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Weller Credits 2019
Production Design and Art Direction United Scenic Artists, Local 829 IATSE 505 Court Street 7P, Brooklyn NY 11231 NYC 212 9797761 Los Angeles 310 3981982 [email protected] IMDB: http://www.imdb.com/name/nm0919860/ LINKEDIN: www.linkedin.com/in/wellerdesign www.wellerdesign.com Production Design and Art Direction for film, television and theater. Extensive experience in single and multi camera art direction for features and network/cable television. Skillful, meticulous budgeting combined with quick and accurate drafting. Expertise in assembling and managing crews. Multiple Emmy Awards. Series NEW AMSTERDAM – Network Series - NBC UNIVERSAL 2019 Art Director ARMISTEAD MAUPIN’S TALES OF THE CITY – Mini Series- NETFLIX 2019 Assistant Art Director FIRST WIVE’S CLUB – PARAMOUNT NETWORK 2018 Art Director JESSICA JONES SEASON 3 - MARVEL PRODUCTIONS - NETFLIX 2018 Assistant Art Director JULIE’S GREENROOM – JIM HENSON PRODUCTIONS - NETFLIX –2016 Art Director QUANTICO – ABC - 2016 Assistant Art Director Feature Film LOST GIRLS – NETFLIX 2018 Art Director THE COMMUTER – LIONSGATE -2017 Assistant Art Director BRAWL IN CEL BLOCK 99 - RLJE FILMS - 2017 Art Department THE PERFECT GENTLEMAN – SHORT - 2010 Production Design BAD LIEUTENANT –ARIES FILMS -1992 Set Designer THE RAPTURE - FINE LINE FEATURES - 1991 Set Designer THE BLOODHOUNDS OF BROADWAY – COLUMBIA PICTURES - 1989 Assistant Art Director Live Events THE NEW LEVANT - KENNEDY CENTER 2018 GLAMOUR WOMEN OF THE YEAR- CONDE NAST Carnegie Hall 2016, 2017 ALICIA KEYS FOR VEUVE CLIQUOT – Liberty -
Abril 2020 Abril 2020
Abril 2020 Abril 2020 Movies Maleficent: Mistress of Evil Tag Downton Abbey Unforgettable Bombshell Edge of Tomorrow Teen Spirit Jersey Boys Creed II The Accountant The Hate U Give Barbershop: The Next Cut Once Upon a Deadpool The Last Mimzy Mary Poppins Returns Smallfoot A Star is Born (2018) Zodiac Fantastic Beasts: The Crimes of Grindelwald Run Fatboy Run Star Wars: The Force Awakens Iron Man 3 Avengers: Age of Ultron The Nutcracker and the Four Realms Interstellar Black Panther Before Sunset War Dogs Ralph Breaks the Internet The BFG (2016) Bohemian Rhapsody Finding Dory Three Billboards Outside Ebbing, Missouri Cars 3 Murder on the Orient Express Star Wars: Return of the Jedi Table 19 The Last Samurai Hidden Figures Yuli Eddie the Eagle A Fantastic Woman Mistress America Loveling Paper Towns Life and Nothing More The Last Song Un Traductor Crazy Rich Asians Contenido disponible en nuestros vuelos desde y hacia Sao Paulo, Buenos Aires, Los Ángeles, Río de Janeiro, Montevideo, Santiago de Chile y San Francisco, salvo en excepciones operacionales. / Content available on our flights to and from Sao Paulo, Buenos Aires, Los Angeles, Rio de Janeiro, Montevideo, Santiago de Chile, and San Francisco, except for operational exceptions. TV Shows / Shorts The Big Bang Theory Glastonbury Friends DuckTales Modern Family Mickey and the Roadster Racers The Middle One Strange Rock Young Sheldon Car S.O.S. This Is Us Star Talk Lucifer Youtuber - Lost LeBlanc Veronica Mars Youtuber - It’s Okay to Be Smart Grey's Anatomy Youtuber - The Domestic Geek -
The Carroll News- Vol. 86, No. 3
John Carroll University Carroll Collected The aC rroll News Student 9-24-2009 The aC rroll News- Vol. 86, No. 3 John Carroll University Follow this and additional works at: http://collected.jcu.edu/carrollnews Recommended Citation John Carroll University, "The aC rroll News- Vol. 86, No. 3" (2009). The Carroll News. 800. http://collected.jcu.edu/carrollnews/800 This Newspaper is brought to you for free and open access by the Student at Carroll Collected. It has been accepted for inclusion in The aC rroll News by an authorized administrator of Carroll Collected. For more information, please contact [email protected]. What did these guys learn from Johnny Carson? p. 10 THE Thursday, SeptemberARROLL 24, 2009 EWSVol. 86, No. 3 C Serving John Carroll University Since N 1925 Dan Cooney New programs The Carroll News After three days of ticket sales, the Student Union Program- ming Board’s Homecoming Committee sold all its tickets to this year’s dance, which will be held at the Cleveland Browns aim to attract Stadium. Maura McCool, director of events for SUPB, explained that changes were implemented in ticket sales this year. new students One of the changes was the senior pre-sale held on Mon- day, Sept. 14. Senior Megan McGinnity liked the pre-sale. Nicole Green Homecoming “I think it was great that they had a special day for Assistant Campus Editor seniors,” she said. “There wasn’t a Senior Day last year, Proposals from faculty members for 11 new so a lot of the seniors didn’t get their tickets.” academic programs received over $50,000 in All John Carroll students could purchase tickets start- funding for research and further development. -
Nicole Scherzinger Download
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The Effects of Appearance-Based Reality Shows on Body Image
Loma Linda University TheScholarsRepository@LLU: Digital Archive of Research, Scholarship & Creative Works Loma Linda University Electronic Theses, Dissertations & Projects 9-2014 The Effects of Appearance-Based Reality Shows on Body Image Amanda F. Suplee [email protected] Follow this and additional works at: https://scholarsrepository.llu.edu/etd Part of the Clinical Psychology Commons Recommended Citation Suplee, Amanda F., "The Effects of Appearance-Based Reality Shows on Body Image" (2014). Loma Linda University Electronic Theses, Dissertations & Projects. 314. https://scholarsrepository.llu.edu/etd/314 This Thesis is brought to you for free and open access by TheScholarsRepository@LLU: Digital Archive of Research, Scholarship & Creative Works. It has been accepted for inclusion in Loma Linda University Electronic Theses, Dissertations & Projects by an authorized administrator of TheScholarsRepository@LLU: Digital Archive of Research, Scholarship & Creative Works. For more information, please contact [email protected]. LOMA LINDA UNIVERSITY School of Behavioral Health in conjunction with the Faculty of Graduate Studies ____________________ The Effects of Appearance-Based Reality Shows on Body Image by Amanda F. Suplee ____________________ A Thesis submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Clinical Psychology ____________________ September 2014 © 2014 Amanda F. Suplee All Rights Reserved Each person whose signature appears below certifies that this thesis in his/her opinion is adequate, in scope and quality, as a thesis for the degree Doctor of Philosophy. , Chairperson Sylvia Herbozo, Assistant Professor of Psychology Adam L. Arechiga, Assistant Professor of Psychology Hector Betancourt, Professor of Psychology iii ACKNOWLEDGEMENTS First, I would like to thank my family and my friends for continued support throughout this journey. -
Securities and Exchange Commission Form 10-K Viacom
SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 31, 2003 OR o TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission File Number 001-09553 VIACOM INC. (Exact Name Of Registrant As Specified In Its Charter) DELAWARE 04-2949533 (State or Other Jurisdiction of (I.R.S. Employer Incorporation Or Organization) Identification Number) 1515 Broadway New York, NY 10036 (212) 258-6000 (Address, including zip code, and telephone number, including area code, of registrant's principal executive offices) Securities Registered Pursuant to Section 12(b) of the Act: Name of Each Exchange on Title of Each Class Which Registered Class A Common Stock, $0.01 par value New York Stock Exchange Class B Common Stock, $0.01 par value New York Stock Exchange 7.75% Senior Notes due 2005 American Stock Exchange 7.625% Senior Debentures due 2016 American Stock Exchange 7.25% Senior Notes due 2051 New York Stock Exchange Securities Registered Pursuant to Section 12(g) of the Act: None (Title Of Class) Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days. -
Patterns™ North America Specification Guide / Price List – March 2013 Electronic Update Page – Patterns Price List
Patterns™ North America Specification Guide / Price List – March 2013 Electronic Update Page – Patterns Price List • The table below lists all of the updates and addendums added to this price list since the original version was created. • All updated pages will replace the existing pages within the document. • All new Pages will be placed at the back of the document. Link Date Page Description Click Here July 2013 494 Update – Clarification for Flip Top Location (N). Click Here July 2013 498 Update – Clarification for Flip Top Location (N). Click Here July 2013 550 Update – Door track color and specification requirements. Click Here July 2013 551 Update – Door track color and specification requirements. Click Here August 2013 568 Update – October 1, 2012 Haworth Product Non-Obsolescence and Warranty Policy was replaced with August 1, 2013 version. Click Here September 2014 534 Update – LED Task light replaced with new Reed Premier™ Task Lights. Click Here September 2014 1A New – Reed Premier™ Task Lights price page added. Click Here October 2014 534, 1A Update – Bullet point about daisy chain wattage removed from Specification Tips. Click Here October 2014 2A, 3A New – Reed Premier™ Task Light Specification Guide Page and Technical Specification Page added. Click Here February 2015 534, 1A Update – Reed Premier™ Lighting GSA information has been updated in the footer. Click Here February 2015 198 Update – Suspended Shelf Backer actual heights were corrected. This Haworth North American price book contains US list prices. Canadian customers can convert the US list price into their Canadian equivalent by going to www.Haworth.com/Canada to find the current Canadian multipliers. -
MY New Gender Workbook This Page Intentionally Left Blank N E W My Gender Workbook
my name is ________________________ and this is MY new gender workbook This page intentionally left blank N e w My Gender Workbook A Step-by-Step Guide to Achieving World Peace Through Gender Anarchy and Sex Positivity Kate Bornstein Routledge Taylor & Francis Group NEW YORK AND LONDON Second edition published 2013 by Routledge 711 Third Avenue, New York, NY 10017 Simultaneously published in the UK by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Routledge is an imprint of the Taylor & Francis Group, an informa business © 2013 Taylor & Francis The right of Kate Bornstein to be identified as author of this work has been asserted by her in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. First edition published by Routledge 1998 Library of Congress Cataloging in Publication Data Bornstein, Kate, 1948– My new gender workbook: a step-by-step guide to achieving world peace through gender anarchy and sex positivity/ Kate Bornstein.—2nd ed. p. cm. Rev. ed. of: My gender workbook. 1998. 1. Gender identity. 2. Sex (Psychology) I. Bornstein, Kate, 1948– My gender workbook. II. -
Producer Resume
TANYA McRAE [email protected] 213-718-8981 www.tanyamcrae.com Amazonia Productions PRODUCER STUNTIN’ (Showrunner/EP) Pilot - Lifetime Entertainment One HALL PASS (Showrunner) Presentation Stick Figure Productions CHECKED INN (Co-Executive Producer) OWN Trooper Entertainment BRING IT (Co-Executive Producer - S4) Lifetime Television Pilgrim Studios LITTLE MISS ATLANTA (Showrunner/Co-EP) TLC Intuitive Entertainment DANCE VIDEO THROWDOWN (Co-EP) Lifetime Television Pilgrim Studios COLLECTORS CAFE (Showrunner) Pilot Lin Media FOR PEETE’S SAKE (Supv. Producer - S1) OWN Tremendous Ent. BRING IT (Supervising Producer - S2) Lifetime Television Pilgrim Studios SPOTLIGHT ON THE DESERT (EP/Host) Syndicated Amazonia Productions GIRLFRIEND INTERVENTION (Supv. Producer) Lifetime Television World of Wonder BEING (Senior Producer) Centric/BET Prophet From It Ent. HEROES OF COSPLAY (Senior Producer - S2) Syfy 51 Minds HOME MADE SIMPLE (Senior Producer) OWN Green Harbor FAMILY ADDITION (Senior Producer) UPtv Tremendous Ent. GIRLS BEHAVING BADLY (Producer - S2) Oxygen Zoo Productions MTV’S TRUTH (Producer) MTV LMNO Productions HIDEOUS HOUSES (Supv. Post Producer) A & E Relativity REAL MERGE (Coordinating Post Producer) Lifetime Television DME Productions THE LITTLE COUPLE (Post Story - pilot) TLC LMNO Productions THE I DO DIARIES: Instant Wedding (story) Lifetime Television September Films MAKEOVER OF A LIFETIME (Post Story) Lifetime Television Pattyson/Meadows FIELD PRODUCER / DIRECTOR THE MILLIONAIRE MATCHMAKER (S6) Bravo Intuitive Entertainment HOME -
The Paternity Test and the Cultural Logic of Paternity
WHO'S YOUR DADDY? THE PATERNITY TEST AND THE CULTURAL LOGIC OF PATERNITY by Kathalene A. Razzano A Dissertation Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degree of Doctor of Philosophy Cultural Studies Director Program Director Dean, College of Humanities and Social Sciences Date: );! Spring Semester 2012 George Mason University Fairfax, VA Who’s Your Daddy?: The Paternity Test and the Cultural Logic of Paternity A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at George Mason University by Kathalene A. Razzano Master of Arts The Pennsylvania State University, 1997 Bachelor of Arts University of Maryland, College Park, 1995 Director: Timothy Gibson, Professor Department of Communication Spring Semester 2012 George Mason University Fairfax, VA This work is licensed under a creative commons attribution-noderivs 3.0 unported license. ii DEDICATION This is dedicated to those I’ve lost along the way; my teachers, mentors and friends Joe L. Kincheloe, Peter Brunette, and Jeanne Hall; my step-mother Linda Razzano; and my Pop, Gabriel Razzano. I miss each of you but carry you on with me. I also dedicate this dissertation to my Grammies, Audrey Razzano. She’s been waiting for me to (finally) finish so that she can call me “Doctor.” iii ACKNOWLEDGEMENTS I would like to thank the many friends, relatives, and supporters who have made this happen. Since I’ve been doing this a while, I have a number of people to thank. First, I must thank my dissertation chair Tim Gibson who has been unbelievably supportive, helpful and productively critical. -
The Bass Player Interviews
Hey Kidz, 20 years ago I started my zine QRD to interview the musicians I loved that weren’t getting asked the questions I wanted to see them answer. Hard to believe I’m still going strong. Four years ago I started a series of interviews with guitar players about their craft & it naturally led to asking some bass players the same basic questions. But bass players are an elusive bunch without big egos & consequently this series didn’t take off in quite the same way. Still there is plenty you can learn from these interviews about the secrets of the often understated connection between the guitar & drums & you can become more informed on the eternal question of, “Is a bass just a guitar lower in pitch?” Hrt Brian John Mitchell QRD Bass Player Interviews CJ Boyd................................................................... 4 Monte Allen of Rollerball & Moodring................ 27 Nicholas Slaton of slicnaton ................................. 39 Trevor Dunn of Fantomas..................................... 50 Jeffrey Roden........................................................ 62 Phillip Palmer of Port City Music......................... 75 Nat Baldwin of Dirty Projectors ........................... 88 Frank Alexander of Triplicity ............................. 102 Brian Preston....................................................... 129 Jason Ajemian..................................................... 141 Darin DePaolo of Unspeakable Forces............... 152 Jill Palumbo of The Torches............................... 162 Jon Case of Irata................................................. -
DECLARATION of Kelly M. Klaus in Support Re
Arista Records LLC et al v. Lime Wire Arista Records LLC et al. v. Lime Wire LLC et al. Exhibit 2 Copyright Song Album Download Plaintiff Artist Title Title SR SR Bates No. SR Claimant Agreement Bates No. Source FileName UMG-7002620; UMG-7002684; UMG-7002687; UMG-7002691; UMG-7002693; UMG-7002696; UMG-7002707; UMG-7002713; UMG-7002718; UMG-7002721; UMG-7002725; UMG-7002783; UMG-7002788; UMG-7002794; UMG-7002798; UMG-7002804; UMG-7002809; UMG-7002815; UMG-7002818; UMG-7002829; UMG-7028444; UMG-7028447; UMG-7028452; UMG-7028456; UMG-7028461; UMG-7028463; UMG-7028473; UMG-7028477; UMG-7028534; UMG-7048478; UMG-7048481; UMG-7048486; A6762.MaryJBlige. UMG Love @ Geffen Records, UMG-7048490; UMG-7048495; LoveFirstSight.70.1 Recording Mary J. Love @ 1st Sight RC00002634- Div. of UMG UMG-7048497; UMG-7048507; 88.161.143_8105.1 s, Inc. Blige 1st Sight (single) 340-891 RC00002635 Recordings, Inc. UMG-7048511; UMG-7048568 Dtecnet .zip UMG-7002620; UMG-7002684; UMG-7002687; UMG-7002691; UMG-7002693; UMG-7002696; UMG-7002707; UMG-7002713; UMG-7002718; UMG-7002721; UMG-7002725; UMG-7002783; UMG-7002788; UMG-7002794; UMG-7002798; UMG-7002804; UMG-7002809; UMG-7002815; UMG-7002818; UMG-7002829; UMG-7028444; UMG-7028447; UMG-7028452; UMG-7028456; UMG-7028461; UMG-7028463; UMG-7028473; UMG-7028477; UMG-7028534; UMG-7048478; UMG-7048481; UMG-7048486; UMG Geffen Records, UMG-7048490; UMG-7048495; A6760.MaryJBlige. Recording Mary J. Love & RC00002710- Div. of UMG UMG-7048497; UMG-7048507; NotToday.173.61.0 s, Inc. Blige Not Today Life 346-345 RC00002711 Recordings, Inc. UMG-7048511; UMG-7048568 Dtecnet .126_31086.zip Page 900 Dockets.Justia.com Doc.