Terror and Memory Improvisations Third String Quartet Exorcist Livre Inventory of Terrors One Kindness
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All Terrain String Festival Press Release
Press Contact: Blake Zidell Blake Zidell & Associates 718.643.9052 [email protected] For Immediate Release February 6, 2017 PEAK PERFORMANCES’ ALL TERRAIN STRING FESTIVAL: BOLCOM 4x4 PAYS TRIBUTE TO COMPOSER WILLIAM BOLCOM, MARCH 31 – APRIL 2 Festival Celebrating String Quartet Composition and Performance Will Feature Arditti Quartet, Chiara String Quartet, Harlem Quartet and Shanghai Quartet, and Acclaimed Guest Artists Including Jazz Bassist John Patitucci and Classical Guitarist Eliot Fisk Program Includes the World Premiere of Bolcom’s String Quartet No. 12, by Shanghai Quartet, and the New York / New Jersey Premiere of His String Quartet No. 8, by Arditti Quartet, as well as a Genre-Spanning Range of Classic and Contemporary Music Shanghai Quartet, Ensemble-in-Residence at John J. Cali School of Music at Montclair State University, Will Join the Other Featured Quartets, in Addition to Headlining a Concert of Their Own Peak Performances presents All Terrain String Festival: Bolcom 4x4 Featuring Arditti Quartet, Chiara String Quartet, Harlem Quartet and Shanghai Quartet March 31 – April 2 The Alexander Kasser Theater at Montclair State University (1 Normal Ave, Montclair, NJ) Ticket Prices: $20 per concert; Saturday Pass (two concerts and Mingle with the Musicians Dinner), $60; All-Festival Pass, $90 To Purchase: www.peakperfs.org or 973.655.5112 Peak Performances is pleased to present All Terrain String Festival: Bolcom 4x4, a three-day festival in which four of the world’s foremost string quartets will perform the work of prolific Pulitzer Prize-winning American composer William Bolcom, along with music by a wide variety of other composers, from Mozart to Dizzy Gillespie. -
9'; 13 November 30, Jazz Innovations, Part 1
Lim received his fonnal. training at Indiana University, where he studied with the legendary violinist ~d teacher Josef Gingold. While at Indiana, he won First Prize in the school's Violin Concerto Competition and served on the faculty as a Visiting Lecturer. Lim later studied cham~ ber music at the Juilliard School and taught there as an assistant to the Juilliard String Quartet. No PI CI"(.. C D :::n= Lim has recorded for DreamWorks, Albany Records, CR!, Bayer GI rc... C p-:t:F I ~ 02-9resents a Faculty Recital: Records, and Aguava New Music, and appears on numerous television and film soundtracks. He has been heard on NPR programs such as Performance Today and All Things Considered. Lim currently lives in Seattle with his wife, violist Melia Watras. He performs on a violin MELIA WATRAS, VIOLA made by Tomaso Balestrieri in Cremona, Italy in 1774. with 2005~2006 UPCOMING EVENTS Kimberly Russ, piano Information for events listed below is available at www.music. washington. edu Michael Jinsoo Lim, violin and the School ofMusic Events Hotline (206-685-8384). Ticketsfor events listed in Brechemin Auditorium (Music Building) and Walker Ames Room (Kane Hall) go on sale at the door thirty minutes before the •• performance~ Tickets for events in Meany Theater and Meany Studio Theater are available from the UW Arts Ticket Office, 206:543-4880, and at November 8, 2005 7:30 PM Meany THeater the box office thirty minutes before the performance. To request disability accommodation. contact the Disability Services Office at least ten days in advance at 206-543-6450 (voice); 206-543-6452 (lTY); 685-7264 (FAX); or [email protected] (E-mail). -
Electronic Music Midwest 13Th Annual Festival Providing Access to New
13th Annual Festival Electronic Music Midwest October 24-26, 2013 Kansas City Kansas Community College Providing access to new electroacoustic music by living composers October 24-26, 2013 Kansas City Kansas Community College Kansas City, Kansas October 24, 2013 Dear Friends, Welcome to the 13th Annual Electronic Music Midwest! We are truly excited about our opportunity to present this three-day festival of electroacoustic music. Over 200 works were submitted for consideration for this year’s festival. Congratulations on your selection! Since 2000, our mission has been to host a festival that brings new music and innovative technologies to the Midwest for our students and our communities. We present this festival to offer our students and residents a chance to interact and create a dialog with professional composers. We are grateful that you have chosen to help us bring these goals to fruition. We are grateful to Kari Johnson for serving as our artist in residence this year. Kari is an outstanding performer throughout the festival. The 2013 EMM will be an extraordinary festival. If only for a few days, your music in this venue will create a sodality we hope continues for a longtime to follow. Your contribution to this festival gives everyone in We are delighted that you have chosen to join us this year at EMM, and we hope that you have a great time during your stay. If we can do anything to make your experience here better, please do not hesitate to ask any of the festival team. Welcome to EMM! Mike, Jason, Jay, David, Rob, and Ian EMM Guest Artist, Kari Johnson “…Johnson played beautifully, displaying a !rm musicality and a "air for drama.” - Kansas City Star “…her sensitivities rather extraordinary, baroque while futuristic.” - www.acousticmusic.com Kari Johnson is a pianist who specializes in new music and electronic music performance. -
Prism Quartet Dedication
PRISM QUARTET DEDICATION WITH GUEST ARTIST GREG OSBY PRISM Quartet Dedication 1 Roshanne Etezady Inkling 1:09 2 Zack Browning Howler Back 1:09 3 Tim Ries Lu 2:36 4 Gregory Wanamaker speed metal organum blues 1:14 5 Renée Favand-See isolation 1:07 6 Libby Larsen Wait a Minute... 1:09 7 Nick Didkovksy Talea (hoping to somehow “know”) 1:06 8 Nick Didkovksy Stink Up! (PolyPrism 1) 1:06 9 Nick Didkovksy Stink Up! (PolyPrism 2) 1:01 10 Greg Osby Prism #1 (Refraction) 6:49 Greg Osby, alto sax solo 11 Donnacha Dennehy Mild, Medium-Lasting, Artificial Happiness 1:49 12 Ken Ueno July 23, from sunrise to sunset, the summer of the S.E.P.S.A. bus rides destra e sinistra around Ischia just to get tomorrow’s scatolame 1:20 13 Adam B. Silverman Just a Minute, Chopin 2:21 14 William Bolcom Scherzino 1:16 Matthew Levy Three Miniatures 15 Diary 2:05 16 Meditation 1:49 17 Song without Words 2:33 PRISM Quartet/Music From China 3 18 Jennifer Higdon Bop 1:09 19 Dennis DeSantis Hive Mind 1:06 20 Robert Capanna Moment of Refraction 1:04 21 Keith Moore OneTwenty 1:31 22 Jason Eckardt A Fractured Silence 1:18 Frank J. Oteri Fair and Balanced? 23 Remaining Neutral 1:00 24 Seeming Partial 3:09 25 Uncommon Ground 1:00 26 Incremental Change 1:49 27 Perry Goldstein Out of Bounds 1:24 28 Tim Berne Brokelyn 0:57 29 Chen Yi Happy Birthday to PRISM 1:24 30 James Primosch Straight Up 1:24 31 Greg Osby Prism #1 (Refraction) (alternate take) 6:49 Greg Osby, alto sax solo TOTAL PLAYING TIME 57:53 All works composed and premiered in 2004 except Three Miniatures, composed/premiered in 2006. -
OCEANA STRING QUARTET Emily Choi, Violin Rochelle Nguyen, Violin Romaric Pokorny, Viola Sonja Myklebust, Cello
2012-2013 Presents OCEANA STRING QUARTET Emily Choi, violin Rochelle Nguyen, violin Romaric Pokorny, viola Sonja Myklebust, cello May 11, 2013 7:30 PM Brechemin Auditorium PROGRAM STRING QUARTET IN G MAJOR, Op. 33, No. 5 ........................................ JOSEPH HAYDN (1732-1809) Vivace assai Largo e cantabile Scherzo Finale UNTITLED* (world premiere) .................................................................... GREG SINIBALDI (b. 1970) INTERMISSION STRING QUARTET IN F MAJOR, Op. 18, No. 1 ....................... LUDWIG VAN BEETHOVEN (1770-1827) Allegro con brio Adagio affettuoso ed appassionato Scherzo: Allegro molto Allegro The Oceana String Quartet would like to thank Melia Watras for her inspirational mentorship and wisdom, Director Richard Karpen and the School of Music for their sponsorship and support, Ronald Patterson and Toby Saks for their advice, Greg Sinibaldi for his music and his patience, and all of you for your love and encouragement. The OCEANA STRING QUARTET was formed in winter 2011 and is currently serving its second year as the official student string quartet of the University of Washington. The OSQ has won the Strings and Piano Chamber Music Competition at the UW School of Music, and this year’s Washington state and Northwest regional MTNA Chamber Music competitions. The OSQ has performed throughout the Seattle area, including a concert at Daniels Recital Hall, an appear- ance for Paramount Pictures for the 100th anniversary of the maiden voyage of the Titanic, a live studio broadcast on Classical KingFM’s Northwest Focus, and a performance at the Rainier Club of Bolcom’s Three Rags for guest of honor, composer William Bolcom. At the University of Washington, Oceana has performed numerous con- certs at Brechemin Auditorium, Alder Hall, Suzzallo Library, as well as at HuskyFest in celebration of the univer- sity’s 150th birthday, and at the UW School of Music’s FRENCH CONNECTION Series. -
Corigliano Quartet to Visit UD on Way to Big Apple
University of Dayton eCommons News Releases Marketing and Communications 3-9-2000 Corigliano Quartet to Visit UD on Way to Big Apple Follow this and additional works at: https://ecommons.udayton.edu/news_rls Recommended Citation "Corigliano Quartet to Visit UD on Way to Big Apple" (2000). News Releases. 8937. https://ecommons.udayton.edu/news_rls/8937 This News Article is brought to you for free and open access by the Marketing and Communications at eCommons. It has been accepted for inclusion in News Releases by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. UNIVERSITY o March 9, 2000 Contact: Pamela Gregg [email protected] DAlTON 1850.-2000 NEWS RELEASE CORIGLIANO QUARTET TO VISIT UD ON WAY TO BIG APPLE DAYTON, Ohio -It's one of parenting's bittersweet ironies -the more nurturing the environment in which a child is raised, the greater the chance that child will one day spread its wings and fly the nest. And so it is that Indiana University, birthplace, "parent" and home to the Corigliano Quartet, will soon bid a fond farewell to the ensemble as it makes a play for the big time in the Big Apple. Just before they audition for the highly coveted quartet residency at the Juilliard School in New York March 28, musicians Melia Watras, Michael Jinsoo Lim, Jeffrey Zeigler and Lina Bahn will spend a few days performing and coaching students at the University of Dayton. The Corigliano Quartet will perform in concert at 8 p.m. Thursday, March 23, in the Kennedy Union Boll Theatre. -
Untitled] Concerts
PROGRAM e-D (- T/fZ3 Piano Trio in GMajor, "Gypsy," Hob XV:25 ...... /.~~Z-.r;:.......... Franz Joseph Haydn (1732-1809) / Andante Z Poco adagio cantabile 3 Rondo all'Ongarase: Presto Duo for Violin and Cello, Op. 7................. ~.~~.~.~............................Zoltan Kodaly (1882·1967) t1- Allegro serioso non troppo S" Adagio {[; Maestoso elargarnente, rna non troppo lento: Presto .J INTERMISSION Cb2 -::ff 17/12..~ Piano Quartet in Eb Major, Op. 87 ......... .:?~/L .............................. Antonfn Dvorak (1841-1904) 1 Allegro con fuoco Z Lento 3 Allegro moderato, grazioso t Finale: Allegro ma non troppo Biographies Violinist Michael Jinsoo Lim has been praised by Gramophone for playing with "delicious abandon" and described as "bewitching" by the Seattle Times. Since 2009, lim has been concertmaster and solo violinist of the Pacific Northwest Ballet Orchestra ("surely the best ballet band in America".. New York Times). Hailed by the Los Angeles Times as a"conspicuously accomplished champion of contemporary music" for his work as co-founder of the renowned Corigliano Quartet, lim is also amember of Open End, aNew York City-based ensemble specializing in new works and improvisation. Recent highlights include the world premiere of Andrew Waggoner's Violin Concerto (written for lim), live appearances on Danish Public Radio, and performances of the Stravinsky violin concerto at City Center in New York City, as part of Pacific Northwest Ballet's 2016 NYC tour. Next season, lim will perform concertos by Prokofiev and Stravinsky with PNB. Other solo engagements have included concerto performances with the Indianapolis Symphony Orchestra, Seattle Modern Orchestra, Girona International Chamber Orchestra (Spain), Indiana University Philharmonic, Phil harmonia Northwest, Evansville Philharmonic Orchestra, University of Washington Symphony and Lafayette Symphony Orchestra, as well as aperformance in Weill Recital Hall for atribute concert for celebrated American composer John Corigliano. -
October 30, 2007 Faculty Recital.Pdf (225.8Kb)
as Arad's assistant fur many years, and was a member oithe faculty as a Visiting Lecturer. She went on to study chamber music at the Juilliard School, while also teaching as an assistant to the Juilliard String Quartet. jl: In 2004 she was appointed Assistant Professor of Viola at the University I! of Washington School of Music, where she teaches viola and chamber r music. For more information on Melia Watras, please visit I www.meliawatras.com. KIMBERLY RUSS Seattle Symphony Orchestra Pianist, Kimberly Russ, is recognized Presents a Faculty and Guest Artist Recital: as an extremely accomplished ensemble player and collaborative pianist. Ms. Russ has performed with musicians of the nation's finest orchestras MELIA W A TRAS, viola as well as many other world-renowned artists. Continually in demand as KlMBERL Y RUSS, piano a collaborative pianist, she appears frequently in concert throughout the Puget Sound region in recitals, festivals, and master classes. Ms. Russ can also be heard on several television, radio, and film recordings as well October 30, 2007 7:30 PM MEANY THEATER as video game soundtracks. After moving to Seattle from New York, where she studied at the PROGRAM Juilliard School, Ms. Russ has appeared with the Seattle Opera Orches Cb I '5'/t9 r; tra, the Bellevue Philharmonic, the Seattle Ch~!f!:l C9IPpany, ajld",Chorf!! ;i Arts Northwest. 'She has been invited to perform for the Ladies Musical TRA VELER'S JAM .................:.3:,.0.:-3.:.:::.......:.. .:.. :. DAN VISCONTI (b: 1""982) Club, the Belle Arte, Barry and Friends, and the Sherman Clay Music for I· Lunch Series. -
A Scene Without a Name: Indie Classical and American New Music in the Twenty-First Century
A SCENE WITHOUT A NAME: INDIE CLASSICAL AND AMERICAN NEW MUSIC IN THE TWENTY-FIRST CENTURY William Robin A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music. Chapel Hill 2016 Approved by: Mark Katz Andrea Bohlman Mark Evan Bonds Tim Carter Benjamin Piekut © 2016 William Robin ALL RIGHTS RESERVED ii ABSTRACT WILLIAM ROBIN: A Scene Without a Name: Indie Classical and American New Music in the Twenty-First Century (Under the direction of Mark Katz) This dissertation represents the first study of indie classical, a significant subset of new music in the twenty-first century United States. The definition of “indie classical” has been a point of controversy among musicians: I thus examine the phrase in its multiplicity, providing a framework to understand its many meanings and practices. Indie classical offers a lens through which to study the social: the web of relations through which new music is structured, comprised in a heterogeneous array of actors, from composers and performers to journalists and publicists to blog posts and music venues. This study reveals the mechanisms through which a musical movement establishes itself in American cultural life; demonstrates how intermediaries such as performers, administrators, critics, and publicists fundamentally shape artistic discourses; and offers a model for analyzing institutional identity and understanding the essential role of institutions in new music. Three chapters each consider indie classical through a different set of practices: as a young generation of musicians that constructed itself in shared institutional backgrounds and performative acts of grouping; as an identity for New Amsterdam Records that powerfully shaped the record label’s music and its dissemination; and as a collaboration between the ensemble yMusic and Duke University that sheds light on the twenty-first century status of the new-music ensemble and the composition PhD program. -
Gregory Beaver, Cellist Address: 2626 Woodsdale Blvd Lincoln, NE 68502 Cell: (917) 3093506 Email: [email protected]
Page 1 of 11 Gregory Beaver CV Gregory Beaver, cellist Address: 2626 Woodsdale Blvd Lincoln, NE 68502 Cell: (917) 3093506 Email: [email protected] Education (CSQ is Chiara String Quartet) 2005 Artist Diploma in String Quartet Studies, The Juilliard School, New York City. The Juilliard String Quartet, principal teachers (CSQ) 2000 Master of Music, The Juilliard School, New York City. Joel Krosnick, major teacher 1998 Bachelor of Music, Cum Laude, The Shepherd School of Music at Rice University, Houston, TX. Norman Fischer, major teacher Administrative Experience 2007-2015 Coordinator, Chamber Music, University of Nebraska-Lincoln. Among many responsibilities, placed students into groups, assigned coaches, designed syllabus, coordinated scheduling of masterclasses (2010-2014), interfaced with the university registrar to handle assigning students to the correct section. Designed and coordinate podio.com-based solution for managing complexity of data in chamber music, sign-up forms, and communicating information to registrar. Full FERPA security concerns also addressed with sandboxing of non-directory student data. 2015 Co-implementor, scrum for rehearsal efficiency in The Chiara String Quartet. 2000-2015 Programmer, The Chiara String Quartet website http://www.chiaraquartet.net. Originally written in PHP, rewritten from scratch in Javascript using the Meteor platform, 2015. 2009-2015 Programmer, Greenwood Music Camp Scheduling Program. Designed and implemented a customized computer program, first in PHP/Mysql and then -
Download Michael Jinsoo Lim
Michael Jinsoo Lim, violin Violinist Michael Jinsoo Lim has been praised for playing with “delicious abandon” by Gramophone and described as “bewitching” and “masterful” by the Seattle Times. Hailed by the Los Angeles Times as a “conspicuously accomplished champion of contemporary music,” Lim has worked with composers such as Milton Babbitt, John Corigliano, George Crumb, Shulamit Ran and Joan Tower. Known for his versatility with a wide range of styles, he enjoys a dynamic career as a soloist, chamber musician, concertmaster and recording artist. Lim is concertmaster and solo violinist of the Pacific Northwest Ballet Orchestra (“surely the best ballet band in America”—New York Times), serves as artistic director and violinist of the Seattle-based ensemble Frequency (“a dream string trio”—King FM-Seattle’s Second Inversion) and is director and co-founder of Planet M Records. His discography can be found on Naxos, Planet M, Sono Luminus, DreamWorks, Albany, Bridge, CRI, Bayer Records, RIAX and New Focus. Solo appearances with Pacific Northwest Ballet include multiple performances of the Stravinsky Violin Concerto (in New York City and Seattle), Prokofiev Violin Concerto No. 1 (Paris and Seattle), and Richard Einhorn’s rock and roll inspired piece for electric violin, Maxwell’s Demon (Paris and Seattle). Lim has recorded numerous world premieres, including Andrew Waggoner’s Violin Concerto (written for Lim) for Bridge Records, and solo violin works by Melia Watras for Sono Luminus and Planet M Records. For twenty years, Lim toured and recorded with the Corigliano Quartet, a group he co- founded. With the quartet, he won the Grand Prize at the Fischoff Chamber Music Competition and the ASCAP/CMA Award for Adventurous Programming, and performed in the nation’s leading music centers, including Carnegie Hall, Weill Recital Hall, and the Kennedy Center. -
1 Series Salutes the American Composer and the American
August 16, 2010 Press contact: Erin Allen (202) 707-7302, [email protected] Public contact: Solomon Haile Selassie (202) 707-5347,[email protected] Website: www.loc.gov/rr/perform/concert CONCERTS FROM THE LIBRARY OF CONGRESS ANNOUNCES 2010-2011 Anniversary Season Series Salutes the American Composer and the American Songbook The Library of Congress celebrates its 85 years of history as a concert presenter with a stellar 36-event season presenting new American music at the intersection of many genres–classical music, jazz, country, folk and pop. All concerts are presented free of charge in the Library’s historic, 500-seat Coolidge Auditorium. Tickets are available, for a nominal service charge only, through TicketMaster. Visit the Concerts from the Library of Congress websitefor detailed program and ticket information, at www.loc.gov/concerts. Honoring a longstanding commitment to American creativity and strong support for American composers, the series offers a springtime new music mini-festival, with world premiere performances of Library of Congress commissions by Sebastian Currier and Stephen Hartke. An impressive lineup of period instrument ensembles and artists, including Ensemble 415 and The English Concert, acknowledges the long history of the Coolidge Auditorium as a venue for early music. And the ever-expanding American Songbook is a major thematic inspiration throughout the year: among the many explorations are George Crumb’s sweeping song cycle of the same name, built on folk melodies, cowboy tunes, Appalachian ballads and African American spirituals; art songs from the Library’s Samuel Barber Collection; a new Songwriter’s Series collaboration with the Country Music Association; jazz improvisations on classics by George and Ira Gershwin; a Broadway cabaret evening–Irving Berlin to Kander & Ebb; and a lecture on the wellsprings of blues and the American popular song by scholar and cultural critic Greil Marcus.