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Inscriptional Records of the Western Zhou
INSCRIPTIONAL RECORDS OF THE WESTERN ZHOU Robert Eno Fall 2012 Note to Readers The translations in these pages cannot be considered scholarly. They were originally prepared in early 1988, under stringent time pressures, specifically for teaching use that term. Although I modified them sporadically between that time and 2012, my final year of teaching, their purpose as course materials, used in a week-long classroom exercise for undergraduate students in an early China history survey, did not warrant the type of robust academic apparatus that a scholarly edition would have required. Since no broad anthology of translations of bronze inscriptions was generally available, I have, since the late 1990s, made updated versions of this resource available online for use by teachers and students generally. As freely available materials, they may still be of use. However, as specialists have been aware all along, there are many imperfections in these translations, and I want to make sure that readers are aware that there is now a scholarly alternative, published last month: A Source Book of Ancient Chinese Bronze Inscriptions, edited by Constance Cook and Paul Goldin (Berkeley: Society for the Study of Early China, 2016). The “Source Book” includes translations of over one hundred inscriptions, prepared by ten contributors. I have chosen not to revise the materials here in light of this new resource, even in the case of a few items in the “Source Book” that were contributed by me, because a piecemeal revision seemed unhelpful, and I am now too distant from research on Western Zhou bronzes to undertake a more extensive one. -
Title <Translated Article> Western Zhou History in the Collective
<Translated Article> Western Zhou History in the Collective Title Memory of the People of the Western Zhou: An Interpretation of the Inscription of the "Lai pan" Author(s) MATSUI, Yoshinori Citation 東洋史研究 (2008), 66(4): 712-664 Issue Date 2008-03 URL https://doi.org/10.14989/141873 Right Type Journal Article Textversion publisher Kyoto University 712 WESTERN ZHOU HISTORY IN THE COLLECTIVE MEMORY OF THE PEOPLE OF THE WESTERN ZHOU: AN INTERPRETATION OF THE INSCRIPTION OF THE "LAI PAN" MATSUI Y oshinori Introduction On January 19, 2003, twenty-seven bronze pieces were excavated from a hoard at Yangjiacun (Meixian county, Baoji city, Shaanxi province).l All the bronzes, which include twelve ding ~, nine Ii rn, two fanghu 11 if., one pan ~, one he :ii\'t, one yi [ffi, and one yu k, have inscriptions. Among them, the bronzes labeled "Forty-second-year Lai ding" ~ ~ (of which there are two pieces), "Forty-third-year Lai ding" (ten pieces), and "Lai pan" ~~ (one piece) have in scriptions that are particularly long for inscriptions from the Western Zhou period and run respectively to 281, 316 and 372 characters in length. The inscription of the "Lai pan," containing 372 characters, is divided into two parts, the first part is narrated from Lai's point of view but employs the third-person voice, opening with the phrase, "Lai said." The second part records an appointment (ceming :IlJt frJ) ceremony that opens, "The King said." The very exceptional first part records the service of generations of Lai's ancestors to successive Zhou Kings. The inscription mentions eleven former kings, King Wen X3:., King Wu TIk3:., King Cheng JIlG3:., King Kang *3:., King Zhao BR3:., King Mu ~~3:., King Gong *3:., King Yi i~3:., King Xiao ~(~)3:., King Yi 1J$(~)3:., King Li Jj1U (J~)3:. -
Xin-Xiao Yi Period in Yinxu Archaeology A
Session II SESSION II; ARCHAEOLOGY AT ANYANG *5. KWANG-CHIH CHANG (Harvard University) YINXU TOMB NUMBER FIVE AND THE QUESTION OF THE PAN GENG-XIAO XIN-XIAO YI PERIOD IN YINXU ARCHAEOLOGY ABSTRACT: At the time of the Shang's arrival at Yinxu their material culture was characterized by: (1) oracle-bone inscriptions; (2) bronze decor in Loehr Styles IV and V; (3) bronzes inscribed with societal emblems and ancestral "dedications"; (4) particular ceramic forms; (5) rammed-earth house foundations; and (6) pit graves lined with wooden chambers. These features appear for the first time in association with Tomb 5, that of Fu Hao, the consort of Wu Ding. Shang cultural data at Yinxu earlier than the Tomb 5 period are scarce and scattered. They involve: (1) the architectural remains at Xiaotun before the rammed earth house foundations; (2) earlier Shang tombs (M188, 232, 333, 388); and (3) an earlier Shang tomb at Wuguancun Locus North. Conspicuous cultural changes took place from Pottery Period I (prior to the Tomb 5 period) to Pottery Period II (Tomb 5 period), including: (1) expansion of the area of occupation; (2) oracle-bone inscriptions, rammed-earth house foundations, and large tombs, all evidently associated with the royal house; (3) Period II pottery becomes predominant and Loehr's bronze Styles IV and V come to replace I-III, with inscriptions becoming numerous. It is suggested that the series of changes that occurred with the onset of the Tomb 5 period resulted from Pangeng's move of his capital to this site. If this is so, then the period of the three kings from Pangeng to Xiaoyi must be found within the period of Tomb 5 rather than within the Pottery Period I. -
Parte I €“ Dilema éTico Y Virtud
Virtud y consecuencia en la literatura histórica y filosófica pre-Han y Han: el dilema ético en la filosofía y sociedad china César Guarde Paz ADVERTIMENT. La consulta d’aquesta tesi queda condicionada a l’acceptació de les següents condicions d'ús: La difusió d’aquesta tesi per mitjà del servei TDX (www.tdx.cat) ha estat autoritzada pels titulars dels drets de propietat intel·lectual únicament per a usos privats emmarcats en activitats d’investigació i docència. No s’autoritza la seva reproducció amb finalitats de lucre ni la seva difusió i posada a disposició des d’un lloc aliè al servei TDX. No s’autoritza la presentació del seu contingut en una finestra o marc aliè a TDX (framing). Aquesta reserva de drets afecta tant al resum de presentació de la tesi com als seus continguts. En la utilització o cita de parts de la tesi és obligat indicar el nom de la persona autora. ADVERTENCIA. La consulta de esta tesis queda condicionada a la aceptación de las siguientes condiciones de uso: La difusión de esta tesis por medio del servicio TDR (www.tdx.cat) ha sido autorizada por los titulares de los derechos de propiedad intelectual únicamente para usos privados enmarcados en actividades de investigación y docencia. No se autoriza su reproducción con finalidades de lucro ni su difusión y puesta a disposición desde un sitio ajeno al servicio TDR. No se autoriza la presentación de su contenido en una ventana o marco ajeno a TDR (framing). Esta reserva de derechos afecta tanto al resumen de presentación de la tesis como a sus contenidos. -
The Rise of Agricultural Civilization in China: the Disparity Between Archeological Discovery and the Documentary Record and Its Explanation
SINO-PLATONIC PAPERS Number 175 December, 2006 The Rise of Agricultural Civilization in China: The Disparity between Archeological Discovery and the Documentary Record and Its Explanation by Zhou Jixu Center for East Asian Studies, University of Pennsylvania, Philadelphia, Pennsylvania Chinese Department, Sichuan Normal University, Chengdu, Sichuan Victor H. Mair, Editor Sino-Platonic Papers Department of East Asian Languages and Civilizations University of Pennsylvania Philadelphia, PA 19104-6305 USA [email protected] www.sino-platonic.org SINO-PLATONIC PAPERS is an occasional series edited by Victor H. Mair. The purpose of the series is to make available to specialists and the interested public the results of research that, because of its unconventional or controversial nature, might otherwise go unpublished. The editor actively encourages younger, not yet well established, scholars and independent authors to submit manuscripts for consideration. Contributions in any of the major scholarly languages of the world, including Romanized Modern Standard Mandarin (MSM) and Japanese, are acceptable. In special circumstances, papers written in one of the Sinitic topolects (fangyan) may be considered for publication. Although the chief focus of Sino-Platonic Papers is on the intercultural relations of China with other peoples, challenging and creative studies on a wide variety of philological subjects will be entertained. This series is not the place for safe, sober, and stodgy presentations. Sino-Platonic Papers prefers lively work that, while taking reasonable risks to advance the field, capitalizes on brilliant new insights into the development of civilization. The only style-sheet we honor is that of consistency. Where possible, we prefer the usages of the Journal of Asian Studies. -
Chinese Royalty Introduction Pan Geng Empress Gao Tai Wu He Dan Jia Zu Yi Emperor Lizong of Song Princess Der Ling Zu Ding
CHINESE ROYALTY INTRODUCTION PAN GENG EMPRESS GAO TAI WU HE DAN JIA ZU YI EMPEROR LIZONG OF SONG PRINCESS DER LING ZU DING PDF-31CRIPGEGTWHDJZYELOSPDLZD8 | Page: 125 File Size 5,545 KB | 2 Feb, 2020 TABLE OF CONTENT Introduction Brief Description Main Topic Technical Note Appendix Glossary PDF File: Chinese Royalty Introduction Pan Geng Empress Gao Tai Wu He Dan Jia Zu Yi Emperor Lizong 1/2 Of Song Princess Der Ling Zu Ding - PDF-31CRIPGEGTWHDJZYELOSPDLZD8 Chinese Royalty Introduction Pan Geng Empress Gao Tai Wu He Dan Jia Zu Yi Emperor Lizong Of Song Princess Der Ling Zu Ding e-Book Name : Chinese Royalty Introduction Pan Geng Empress Gao Tai Wu He Dan Jia Zu Yi Emperor Lizong Of Song Princess Der Ling Zu Ding - Read Chinese Royalty Introduction Pan Geng Empress Gao Tai Wu He Dan Jia Zu Yi Emperor Lizong Of Song Princess Der Ling Zu Ding PDF on your Android, iPhone, iPad or PC directly, the following PDF file is submitted in 2 Feb, 2020, Ebook ID PDF-31CRIPGEGTWHDJZYELOSPDLZD8. Download full version PDF for Chinese Royalty Introduction Pan Geng Empress Gao Tai Wu He Dan Jia Zu Yi Emperor Lizong Of Song Princess Der Ling Zu Ding using the link below: Download: CHINESE ROYALTY INTRODUCTION PAN GENG EMPRESS GAO TAI WU HE DAN JIA ZU YI EMPEROR LIZONG OF SONG PRINCESS DER LING ZU DING PDF The writers of Chinese Royalty Introduction Pan Geng Empress Gao Tai Wu He Dan Jia Zu Yi Emperor Lizong Of Song Princess Der Ling Zu Ding have made all reasonable attempts to offer latest and precise information and facts for the readers of this publication. -
Studies on the Inscriptions on the Three Bronzes of Diaosheng
Chinese Archaeology 11 (2011): 160–164 © 2011 by Walter de Gruyter, Inc.· Boston · Berlin. DOI 10.1515/CHAR–2011–020 Studies on the inscriptions on the three bronzes of Diaosheng Shi Feng* the King [an unnamed king of the Zhou Dynasty], the Duke of Shao summoned Diaosheng to discuss * Institute of Archaeology, Chinese Academy of Social his participation in the management of the land and Sciences, Beijing 110710 retainers of the Shao lineage, and Shao Bo Hu came to join them. Diaosheng was self-confident on account of Abstract his good virtue. Dame Shao [later referred to as Fu Shi; the Duke of Shao’s wife] held a District Symposium Based on the ritual background of Xiang Yinjiu Li (District ceremony for this internal lineage meeting, and two Symposium), this paper re-examined the inscriptions of vases of wine were ceremonially displayed. Fu Shi the bronze gui of Diaosheng (the owner’s name marked told the people attending the meeting: “Now let me in the inscriptions) with dates of “the fifth year” and “the convey the personal message of the Duke of Shao, the sixth year” discovered in the past, and that of bronze xi- head of our lineage, to you. He says, ‘I am becoming vessel with date of “the fifth year” recently unearthed old. At present, the retainers of our lineage often raise in Fufeng County, Shaanxi Province, and revealed the complaints, accusations and disturbances. I require connotation of the inscriptions and the patriarchal rules, Bo Hu and Diaosheng to promise me not to let these ritual systems and social life and customs of the Western retainers flee and leave the Shao lineage. -
Of the Chinese Bronze
READ ONLY/NO DOWNLOAD Ar chaeolo gy of the Archaeology of the Chinese Bronze Age is a synthesis of recent Chinese archaeological work on the second millennium BCE—the period Ch associated with China’s first dynasties and East Asia’s first “states.” With a inese focus on early China’s great metropolitan centers in the Central Plains Archaeology and their hinterlands, this work attempts to contextualize them within Br their wider zones of interaction from the Yangtze to the edge of the onze of the Chinese Bronze Age Mongolian steppe, and from the Yellow Sea to the Tibetan plateau and the Gansu corridor. Analyzing the complexity of early Chinese culture Ag From Erlitou to Anyang history, and the variety and development of its urban formations, e Roderick Campbell explores East Asia’s divergent developmental paths and re-examines its deep past to contribute to a more nuanced understanding of China’s Early Bronze Age. Campbell On the front cover: Zun in the shape of a water buffalo, Huadong Tomb 54 ( image courtesy of the Chinese Academy of Social Sciences, Institute for Archaeology). MONOGRAPH 79 COTSEN INSTITUTE OF ARCHAEOLOGY PRESS Roderick B. Campbell READ ONLY/NO DOWNLOAD Archaeology of the Chinese Bronze Age From Erlitou to Anyang Roderick B. Campbell READ ONLY/NO DOWNLOAD Cotsen Institute of Archaeology Press Monographs Contributions in Field Research and Current Issues in Archaeological Method and Theory Monograph 78 Monograph 77 Monograph 76 Visions of Tiwanaku Advances in Titicaca Basin The Dead Tell Tales Alexei Vranich and Charles Archaeology–2 María Cecilia Lozada and Stanish (eds.) Alexei Vranich and Abigail R. -
Chinese History-Writing Between the Sacred and the Secular
CHINESE HISTORY WRITING BETWEEN THE SACRED AND THE SECULAR Yuri Pines Th e nexus of religion and the writing of history in ancient China is a broad topic that may pertain to a large variety of texts and non-textual phenomena, depending on the defi nition of “religion” applied in the Chinese context. To focus the discussion more topically, in what fol- lows I shall adopt a heuristically-convenient defi nition of “religious” and “secular” with regard to historical texts. I defi ne a text, or an aspect thereof as “religious” insofar as it is related to communication with dei- ties (particularly ancestral spirits), or insofar as it is supposed to have a certain sacral power of infl uencing the world through a proper choice of wording or proper arrangement of the material. Alternatively, I treat the text as “secular” if it lacks the above traits and is intended either for political education for the elite members or for their entertainment. My discussion will focus on those texts that had lasting impact on Chinese historiography, namely the canonical Chunqiu ਞટ (Annals) and its commentaries, and the fi rst of the so-called “offi cial histories,” the ,Shiji ಖ (Records of the historian). In what follows, I shall outline, fi rst the cultic origins of the Chinese historiographical tradition and suggest that the Chunqiu should be understood primarily as a ritual rather than a historical text. Th en, by analyzing two of the most important Chunqiu commentaries, the Zuozhuan ؐႚ (Zuo commentary) and the Gongyang ႚ (Gongyang commentary), I shall trace the bifurcation ofےzhuan ֆ history writing between the “secular” and the “religious” traditions. -
1 Abi Barnes* and Wei Cao** INTRODUCTION
MUDDY WATERS: THE PUBLIC HEALTH RISKS AND SUSTAINABILITY OF BOTTLED WATER IN CHINA Abi Barnes* and Wei Cao** INTRODUCTION .................................................................................................................... 1 1. The Bottled Water Industry ................................................................................... 6 A. The Global Bottled Water Market ............................................................ 6 B. China’s Bottled Water Market ................................................................ 11 1. Origins of the Industry ................................................................. 12 2. The Market Landscape and Projected Growth ............................. 13 3. The Market’s Chinese Characteristics ......................................... 16 4. Forces and Trends Driving Growth ............................................. 18 5. Environmental and Energy Issues ................................................ 24 2. Quality Control, Contamination Scares, and Sustainability ................................ 30 3. The Legal Landscape of Bottled Water in China ................................................. 41 A. Extraction and Compensation ................................................................. 43 1. Mineral Water .............................................................................. 43 2. Non-Mineral Water ...................................................................... 46 3. Purified Tap Water ...................................................................... -
Adventures in the National Palace Museum
Digital Technology Facilitated MLA (Museums, Libraries, and Archives) Service Innovation James Quo-Ping Lin Director General, Dept. of Cultural Creativity and Marketing National Palace Museum, Taipei, Taiwan, R.O.C. National Palace Museum The National Palace Museum houses the finest Chinese artifacts collected from the Song, Yuan, Ming, and Qing Dynasties Collection: 682,000 items Exhibition Space: Northern Branch: 9,613.91 m² Southern Branch: 5,913 m² Museum Collection Painting and Rare Books and Calligraphy Antiquities Historical Documents Digital Data Retrieval System Antiquities Painting & Calligraphy Historical Documents Rare Books NPM Artifact Integrated Search System Collection Management System 3D Virtual Collection Collaborated with Academia Sinica, National Taiwan University and Industrial Technology Research Institute to build 3D models of five selected objects 3D Laser Scanning 360 Virtual Exhibition 3D Tools • Maya • 3D Max • Laser Scanner National Palace Museum Website Languages: •Chinese •Simplified Chinese •English •Japanese •Korean •German •French •Spanish •Russian •Arabic •Portuguese Virtual Museum Website • Audiences from around the world can access the museum through the virtual museum website. • Comprehensive on-line visitor guide provides an informative and enjoyable digital experience. Exhibition Theme Sites LANG SHINING The Calligraphic World of Mifu’s Art 49th Annual Worldfest Houston (2016) MUSE Gold Award (2007) Age of the Great Khan MUSE Honorable Mention Award (2004) Promotional Films 1. Behind the Palace, Beyond the Horizon 2004 2. The Passage 2004 3. In the Golden Age of Chinese Craftsmanship 2006 4. Adventures in the NPM 2007 5. Inside: The Emperor’s Treasure 2007 6. The Museum without Walls 2008 In the Golden Age of Chinese Craftsmanship In the Golden Age of Chinese Craftsmanship, directed by Taiwanese director Hou Hsiao-Hsien, shows the extraordinary precision and quality of Ming and Ch’ing dynasty crafts in the National Palace Museum collection. -
Where Was the Western Zhou Capital? a Capital City Has a Special Status in Every Country
Maria Khayutina [email protected] Where Was the Western Zhou Capital? A capital city has a special status in every country. Normally, this is a political, economical, social center. Often it is a cultural and religious center as well. This is the place of governmental headquarters and of the residence of power-holding elite and professional administrative cadres. In the societies, where transportation means are not much developed, this is at the same time the place, where producers of the top quality goods for elite consumption live and work. A country is often identified with its capital city both by its inhabitants and the foreigners. Wherefore, it is hardly possible to talk about the history of a certain state without making clear, where was located its capital. The Chinese history contains many examples, when a ruling dynasty moved its capital due to defensive or other political reasons. Often this shift caused not only geographical reorganization of the territory, but also significant changes in power relations within the state, as well as between it and its neighbors. One of the first such shifts happened in 771 BC, when the heir apparent of the murdered King You 幽 could not push back invading 犬戎 Quanrong hordes from the nowadays western 陜西 Shaanxi province, but fled to the city of 成周 Chengzhou near modern 洛陽 Luoyang, where the royal court stayed until the fall of the 周 Zhou in the late III century BC. This event is usually perceived as a benchmark between the two epochs – the “Western” and “Eastern” Zhou respectively, distinctly distinguished one from another.