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Albion Full Cast Announced
Press release: Thursday 2 January The Almeida Theatre announces the full cast for its revival of Mike Bartlett’s Albion, directed by Rupert Goold, following the play’s acclaimed run in 2017. ALBION by Mike Bartlett Direction: Rupert Goold; Design: Miriam Buether; Light: Neil Austin Sound: Gregory Clarke; Movement Director: Rebecca Frecknall Monday 3 February – Saturday 29 February 2020 Press night: Wednesday 5 February 7pm ★★★★★ “The play that Britain needs right now” The Telegraph This is our little piece of the world, and we’re allowed to do with it, exactly as we like. Yes? In the ruins of a garden in rural England. In a house which was once a home. A woman searches for seeds of hope. Following a sell-out run in 2017, Albion returns to the Almeida for four weeks only. Joining the previously announced Victoria Hamilton (awarded Best Actress at 2018 Critics’ Circle Awards for this role) and reprising their roles are Nigel Betts, Edyta Budnik, Wil Coban, Margot Leicester, Nicholas Rowe and Helen Schlesinger. They will be joined by Angel Coulby, Daisy Edgar-Jones, Dónal Finn and Geoffrey Freshwater. Mike Bartlett’s plays for the Almeida include his adaptation of Maxim Gorky’s Vassa, Game and the multi-award winning King Charles III (Olivier Award for Best New Play) which premiered at the Almeida before West End and Broadway transfers, a UK and international tour. His television adaptation of the play was broadcast on BBC Two in 2017. Other plays include Snowflake (Old Fire Station and Kiln Theatre); Wild; An Intervention; Bull (won the Olivier Award for Outstanding Achievement in an Affiliate Theatre); an adaptation of Medea; Chariots of Fire; 13; Decade (co-writer); Earthquakes in London; Love, Love, Love; Cock (Olivier Award for Outstanding Achievement in an Affiliate Theatre); Contractions and My Child Artefacts. -
The Duchess of Malfi Announced
Press release: Thursday 12 September The Almeida Theatre announces Associate Director Rebecca Frecknall’s new production of John Webster’s revenge tragedy The Duchess of Malfi, with Lydia Wilson in the title role. The production opens on Tuesday 10 December 2019, with previews from Monday 2 December, and runs until Saturday 18 January 2020. It follows Frecknall’s previously acclaimed Almeida productions of Three Sisters and the Olivier Award-winning Summer and Smoke. THE DUCHESS OF MALFI by John Webster Direction: Rebecca Frecknall; Design: Chloe Lamford; Costume: Nicky Gillibrand; Light: Jack Knowles; Sound: George Dennis Cast includes: Lydia Wilson. Monday 2 December 2019 – Saturday 18 January 2020 Press night: Tuesday 10 December 7pm “Whether we fall by ambition, blood or lust Like diamonds, we are cut with our own dust” You fall in love. You get married. You have children. You live happily ever after. Almeida Associate Director Rebecca Frecknall follows her Olivier Award-winning production of Summer and Smoke and Three Sisters with The Duchess of Malfi, John Webster’s electrifying revenge tragedy about rage, resistance and a deadly lust for power. John Webster (1580 – 1634) was an English dramatist and contemporary of William Shakespeare, best known for his tragedies The White Devil and The Duchess of Malfi. Rebecca Frecknall is Associate Director at the Almeida Theatre. For the Almeida, she has directed Three Sisters, Summer and Smoke (also West End and winner of two Olivier Awards including Best Revival) and worked as Associate Director on Ink at the Almeida/Duke of York’s Theatre and Movement Director on Albion. -
Nine Night at the Trafalgar Studios
7 September 2018 FULL CASTING ANNOUNCED FOR THE NATIONAL THEATRE’S PRODUCTION OF NINE NIGHT AT THE TRAFALGAR STUDIOS NINE NIGHT by Natasha Gordon Trafalgar Studios 1 December 2018 – 9 February 2019, Press night 6 December The National Theatre have today announced the full cast for Nine Night, Natasha Gordon’s critically acclaimed play which will transfer from the National Theatre to the Trafalgar Studios on 1 December 2018 (press night 6 December) in a co-production with Trafalgar Theatre Productions. Natasha Gordon will take the role of Lorraine in her debut play, for which she has recently been nominated for the Best Writer Award in The Stage newspaper’s ‘Debut Awards’. She is joined by Oliver Alvin-Wilson (Robert), Michelle Greenidge (Trudy), also nominated in the Stage Awards for Best West End Debut, Hattie Ladbury (Sophie), Rebekah Murrell (Anita) and Cecilia Noble (Aunt Maggie) who return to their celebrated NT roles, and Karl Collins (Uncle Vince) who completes the West End cast. Directed by Roy Alexander Weise (The Mountaintop), Nine Night is a touching and exuberantly funny exploration of the rituals of family. Gloria is gravely sick. When her time comes, the celebration begins; the traditional Jamaican Nine Night Wake. But for Gloria’s children and grandchildren, marking her death with a party that lasts over a week is a test. Nine rum-fuelled nights of music, food, storytelling and laughter – and an endless parade of mourners. The production is designed by Rajha Shakiry, with lighting design by Paule Constable, sound design by George Dennis, movement direction by Shelley Maxwell, company voice work and dialect coaching by Hazel Holder, and the Resident Director is Jade Lewis. -
KIPPS the NEW HALF a SIXPENCE MUSICAL Based on the H.G
“We Try To Please” and “Pleased To Try” MONDAY 5th - SATURDAY 10th JULY 2021 Mountview by arrangement with Cameron Mackintosh presents KIPPS THE NEW HALF A SIXPENCE MUSICAL Based on the H.G. Wells novel “KIPPS: The Story of a Simple Soul” and the original musical by BEVERLEY CROSS and DAVID HENEKER Original Songs by DAVID HENEKER Book by JULIAN FELLOWES New Songs and Additional Music and Lyrics by GEORGE STILES and ANTHONY DREWE Orchestrations by WILLIAM DAVID BROHN Co-created by CAMERON MACKINTOSH This amateur production is presented by arrangement with Music Theatre International (Europe). All authorised performance materials are also supplied by MTI Europe. mtishows.co.uk Director STEPHEN JAMESON Musical Director ANDREW HILTON Choreographer EMMA WOODS Set and Costume Designer PJ MCEVOY Lighting Designer BEN ORMEROD Sound Designer MATT MCKENZIE Photo by RULER ABOUT MOUNTVIEW Excellence, Access and Innovation in dramatic training are at the heart of our work. Since 1945, we have trained the very best performers, directors, theatre production artists and producers. We are committed to ensuring our community of over 500 students is representative and that drama training is accessible to all. Opened in 2018, our home in Peckham was conceived in partnership with Southwark Council as a truly 21st-century drama school and a creative arts hub for all. Our state-of-the-art facilities include the 200-seat Mountview Theatre (made possible by a £1m donation from Sir Cameron Mackintosh), the 80-seat Backstage Theatre, 21 acting/dance studios, TV and radio suites and production workshops. In recognition of their extraordinary work in establishing Mountview’s new home and for their commitment to promoting inclusivity, Joint Chief Executives Stephen Jameson and Sarah Preece were presented with Olivier Awards in 2020. -
Trafalgar Entertainment Launch Release 22-06-2017
22nd June 2017 HOWARD PANTER AND ROSEMARY SQUIRE LAUNCH THEIR NEW VENTURE TRAFALGAR ENTERTAINMENT GROUP WITH THE ACQUISITION OF TRAFALGAR RELEASING (FORMERLY OPERATING AS PICTUREHOUSE ENTERTAINMENT) AND THE PURCHASE OF TRAFALGAR STUDIOS Sir Howard Panter and Rosemary Squire OBE announced today the acquisition of Trafalgar Releasing (formerly operating as Picturehouse Entertainment), an award winning, market- leader in global event distribution, to be known as Trafalgar Releasing. This multi million purchase coincides with the completed acquisition by the theatrical impresarios of London’s Trafalgar Studios, with its two London Theatres. Trafalgar Entertainment’s next theatre production at Trafalgar Studios will star Tony and Emmy Award winning Stockard Channing in Apologia “Sharp, funny, wise & humane” (Daily Telegraph) written by Alexi Kaye Campbell, and directed by Jamie Lloyd. It will preview at Trafalgar Studios from 29 July 2017. Among other productions Howard Panter will also continue to produce The Rocky Horror show globally, including new productions in New York, Germany and Australia. Trafalgar Releasing works with some of the world’s most renowned arts institutions, distributing high-profile live content to cinemas in the UK and around the world from the Royal Shakespeare Company, the Bolshoi Ballet, Glyndebourne, the National Theatre, the Metropolitan Opera and the Royal Opera House. Recent Trafalgar Releasing announcements have included David Gilmour Live at Pompeii screening in approximately 2000 cinemas around the world, Donmar presents Julius Caesar, the first part of Phyllida Lloyd’s Shakespeare Trilogy and Alone in Berlin Live from IWM London, a preview featuring Emma Thompson followed by a lively and inspiring discussion exploring the themes of the film. -
Conference Abstracts and Biographies
Conference Abstracts and Biographies Listed in alphabetical order by contributor’s surname TaPRA2009 Organizers at the University of Plymouth: Dr Lee Miller Dr Roberta Mock Dr Victor Ramirez Ladron de Guevara www.plymouth.ac.uk/arts/theatre Siân Adieshiah (Performance Identity Community Working Group) University of Lincoln “I just die for some authority! A little touch of leadership, a bit of bracing tyranny!”: Barriers to Utopia in Howard Brenton’s Greenland Written and performed just after Margaret Thatcher’s third election victory in Britain in 1987, Howard Brenton’s final play in his Utopian trilogy, Greenland is an isolated example during this period of a Left playwright’s attempt to construct a utopian future on stage. The second act of Greenland partially resembles classical utopian fiction and in doing so, has led some commentators to dismiss the play as tedious, static and lacking in dramatic interest. The act’s absence of conflict, lack of historicism, and the contentment of its inhabitants have been cited as reasons for its alleged dullness. This interpretation to some extent concurs with the character, Severan-Severan, whose view is that misery and suffering are essential to the human condition and that liberation is a living death. However, this approach neglects a more complex engagement with utopia that is present in the play. Audiences – along with the non-utopian character, Joan – respond to Greenland in a way that can be illuminated by Frederic Jameson’s idea of the ‘terror of obliteration,’ an idea that considers our hostility to utopia to be based upon the inconceivability of altogether different notions of subjectivity available in utopia. -
The Curious Incident of the Dog in the Night-Time Embarks on a Third Uk and Ireland Tour This Autumn
3 March 2020 THE NATIONAL THEATRE’S INTERNATIONALLY-ACCLAIMED PRODUCTION OF THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME EMBARKS ON A THIRD UK AND IRELAND TOUR THIS AUTUMN • TOUR INCLUDES A LIMITED SEVEN WEEK RUN AT THE TROUBADOUR WEMBLEY PARK THEATRE FROM WEDNESDAY 18 NOVEMBER 2020 Back by popular demand, the Olivier and Tony Award®-winning production of The Curious Incident of the Dog in the Night-Time will tour the UK and Ireland this Autumn. Launching at The Lowry, Salford, Curious Incident will then go on to visit to Sunderland, Bristol, Birmingham, Plymouth, Southampton, Liverpool, Edinburgh, Dublin, Belfast, Nottingham and Oxford, with further venues to be announced. Curious Incident will also play for a limited run in London at Troubadour Wembley Park Theatre in Brent - London Borough of Culture 2020 - following the acclaimed run of War Horse in 2019. Curious Incident has been seen by more than five million people worldwide, including two UK tours, two West End runs, a Broadway transfer, tours to the Netherlands, Canada, Hong Kong, Singapore, China, Australia and 30 cities across the USA. Curious Incident is the winner of seven Olivier Awards including Best New Play, Best Director, Best Design, Best Lighting Design and Best Sound Design. Following its New York premiere in September 2014, it became the longest-running play on Broadway in over a decade, winning five Tony Awards® including Best Play, six Drama Desk Awards including Outstanding Play, five Outer Critics Circle Awards including Outstanding New Broadway Play and the Drama League Award for Outstanding Production of a Broadway or Off Broadway Play. -
New Appointments at Trafalgar Entertainment Group Bolster Company’S Expansion Plans
PRESS RELEASE 01/11/2018 NEW APPOINTMENTS AT TRAFALGAR ENTERTAINMENT GROUP BOLSTER COMPANY’S EXPANSION PLANS Sir Howard Panter and Dame Rosemary Squire have made two major appointments as part of their planned expansion of Trafalgar Entertainment Group (TEG). Tim McFarlane has joined the TEG senior management team as Executive Chairman of Trafalgar Entertainment Asia-Pacific Pty Limited and Andrew Hill has been appointed as Business Affairs Director of Trafalgar Entertainment Group. Tim commenced his role earlier this autumn and is based in Sydney, whilst Andrew commences work on 1 November at TEG’s London office on The Strand. Both Tim and Andrew have previously worked with Howard and Rosemary as they built one of the world’s largest and most successful live theatre businesses, the Ambassador Theatre Group. At TEG, Tim is already working on various Australian projects, and he will be driving TEG’s international strategy to build and strengthen relationships and partnerships in the Asia Pacific region. Andrew will be responsible for overseeing the company’s planned future growth, acquisitions and business development. Tim McFarlane, said: “To work with Sir Howard and Dame Rosemary pursuing theatres and productions for Australia and Asia Pacific is to work with the best people in the business. I’m absolutely delighted.” Andrew Hill, said: “I have worked alongside Rosemary and Howard in an advisory capacity on a number of their transformative acquisitions, and have always admired their tenacity, insight and vision. I am very much looking forward to supporting them in the future expansion and development of Trafalgar Entertainment Group.” Executive Chair and Joint CEO of TEG, Dame Rosemary Squire, said: “These are two really exciting appointments for Trafalgar Entertainment Group as we continue to invest in the company’s future and build our executive team. -
Read the 2015/2016 Financial Statement
ANNUAL REPORT 2015-16 National Theatre Page 1 of 87 PUBLIC BENEFIT STATEMENT In developing the objectives for the year, and in planning activities, the Trustees have considered the Charity Commission’s guidance on public benefit and fee charging. The repertoire is planned so that across a full year it will cover the widest range of world class theatre that entertains, inspires and challenges the broadest possible audience. Particular regard is given to ticket-pricing, affordability, access and audience development, both through the Travelex season and more generally in the provision of lower price tickets for all performances. Geographical reach is achieved through touring and NT Live broadcasts to cinemas in the UK and overseas. The NT’s Learning programme seeks to introduce children and young people to theatre and offers participation opportunities both on-site and across the country. Through a programme of talks, exhibitions, publishing and digital content the NT inspires and challenges audiences of all ages. The Annual Report is available to download at www.nationaltheatre.org.uk/annualreport If you would like to receive it in large print, or you are visually impaired and would like a member of staff to talk through the publication with you, please contact the Board Secretary at the National Theatre. Registered Office & Principal Place of Business: The Royal National Theatre, Upper Ground, London. SE1 9PX +44 (0)20 7452 3333 Company registration number 749504. Registered charity number 224223. Registered in England. Page 2 of 87 CONTENTS Public Benefit Statement 2 Current Board Members 4 Structure, Governance and Management 5 Strategic Report 8 Trustees and Directors Report 36 Independent Auditors’ Report 45 Financial Statements 48 Notes to the Financial Statements 52 Reference and Administrative Details of the Charity, Trustees and Advisors 86 In this document The Royal National Theatre is referred to as “the NT”, “the National”, and “the National Theatre”. -
Hamlet West End Announcement
FOLLOWING A CRITICALLY ACCLAIMED & SELL-OUT RUN AT THE ALMEIDA THEATRE HAMLET STARRING THE BAFTA & OLIVIER AWARD-WINNING ANDREW SCOTT AND DIRECTED BY THE MULTI AWARD-WINNING DIRECTOR ROBERT ICKE WILL TRANSFER TO THE HAROLD PINTER THEATRE FOR A STRICTLY LIMITED SEASON FROM 9 JUNE – 2 SEPTEMBER 2017 ‘ANDREW SCOTT DELIVERS A CAREER-DEFINING PERFORMANCE… HE MAKES THE MOST FAMOUS SPEECHES FEEL FRESH AND UNPREDICTABLE’ EVENING STANDARD ‘IT IS LIVEWIRE, EDGE-OF-THE-SEAT STUFF’ TIME OUT Olivier Award-winning director, Robert Icke’s (Mary Stuart, The Red Barn, Uncle Vanya, Oresteia, Mr Burns and 1984), ground-breaking and electrifying production of William Shakespeare’s Hamlet, starring BAFTA award-winner Andrew Scott (Moriarty in BBC’s Sherlock, Denial, Spectre, Design For Living and Cock) in the title role, will transfer to the Harold Pinter Theatre, following a critically acclaimed and sell out run at the Almeida Theatre. Hamlet will run for a limited season only from 9 June to 2 September 2017 with press night on Thursday 15 June. Hamlet is produced by Ambassador Theatre Group (Sunday In The Park With George, Buried Child, Oresteia), Sonia Friedman Productions and the Almeida Theatre (Chimerica, Ghosts, King Charles III, 1984, Oresteia), who are renowned for introducing groundbreaking, critically acclaimed transfers to the West End. Rupert Goold, Artistic Director, Almeida Theatre said "We’re delighted that with this transfer more people will be able to experience our production of Hamlet. Robert, Andrew, and the entire Hamlet company have created an unforgettable Shakespeare which we’re looking forward to sharing even more widely over the summer in partnership with Sonia Friedman Productions and ATG.” Robert Icke, Director (and Almeida Theatre Associate Director) said “It has been such a thrill to work with Andrew and the extraordinary company of Hamlet on this play so far, and I'm delighted we're going to continue our work on this play in the West End this summer. -
2020 Vintage Award SATURDAY, NOVEMBER 14
PRESENTS THE 2020 VintAge Award SATURDAY, NOVEMBER 14 3 pm East Coast 12 noon West Coast ON ZOOM #VintageAward #Vintage2020 #vintagewomen #womenartsmedia @womenartsmedia Program •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• Pre-Show “Women of the World Unite” song by Sarah Moore slide show by Avis Boone ––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– Welcome Avis Boone & Yvonne Curry, Co-Presidents of the Coalition Shellen Lubin & Mary Hodges, Co-Presidents of LPTW Elsa Rael, Coalition Co-Founder & Past President ––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– “Women Unite, a SWAN Song” sung by Jennifer Hill, SWAN Day CT ––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– Paul R. Tetreault, Director Ford's Theater ––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– Rebecca Strang, formerly of StageWest ––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– Introducing the Fund for Women Artists Kate Geis, Director & Pamela Means, Music ––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– NBC News SWAN Day 2009 ––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– Christine Young, WomenArts Board Member ––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– “Comin’ Home” by Mary D. Watkins, Composer and Pianist ––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– -
Press Release
Press Release 21 October 2013 GLOBAL PRIVATE EQUITY FIRM PROVIDENCE EQUITY PARTNERS REACHES AGREEMENT TO BECOME MAJORITY SHAREHOLDER IN ATG The Ambassador Theatre Group Ltd (ATG) today announces that an agreement has been reached for global private equity firm Providence Equity Partners to become a major shareholder in the company, having successfully reached agreement for its seventh fund to purchase a majority share from current investors led by Exponent Private Equity. Exponent retains a minority stake in ATG as part of the deal, and will continue to work with Providence and the existing management team including ATG’s Joint CEOs and co-Founders Sir Howard Panter and Rosemary Squire OBE. Greg Dyke will continue in his role as ATG Chairman. Providence is the world's leading private equity firm focused on media, communications, education and information investments. The firm manages funds with $37 billion in commitments and has invested in more than 130 companies globally since its inception in 1989. Providence is headquartered in Providence, RI (USA) and also has offices in New York, London, Hong Kong, Beijing, and New Delhi. 1 Prior to the sale, Exponent had been ATG’s majority shareholder since 2009 when the company acquired Live Nation’s UK theatres. Terms of the transaction with Providence were not disclosed. ATG’s Joint CEO’s Sir Howard Panter and Rosemary Squire OBE issued the following statement: “We’re thrilled with today’s announcement and very pleased to be working alongside Providence in taking ATG into the next exciting phase of its development. This new partnership cements the foundations for the company’s planned future growth.