pointe courte (Short Point), made seven years later, in 1954.
    [Show full text]
  • Wheeler Winston Dixon
    WHEELER WINSTON DIXON Curriculum Vitae EDUCATION: 1980 - 82 Ph.D. Rutgers University, New Brunswick, NJ Major Focus: 20th Century American and British Literature; Film Studies. 1976 - 80 M.A., M.Phil. Rutgers University, New Brunswick, NJ 1969 - 72 A.B. Livingston College, New Brunswick, NJ APPOINTMENTS HELD: 2010 – Present Coordinator, Film Studies Program 2003 – 2005 Coordinator, Film Studies Program 2000 – Present James P. Ryan Endowed Professor of Film Studies 1999 – 2003 Chairperson, Film Studies Program; Professor, English, University of Nebraska, Lincoln. 1997 Visiting Professor, Department of Communications, The New School University, New York, Summer, 1997. 1992 - 1998 Chairperson, Film Studies Minor; Professor, English, University of Nebraska, Lincoln. 1988 - 1992 Chairperson, Film Studies Program; Associate Professor, English, University of Nebraska, Lincoln. 1984 - 1988 Assistant Professor, English and Art, University of Nebraska - Lincoln. 1983 Visiting Professor, Film Studies, The New School for Social Research, New York, NY. 1974 - 1984 Instructor, English, Rutgers University, New Brunswick. 1969 - 1972 Instructor, Film Studies, Department of Art, Livingston College. COURSES TAUGHT: 2013 Film History, Film Genre: Action and Suspense, 1960s Outlaw Cinema 2012 Film History, Film Genre, Contemporary World Cinema, Science Fiction 2011 Film History, Film Genre, Film Theory 2010 Film History, Film Genre: The Musical, Noir Films 2009 Film History, Film Genre: The Western, Science Fiction Films 2008 Film History, Film Genre: Classic
    [Show full text]
  • French 1789 Ariane Mnouchkine 1973 DVD French 1789 153 Min
    FORM SUBJECT Title DIRECTOR(S) DATE TIME AT French 1789 Ariane Mnouchkine 1973 DVD French 1789 153 min. VHS French 3 Men and a Cradle Coline Serreau 1985 100 min. VHS French 8 Women François Ozon 2002 111 min. DVD French Last Year at Marienbad Alain Resnais 1961 94 min. DVD French Tale of Springtime, AEric Rohmer 1990 107 min. VHS French Very Long Engagement, AJean‐Pierre Jeunet 2004 133 min. DVD French Alfred Jarry: Ubu Roi 1975 97 min. DVD French Amélie Jean‐Pierre Jeunet 2001 122 min. DVD French Astérix & Obélix: Mission Cléopâtre Alain Chabat 2002 107 min. DVD French Au Revoir les Enfants Louis Malle 1987 103 min. VHS French Autumn Tale Eric Rohmer 1998 110 min. VHS Avant Garde and Experimental Films: Un Chien Andulou, Regen, Uberfall, Hearts of Age, Ballet French Mechanique Luis Buñuel, et al. 1924 ‐ 19374 min. VHS French Beauty and the Beast Gary Trousdale, Kirk Wise 1991 90 min. DVD French Beauty and the Beast Jean Cocteau 1946 93 min. DVD French Black Robe Bruce Beresford 1991 101 min. DVD French Blue Krzysztof Kieslowski 1993 98 min. VHS French Brotherhood of the Wolf Christophe Gans 2001 144 min. DVD French Carmen Francesco Rosi 1984 151 min. VHS French Challenges of French Proununciation 2002 DVD French Charles Pathe/Coast to Coast 1991 60 min. VHS French Children of Paradise Marcel Carné 1945 190 min. DVD French Noël en France VHS French Claire's Knee Eric Rohmer 1970 106 min. VHS French Colonel Chabert Yves Angelo 1994 111 min. VHS French Cross My Heart Jacques Fansten 1990 105 min.
    [Show full text]
  • February 26, 2019 (XXXVIII:5) Jean-Luc Godard: BREATHLESS/À BOUT DE SOUFFLE (1960, 90 Min.)
    February 26, 2019 (XXXVIII:5) Jean-Luc Godard: BREATHLESS/À BOUT DE SOUFFLE (1960, 90 min.) DIRECTED BY Jean-Luc Godard WRITING François Truffaut and Claude Chabrol (original scenario), Jean-Luc Godard (screenplay) PRODUCER Georges de Beauregard MUSIC Martial Solal CINEMATOGRAPHY Raoul Coutard FILM EDITING Cécile Decugis CAST Jean Seberg...Patricia Franchini Jean-Paul Belmondo...Michel Poiccard / Laszlo Kovacs Daniel Boulanger...Police Inspector Vital Henri-Jacques Huet...Antonio Berrutti Roger Hanin...Carl Zubart Van Doude...Himself Claude Mansard...Claudius Mansard play of shot-reverse shot' used in many Hollywood productions” Liliane Dreyfus...Liliane / Minouche (as Liliane David) (NewWaveFilm.com). In the article, Godard “praised the use of Michel Fabre...Police Inspector #2 shot-reverse shot as crucial to conveying a character’s mental Jean-Pierre Melville...Parvulesco the Writer point of view and their inner life.” In 1956, after returning to Jean-Luc Godard...The Snitch Paris from Switzerland and making his first two films, Godard Richard Balducci...Tolmatchoff returned to find that Cahiers du cinema, led by Francois Truffaut, André S. Labarthe...Journalist at Orly had become the leading film publication in France. Godard François Moreuil...Journalist at Orly would once again join the fray of French film enthusiasts championing the techniques of Hollywood auteurs like JEAN-LUC GODARD (b. December 3, 1930 in Paris, France) Hitchcock and Hawks, contributing articles “on some of his once said “All great fiction films tend toward documentary, just favorite auteurs such as Otto Preminger and Nicholas Ray” and as all great documentaries tend toward fiction.” Godard began his continuing “his theoretical debate with André Bazin” who film career with a short, which he directed, wrote, edited, acted “continued to commend the long take for its approximation to in, and did cinematography for.
    [Show full text]
  • Bilan Italy - 2002
    Bilan Italy - 2002 9/29/21 7:32:12 AM Tel: +33 (0)1 47 53 95 80 / Fax +33 (0)1 47 05 96 55 / www.unifrance.org SIRET 784359069 00043 / NAF 8421Z / TVA FR 03784359069 French films and the Italian television market in 1998 In 1998, 481 French films were programmed on television channels in Italy. This was the fourth consecutive year of growth in the number of French films scheduled (359 in 1995, 379 in 1996, and 404 in 1997). 91 films were programmed on Telepiu, and 390 on the free TV channels. Italian TV channels also devoted a larger share of their line-up to French fare. Of the more than 12,000 movie broadcasts, French films were aired 955 times, taking out 7.8% of film slots, showing an increase of 3.4 points compared with 1997. Their share of movie airtime rose significantly on the free TV channels, up from 1.9% to 5.3%. Traditionally giving greatest exposure to French films, RAI 3 bested past records this year. With 107 titles programmed, it outstripped even Telepiu, the specialist movie channel, in which Canal Plus had recently acquired a stake. The three public broadcasters stepped up the number of French films offered in 1998, demonstrated by an increase on RAI 1 from 41 titles broadcast in 1997 to 77 in 1998, and on RAI 2, from 30 to 32 titles. Of all the commercial channels, Rete 4 had always been the most oriented to French films. This year, it broadcast 84 titles, 38 more than the previous year.
    [Show full text]
  • Belmondo Tome 1.Wps
    Jean-Paul est né à Neuilly-sur-Seine, le 9 avril 1933. Il est issu d'une famille d'artiste; son père, Paul Belmondo est d'origine sicilienne. C’est un sculpteur réputé et sa mère est artiste-peintre. Il fréquenta plusieurs écoles Parisienne mais n'y resta jamais longtemps car Jean-Paul 1 est plutôt agitateur. Jean-Paul est un passionné de boxe et se rend également à l'"Avia-Club", un gymnase où il rencontre le boxeur Maurice Auzel futur champion de France. A partir de 1964, Jean-Paul Belmondo rencontre un grand succès avec plusieurs films de tous genres : l'aventure avec "100 000 dollars au soleil", "L'homme de Rio", la fantaisie avec "Les tribulations d'un chinois en Chine", "Pierrot le fou", l'action avec "Borsalino", le drame "Week- end à Zuydcoote"... Jean-Paul Belmondo commente: "Je ne vis 2 que pour jouer et continuer à jouer quand je vis. Ce que j'apprécie le plus dans ma gloire, c'est la possibilité de pouvoir jouer ce que je veux. Je suis fier d'être une vedette populaire, comme l'étaient avant- guerre Aimos, Carette et... Gabin. Si dans dix ans, j'ai disparu du podium, j'espère que certains de mes films passeront dans les cinémathèques et que l'on dira de moi : il a fait une belle carrière". Jean-Paul Belmondo marqua donc les années 60 avec un succès fou et de nombreux film à son actif. 3 Belmondo époque Godard : Jean-Luc Godard est un cinéaste franco- suisse, né le 3 décembre 1930 à Paris.
    [Show full text]
  • La Chanson De Lola
    PHOTO © AGNES VARDA Ciné-Tamaris, la Fondation Groupama Gan pour le Cinéma, la Fondation Technicolor pour le Patrimoine du Cinéma et Sophie Dulac Distribution présentent PLEURE QUI PEUT RIT QUI VEUT. Proverbe chinois CRY IF YOU CAN, LAUGH IF YOU WANT TO. Chinese proverb France / 1961 / 85 min / Noir et blanc-B&W / 2:35 / Mono/ Visa n°23662 Un film restauré par A film restored by www.sddistribution.fr VOIR LOLA J’ai vu et revu Lola toute ma vie mais c’est lors de l’étalonnage de cette version restaurée que je l’ai découvert. Comme tous les films que j’aime, je n’avais jamais réussi à le « décortiquer », à me concentrer sur la mise en scène pour tenter de comprendre d’ou vient ce charme fou qui émane des plans noir et blanc de Raoul Coutard… A chaque fois le récit me prenait, et je terminais le film en me disant que ça serait pour la fois d’après… Et puis j’ai revu le film de très près, avec l’équipe de Technicolor à Los Angeles, en repassant sur chaque scène pour affiner les réglages de l’image. Une vision différente, sous microscope. Pour ce qui est de la magie, je n’ai toujours pas compris ! Je crois qu’il faut renoncer à l’ex- pliquer, mais j’ai vu les successions de travellings - qu’on remarque à peine - sur les amoureux dans le passage Pommeraye, le choix des contrastes forts, dû au manque de moyens pour éclairer les intérieurs, le bricolage génial de la chanson de l’Eldorado tournée sans musique et savouré encore les répliques inouïes de la belle Lola : « Touche ! J’ai lavé mes cheveux… On dirait de la soie ! » Émouvant pour moi de replonger aujourd’hui dans le premier film de Jacques, qu’il voulait me donner avant sa mort, au moment où je viens moi-même de vivre l’aventure de la première réalisation… Mon rôle a été de contribuer à rendre le film visible dans les conditions de projection et de sonorisation d’aujourd’hui, sans trahir la « couleur » de l’époque.
    [Show full text]
  • Gael García Bernal | 3
    A film festival for everyone! FESTIVAL 12/20 OCTOBER 2019 – LYON, FRANCE Francis Ford Coppola Lumière Award 2019 © Christian Simonpietri / Getty Images th GUESTS OF HONOR Frances McDormand anniversary10 Daniel Auteuil Bong Joon-ho Donald Sutherland Marco Bellocchio Marina Vlady Gael García Bernal | 3 10th anniversary! 2019. A decade ago, the Lumière festival presented the first Lumière Award to Clint Eastwood in Lyon, the birthplace of the Lumière Cinematograph. As the festival continues to flourish (185,000 moviegoers attended last year), we look forward to commemorating the last ten years. Today, passion for classic cinema is stronger than ever and Lyon never ceases to celebrate the memory of films, movie theaters and audiences. Lumière 2019 will be rich in events. Guests of honor will descend on Lyon from all over the world; Frances McDormand, Daniel Auteuil, Bong Joon-ho, Donald Sutherland, Marco Bellocchio, Marina Vlady and Gael Garcia Bernal will evoke their cinema and their love of films. Retrospectives, tributes, film-concerts, exhibitions, master classes, cinema Marlon Brando in Apocalypse Now by Francis Ford Coppola all-nighters, screenings for families and children, a DVD market, a cinema bookstore, the Cinema Fair... a myriad of opportunities to enjoy and cherish heritage works together. THE PROGRAM For this 10th anniversary, the Lumière festival has created Lumière Classics, a section that presents the finest restored films of the year, put forward by archives, RETROSPECTIVES producers, rights holders, distributors, studios and film libraries. The new label focuses on supporting selected French and international films. Francis Ford Coppola: Lumière Award 2019 of crazy freedom. The films broach sex, miscegenation, homosexuality; they feature gangsters and femme A filmmaker of rare genius, fulfilling an extraordinary fatales, embodied by Mae West, Joan Crawford and Also new, the International Classic Film Market Village will hold a DVD Publishers’ destiny, auteur of some of the greatest successes and th Barbara Stanwyck… Directors like William A.
    [Show full text]