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Throughout His Writing Career, Nelson Algren Was Fascinated by Criminality
RAGGED FIGURES: THE LUMPENPROLETARIAT IN NELSON ALGREN AND RALPH ELLISON by Nathaniel F. Mills A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English Language and Literature) in The University of Michigan 2011 Doctoral Committee: Professor Alan M. Wald, Chair Professor Marjorie Levinson Professor Patricia Smith Yaeger Associate Professor Megan L. Sweeney For graduate students on the left ii Acknowledgements Indebtedness is the overriding condition of scholarly production and my case is no exception. I‘d like to thank first John Callahan, Donn Zaretsky, and The Ralph and Fanny Ellison Charitable Trust for permission to quote from Ralph Ellison‘s archival material, and Donadio and Olson, Inc. for permission to quote from Nelson Algren‘s archive. Alan Wald‘s enthusiasm for the study of the American left made this project possible, and I have been guided at all turns by his knowledge of this area and his unlimited support for scholars trying, in their writing and in their professional lives, to negotiate scholarship with political commitment. Since my first semester in the Ph.D. program at Michigan, Marjorie Levinson has shaped my thinking about critical theory, Marxism, literature, and the basic protocols of literary criticism while providing me with the conceptual resources to develop my own academic identity. To Patricia Yaeger I owe above all the lesson that one can (and should) be conceptually rigorous without being opaque, and that the construction of one‘s sentences can complement the content of those sentences in productive ways. I see her own characteristic synthesis of stylistic and conceptual fluidity as a benchmark of criticism and theory and as inspiring example of conceptual creativity. -
The Philosophical View Over Theconcept of Death In
DJILALI LIABES UNIVERSITY- SIDI-BELABBES FACULTY OF LETTERS, LANGUAGES AND ARTS The Philosophical View over the Concept of Death in Hemingway's Novels Presented to the Faculty of Letters Languages and Arts at the University of SIDI- BELABBES in Fulfillment of the Requirements for the Degree of Doctorate in American Literature Presented by Slimane ABDELHAKEM Board of Examiners: Prof.:Bellabes OUERRAD University of Sidi Bellabes Chair Prof.Fatiha KAID BERRAHAL University of Laghouat Supervisor Prof. Abbès BAHOUS University of Mostaghanem Examiner Dr. Noureddine GUERROUDJ University of Sidi Bellabes Examiner Dr. Ghouti HAJOUI University of Tlemcen Examiner 2015/2016 Dedication To my parents And To my wife Malika ACKNOWLEDGEMENTS First and foremost I wish to thank God. Then, I have to thank my supervisor, professor. Fatiha KAID BERRAHAL in THELIDJI Amar -University-Laghouat For the continuous support of my PhD study and related research, for her patience, motivation, and immense knowledge. Her guidance helped me in all the time of research and writing of this thesis. I could not have imagined having a better advisor and mentor for my PhD study. There are no proper words to convey my deep gratitude and respect for her. She has inspired me to become an independent researcher and helped me realize the power of critical reasoning. In fact the Thesis writing process has been a long journey for me, seven years of research that would not have been possible without her belief in me. I also thank my wife and partner who supported me through this venture and for her stimulating discussions, for the sleepless nights we were working together, especially these last three months, before deadlines, and for all the fun mixed with irritability we have had in the last six years. -
BIG COKE BUST 86 Delta 88 2 Door *9995 Difference 86 Bonneville 4 Door *6995 Late Morning News Conference
20— MANCHESTER HERALD, Friday, Sept. 29„ 1989 iCARS CARS CARS ICARS I q TI cars FOR SALE FOR SALE IQII CARS L i L I FOR SALE FOR SALE E l l FOR SALE I ^ U fOR SALE BUICK Skylark 1980 - 2 1984 HONDA Accord - 1986 MERCURY Grand SUBARU 1982-GL, red, 5 door, excellent condi Immaculate, 4 door, 5 speed, olr, sunroof. tion, 52,000 miles, $1500. speed, am/fm cassette, Marquis-4 door, white, loaded plus sunroof. 140K miles. $600/best 643-1783.______________ low miles, 1 owner, sun O n e owner. New offer. Must sell. 645- PONTIAC 74 Wagon ^ roof, cruise, must see. brakes. Complete new 0480. 455cc, V8, auto, air 646-3165._____________ tune up, lifetime conditioner, power 1978 DATSUN 810 - 240z window/locks, work- shocks. Coll Jim McCo- engine, good condi vonogh. 649-3800. house. $400 or best tion. $1050. 643-4971 of- TRUCKS/VANS otter. 646-6212. CHEVY Caprice Classic ter 7pm._____________ 1986 - 4 door, mint, FOR SALE PLYMOUTH 1985 Ho 63,000 highway miles, CARDINAL rizon - 4 door, 5 speed, $7000. 291-8910. GMC 1988 4x4 loaded om-fm radio. $1200.647- pickup with deluxe BUICK, INC. 9758 otter 5pm._______ cop. Excellent condi 1986 HONDA XR-250 In tion. $11,750. GMC 1988 BUICK 1979 Skvhowk - 2 storage. Mint, mint 1988ChevS-10Ext,Cab $12,995 pickup with cop. Excel door hatch, good con- condition. 175 original 1988 Pont Grand Am $6,690 lent condition. $11,250. dltlon, standard. miles, legal street re 643-5614 ask for Roy or PERIENCE 1988 Buick LaSabre $11,980 $700/best offer. -
Hemingway's Mythical Method
Hemingway’s Mythical Method: Implications of Dante Allusion in In Our Time by William Parker Osbourne Stoker B.A. in English and Religion, May 2014, University of the South: Sewanee A Thesis submitted to The Faculty of The Columbian College of Arts and Sciences of The George Washington University in partial fulfillment of the requirements for the degree of Master of Arts May 19, 2019 Thesis directed by Christopher Sten Professor of English © Copyright 2019 by William P. O. Stoker All rights reserved ii Abstract of Thesis Hemingway’s Mythical Method: Implications of Dante Allusion in In Our Time The widely accepted assessment of Ernest Hemingway’s In Our Time is that the text’s fragmentary form belies a complex but cohesive narrative wholeness. Missing from the critical record, however, is an adequate account of In Our Time’s use of what T.S. Eliot termed “the mythical method.” Using a palimpsestic system of indirect allusion, Hemingway’s fragmentary novel constructs an overarching pattern of reference to the journey of Dante’s pilgrim through Hell and Purgatory in the Divine Comedy. Hemingway’s use of this mythical method not only provides his novel a more concrete narrative framing device than its critics have recognized, but also reflects new dimensions of the influence Dante, Eliot, and Ezra Pound exerted on Hemingway’s earliest work. In particular, similarities between In Our Time and Pound’s Draft of XVI Cantos (both published in 1925), combined with Pound’s well-documented mentorship of Hemingway, suggest Pound may have been a primary source of influence on Hemingway’s apprehension of and engagement with Dante and the epic tradition he represents. -
Hemingway Newsletter Publication of the Hemingway Society | No
theHemingway newsletter Publication of The Hemingway Society | No. 72 | 2020 Out of the Airport and into the Zoom Society to Host Free Webinar Series July 17-19 as Summer Substitute for Wyoming/ Montana Conference Postponed to 2021 Due to As a summer substitute for the Wyoming/Montana conference (now Global Pandemic postponed to July 18-24, 2021), the Society will offer a three-day, three- panel webinar this July 17-19, 2020—which just happens to be the fortieth anniversary of the Thompson Island founding of the Society. ooking back only three months later, a compromised immune system, for concerns of my own. When the CDC the agenda for the Valentine’s Day example, or anyone over sixty-five—didn’t started issuing travel advisories in late meeting of the Hemingway Society’s feel comfortable with air travel? Could February, and when the first death on U.S. Lboard may seem like a relic from a more an international member on the program soil was reported, I took it seriously. On innocent item. Items up for discussion beam in electronically through Skype or March 2 I went out and bought everything include updates on the Wyoming/Montana Zoom to present a paper if they decided an on the Ready.gov disaster preparedness conference that was then six months international flight was risky? What on-site checklist, including six weeks’ worth of away, soliciting proposals for the 2022 precautions would be taken to make sure toilet paper, non-perishable foods, OTC conference (to be held abroad), raising conferees wouldn’t infect each other? medicine, dog food, etc. -
30 Chapter Three
30 Chapter Three: A Chronology of Words I thought about Tolstoi and about what a great advantage an experience of war was to a writer. It was one of the major subjects and certainly one of the hardest to write truly of and those writers who had not seen it were always very jealous and tried to make it seem unimportant or abnormal, or a disease as a subject, while, really, it was just something quite irreplaceable that they had missed.1 In April of 1924 Three Mountains Press, an upstart publishing firm established along the Île St.-Louis in Paris by William Bird in 19222, published 170 copies of a 30-page book; the retail price was 30 francs—about a dollar for an American in Paris at that time3. The small press book, in our time, contained eighteen short vignettes, sketches, and miniatures4 and marked the debut of Ernest Hemingway’s character Nick Adams in published fiction. Though light to the touch, the contents of Hemingway’s “little paper-covered book”5 made a heavy impression on those who encountered it. The vignettes dealt primarily with short scenes of war, but length was not necessarily an indicator of depth: As Maxwell Perkins noted in a letter explaining why Charles Scribner’s Sons could not publish the Three Mountains Press edition of in our time, “your method [of writing in our time] is obviously one which enables you to express what you have to say in very small compass.”6 Indeed, the limited run of the 30-page volume brought about the recognition of Hemingway as a potential player and new voice on the literary scene to his own family, to critics at home and abroad, and—perhaps most importantly—to two American publishing houses. -
The Nick Adams Stories by Ernest Hemingway
2007- 2008 The Great Michigan READ The Nick Adams Stories by Ernest Hemingway Board of Directors MHC Staff Judith Ann Rapanos, Midland - Chair Janice Fedewa Christine Albertini, Grand Rapids Executive Director Anan Ameri, Dearborn Elizabeth Brooks, Detroit Cynthia Dimitrijevic Marlee Brown, Mackinac Island Grants Director Timothy J. Chester, Grand Rapids Russell B. Collins, Ann Arbor Scott Hirko Amy DeWys-VanHecke, Grosse Pointe Farms Public Relations Officer Paula Gangopadhyay, Plymouth James J. Karshner, DeWitt Greg Parker Patrick LeBeau, Lansing Program & Development Michael Margolin, Detroit Officer MichiganMichigan People,People, MichiganMichigan PlacesPlaces OurOur Stories,tories, Ourur Livesives Sue Ann Martin, Mt. Pleasant Craig McDonald, Midland Phyllis Rathbun 119 Pere Marquette John X. Miller, West Bloomfield Executive Assistant Suite 3B Shaun Nethercott, Detroit Lansing, MI 48912-1270 Erik Nordberg, Houghton Nancy Wireman Patricia Shaheen, Saginaw Administrative Assistant (517) 372-7770 Karen Smith, Traverse City michiganhumanities.org Kelvin Smyth, Escanaba Jennifer Wise Fiscal Officer None of it was important now. The wind Welcome to blew it out of his head. (“The Three Day The Great Michigan Read Blow”) n July 9, the Michigan Humanities Council announced the selection of Ernest Hemingway’s The Nick Adams Stories for the first-ever Great Michigan O Read. The Nick Adams Stories chronicles a young man’s coming of age in a series of linked short stories. Nick’s path to adulthood is shaped by his Michigan surroundings and presents a timeless look at the human condition. Most of the Nick Adams stories are set in Michigan. This includes “Big Two-Hearted River,” which many argue captures the essence of the Michigan outdoor experience. -
The Library of Roger Wagner
Sale 424 Thursday, March 18, 2010 1:00 PM The Library of Roger Wagner Auction Preview Saturday, March 13, by appointment Monday, March 15, 9:00 am to 5:00 pm Tuesday, March 16, 9:00 am to 5:00 pm Wednesday, March 17, 9:00 am to 5:00 pm Thursday, March 18, 9:00 am to 1:00 pm Or by appointment 133 Kearny Street 4th Floor:San Francisco, CA 94108 phone: 415.989.2665 toll free: 1.866.999.7224 fax: 415.989.1664 [email protected]:www.pbagalleries.com REAL-TIME BIDDINGAVAILABLE PBA Galleries features Real-Time Bidding for its live auctions. This feature allows Internet Users to bid on items instantaneously, as though they were in the room with the auctioneer. If it is an auction day, you may view the Real-Time Bidder at http://www.pbagalleries.com/realtimebidder/ . Instructions for its use can be found by following the link at the top of the Real-Time Bidder page. Please note: you will need to be logged in and have a credit card registered with PBA Galleries to access the Real-Time Bidder area. In addition, we continue to provide provisions for Absentee Bidding by email, fax, regular mail, and telephone prior to the auction, as well as live phone bidding during the auction. Please contact PBA Galleries for more information. IMAGES AT WWW.PBAGALLERIES.COM All the items in this catalogue are pictured in the online version of the catalogue at www.pbagalleries. com. Go to Live Auctions, click Browse Catalogues, then click on the link to the Sale. -
The Power of Popular Discourse on Sex and Love in Hemingway's “Up
The Power of Popular Discourse on Sex and Love in Hemingway’s “Up in Michigan” Honors Research Thesis Presented in Partial Fulfillment of the Requirements for graduation “with Honors Research Distinction in English” in the undergraduate colleges of The Ohio State University by Catherine Lewis The Ohio State University April 2014 Project Advisor: Professor Debra A. Moddelmog, Department of English Abstract In my thesis I explore the historical contexts within which Ernest Hemingway set and wrote “Up in Michigan” (1921) in order to show how the short story can be read as a retrospective critique of the ideologies regarding normative gender and sexual roles in Victorian America. Published in expatriate Paris, the story centers on a female protagonist, Liz Coates, living in Michigan in the late 1800’s, who due to a limited sex education is unable to predict or control a sexual encounter with her romantic interest, Jim Gilmore. Critics who have argued Liz is raped have access to an entire realm of contemporary feminist discourse that she does not. As I argue instead, Liz could not understand or define her experience as something akin to date rape because she did not have access to the essential vocabulary to do so. In fact, the literary culture of romance she did have access to—along with the sex education she did not—was detrimental to her ability to accurately understand Jim’s desires and expectations. Hemingway was highly critical of conservative discourses on gender and sexuality in Victorian and early twentieth- century America. “Up in Michigan” clearly expresses the flaws in these powerful discourses on sex and love, which often resulted in the Victorian woman’s failure to understand both her own sexuality and that of the men she lived with. -
Wendy Bishop
DISCOVERING HISTORIES OF HIGH SCHOOL WRITING INSTRUCTION Lori Ostergaard and Jeff Ludwig In his article “Where Did College English Studies Come From?” Thomas P. Miller rebukes composition historians who mistakenly “assume that historical change begins at the top” of the academic ladder; for example, at research and elite universities (66). Like Miller, Gretchen Flesher Moon questions the institutional locations we have used to research our disciplinary histories, calling for local histories that “challenge the dominant narrative of composition history, located in primarily elite research institutions” (12). Likewise, Lucille Schultz admonishes histories of the field that have marginalized “school-based writing instruction,” suggesting that “composition instruction as we know it had its origins” in the schools (6, 7). In our article, we take up the challenge offered by Miller, Moon, Schultz, and others to uncover histories of composition written from “the still- unexplored libraries, museums, historical societies, and private collections” that comprise the composition archive (Schultz 8). In our research into the archives of one early twentieth century Midwestern high school—the Oak Park and River Forest High School (OPRFHS) in Illinois—we follow the advice of Gail Stygall who, in her 1998 article for this journal, advised that archival researchers consider a full range of documentary artifacts in reconstructing the history of writing instruction. Thus, our research emerges from the many works that OPRFHS English faculty made public in -
Significance of the Nick Adams Stories of Ernest Hemingway
SIGNIFICANCE OF THE NICK ADAMS STORIES OF ERNEST HEMINGWAY Btsi^ertation for Jil.$I|tl IN English Literature BY SHAHbA GHAURI UNDER THE SUPERVISION OF PROFESSOR S. WIQAR HUSAIN DEPARTMENT OF ENGLISH ALIGARH MUSLIM UNIVERSITY ALIGARH (INDIA) 1995 US2786 i~-'^7S^ to nbu ^lAyiM/na oMoihe^ Contents Page. No. Acknowledgement Chapter 1. Introduction I Chapter 11 Hemingway and the American Tradition of short story. 21 Chapter lU Existing criticism of the Nick Adaoos stories. 37 Chapter IV An Analysis of the Nick Adams stories. 55 Conciusion 110 Bibliography 116 Acknowledgement I find words insufficient to express my obligation and gratitude to my supervisor Prof. S. Wiqar Husain who was always a great source of strength and inspiration for me. Without his encouragement and support my present work would not have been completed. I am also thankful to Prof. Maqbool H. Khan, the Chairman, Deptt. of English under whose patronage the study was conducted. I am equally thankful to all teachers and non-teaching stafiTof the department for their immense help and concern. The Co-operation of all my family members especially my husband Mr. Suhaii Niazi and children was what helped me to do sustained work even in difficult times. My sincere thanks are due to all my friends for their helpful attitude. I would specially thank Mr. Asad Ullah for his efficient typing of my dissertation. I must also express my gratitude to the American Center in Delhi and the ASRC in Hyderabad for their timely help. Chapter I. INTRODUCTION On July 2, 1961, an incredible incident occurred when Hemingway who had scorned and condemned suicide throughout his life, himself committed suicide. -
The Sun Also Sets1
BOGA: Basque Studies Consortium Journal Volume 3 | Issue 1 Article 1 October 2015 The unS Also Sets William A. Douglass Center for Basque Studies, University of Nevada, Reno Follow this and additional works at: http://scholarworks.boisestate.edu/boga Part of the Basque Studies Commons Recommended Citation Douglass, William A. (2015) "The unS Also Sets," BOGA: Basque Studies Consortium Journal: Vol. 3 : Iss. 1 , Article 1. https://doi.org/10.18122/B2GT54 Available at: http://scholarworks.boisestate.edu/boga/vol3/iss1/1 The Sun Also Sets1 William A. Douglass, PhD Professor Emeritus Center for Basque Studies, University of Nevada, Reno I Ernest2 Hemingway (1899-1961) began his writing career as a journalist, accepting a job right out of high school as a reporter for the Kansas City Star. In 1918 he volunteered for service in World War One with the Red Cross and ended up being wounded seriously by an artillery shell when driving an ambulance on the Italian front. While recuperating for some months in a Milan hospital he became infatuated with a nurse who was eight years his elder. In 1920 he worked briefly for the Toronto Daily Star before accepting employment in Chicago as a writer for the agricultural journal Cooperative Commonwealth. It was there that he met his first wife, Hadley Richardson, also eight years older than he, and in December of 1921 the couple embarked for Europe where Ernest was to cover European affairs from Paris for the Toronto Star Weekly--as a feature writer rather than foreign 1 There is seemingly nothing “new” to be said about Ernest Hemingway—whether the man or the writer.