TM Cleland Papers
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Bitstream Font Name Aliases Fontotéka 3.0 Compiled by Petr Somol, Based on Jon A
Bitstream Font Name Aliases fontotéka 3.0 Compiled by Petr Somol, based on Jon A. Pastor‘s list from http://cgm.cs.mcgill.ca/~luc/jonpastor.txt. E-mail: [email protected] The list should not be considered complete, nor accurate. It is more a work in progress than anything else. Bitstream Name Common Name Designer(s) Date(s) Orig. Remarks/Attributions Vend. (all) (M.Macrone/J.Pastor,P.S.) (M.M,P.S.) (J.P., P.S.) Aachen Aachen Colin Brignall, Alan Meeks 1969-1977 17 Ad Lib Ad Lib Freeman Craw 1961 6 Aldine 401 Bembo Stanley Morison after Francesco 1929 after 1,4 Griffo / Giovanni Tagliente 1495 / 1520 Aldine 721 Plantin Frank Hinman Pierpont after ~1930 after 1,4 Robert Granjon‘s type used by 16th ~1550 / 16h century printer Christophe Plantin cent. Alternate Gothic No. 2 Alternate Gothic Morris Fuller Benton 1903 6 Amazone Amazone Leonard H. D. Smit 1958 12 Amelia Amelia Stanley Davis 1967 18, 2 American Text American Text Morris Fuller Benton 1932 6 Americana Americana Richard Isbell, Whedon Davis 1965 6 Aurora Aurora ? 1928 (c.) 11 Baker Signet Baker Signet Arthur Baker 1965 18 Balloon Balloon Max R. Kaufmann 1939 6 Bank Gothic Bank Gothic Morris Fuller Benton 1930-33 6 Baskerville Baskerville George W. Jones after John 1929 after 2 Baskerville ~1754-1775 Baskerville No.2 Baskerville No.2 ? ? 19 Bauer Bodoni Bauer Bodoni Heinrich Jost, Louis Höll after 1926 after 8 Giambattista Bodoni ~1800 Bell Gothic Bell Gothic Chauncey H. Griffith 1938 2 Belwe Belwe Georg Belwe before 1950 20 Bernhard Bold Con- Bernhard Bold Con- Lucian Bernhard -
Merrymount Press Records: Finding Aid
http://oac.cdlib.org/findaid/ark:/13030/c8j96csq No online items Merrymount Press Records: Finding Aid Finding aid prepared by Diann Benti and Kate Peck. The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department The Huntington Library 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org © January 2020 The Huntington Library. All rights reserved. Merrymount Press Records: mssMerrymount 1 Finding Aid Overview of the Collection Title: Merrymount Press Records Dates (inclusive): 1893-1950 Collection Number: mssMerrymount Creator: Merrymount Press Extent: 364 boxes and 236 volumes (439.92 linear feet) Repository: The Huntington Library, Art Collections, and Botanical Gardens. Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org Abstract: This collection consists of the business records of the Merrymount Press of Boston, Massachusetts, and papers of its owner Daniel Berkeley Updike (1860-1941). The Press, which operated for 45 years, was known for its excellence in typography and design, especially in the field of decorative printing and bookmaking. Language: English. Access Open to qualified researchers by prior application through the Reader Services Department. For more information, contact Reader Services. Publication Rights The Huntington Library does not require that researchers request permission to quote from or publish images of this material, nor does it charge fees for such activities. The responsibility for identifying the copyright holder, if there is one, and obtaining necessary permissions rests with the researcher. Preferred Citation [Identification of item]. Merrymount Press Records, The Huntington Library, San Marino, California. -
Stanley Marcus Did
Printed & bound A Newsletter for Bibliophiles February 2019 Printed & Bound focuses on the book as a collectible item and as an example of the printer’s art. It provides information about the history of printing and book production, guidelines for developing a book collection, and news about book-related publications and events. Articles in Printed & Bound may be reprinted free of charge SOMESUCH MINIATURE BOOKS provided that full attribution is given (name and date of Not many collectors of miniature books start their own publication, title and author of publishing companies to produce these tiny tomes, but that’s article, and copyright exactly what Stanley Marcus did. Already a noted collector information). Please request permission via email of rare and fine press books, as well as CEO of his family’s ([email protected]) before renowned Neiman-Marcus stores, Marcus then became a reprinting articles. Unless collector of miniature books. otherwise noted, all content is As his collection grew, Marcus’s first wife, Billie, written by Paula Jarvis, Editor decided that she would like to present him with a miniature and Publisher. version of his memoirs, Minding the Store, for his seventieth Printed & Bound birthday. However, while researching the world of Volume 6 Number 1 publishing, she realized that she should involve her husband February 2019 Issue in the process. Thus, Stanley Marcus embarked on his own publishing enterprise, dedicated to miniature books, and in © 2019 by Paula Jarvis c/o Nolan & Cunnings, Inc. 1975 brought out Minding the Store under his new Somesuch 28800 Mound Road Press imprint. (He had originally hoped to name it Nonesuch Warren, MI 48092 Press after the road he lived on, but that name was already in use by an English firm.) This first production was a bit Printed & Bound is published in disappointing as Marcus discovered that the greatly reduced February, June, and October. -
A Finding Aid to the William Mills Ivins Papers, 1878-1964, in the Archives of American Art
A Finding Aid to the William Mills Ivins Papers, 1878-1964, in the Archives of American Art Cathy Stover 1988 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical Note............................................................................................................. 2 Scope and Content Note................................................................................................. 3 Arrangement..................................................................................................................... 4 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 6 Series 1: Professional and Personal Papers, circa 1908-1961................................ 6 Series 2: Writings, circa 1910-1960....................................................................... 18 Series 3: Publications, 1896-1958......................................................................... 22 Series 4: Miscellaneous, 1915, undated............................................................... -
Copyright by Amy Louise Root 2010
Copyright by Amy Louise Root 2010 The Dissertation Committee for Amy Louise Root certifies that this is the approved version of the following dissertation: Inventing the Borzoi: Alfred and Blanche Knopf and the Rhetoric of Prestige in Modern American Book Publishing, 1915–1929 Committee: ________________________________ Michael Winship, Supervisor ________________________________ Brian Bremen ________________________________ Diane Davis ________________________________ Linda Ferreira-Buckley ________________________________ Mark Smith Inventing the Borzoi: Alfred and Blanche Knopf and the Rhetoric of Prestige in Modern American Book Publishing, 1915–1929 by Amy Louise Root, B.A.; B.S.; M.F.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2010 In memory of my parents, Jesse and Gwen, with gratitude for their love of language and learning Acknowledgements I wish to acknowledge the generosity of my colleagues at Concordia University Texas, particularly Susan Stayton, a gracious mentor to so many; the Bibliographical Society of America and its New Scholars Program; Anne Lake Prescott, who provided unfettered access to notes and drafts of an unpublished Knopf history written by her husband, the late Peter Prescott; John Thornton, who is writing a comprehensive biography of Alfred and Blanche Knopf and kindly shared many findings with me; Nancy Kuhl and her colleagues at the Beinecke Library; Richard Oram and Patrice Fox at the Harry Ransom Center; G. Thomas Tanselle, a dedicated champion of scholarship in twentieth-century bibliography; and Michael Winship, whose devotion to the history of the printed word is a boon for all who are fortunate enough to study under his direction. -
The Name of the Merrymount Press Is Derived
BART -^ Electrotypes, Wood-mounted: The Merrymount Press Collection. I52E5 M38 No.683- 683C No.683A No.683B No.683C MPB 337 Arnold, James N. Inscriptions on the Grave-Stones in the Old Churchyard of St. Paul's Narraaansett.— (Boston: The Merrymount Press, 1909) Title-page vignette. HEH 242185 MPB 362 Alfred S. Woodworth In Memoriam. — (Boston: The Merrymount Press,1911) Title-page vignette. HEH 242208 MPB 364 Parks, Leighton. The Vision of God in the Open Heavens. — (Boston: The Merrymount Press, 1911) Title-page vignette and cover decoration. HEH 242209 MPB 383 Stebbins, Roderick. In Memoriam Whitcomb Field. — (Boston: The Merrymount Press, 1911) Title-page vignette. HEH 242224 MPB 388 In Memory of Eleanor Ladd Clark. — (Boston: The Merrymount Press,1913) Title-page vignette. HEH 278875 aw> BART -A I52E5 M38 No.683- 683C MPB 403 Parker, Cortland. In Memoriam Arthur Rverson. — (Boston: The Merrymount Press, 1914) Title-page vignette. HEH 242233 MPB 458 A Brief History of St. Mary's Church, South Portsmouth & Holy Cross Chapel, Middletown, R.I. — (Boston: The Merrymount Press,1916) Title-page vignette. HEH 279756 MPB 470 Groton School. Responsive Readings. — Groton, Mass. (Boston: The Merrymount Press) Title-page vignette. HEH 278976 MPB 482 Mary Anna Inaell. — (Boston: The Merrymount Press, 1917) Cover-title vignette. HEH 242300 MPB 724 Peabody, Endicott. S In Memoriam William Amorv Gardner. — Groton: Groton School, 1930 (Boston: The Merrymount Press) Title-page vignette. HEH 242457 MPB 788 In Memoriam Gladys Emily Streibert. — New York, 1935 (Boston: The Merrymount Press) Title-page vignette. HEH 242498 MPB 834 Schneider, Herbert Wallace. Meditations in Season on the Elements of Christian Philosophy.- New York: Oxford University Press, 1938 (Boston: The Merrymount Press) Title-page vignette. -
Matrix Index 8/21/03 9:28 AM Page 1
Matrix Index 8/21/03 9:28 AM Page 1 Introduction This index and list of the contents of Matrix issues 1-21 is designed to open up access to the wealth of information within the 5000 pages of text, illustrations and specimens in Matrix. PART ONE: CONTENTS LISTS reprints the list of contents of each issue of Matrix to avoid the need to refer to individual issues. Contributions on unnumbered pages are shown by ‘opp.’ [opposite] before the page number they follow. The number of copies printed of each issue is recorded as stated in the colophon. PART TWO is an alphabetical name, title and subject index to Matrix. It cumulates previous indexes and includes many additional references. Entries are provided for: authors of articles titles of articles (with initial capitals for most words) artists and illustrators names of presses, typefaces, papers, printers and personalities mentioned titles of books (in italic) reviewed or discussed more than in passing subjects (non-typographical subjects are indexed more selectively) Using the alphabetical index Entries have been made whenever there is sufficient information to warrant looking up the reference. Names and books referred to in passing have normally been omitted. The annual reviews of private press books are indexed under the name of the press, unless only the printer’s name is given; individual titles are indexed separately whenever there is sufficient discussion to justify it. All books reviewed in the Book Reviews section or elsewhere are indexed separately. References to wood-engravers and wood-engraving are listed both under that heading and engraver’s name. -
The Contributions of Linn Boyd Benton and Morris Fuller Benton to the Technology of Typesetting and Typeface Design
Rochester Institute of Technology RIT Scholar Works Theses 5-1-1986 The Contributions of Linn Boyd Benton and Morris Fuller Benton to the technology of typesetting and typeface design Patricia Cost Follow this and additional works at: https://scholarworks.rit.edu/theses Recommended Citation Cost, Patricia, "The Contributions of Linn Boyd Benton and Morris Fuller Benton to the technology of typesetting and typeface design" (1986). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. Sc~l of Printing Rochester Institute of Techno~ Rochester I New York CERTIFICATE OF APPROVAL MASTER'S niESIS This is to certify that the Master's Thesis of Patricia Knittel Cost name of student with a major in Printing Technology has been approved by the Thesis Comnittee as satisfactory for the thesis requirement for the Master of Science degree at the convocation of June 24, 1986 date Thesis Comnittee: Herbert Johnson Thesis Advisor Archibald Provan Thesis Advisor Joseph L. Noga Graduate Progran Coordinator Miles Southworth Director THE CONTRIBUTIONS OF LINN BOYD BENTON AND MORRIS FULLER BENTON TO THE TECHNOLOGY OF TYPESETTING AND TYPEFACE DESIGN by Patricia Knittel Cost A thesis submitted in partial fulfillment of the requirements for the degree of Master of Science in the School of Printing in the College of Graphic Arts and Photography of the Rochester Institute of Technology May 1986 Thesis Advisors: Herbert H. -
Call 392 Ronald Peters Collection of Private Press Printers and The
Ms Ronald Peters Collection of Private Press Printers and The Call Typophiles • 392 Collection ofcorrespondence, drawings, drafts, proofs, production materials, and printed epehemera by and about private press printers, including The Typophiles, 1913-1977. Gift ofRonald Peters, 2000. Extent: 64 Boxes (8 metres) • • Ms. Call. Peters Collection 2 392 • Arrangement Note These papers are arranged largely as they were received from Ronald Peters, and this finding aid is adapted from one Peters provided, retaining his comments. • • Ms. Call. Peters Collection 3 392 .:' • Boxes & Items 1-8, Thomas Maitland Cleland ovs 63 For a description ofthis collection see The Wide Open Mind; a Catalogue ofa Thomas Maitland Collection. Toronto: Privately printed, 1992 Boxes 1-2 Manuscripts, 1913-1954 Box 1 1913, Giambattista Bodoni folder 1 Lewis Buddy to Cleland, 1913, 1 TLS. Buddy had edited Wisdom of Horace Walpole. It was privately printed in 1905 on hand-made Italian paper (75) copies and on imperial Japan (5 copies), and was the first to be printed in the Bodoni type especially case for Harvard University Press. The volume originally appeared as volume 5, Detached Thoughts in the Works ofHorace Walpole (1798). folders 2-5 "Giambattista Bodoni ofParma". Lecture given to Society of Printers, Boston, 22 April 1913 folder 2 Typescript with holograph revisions in folder with printed title on cover, 30 leaves folder 3 Holograph text, 25 leaves • folder 4 Holograph and typescript, 28 leaves. Removed for folder with printed label pasted on cover folder 5 A Keepsake in Honour ofGiambattista Bodoni ... Society ofPrinters ... April Twenty-second, Nineteen hundred & thirteen" folders 6-8 " Life ofGiambattista Bodoni" by Giuseppi De Lama. -
HLB 24 1 BOOK.Indb
“Containers of ideas”: The collection of printmaking artifacts of Philip Hofer The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Duroselle-Melish, Caroline. 2013. “Containers of ideas”: The collection of printmaking artifacts of Philip Hofer. Harvard Library Bulletin 24 (1), Spring 2013: 45-64. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:42673627 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA “Containers of Ideas”: Te Collection of Printmaking Artifacts of Philip Hofer Caroline Duroselle-Melish n 1939, shortly after his arrival at harvard as founding curator of the Department of Printing and Graphic Arts in the Treasure Room of Widener ILibrary, Philip Hofer started planning an exhibition on early modern printmaking techniques, for, as he wrote to a correspondent, such an exhibition was greatly needed and few had been mounted in the country at the time.1 Hofer intended the show to be on permanent display and to comprise not only prints but also a number of printmaking surfaces, including woodblocks and copper plates from his collection. Hofer’s plan for an exhibition on the subject of technique so early in his tenure at Harvard refected his view of the feld of graphic arts: technique was the necessary point of departure for understanding the prints and illustrated books he collected, and such knowledge included the examination and the collecting of the printmaking surfaces used to produce images.