Estudos Anglo-Americanos 2018 V. 47
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Poetry As Correspondence in Early Modern England
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2017 Unfolding Verse: Poetry As Correspondence In Early Modern England Dianne Marie Mitchell University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Recommended Citation Mitchell, Dianne Marie, "Unfolding Verse: Poetry As Correspondence In Early Modern England" (2017). Publicly Accessible Penn Dissertations. 2477. https://repository.upenn.edu/edissertations/2477 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2477 For more information, please contact [email protected]. Unfolding Verse: Poetry As Correspondence In Early Modern England Abstract This project recovers a forgotten history of Renaissance poetry as mail. At a time when trends in English print publication and manuscript dissemination were making lyric verse more accessible to a reading public than ever before, writers and correspondents created poetic objects designed to reach individual postal recipients. Drawing on extensive archival research, “Unfolding Verse” examines versions of popular poems by John Donne, Ben Jonson, Mary Wroth, and others which look little like “literature.” Rather, these verses bear salutations, addresses, folds, wax seals, and other signs of transmission through the informal postal networks of early modern England. Neither verse letters nor “epistles,” the textual artifacts I call “letter-poems” proclaim their participation in a widespread social -
Exploring the Animal Turn
EXPLORING THE ANIMAL TURN THE ANIMAL EXPLORING EXPLORING THE ANIMAL TURN Animals´ omnipresence in human society makes them both close to and yet Human-Animal Relations in Science, Society and Culture remarkably distant from humans. Human and animal lives have always been entangled, but the way we see and practice the relationships between humans and animals – as close, intertwined, or clearly separate – varies from time to time and between cultures, societies, and even situations. By putting these complex relationships in focus, this anthology investigates the ways in which human society deals with its co-existence with animals. The volume was produced within the frame of the interdisciplinary “Animal Turn”-research group which during eight months in 2013–2014 was hosted by the Pufendorf Institute for Advanced Studies, Lund university, Sweden. Along with invited scholars and artists, members of this group contribute with different perspectives on the complexities and critical issues evoked when the human-animal relationship is in focus. The anthology covers a wide range of topics: From discussions on new disci- Andersson Cederholm, Björck, Jennbert, Lönngren, (eds.) Lönngren, Jennbert, Andersson Cederholm, Björck, plinary paths and theoretical perspectives, empirical case-studies, and artis- tic work, towards more explicitly critical approaches to issues of animal wel- fare. Phenomena such as vegansexuality, anthropomorphism, wildlife crimes, and the death of honey-bees are being discussed. How we gain knowledge of other species and creatures -
Applying a Rhizomatic Lens to Television Genres
A THOUSAND TV SHOWS: APPLYING A RHIZOMATIC LENS TO TELEVISION GENRES _______________________________________ A Dissertation presented to the Faculty of the Graduate School at the University of Missouri-Columbia _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy _____________________________________________________ by NETTIE BROCK Dr. Ben Warner, Dissertation Supervisor May 2018 The undersigned, appointed by the dean of the Graduate School, have examined the Dissertation entitled A Thousand TV Shows: Applying A Rhizomatic Lens To Television Genres presented by Nettie Brock A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. ________________________________________________________ Ben Warner ________________________________________________________ Elizabeth Behm-Morawitz ________________________________________________________ Stephen Klien ________________________________________________________ Cristina Mislan ________________________________________________________ Julie Elman ACKNOWLEDGEMENTS Someone recently asked me what High School Nettie would think about having written a 300+ page document about television shows. I responded quite honestly: “High School Nettie wouldn’t have been surprised. She knew where we were heading.” She absolutely did. I have always been pretty sure I would end up with an advanced degree and I have always known what that would involve. The only question was one of how I was going to get here, but my favorite thing has always been watching television and movies. Once I learned that a job existed where I could watch television and, more or less, get paid for it, I threw myself wholeheartedly into pursuing that job. I get to watch television and talk to other people about it. That’s simply heaven for me. A lot of people helped me get here. -
Client List August 2021
AMANDA McALLISTER PERSONAL MANAGEMENT LTD 74 Claxton Grove, London W6 8HE • Telephone: +44 (0) 207 244 1159 www.ampmgt.com • e-mail: [email protected] CLIENT LIST SEPTEMBER 2021 DIRECTOR JO SMYTH THE WALK, MUM LISTEN, SPAREBNB Awards Best British Web Series Pilot Light www.captainhowdyfilms.com Festival, Best Director UK Offline Web Festival, LAST DAYS, WINTER IN THE GARDEN Award Best Short Film London Ind. Film Fest., Audience Award London United Film Festival PRODUCER KRISTIAN DENCH THE CAPTURE 2 (Covid shoot), STRIKE BACK 8 (Block 3 Episodes 5 & 6), 1st AD credits: THE CAPTURE BAFTA Nom. Best Drama Series, GOLD DIGGER BAFTA Nom. Best Drama Series, THE MINIATURIST, KING CHARLES III, BAFTA Nom. Best Single Drama, RILLINGTON PLACE, AND THEN THERE WERE NONE, DR FOSTER BAFTA Nom. Best Drama Mini Series, Best Drama Series, National TV Awards Best Drama, DA VINCI’S DEMONS 3, JULIUS CAESAR, WICKAM ROAD Nom. Raindance Festival Best UK Ind. Feature LINE/CO. PRODUCERS / UPM EMMA BROWN CAPTURE 2 (Covid shoot), QUEENS OF MYSTERY 2 Prep (Covid shoot), MOTHERLAND 3 (Covid shoot) FLACK 2, WAR OF THE WORLDS, THE OA (London shoot), AFTER LIFE, PM: HARLOTS 2, TO THE END OF THE F***ING WORLD BAFTA Nom. Best Drama Series, POLDARK III, TRAVEL THROUGH TIME, THE DALE & THE COOPER, DIXI 14 (40 EPS) PC: STARLINGS 1&2, HUNDERBY Best New Comedy Series, SILENT WITNESS XV111 DAVID HIGGINSON QUEEN CHARLOTTE, THE POWER (Covid shoot), THE WINDSORS 3, THE CAPTURE BAFTA Nom. Best Drama Series, FLACK, SICK OF IT, DERRY GIRLS, DECLINE AND FALL, HERETIKS, HOWL, HARRY BROWN, THE TOURNAMENT, NUREMBERG (Nazis on Trial) BAFTA TV Award Nom., THE SOMME BAFTA TV Award Nom., THE TRENCH RTS Award Nom., CRYPTIC, GALLOWWALKERS, AFTER DEATH, DE PRESIDENT, TALION (3D), SPIRIT TRAP, COLD & DARK ALISON B MATTHEWS THE LONG SHADOW, TRIGGER POINT (Covid shoot), YOU (UK Prep), THE Bases in Leeds and London SERPENT (pick-up/add. -
INVESTIGATING the STYLE, FORM and GENRE of PERIOD DRAMA in 2010S BRITISH TELEVISION
A thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy December 2020 HERITAGE AND POST-HERITAGE: INVESTIGATING THE STYLE, FORM AND GENRE OF PERIOD DRAMA IN 2010s BRITISH TELEVISION WILL STANFORD This image is unavailable. Please consult reference on page ii for further information. ABBISS ii ABSTRACT This project analyses six period drama productions in British television of the 2010s, expanding Claire Monk’s term of ‘post-heritage’ into a critical framework. Its case studies establish a cycle of progressive representations of the past in recent television drama, which operate against the assumptions of ‘heritage’ nostalgia forwarded by earlier scholars. The post-heritage framework consists of five guiding elements: interrogation, subversion, subjectivity, self-consciousness and ambiguity. These inform the analysis of the project’s case studies, while also allowing the existence of post-heritage elements to be recognised in earlier period drama productions. The thesis is split into three distinct parts, which allow the heritage and post-heritage elements of the case studies to be associated with the characteristics and theoretical concepts of television drama. The first chapter of each part evaluates the institutional context of its case study, identifying its impact upon production through textual examples from the programme. The second chapter of each part focuses on close analysis, demonstrating the extent to which post- heritage elements can assist innovation in television drama. Part I focuses on televisual style, identifying the naturalist, realist and modernist aesthetics of television drama. Scholarly sources are used to connect these with periods of British television history. -
Queen Elizabeth
The British monarchy on screen oving images of the British monarchy, in fact and fiction, are almost as M old as the moving image itself, dating back to an 1895 dramatic vignette, The Execution of Mary Queen of Scots. Led by Queen Victoria, British monarchs themselves appeared in the new ‘animated photography’ from 1896. Half a The British century later, the 1953 coronation of Elizabeth II was a milestone in the adoption of television, watched by 20 million Britons and 100 million North Americans. At the century’s end, Princess Diana’s funeral was viewed by 2.5 billion worldwide. monarchy Historians have argued that the power of the image has bolstered the British monarchy as its political power has waned, but media scholars have been slow to examine how that power has been secured by royal self-promotion, entrepreneurial on screen deference, narrative sympathy, reportorial discretion and spectacular exhibition. In the first book-length examination of film and television representations of this enduring institution, distinguished scholars of media and political history analyse the screen representations of royalty from Henry VIII to ‘William and Kate’. Among their concerns are the commercial value of royal representations, the convergence of the monarch and the movie star, and the historical use of the moving image to maintain the Crown’s legitimacy. Seventeen essays by international commentators examine the portrayal of royalty in the ‘actuality’ picture, the early extended feature, amateur cinema, Edited by Mandy Merck the movie melodrama, the Commonwealth documentary, New Queer Cinema, TV current affairs, the big screen ceremonial and the post-historical boxed set. -
Petersen, Daniel Otto Jack
Petersen, Daniel Otto Jack (2020) ‘You Are the Old Entrapped Dreams of the Coyote’s Brains Oozing Liquid Through the Broken Eye Socket’: Ecomonstrous poetics and weird bioregionalism in the fiction of R. A. Lafferty (with a comparative reading of Cormac McCarthy’s Blood Meridian). PhD thesis. http://theses.gla.ac.uk/81615/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] PhD Thesis ‘You Are the Old Entrapped Dreams of the Coyote’s Brains Oozing Liquid Through the Broken Eye Socket’: Ecomonstrous Poetics and Weird Bioregionalism in the Fiction of R. A. Lafferty (With a Comparative Reading of Cormac McCarthy’s Blood Meridian) Daniel Otto Jack Petersen Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy School of Critical Studies College of Arts University of Glasgow 2 Abstract The fiction of R. A. Lafferty (1914-2002) is at once deeply ecological and deeply strange. Its incessant narrative inclusion of the nonhuman beings, places, and forces of Lafferty’s Oklahoman and otherwise (south)western bioregion evinces an imagination profoundly porous to the local specificities and abundance of one’s more-than-human context. -
Exploring the Animal Turn
EXPLORING THE ANIMAL TURN THE ANIMAL EXPLORING EXPLORING THE ANIMAL TURN Animals´ omnipresence in human society makes them both close to and yet Human-Animal Relations in Science, Society and Culture remarkably distant from humans. Human and animal lives have always been entangled, but the way we see and practice the relationships between humans and animals – as close, intertwined, or clearly separate – varies from time to time and between cultures, societies, and even situations. By putting these complex relationships in focus, this anthology investigates the ways in which human society deals with its co-existence with animals. The volume was produced within the frame of the interdisciplinary “Animal Turn”-research group which during eight months in 2013–2014 was hosted by the Pufendorf Institute for Advanced Studies, Lund university, Sweden. Along with invited scholars and artists, members of this group contribute with different perspectives on the complexities and critical issues evoked when the human-animal relationship is in focus. The anthology covers a wide range of topics: From discussions on new disci- Andersson Cederholm, Björck, Jennbert, Lönngren, (eds.) Lönngren, Jennbert, Andersson Cederholm, Björck, plinary paths and theoretical perspectives, empirical case-studies, and artis- tic work, towards more explicitly critical approaches to issues of animal wel- fare. Phenomena such as vegansexuality, anthropomorphism, wildlife crimes, and the death of honey-bees are being discussed. How we gain knowledge of other species and creatures -
Victorian Poetry Blackwell Companions to Literature and Culture
A COMPANION T O V ICTORIAN POETRY EDITED BY RICHARD CRONIN, ALISON CHAPMAN AND ANTONY H. HARRISON A Companion to Victorian Poetry Blackwell Companions to Literature and Culture This series offers comprehensive, newly written surveys of key periods and movements and certain major authors, in English literary culture and history. Extensive volumes provide new perspectives and positions on contexts and on canonical and post- canonical texts, orientating the beginning student in new fields of study and provid- ing the experienced undergraduate and new graduate with current and new directions, as pioneered and developed by leading scholars in the field. Published 1. A Companion to Romanticism Edited by Duncan Wu 2. A Companion to Victorian Literature and Culture Edited by Herbert F. Tucker 3. A Companion to Shakespeare Edited by David Scott Kastan 4. A Companion to the Gothic Edited by David Punter 5. A Feminist Companion to Shakespeare Edited by Dympna Callagban 6. A Companion to Chaucer Edited by Peter Brown 7. A Companion to Literature from Milton to Blake Edited by David Womersley 8. A Companion to English Renaissance Literature and Culture Edited by Michael Hattaway 9. A Companion to Milton Edited by Thomas N. Corns 10. A Companion to Twentieth-Century Poetry Edited by Neil Roberts 11. A Companion to Anglo-Saxon Literature and Culture Edited by Phillip Pulsiano and Elaine Trebarne 12. A Companion to Restoration Drama Edited by Susan J. Owen 13. A Companion to Early Modern Women’s Writing Edited by Anita Pacheco 14. A Companion to Renaissance Drama Edited by Arthur F. Kinney 15. -
{PDF EPUB} Re Animated Three Apocalyptic Tales for Kids by Kenneth W
Read Ebook {PDF EPUB} Re Animated Three Apocalyptic Tales for Kids by Kenneth W. Cain Steven Blum Net Worth. Steven Blum Net Value: Steven Blum can be an American voice actor who includes a net really worth of $4. He provides two kids by the brands of Jeremy and Brandon. He retains a Guinness Globe Record for his gaming voice performing, amounting to 261 appearances by Might 10, 2012. He provides spent the greater part of his career adding to Anime, cartoons, and video gaming, though he’s no stranger to movies. A few of his dominating personality voices consist of Spike Spiegel, Eikichi Onizuka, Wolverine, and Captain Foley. Born on April 28, 1960 in Santa Monica, California, Blum provides been performing since 1992 and is well known for his bellowing deep tone of voice. Fans make reference to him as the “king of Anime,” for he provides contributed to English variants of Naruto, Digimon: Digital Monsters and MegaMan NT Warrior. Blum also goes on the brands David Lucas and Andrew Watton. His current agent is normally Arlene Thornton and Associates and his most well-known movies consist of Cowboy Bebop: The Film and Hulk Vs.8 Million. Artistic License � Biology. There are cases where the MST3K Mantra certainly applies, especially if the entire world of the work of fiction is pretty crazy and, thus, all bets are off in terms of good science. Therefore, most of the examples below are culled from series who were at least trying to be taken seriously (so please keep that in mind before adding an example on this page). -
Dreams of a Subversive Future
Dreams of a Subversive Future Dreams of a Subversive Future Sexuality, (Hetero)normativity, and Queer Potential in Science Fiction Film and Television Josefine Wälivaara Department of Culture and Media Studies Umeå 2016 Responsible publisher under Swedish law: the Dean of the Faculty of Humanities Copyright © Josefine Wälivaara. This work is protected by the Swedish Copyright Legislation (Act 1960:729) ISBN: 978-91-7601-522-3 Cover image: Jack Harkness (John Barrowman) and Ianto Jones (Gareth David- Lloyd). Copyright © BBC. All Rights Reserved. Electronic version available at http://umu.diva-portal.org/ Printed by: Print & Media, Umeå Umeå, Sweden 2016 I’ll make my report as if I told a story, for I was taught as a child on my homeworld that Truth is a matter of the imagination. The soundest fact may fail or prevail in the style of its telling: like that singular organic jewel of our seas, which grows brighter as one woman wears it and, worn by another, dulls and goes to dust. Facts are no more solid, coherent, round, and real than pearls are. But both are sensitive. Ursula K. Le Guin, The Left Hand of Darkness Table of Contents Acknowledgements iii Abstract v Introduction 1 Background 2 Aim and Research Questions 6 Method, Material, Scope, and Relevance 7 Queer and Queer Readings 12 Terminology and Theoretical Perspectives 14 Gender and Sexuality 14 Heteronormativity and Subversion 17 Science Fiction as Field of Study 19 Genre Definition: The Performativity of Genre 19 Previous Research 21 Disposition of the Thesis 26 Chapter 1: (A)Sexuality -
Ana Iris Marques Ramgrab Meet Jane Austen: the Author As Character In
ANA IRIS MARQUES RAMGRAB MEET JANE AUSTEN: THE AUTHOR AS CHARACTER IN CONTEMPORARY DERIVATIVE WORKS PORTO ALEGRE 2013 UNIVERSIDADE FEDERAL DO RIO GRANDE DO SUL PROGRAMA DE PÓS-GRADUAÇÃO EM LETRAS ÁREA: ESTUDOS DE LITERATURA ESPECIALIDADE: LITERATURAS ESTRANGEIRAS MODERNAS LINHA DE PESQUISA: TEORIAS LITERÁRIAS E INTERDISCIPLINARIDADE MEET JANE AUSTEN: THE AUTHOR AS CHARACTER IN CONTEMPORARY DERIVATIVE WORKS AUTORA: ANA IRIS MARQUES RAMGRAB ORIENTADORA: SANDRA SIRANGELO MAGGIO Dissertação de Mestrado em Literaturas de Língua Inglesa, submetida ao Programa de Pós- Graduação em Letras da Universidade Federal do Rio Grande do Sul como requisito parcial para a obtenção do título de Mestre. PORTO ALEGRE Abril, 2013 FICHA CATALOGRÁFICA RAMGRAB, Ana Iris Marques Meet Jane Austen: The Author As Character In Contemporary Derivative Works Ana Iris Marques Ramgrab Porto Alegre: UFRGS, Instituto de Letras, 2013. 142 p Dissertação (Mestrado - Programa de Pós-graduação em Letras) Universidade Federal do Rio Grande do Sul. 1. Literatura Inglesa. 2. Jane Austen. 3. Autor Como Personagem. 4. Adaptação. 5. Metaficção Historiográfica. ACKNOWLEDGEMENTS The end of this journey was only possible because of the generosity and comprehension of my family, who had to endure five years of all Jane Austen all the time. Of course they had to endure 32 years of me first, so they had some training. Anyway, thank you Dad for teaching me to like books and for never denying me money to buy some more, even though I have no space left to store them. Mom and Clau, I’m sorry for all the times I made you sit through my explanations, complaints and endless repeating of the same films, but you also have to admit that watching Colin Firth, James McAvoy and Matthew Macfadyen in wet shirts was no sacrifice.