Eighth Blackbird: "Strange Imaginary Animals - Part I" Department of Music, University of Richmond
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All Terrain String Festival Press Release
Press Contact: Blake Zidell Blake Zidell & Associates 718.643.9052 [email protected] For Immediate Release February 6, 2017 PEAK PERFORMANCES’ ALL TERRAIN STRING FESTIVAL: BOLCOM 4x4 PAYS TRIBUTE TO COMPOSER WILLIAM BOLCOM, MARCH 31 – APRIL 2 Festival Celebrating String Quartet Composition and Performance Will Feature Arditti Quartet, Chiara String Quartet, Harlem Quartet and Shanghai Quartet, and Acclaimed Guest Artists Including Jazz Bassist John Patitucci and Classical Guitarist Eliot Fisk Program Includes the World Premiere of Bolcom’s String Quartet No. 12, by Shanghai Quartet, and the New York / New Jersey Premiere of His String Quartet No. 8, by Arditti Quartet, as well as a Genre-Spanning Range of Classic and Contemporary Music Shanghai Quartet, Ensemble-in-Residence at John J. Cali School of Music at Montclair State University, Will Join the Other Featured Quartets, in Addition to Headlining a Concert of Their Own Peak Performances presents All Terrain String Festival: Bolcom 4x4 Featuring Arditti Quartet, Chiara String Quartet, Harlem Quartet and Shanghai Quartet March 31 – April 2 The Alexander Kasser Theater at Montclair State University (1 Normal Ave, Montclair, NJ) Ticket Prices: $20 per concert; Saturday Pass (two concerts and Mingle with the Musicians Dinner), $60; All-Festival Pass, $90 To Purchase: www.peakperfs.org or 973.655.5112 Peak Performances is pleased to present All Terrain String Festival: Bolcom 4x4, a three-day festival in which four of the world’s foremost string quartets will perform the work of prolific Pulitzer Prize-winning American composer William Bolcom, along with music by a wide variety of other composers, from Mozart to Dizzy Gillespie. -
Press Release April 30 Paul Sacher
! 6 Meyersville Road Chatham, New Jersey 07928 USA Ph/Fax 800.706.4182 [email protected] www.orchestranextcentury.org ! ! ! FOR IMMEDIATE RELEASE Contact: Gary Schneider 973-457-5724 March 15, 2013 [email protected] To the Point: Orchestra for the Next Century pays tribute to Paul Sacher in concert at New York’s Merkin Concert Hall. Orchestra for the Next Century, Gary M. Schneider, Music Director, follows up its acclaimed NY debut in February at the Ecstatic Music Festival with a tribute to the great Swiss conductor and musical philanthropist Paul Sacher in a concert on April 30, 2013 at 8:00 pm at Merkin Concert Hall in New York City. The concert features two works Sacher commissioned from Stravinsky and Martinů paired with recent works by distinguished American composers Margaret Brouwer and Paul Moravec. Tickets are $25 / $20 for students. For information and tickets, call 212- 501-3330 or online at www.kaufmanmusiccenter.org. Igor Stranvinsky’s Concerto in D for String Orchestra and Bohuslav Martinů’s Double Concerto for Two String Orchestras, Piano and Timpani are among the many important works Sacher commissioned for his Basel Chamber Orchestra. Through his commissioning of new works from many of the most important composers of the 20th century, Sacher is responsible for the existence of an amazing number of landmark compositions, many of which entered the repertory and are performed every year in concert halls around the world. The concert will also include the New York premier of Margaret Brouwer’s Concerto for Violin and Orchestra, featuring the acclaimed Japanese-American violinist Michi Wiancko, for whom it was written. -
Boston Symphony Orchestra Concert Programs, Summer, 1991, Tanglewood
/JQL-EWOOD . , . ., An Enduring Tradition ofExcellence In science as in the lively arts, fine performance is crafted with aptitude attitude and application Qualities that remain timeless . As a worldwide technology leader, GE Plastics remains committed to better the best in engineering polymers silicones, superabrasives and circuit board substrates It's a quality commitment our people share Everyone. Every day. Everywhere, GE Plastics .-: : ;: ; \V:. :\-/V.' .;p:i-f bhubuhh Seiji Ozawa, Music Director Grant Llewellyn and Robert Spano, Assistant Conductors One Hundred and Tenth Season, 1990-91 Trustees of the Boston Symphony Orchestra, Inc. Nelson J. Darling, Jr., Chairman Emeritus J. P. Barger, Chairman George H. Kidder, President T Mrs. Lewis S. Dabney, Vice-Chairman Archie C. Epps, V ice-Chairman Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer David B. Arnold, Jr. Avram J. Goldberg Mrs. August R. Meyer Peter A. Brooke Mrs. R. Douglas Hall III Mrs. Robert B. Newman James F. Cleary Francis W. Hatch Peter C. Read John F. Cogan, Jr. Julian T. Houston Richard A. Smith Julian Cohen Mrs. BelaT. Kalman Ray Stata William M. Crozier, Jr. Mrs. George I. Kaplan William F. Thompson Mrs. Michael H. Davis Harvey Chet Krentzman Nicholas T. Zervas Mrs. Eugene B. Doggett R. Willis Leith, Jr. Trustees Emeriti Vernon R. Alden Mrs. Harris Fahnestock Mrs. George R. Rowland Philip K. Allen Mrs. John L. Grandin Mrs. George Lee Sargent Allen G. Barry E. Morton Jennings, Jr. Sidney Stoneman Leo L. Beranek Albert L. Nickerson John Hoyt Stookey Mrs. John M. Bradley Thomas D. Perry, Jr. -
October 19, 2019 – 2:00 PM Smithsonian National Museum of the American Indian SOUTH DAKOTA SYMPHONY ORCHESTRA PRESENTS the LAKOTA MUSIC PROJECT
Lakota Music Project October 19, 2019 – 2:00 PM Smithsonian National Museum of the American Indian SOUTH DAKOTA SYMPHONY ORCHESTRA PRESENTS THE LAKOTA MUSIC PROJECT South Dakota Symphony Orchestra Emmanuel Black Bear, Lakota singer and hand drum Bryan Akipa, Dakota flute Dakota String Quartet | Dakota Wind Quintet Delta David Gier, Music Director Ronnie Theisz, Professor Emeritus of English & American Indian Studies Theodore Wiprud, composer-in-residence Jeffrey Paul Wind on Clear Lake (b.1977) Bryan Akipa, Dakota flute Dakota String Quartet, Dakota Wind Quintet Jeffrey Paul Desert Wind (b.1977) Emmanuel Black Bear, Lakota singer and hand drum Dakota Wind Quintet Jerod Tate Guide Me (b.1968) Emmanuel Black Bear, Lakota singer Dakota String Quartet Jeffrey Paul, oboe Bryan Akipa Meadowlark (b.1957) Bryan Akipa, Dakota flute Dakota Wind Quintet Alexander Trujillo The Little Boat (b.2003) Dakota String Quartet Teagan Bellonger Stolen Sisters (b.2003) Dakota Wind Quintet arr. Theodore Wiprud Amazing Grace (b.1958) Bryan Akipa, Dakota flute Emmanuel Black Bear, Lakota singer and hand drum Dakota String Quartet, Dakota Wind Quintet SOUTH DAKOTA SYMPHONY ORCHESTRA PRESENTS THE LAKOTA MUSIC PROJECT South Dakota Symphony Orchestra Emmanuel Black Bear, Lakota singer and hand drum Bryan Akipa, Dakota flute Dakota String Quartet | Dakota Wind Quintet Delta David Gier, Music Director Ronnie Theisz, Professor Emeritus of English & American Indian Studies Theodore Wiprud, composer-in-residence Jeffrey Paul Wind on Clear Lake (b.1977) Bryan Akipa, Dakota flute Dakota String Quartet, Dakota Wind Quintet Jeffrey Paul Desert Wind (b.1977) Emmanuel Black Bear, Lakota singer and hand drum ABOUT THE LAKOTA MUSIC PROJECT Dakota Wind Quintet The Lakota Music Project is the South Dakota Symphony Orchestra’s flagship Bridging Cultures program. -
The Art of Unaccompanied Song: Master Class with Soprano Lucy Shelton
Syracuse University SURFACE at Syracuse University Setnor School of Music - Performance Programs Setnor School of Music 4-6-2016 The Art of Unaccompanied Song: Master Class with Soprano Lucy Shelton Lucy Shelton Follow this and additional works at: https://surface.syr.edu/setnor_performances Part of the Music Performance Commons Recommended Citation Setnor School of Music, Syracuse University. The Art of Unaccompanied Song: Master Class with Soprano Lucy Shelton. 4-6-2016 https://surface.syr.edu/setnor_performances/384 This Performance Program is brought to you for free and open access by the Setnor School of Music at SURFACE at Syracuse University. It has been accepted for inclusion in Setnor School of Music - Performance Programs by an authorized administrator of SURFACE at Syracuse University. For more information, please contact [email protected]. Lucy Shelton Winner of two Walter W. Naumburg Awards--as chamber musician and solo recitalist--soprano Lucy Shelton continues to enjoy an international career, bringing her dramatic vocalism and brilliant interpretive skills to Master Class repertoire of all periods. An esteemed exponent of 20th- and 21st-century repertory, she has worked closely with today’s composers and premiered more than 100 works. Notable among these are song cycles by Elliott Carter, Oliver Knussen, Louis Karchin, and James Yannatos; chamber The Art of Unaccompanied Song works by Carter, Joseph Schwantner, Mario Davidovsky, Stephen Albert, Lewis Spratlan, Charles Wuorinen, Gabriella Lena Frank, Bruce Adolphe, Alexander Goehr, Poul Ruders, Anne Le Baron, and Thomas Flaherty; with soprano orchestral works by Knussen, Albert, Schwantner, David Del Tredici, Gerard Grisey, Ezra Laderman, Sally Beamish, Virko Baley, and Ned Lucy Shelton Rorem; and an opera by Robert Zuidam. -
Michael Christie
Michael Christie Michael Christie is a thoughtfully innovative conductor, equally at home in the symphonic and opera worlds, who is focused on making the audience experience at his performances entertaining, enlightening, and enriching. The New York Times reports, “Michael Christie is a director open to adventure and challenge,” and the Cincinnati Enquirer declares, “If Michael Christie represents the future of music in this country, the future looks promising indeed.” Christie, who was featured in Opera News in August 2012 as one of 25 people believed to “to break out and become major forces in the field in the coming decade,” began his tenure as the first‐ever Music Director of the Minnesota Opera with the 2012‐13 season. During the 2015‐2016 season with Minnesota Opera, he leads the world premiere performances of Pulitzer Prize‐winning composer Paul Moravec’s opera The Shining, based on the novel by Stephen King, plus productions of Ariadne auf Naxos, The Magic Flute, and Rusalka. In 2017, he leads the world premiere performances of The (R)evolution of Steve Jobs by Mason Bates with Santa Fe Opera. His appointments beyond the current season include major performances with the Lyric Opera of Chicago, Washington National Opera, and Opera Theatre of St. Louis. Deeply committed to bringing new works to life, Michael Christie has championed commissions by leading and emerging composers alike, including Mark Adamo, Mason Bates, Michael Daugherty, Osvaldo Golijov, Mark Grey, Daron Hagen, Matthew Hindson, Marjan Mozetich, Stephen Paulus, Kevin Puts, and more. In 2011, Christie led the Minnesota Opera in the world premiere performances of Kevin Puts’ Silent Night, which was awarded the 2012 Pulitzer Prize for Music. -
Jmaddalena 14
James Maddalena Baritone (Updated February 2014. Please discard previous materials.) The renowned baritone James Maddalena commands a large and varied repertoire ranging from Monteverdi to contemporary opera. He first gained international recognition for his notable portrayal of the title role in the world premier of John Adams’ Nixon in China, directed by Peter Sellars with Houston Grand Opera followed by performances at Netherland Opera, the Edinburgh Festival, Brooklyn Academy of Music, Washington Opera, Frankfurt Opera, Australia’s Adelaide Festival, the Chatelet in Paris, English National Opera, the Greek National Opera and most recently for his debut with the Metropolitan Opera. His association with John Adams continued in two more recent roles: the Captain in Adams’s The Death of Klinghoffer, which premiered at the Théâtre de la Monnaie in Brussels and received performances at the Opera de Lyon, the Brooklyn Academy of Music, San Francisco Opera, and at the Vienna Festival prior to being recorded by Nonesuch under Kent Nagano; and Jack Hubbard in Doctor Atomic for San Francisco Opera. Mr. Maddalena has appeared with many other leading international opera companies: New York City Opera, San Francisco Opera, Atlanta Opera, Santa Fe Opera, Opera Theatre of St. Louis, Opera Boston, the Lyric Opera of Kansas City, Frankfurt Opera, and Glyndebourne Festival Opera, as well as with the Chicago Symphony, Los Angeles Philharmonic, Boston Symphony, San Francisco Symphony, Brooklyn Philharmonic, the Royal Scottish Orchestra, Orchestra of the Accademia di Santa Cecilia in Rome and the London Symphony Orchestra. He is a frequent collaborator with director Peter Sellars and sang major roles in Sellars’ stagings of the Mozart/Da Ponte operas (the Count in Le nozze di Figaro and Guglielmo in Così fan tutte), as well as his productions of operas by Haydn, Handel and John Adams. -
Festival Orchestra Concert
Inspiring Excellence. Increasing Faith. Festival Orchestra Concert Delta David Gier, conductor Sandra Shen, piano Saturday, July 3, 2021 7:30 pm Twichell Auditorium Zimmerli Performance Center MasterWorks Festival 2021 Converse University masterworksfestival.org/events Overture to The Abduction from the Seraglio Amadeus Wolfgang Mozart (1756-1791) Piano Concerto No. 5 in E-flat Major, Op. 73, “Emperor” Ludwig van Beethoven (1770-1827) I. Allegro II. Adagio un poco mosso III. Rondo: Allegro Sandra Shen, piano Offertory Embraceable You George Gershwin (1898-1937) Arr. Earl Wild (1915-2010) Arielle Turullols, piano Intermission Symphony No. 9 in E Minor, Op. 95, “New World” Antonín Dvořák (1841-1904) I. Adagio – Allegro molto II. Largo III. Molto vivace IV. Allegro con fuoco masterworksfestival.org/events Delta David Gier, Conductor Delta David Gier has been called a dynamic voice on the American music scene, recognized widely for his penetrating interpretations of the standard symphonic repertoire, passionate commitment to new music, and significant community engagement. Orchestras Mr. Gier has conducted include the New York Philharmonic, the Philadelphia Orchestra, the Cleveland Orchestra, the Chicago Symphony, the St. Louis Symphony, and the Minnesota Orchestra. Last season he conducted the American Composers Orchestra in the inaugural concert of the China-U.S Composers Project; this season will include engagements with several Chinese orchestras and master classes at the Shanghai Conservatory. In Europe, his engagements include the Bergen Philharmonic (Norway), the Polish National Radio Symphony (with which he has several recordings), and the Bucharest Philharmonic, along with many other orchestras in Italy, Hungary, Poland, Romania, Slovakia and Turkey. In the Americas, he has had a long relationship with the National Symphony Orchestra of Costa Rica and has conducted several orchestras in Mexico, including the Orquesta de Camera de Bellas Artes. -
Wind Symphony Erica Neidlinger, Conductor
Friday, May 27, 2016 • 8:00 p.m. Wind Symphony Erica Neidlinger, conductor DePaul Concert Hall 800 West Belden Avenue • Chicago Friday, May 27, 2016 • 8:00 p.m. DePaul Concert Hall WIND SYMPHONY Erica Neidlinger, conductor Program Vientos y Tangos Michael Gandolf (b. 1956) From a Dark Millennium Joseph Schwantner (b. 1943) Music for Prague (1968) Karel Husa Introduction and Fanfare (b. 1921) Aria Interlude Toccata and Chorale presenting sponsor DePaul Wind Symphony • May 27, 2016 Program Notes Michael Gandolf (b. 1956) Vientos y Tangos Duration: 11 minutes As a self-taught guitarist, Michael Gandolf began playing rock and jazz at age eight. Te growth of his improvisational skills led to an interest in composition. He attended the New England Conservatory of Music, where he earned his bachelor’s and master’s degrees in composition and now serves as chair of the composition department. He was also once a Fellow at the Tanglewood Music Center, and now heads the composition faculty. Gandofi is a member of the Atlanta School of Composers, which evolved as a project of Robert Spano (conductor of the Atlanta Symphony Orchestra) to nurture, commission, and record contemporary music. Select composers include Jennifer Higdon, Christopher Teofanidis, Osvaldo Golijov, and Adam Schoenberg. An example of Gandolf’s contribution is Garden of Cosmic Speculation (2007). It was commissioned by the Boston Symphony Orchestra and Tanglewood, recorded by Spano and the Atlanta Symphony Orchestra, and nominated for a Grammy. Gandolf’s broad range of musical interests embraces not only contemporary classical music but also popular genres. Tis in addition to his cultural curiosity has resulted in many intersections between his music and other disciplines including science, flm, and theater. -
Untitled] Concerts
PROGRAM e-D (- T/fZ3 Piano Trio in GMajor, "Gypsy," Hob XV:25 ...... /.~~Z-.r;:.......... Franz Joseph Haydn (1732-1809) / Andante Z Poco adagio cantabile 3 Rondo all'Ongarase: Presto Duo for Violin and Cello, Op. 7................. ~.~~.~.~............................Zoltan Kodaly (1882·1967) t1- Allegro serioso non troppo S" Adagio {[; Maestoso elargarnente, rna non troppo lento: Presto .J INTERMISSION Cb2 -::ff 17/12..~ Piano Quartet in Eb Major, Op. 87 ......... .:?~/L .............................. Antonfn Dvorak (1841-1904) 1 Allegro con fuoco Z Lento 3 Allegro moderato, grazioso t Finale: Allegro ma non troppo Biographies Violinist Michael Jinsoo Lim has been praised by Gramophone for playing with "delicious abandon" and described as "bewitching" by the Seattle Times. Since 2009, lim has been concertmaster and solo violinist of the Pacific Northwest Ballet Orchestra ("surely the best ballet band in America".. New York Times). Hailed by the Los Angeles Times as a"conspicuously accomplished champion of contemporary music" for his work as co-founder of the renowned Corigliano Quartet, lim is also amember of Open End, aNew York City-based ensemble specializing in new works and improvisation. Recent highlights include the world premiere of Andrew Waggoner's Violin Concerto (written for lim), live appearances on Danish Public Radio, and performances of the Stravinsky violin concerto at City Center in New York City, as part of Pacific Northwest Ballet's 2016 NYC tour. Next season, lim will perform concertos by Prokofiev and Stravinsky with PNB. Other solo engagements have included concerto performances with the Indianapolis Symphony Orchestra, Seattle Modern Orchestra, Girona International Chamber Orchestra (Spain), Indiana University Philharmonic, Phil harmonia Northwest, Evansville Philharmonic Orchestra, University of Washington Symphony and Lafayette Symphony Orchestra, as well as aperformance in Weill Recital Hall for atribute concert for celebrated American composer John Corigliano. -
Download Program Notes
Notes on the Program By James M. Keller, Program Annotator, The Leni and Peter May Chair blue cathedral Jennifer Higdon orn in Brooklyn, Jennifer Higdon grew my for her Percussion Concerto; and, in 2018, Bup in Atlanta and in rural Tennessee in the Nemmers Prize of Northwestern University. a counterculture family — both parents were Although she has written a number of visual artists — for whom art happenings choral and solo vocal pieces, not to mention and experimental film festivals were the the 2015 opera Cold Mountain, Higdon is norm. She thought she might become a writ- principally an instrumental composer, hav- er and didn’t have any involvement with mu- ing produced an impressive body of works sic until she started teaching herself to play for orchestra and for various chamber for- the flute at the age of 15. In the course of her mulations. Her teacher George Crumb has education at Bowling Green State University acknowledged specific qualities that go to (Ohio), the Curtis Institute of Music, and the the heart of her music: its “rhythmic vitality, University of Pennsylvania she developed interesting coloration, and sensitivity to nu- her exceptional talent as a composer. ance and timbre.” These are indeed her musi- Today her dance card for commissions is very cal fingerprints, but beyond what are essen- full, and at least one of her orchestral works, blue tially technical matters one also hears in her cathedral, seems destined to become a classic, scores an immediacy of contact, a genial and having already been performed more than 600 sincere desire to connect with the listener. -
By Joseph Schwantner: an Exploration of Trajectory As an Organizing Principle for Drama, Motive, and Structure
New Morning For The World ("Daybreak Of Freedom") By Joseph Schwantner: An Exploration Of Trajectory As An Organizing Principle For Drama, Motive, And Structure By Mark Feezell, Ph.D. ([email protected], www.drfeezell.com) Copyright © 2002 by Mark Feezell. All Rights Reserved. Used on this site by permission of the author. This essay explores techniques found in Joseph Schwantner's 1982 composition New Morning for the World ("Daybreak of Freedom"). Schwantner's piece, in which a speaker performs the part of Martin Luther King, Jr. using texts from his speeches and writings, establishes dramatic, motivic, and structural trajectories1 through the interactions of the speaker and the orchestra. Each of the three trajectories, dramatic/narrative, motivic, and structural, exert their influence continuously throughout Schwantner's piece. Simultaneously, each trajectory supports and influences the others. Joseph Schwantner (born 1943) is an American composer2 who earned composition degrees from the American Conservatory of Music in Chicago (BM, 1964) and Northwestern University (MM 1966, DM 1968). Elements that pervade his mature works include "a fascination with timbre, extreme instrumental range, juxtaposed instrumental groupings, pedal points, and a 1 A trajectory is the directed evolution of a set of related musical parameters. 2 For background and analysis on other Schwantner works, see, for example, Cynthia Folio's article "The synthesis of traditional and contemporary elements in Joseph Schwantner's 'Sparrows,'" Perspectives of New Music,