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Downbeat.Com March 2014 U.K. £3.50
£3.50 £3.50 U.K. DOWNBEAT.COM MARCH 2014 D O W N B E AT DIANNE REEVES /// LOU DONALDSON /// GEORGE COLLIGAN /// CRAIG HANDY /// JAZZ CAMP GUIDE MARCH 2014 March 2014 VOLUME 81 / NUMBER 3 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes Editorial Intern Kathleen Costanza Design Intern LoriAnne Nelson ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene -
The Hilltop 10-28-1994
Howard University Digital Howard @ Howard University The iH lltop: 1990-2000 The iH lltop Digital Archive 10-28-1994 The iH lltop 10-28-1994 Hilltop Staff Follow this and additional works at: https://dh.howard.edu/hilltop_902000 Recommended Citation Staff, Hilltop, "The iH lltop 10-28-1994" (1994). The Hilltop: 1990-2000. 122. https://dh.howard.edu/hilltop_902000/122 This Book is brought to you for free and open access by the The iH lltop Digital Archive at Digital Howard @ Howard University. It has been accepted for inclusion in The iH lltop: 1990-2000 by an authorized administrator of Digital Howard @ Howard University. For more information, please contact [email protected]. Volume 78, No.9 Serving the Howard University community since 1924 October 28, 1994 Student accounts, loan offices daniaged in· fire . Officials believe electrical fault$ caused fire, arson not ruled out I ey Russell Rickford ttlltq> Staff Writer Fire leaves students No injuries were repor1cd in the l r,,o-alarm blaze 1ba1 guned room 106 of Howard's Mordecai heated, indifferent )obnson Adminis1Ta1ion bu ilding sil:f1)y after midnighl Monday. The All 1he files are intact aod they will &ewas snuffed ou1 in 20 minu1es, ~ Rois Beal keep collec~ng money. Wlien it IUI DOI before it had turned the Hilltop Statt Writer comes 10 gettmg money, Howard is Uaiversity's newly renova1ed S1uden1s • reactions to the always business-as-usual,'' lllldenl accouol headquaners in10 Administration Building fire Jackson, who is 1101 validnled, said. I ciDder boil , earlier this week 1hat destroyed the Senior accouming major Ahmed The driver of a passing Student Accoums Office ranged Ali, who is also no1 vnhdated, felt lllbulancediscovered 1he fire and from shock 10 indifference, wliile thal ii changed nolhing for him. -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
Sendung, Sendedatum
WDR 3 Jazz & World, 8. Februar 2019 Archie Shepp & Attica Blues Orchestra/ Fire Music – der Saxofonist Archie Shepp 22:04 – 24:00 Stand: 28.01.2019 E-Mail: [email protected] | Online: jazz.wdr.de Moderation: Bert Noglik Redaktion: Tinka Koch Laufplan 1. Attica Blues K.: Archie Shepp 7:58 ATTICA BLUES Archieball Records ARCH 1301 ORCHESTRA CD: I Hear The Sound 2. Arms K.: Amina Claudine Myers 7:31 ATTICA BLUES wie Titel 1 ORCHESTRA 3. Blues For Brother G. K.: Archie Shepp 6:52 Jackson wie Titel 1 ATTICA BLUES ORCHESTRA 4. Come Sunday K.: Archie Shepp 6:36 ATTICA BLUES wie Titel 1 ORCHESTRA 5. The Cry Of My People K.: Archie Shepp 6:42 ATTICA BLUES wie Titel 1 ORCHESTRA 5. Ballad For A Child K.: Archie Shepp 5:04 ATTICA BLUES wie Titel 1 ORCHESTRA 7. Mama Too Tight K.: Archie Shepp 6:54 ATTICA BLUES wie Titel 1 ORCHESTRA 8. Mr. Syms K.: John Coltrane 7:38 ARCHIE SHEPP SEXTET Impulse! IMP 12182; LC: 00236 CD: Four For Trane 9. Malcolm, Malcolm- K.: Archie Shepp 4:48 Semper Malcolm Impulse! IMP 11582; LC: 00236 ARCHIE SHEPP CD: Fire Music Dieses Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des WDR. 1 WDR 3 Jazz & World, 8. Februar 2019 Archie Shepp & Attica Blues Orchestra/ Fire Music – der Saxofonist Archie Shepp 22:04 – 24:00 Stand: 28.01.2019 E-Mail: [email protected] | Online: jazz.wdr.de 10. Mama Rose K.: Archie Shepp 8:34 ARCHIE SHEPP Enja Records ENJA 4050 2; LC: 03126 CD: Soul Song 11. -
The Afro-American Fiddler Theresa Jenoure Hampshire College
Contributions in Black Studies A Journal of African and Afro-American Studies Volume 5 Special Joint Issue with the New England Article 6 Journal of Black Studies September 2008 The Afro-American Fiddler Theresa Jenoure Hampshire College Follow this and additional works at: https://scholarworks.umass.edu/cibs Recommended Citation Jenoure, Theresa (2008) "The Afro-American Fiddler," Contributions in Black Studies: Vol. 5 , Article 6. Available at: https://scholarworks.umass.edu/cibs/vol5/iss1/6 This Article is brought to you for free and open access by the Afro-American Studies at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Contributions in Black Studies by an authorized editor of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. The Afro-American Fiddler Cover Page Footnote The Author, a professional violinist and vocalist with a strong interest in multicultural art education, investigates the history of black violinists. This article is available in Contributions in Black Studies: https://scholarworks.umass.edu/cibs/vol5/iss1/6 Jenoure: The Afro-American Fiddler Theresa Jenoure THE AFRO-AMERICAN FIDDLER THERE IS HISTORICAL evidence of black violinists playing in both the European and African idioms from as early as the 1700's in America and Europe. The aim ofthis paper is to verify the widespread reign ofthe Afro-American violinist! fiddler in Afro-American music. The creation of the violin as we know it today is dated somewhere between 1500 and 1550 in Europe. However, it is merely one descendant in the Chordophone family and may be traced back to the Egyptian "Kithara" in Africa. -
An Online Bibliography 1859-2011
Anabaptism and Mission An Online Bibliography 1859-2011 Edited by Chad Mullet Bauman and James R. Krabill (First Edition) Revised and Updated by Joseph F. Pfeiffer Introduction to the Updated, Online Edition (2011) The following online electronic resource represents my efforts over the last few years, as a student at Associated Mennonite Biblical Seminary (AMBS), with the sponsorship and partnership of the AMBS Mission Studies Center, directed by Walter W. Sawatsky, to update the first print edition of this work: Anabaptism and Mission: A Bibliography, 1859-2000 (Elkhart, IN: Mennonite Mission Network, 2002), compiled and edited through the tremendous and tireless efforts of Chad M. Bauman and James R. Krabill. Throughout the ongoing project thus far, the researching and compiling of sources was a humbling task, as the body of bibliographic materials on this subject never remains static. Not only has the project entailed updating entries of authors and sources listed in the first edition, as well new authors and scholars that have come on the scene in the first decade of the 21 st century, but several more sources even from the 20th century were found and added, as the development of electronic communication and information technology has made a great deal more information and data available, even since the time of the first publication. Furthermore, the author has continued the trend of conceiving of Anabaptist as inherently broader than the mainline Mennonite denominations. Thus, including more materials from other Anabaptists traditions, such as the often over-looked Apostolic Christian tradition (see entries for Sheetz and Donais), as well as the Brethren in Christ Church, allows for the vision of a broader and more contextually diversified vision of Anabaptism to emerge, such as in contexts of the Amazon basin and New Guinea Highlands. -
Brooklyn Rediscovers Cal Massey by Jeffrey Taylor
American Music Review Formerly the Institute for Studies in American Music Newsletter Th e H. Wiley Hitchcock Institute for Studies in American Music Conservatory of Music, Brooklyn College of the City University of New York Volume XXXIX, Number 2 Spring 2010 Brooklyn Rediscovers Cal Massey By Jeffrey Taylor With the gleaming towers of the Time Warner Center—Jazz at Lincoln Center’s home since 2004—gazing over midtown Manhattan, and thriving jazz programs at colleges and universities throughout the world fi rmly in place, it is sometimes diffi cult to remember when jazz did not play an unquestioned role in the musical academy. Yet it wasn’t until the early 1990s that jazz was well enough entrenched in higher education that scholars could begin looking back over the way the music was integrated into music curricula: Scott DeVeaux’s frequently quoted “Construct- ing the Jazz Tradition” from 1991 is a prime example.1 The past thirty years have seen an explosion of published jazz scholarship, with dozens of new books crowd- ing shelves (or websites) every year. The vast majority of these texts are devoted to the work of a single fi gure, with Duke Ellington and Louis Armstrong leading as popular subjects. But a few scholars, DeVeaux and Ingrid Monson among them, have noted the essential roles of musicians who worked primarily in the shadows, as composers, arrangers, accompanists, and sidepeople. Without these artists, whose contribution often goes completely unacknowledged in history books, jazz would have taken a very different path than the one we trace in our survey courses. -
Musikerzum Mitnehmen
1 Musiker zum Mitnehmen Das CD- und DVD-Angebot der Bibliotheken zum Festival 2018 2 Enjoy Jazz – in der Metropolregion Vom 2. Oktober bis 17. November findet in Mannheim, Heidelberg und Ludwigshafen das 20. Internationale Festival für Jazz und Anderes statt. Fast sieben Wochen lang wird in weit über 60 Veranstaltungen jede Menge Musik aus den Bereichen Jazz, Weltmusik, Indierock, Ethnopop, Crossover und auch Klassik präsentiert. Viele international bekannte Namen sind dabei wie z. B. der norwegische Jazzpianist und Romanautor Ketil Bjørnstad, der ebenfalls norwegische Saxofonist Jan Garbarek oder der Saxofonist Joshua Redman aus den USA. Auch viele große Ensembles treten auf, z. B. das australische Jazz-Trio The Necks, das deutsche Pablo-Held-Trio oder die Schweizer Jazz-Band Nik Bärtsch’s Ronin, die inzwischen fast jedes Jahr dabei ist. Mit der kanadischen Indie-Rockband Esmerine, der amerikanischen Soul-Sängerin Avery Sunshine und der Musik im Kontext Bernd Alois Zimmermann wird die Brücke zu anderen Musikgattungen geschlagen. Auch die deutsche Jazz-Szene ist reich vertreten mit Künstlern wie dem Pianisten Michael Wollny, der Cellistin Anja Lechner oder dem Träger des diesjährigen SWR-Jazzpreises Sebastian Gille. Regionale Größen wie der stil-prägende Gitarrist Claus Boesser-Ferrari oder der in Ludwigshafen lebende Schlagzeuger Erwin Ditzner ergänzen das vielfältige Angebot. Und wieder kann man die Musik nicht nur live auf der Bühne erleben, sondern auch bequem daheim auf dem Sofa oder entspannt in Straßenbahn oder Auto, denn die drei Stadtbibliotheken Mannheim, Heidelberg und Ludwigshafen beteiligen sich ebenfalls an dem Event, indem sie ihren Kundinnen und Kunden eine große Auswahl an CDs und DVDs der auftretenden Künstlerinnen und Künstler anbieten. -
A Bibliography of the Bible in Africa
A BIBLIOGRAPHY OF THE BIBLE IN AFRICA Grant LeMarquand Trinity School for Ministry Ambridge, PA USA This bibliography is an updated version of a listing which was first published in 1993. The present version is an attempt to list all known works of biblical interpretation produced by Africans, for Africa, or about African interpretation. Included in this version is a listing of book reviews and abstracts which have appeared in various publications describing many of the works listed here. The listing of reviews and abstracts may prove to be especially helpful in cases where it is difficult to aquire a copy of the original essay or book. Although this work has the purpose of being comprehensive, it is probable that I have missed numerous items which should be included in this list. I wish to apologize to any whose works have escaped my attention. The bibliography is divided into five sections. Section one lists bibliographical sources. Some of these sources are periodical publications which should be consulted for future contributions to the growing corpus of works of African exegesis. Although there are few annotations in other parts of the bibliography, this section is quite thoroughly annotated. The second section is entitled “Studies of the Use of the Bible in Africa / Hermeneutics.” Works in this section elucidate various aspects of biblical interpretation in Africa, especially the relationship between culture and interpretation. The third section lists works on “Africa and Africans in the Bible.” Since this division of the bibliography deals with texts which have received extensive treatment from non- Africans, many more works could have been listed I have included only those publications written by Africans (including Africans of the ‘diaspora’) and any others who focus on the ‘Africanness’ of the texts in question. -
Billboard 1974-03-30
IVSIVSPAFER 08120 TWO SECTIONS, SECTION ONE MARCH 30, 1974 $1.25 A BILLBOARD PUBLICATION EIGHTIETH YEAR The International Music- Record Tape Newsweekly TAPE /AUDIO /VIDEO PAGE 56 HOT 100 PAGE 108 TOP LP'S PAGES 110, 112 All-Star U.S. Line -Up Sooner Group NARM Meet to Be To Participate at IMIC Wins Senate Biggest; Retailer NEW YORK -An impressive ar- can Society of Composers, Authors ray of U.S. music- record industry & Publishers, will discuss the U.S. li- Piracy Bill OK leaders will participate in the fifth censing organization's newly -con- Attendance Rises International Music Industry Con- ceived "ASCAP Think Tank." By JOHN SIPPEL By IS HOROWITZ ference, to be held at the Grosvenor Ed Cramer, president, Broadcast OKLAHOMA CITY dedi- -A HOLLYWOOD, Fla.- Advance estimated 65 percent of attendees. House, London, May 7 -10. IMIC is Music, Inc., will deliver a report on cated campaign by a handful of state contingents of industry executives All major manufacturers were due held under the auspices of the "The U.S. Copyright Act Revision - supporters of the antipiracy propos- representing every facet of the to be represented as well. worldwide Billboard Publishing An Update." al. seemingly delayed a year before record and tape marketing spectrum Total attendance was expected to Group (Billboard, High Fidelity, Bobby Brenner, Bobby Brenner consideration by the state legislature began arriving here late last week to top 1,400 at the series of meetings Music Labo, Music Week). Associates, will serve as chairman of (Billboard, Mar. 23), brought pas- participate in what was shaping up scheduled to run at the Diplomat Stanley Adams, president, Ameri- the seminar devoted to "Sound Tal- sage of the proposal last week by the as the largest and perhaps most pro- (Continued on page /3) ent Management." Seymour Heller, Senate here. -
Vinyls-Collection.Com Page 1/55 - Total : 2125 Vinyls Au 25/09/2021 Collection "Jazz" De Cush
Collection "Jazz" de cush Artiste Titre Format Ref Pays de pressage A.r. Penck Going Through LP none Allemagne Aacm L'avanguardia Di Chicago LP BSRMJ 001 Italie Abbey Lincoln Painted Lady LP 1003 France Abraham Inc. Tweet Tweet LP LBLC 1711 EU Abus Dangereux Happy French Band LP JB 105 M7 660 France Acid Birds Acid Birds LP QBICO 85 Italie Acting Trio Acting Trio LP 529314 France Adam Rudolph's Moving Pictures... Glare Of The Tiger 2LP Inconnu Ahmad Jamal At The Blackhawk LP 515002 France Aidan Baker With Richard Baker... Smudging LP BW06 Italie Air Open Air Suite LP AN 3002 Etats Unis Amerique Air Live Air LP Inconnu Air Air Mail LP BSR 0049 Italie Air 8o° Below '82 LP 6313 385 France Al Basim Revival LP none Etats Unis Amerique Al Cohn Xanadu In Africa LP Xanadu 180 Etats Unis Amerique Al Cohn & Zoot Sims Either Way LP ZMS-2002 Etats Unis Amerique Alan Silva Skillfullness LP 1091 Etats Unis Amerique Alan Silva Inner Song LP CW005 France Alan Silva Alan Silva & The Celestial Com...3LP Actuel 5293042-43-44France Alan Silva And His Celestrial ... Luna Surface LP 529.312 France Alan Silva, The Celestrial Com... The Shout - Portrait For A Sma...LP Inconnu Alan Skidmore, Tony Oxley, Ali... Soh LP VS 0018 Allemagne Albert Ayler Witches & Devils LP FLP 40101 France Albert Ayler Vibrations LP AL 1000 Etats Unis Amerique Albert Ayler The Village Concerts 2LP AS 9336/2 Etats Unis Amerique Albert Ayler The Last Album LP AS 9208 France Albert Ayler The Last Album LP AS-9208 Etats Unis Amerique Albert Ayler The Hilversum Session LP 6001 Pays-Bas -
Haggadah Shel Pesach
ÁÁÒÒÙÙ ÏÏ˘˘ ‰‰„„‚‚‰‰ HHAAGGGGAADDAAHH SSHHEELL PPEESSAACCHH RRaabbbbii MMoosshhee bbeenn AAsshheerr && MMaaggiiddaahh KKhhuullddaa bbaatt SSaarraahh When the 14th day of Nissan arrives, we are like the members of some ancient worldwide association at its annual dinner. We set the table. We lay out the symbols of membership for every member. However, our membership is so large that no single hall can contain all of us, so the festive table is set in every home, each a link in a chain extending all over the world. A single thought, a single festive meal unites us all. Even those of us who have remained aloof from the aims and functions of the association during the rest of the year now find ourselves reminded of our old ties and obligations. And so, year after year, this solemn occasion challenges us: Do we wish to share in the responsibilities and duties of our fellow Jews? We may perhaps conveniently forget these duties, but surely we can never entirely free ourselves from them. Long ago, at this season, a people—our people—set out on a journey. On such a night as this, we went forth from degradation to joy. We give thanks for the liberations of days gone by. And we pray for all who are still bound, still denied their human rights. Eternal G-d, may all who hunger come to rejoice in a new Passover. Let all the human family sit at Your table, drink the wine of deliverance, eat the bread of freedom. TThhee OOrrddeerr ooff tthhee SSeeddeerr * ÷∆BK—Kadeish: Kiddush, sanctification of the Festival * ıÃÁYe—Urchatz: hand-washing in preparation