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Natural Materials for the Textile Industry Alain Stout
English by Alain Stout For the Textile Industry Natural Materials for the Textile Industry Alain Stout Compiled and created by: Alain Stout in 2015 Official E-Book: 10-3-3016 Website: www.TakodaBrand.com Social Media: @TakodaBrand Location: Rotterdam, Holland Sources: www.wikipedia.com www.sensiseeds.nl Translated by: Microsoft Translator via http://www.bing.com/translator Natural Materials for the Textile Industry Alain Stout Table of Contents For Word .............................................................................................................................. 5 Textile in General ................................................................................................................. 7 Manufacture ....................................................................................................................... 8 History ................................................................................................................................ 9 Raw materials .................................................................................................................... 9 Techniques ......................................................................................................................... 9 Applications ...................................................................................................................... 10 Textile trade in Netherlands and Belgium .................................................................... 11 Textile industry ................................................................................................................... -
Guide to the Preparation of an Area of Distribution Manual. INSTITUTION Clemson Univ., S.C
DOCUMENT RESUME ID 087 919 CB 001 018 AUTHOR Hayes, Philip TITLE Guide to the Preparation of an Area of Distribution Manual. INSTITUTION Clemson Univ., S.C. Vocational Education Media Center.; South Carolina State Dept. of Education, Columbia. Office of Vocational Education. PUB DATE 72 NOTE 100p. EDRS PRICE MF-$0.75 HC-$4.20 DESCRIPTORS Business Education; Clothing Design; *Distributive Education; *Guides; High School Curriculum; Manuals; Student Developed Materials; *Student Projects IDENTIFIERS *Career Awareness; South Carolina ABSTRACT This semester-length guide for high school distributive education students is geared to start the student thinking about the vocation he would like to enter by exploring one area of interest in marketing and distribution and then presenting the results in a research paper known as an area of distribution manual. The first 25 pages of this document pertain to procedures to follow in writing a manual, rules for entering manuals in national Distributive Education Clubs of America competition, and some summary sheet examples of State winners that were entered at the 25th National DECA Leadership Conference. The remaining 75 pages are an example of an area of distribution manual on "How Fashion Changes Relate to Fashion Designing As a Career," which was a State winner and also a national finalist. In the example manual, the importance of fashion in the economy, the large role fashion plays in the clothing industry, the fast change as well as the repeating of fashion, qualifications for leadership and entry into the fashion world, and techniques of fabric and color selection are all included to create a comprehensive picture of past, present, and future fashion trends. -
Spring 2016 Collection Lookbook Jackie Rogers
JACKIE ROGERS SPRING 2016 COLLECTION LOOKBOOK JACKIE ROGERS Jackie Rogers’ new collection is an homage to the works of famed artist Salvador Dali, with whom she established a friendship with while she lived in Paris. Jackie who started as a menswear designer at the suggestion of Chanel was inspired by Dali’s works and Rogers uses the artistic motif and iconography in the collection coupled with sumptuous fabrics including gabardine, lamé and silk chiffon to create these unique looks. In addition, the new collection features an expansion of her burlap jackets, which she tailors to the body and creates beautiful structured designs and expands her use of the fabric into ornate dresses that turned the heads of many at the event. As Rogers, often referred to as “America’s Coco Chanel,” likes to say, “I don’t believe in fashion, I believe in style,” and this motto is reflected throughout her latest collection, which is made with the timeless elegance that is the signature of the Jackie Rogers brand. Each Jackie Rogers design makes a statement of sophistication and style with every piece being perfectly tailored to fit the body. When you enter a room, the beauty and craftsmanship of signature a Jackie Rogers design is unmistakable as Rogers uses sewing techniques she perfected while working with Coco Chanel at her Paris studio. Jackie Rogers is conceived, designed and manufactured entirely in New York City in its Midtown showroom and available for purchase in her Southampton, NY and Palm Beach, Florida boutiques as well as at www.jackierogers.com. Hair and makeup by Dion Moore Jose Rosello for Angelo David Salon 2. -
NFHS Basketball Equipment/Apparel Specifications 2020-2021
NFHS Basketball Equipment/Apparel Specifications 2020-2021 IESA Sleeves/Tights/Compression Shorts 3-5-3: Arm sleeves, knee sleeves, lower leg sleeves, compression shorts and tights are permissible. • Anything worn on the arm and/or leg is a sleeve, except a knee brace, and must meet the color restrictions. • Sleeves/tights, compression shorts shall be black, white, beige or the predominant color of the jersey and the same color sleeves/tights must be worn by teammates. • All sleeves/tights, compression shorts must be the same solid color and must be the same color as any headband or wristband worn. • Sleeves/tights and compression shorts must meet the logo requirements. See NFHS Rule 3-6. • Note: A brace is defined as anything worn for a medical purpose to increase stability. In general, it is made of neoprene or elastic knit with an insert embedded to support the joint. It may or may not have a hinge and/or straps or an opening over the knee cap. Wristbands and Headwear 3-5-4: Wristbands and headwear must meet the following guidelines: • Headbands and wristbands may be white, black, beige or the predominant color of the jersey and must be the same color for each item and all participants. They must also be the same color as any sleeve/tights worn. • A headband is any item that goes around the entire head. It must be a circular design without extensions. If worn, only one headband is permitted, it must be worn on the forehead/crown. It must be nonabrasive and unadorned and may be a maximum of 3 inches wide. -
Sew Any Fabric Provides Practical, Clear Information for Novices and Inspiration for More Experienced Sewers Who Are Looking for New Ideas and Techniques
SAFBCOV.qxd 10/23/03 3:34 PM Page 1 S Fabric Basics at Your Fingertips EW A ave you ever wished you could call an expert and ask for a five-minute explanation on the particulars of a fabric you are sewing? Claire Shaeffer provides this key information for 88 of today’s most NY SEW ANY popular fabrics. In this handy, easy-to-follow reference, she guides you through all the basics while providing hints, tips, and suggestions based on her 20-plus years as a college instructor, pattern F designer, and author. ABRIC H In each concise chapter, Claire shares fabric facts, design ideas, workroom secrets, and her sewing checklist, as well as her sewability classification to advise you on the difficulty of sewing each ABRIC fabric. Color photographs offer further ideas. The succeeding sections offer sewing techniques and ForewordForeword byby advice on needles, threads, stabilizers, and interfacings. Claire’s unique fabric/fiber dictionary cross- NancyNancy ZiemanZieman references over 600 additional fabrics. An invaluable reference for anyone who F sews, Sew Any Fabric provides practical, clear information for novices and inspiration for more experienced sewers who are looking for new ideas and techniques. About the Author Shaeffer Claire Shaeffer is a well-known and well- respected designer, teacher, and author of 15 books, including Claire Shaeffer’s Fabric Sewing Guide. She has traveled the world over sharing her sewing secrets with novice, experienced, and professional sewers alike. Claire was recently awarded the prestigious Lifetime Achievement Award by the Professional Association of Custom Clothiers (PACC). Claire and her husband reside in Palm Springs, California. -
A Short History of the Wearing of Clerical Collars in the Presbyterian Tradition
A Short History of the Wearing of Clerical Collars in the Presbyterian Tradition Introduction There does not seem to have been any distinctive everyday dress for Christian pastors up until the 6th century or so. Clergy simply wore what was common, yet muted, modest, and tasteful, in keeping with their office. In time, however, the dress of pastors remained rather conservative, as it is want to do, while the dress of lay people changed more rapidly. The result was that the dress of Christian pastors became distinct from the laity and thus that clothing began to be invested (no pun intended) with meaning. Skipping ahead, due to the increasing acceptance of lay scholars in the new universities, the Fourth Lateran council (1215) mandated a distinctive dress for clergy so that they could be distinguished when about town. This attire became known as the vestis talaris or the cassock. Lay academics would wear an open front robe with a lirripium or hood. It is interesting to note that both modern day academic and clerical garb stems from the same Medieval origin. Councils of the Roman Catholic church after the time of the Reformation stipulated that the common everyday attire for priests should be the cassock. Up until the middle of the 20th century, this was the common street clothes attire for Roman Catholic priests. The origin of the clerical collar does not stem from the attire of Roman priests. It’s genesis is of protestant origin. The Origin of Reformed Clerical Dress In the time of the Reformation, many of the Reformed wanted to distance themselves from what was perceived as Roman clerical attire. -
What They Wear the Observer | FEBRUARY 2020 | 1 in the Habit
SPECIAL SECTION FEBRUARY 2020 Inside Poor Clare Colettines ....... 2 Benedictines of Marmion Abbey What .............................. 4 Everyday Wear for Priests ......... 6 Priests’ Vestments ...... 8 Deacons’ Attire .......................... 10 Monsignors’ They Attire .............. 12 Bishops’ Attire ........................... 14 — Text and photos by Amanda Hudson, news editor; design by Sharon Boehlefeld, features editor Wear Learn the names of the everyday and liturgical attire worn by bishops, monsignors, priests, deacons and religious in the Rockford Diocese. And learn what each piece of clothing means in the lives of those who have given themselves to the service of God. What They Wear The Observer | FEBRUARY 2020 | 1 In the Habit Mother Habits Span Centuries Dominica Stein, PCC he wearing n The hood — of habits in humility; religious com- n The belt — purity; munities goes and Tback to the early 300s. n The scapular — The Armenian manual labor. monks founded by For women, a veil Eustatius in 318 was part of the habit, were the first to originating from the have their entire rite of consecrated community virgins as a bride of dress alike. Belt placement Christ. Using a veil was Having “the members an adaptation of the societal practice (dress) the same,” says where married women covered their Mother Dominica Stein, hair when in public. Poor Clare Colettines, “was a Putting on the habit was an symbol of unity. The wearing of outward sign of profession in a the habit was a symbol of leaving religious order. Early on, those the secular life to give oneself to joining an order were clothed in the God.” order’s habit almost immediately. -
Storenewsoflansburgh&Brq
nr J TIMES. THURSDAY, FEBRUARY 6, 1919. 7 THE WASHINGTON - , mmm - - ... -JJ SOLONS PLAN BUYS AERIAL WAR w. EQUIPMENT W- StoreNewsofLansburgh&Brq. FOR TIFF KB FRiDi- - rr 3. jjmmmmmWWimMs The British embargo on American Two Lob 1 goods and efforts, apparently de Editorial Modes In Fine Spring Suits ; New signed to gobble American trade, will Wash Goods Republl- - An enthusiastic merchant be used by "high rotection" wrote a to his former cans Congress an argument for letter in as office boy who had just got- Remnants . tariff up- Chic Fashions for the Spring Appealing in Silhouette and immediate revision of the 'Mm ten back from France ask- Specially Priced ward. to call and see about Tariff legislation probably will be HIh ing him Exemplary in Tailoring among measures present-- 1 mm his old position. Included in these two lots of the earliest ;lSb JRv in walked ed when the Republicans takft the A few days later high-cla- ss white and col- industry b&mH?- - mm in officer's Suits fresh from the tailors hands. They reins in Congress. American the younjf man These are wash goods are thou- niust be helped over the readjustment i uniform two silver bars on ored Kepuu special collection fashion period and then protected, tne i ' Klfe-JH- his shoulders. represent a that our sands of yards all ia $ood lieann arnm. Tentative drafts of a -' lengths and best qualities. new law already have been assembled for early Not only tariff Both employer and employe salon customers. -- made. ' "confused. They consist of voiles, resumes discus-- , were net a little When the Senate do show the smart new lines and touches poplins, . -
A Typical Digger a Digger’S Belongings Newspapers, Magazines and Books Were Full of Advice About What Diggers Should Take to the Goldfields
A typical digger A digger’s belongings Newspapers, magazines and books were full of advice about what diggers should take to the goldfields. A typical digger was a man in his 20s, either unmarried Some even provided lists of supplies. Shops in London, or with a young family. Although doctors and lawyers Sydney and Melbourne offered special digger’s kits. came to the goldfields, most diggers were tradesmen such as blacksmiths, builders, butchers, carpenters and Recommended supplies shoemakers. They were well educated and most could James Bonwick published a guide to the Australian read and write. diggings in 1852. He advised diggers not to take too Some people came to the diggings from nearby much as transport was very expensive. As most would cities and towns by coach or on foot. Others came have to walk to the diggings, they should take only from all over Australia or from overseas. For those what they could carry. Bonwick recommended: seeking their fortune, no distance was too far and • hard-wearing clothes Celebrating success no cost too great. • strong boots Some diggers had jewellery Most of the diggers who came from overseas • waterproof coat and trousers of oilskin made to celebrate their were English, but there were also Welsh, Irish and A portrait to send home success. These brooches • a roll of canvas ‘for your future home’ include many of a diggers’ Scottish diggers. Europeans were also keen to make Diggers who had left their • good jacket for Sundays essential belongings: picks their fortune and came from Germany, Italy, Poland, families far behind were keen • pick, shovel and panning dish and shovels, panning dishes, Denmark, France, Spain and Portugal. -
View Resume/Vita
Email: [email protected] LinkedIn : https://www.linkedin.com/in/eulandasanders EDUCATION: 1997 Doctorate of Philosophy Human Resources and Family Sciences, University of Nebraska-Lincoln Dissertation Title: African American Appearance: Cultural Analysis of Slave Women’s Narratives Advisor: Joan Laughlin, Ph.D. 1994 Masters of Arts Design, Merchandising and Consumer Sciences, Colorado State University Thesis Title: AutoCAD for Hand-Knitted Garment Production: Art Deco Design Advisor: Diane Sparks, Ed.D. 1990 Bachelor of Science Apparel and Merchandising, Colorado State University Honors: Cum Laude 1987 Associate of Arts Liberal Arts, Lamar Community College Honors: President’s List and Graduation Student Speaker ACADEMIC POSITIONS: August 2012 - forward Professor and Donna R. Danielson Endowed Professorship in Textiles and Clothing, Department of Apparel, Events and Hospitality Management (AESHM), College of Human Sciences, Iowa State University Current: Teaching 60%, Research/Creative Scholarship 20%, Service 20% Lead the development of the apparel design and product development programs Mentor tenure-track and non-tenure track faculty in apparel design and product development Recruit, mentor, and advise top graduate students into the department Manage the Digital Apparel & Textile Studio (DATS) 1 June 2016 – forward Equity Advisor, College of Human Sciences, Iowa State University Chair the CHS Committee on Diversity, Equity, and Community (DEC) and represents the CHS on the ISU Committee on Diversity Coordinate regularly with -
1931 Annual Report
ANNUAL REPORT OF THE FEDERAL TRADE COMMISSION FOR THE FISCAL YEAR ENDED JUNE 30 1931 UNITED STATES GOVERNMENT PRINTING OFFICE WASHINGTON 1931 For sale by the Superintendent of Documents, Washington. D.C. - - - Price 25 cents (paper cover) FEDERAL TRADE COMMISSION CHARLES W. HUNT, Chairman. WILLIAM E HUMPHREY. CHARLES H. MARCH. EDGAR A. McCulloch. GARLAND S. FERGUSON, Jr. OTIS B. JOHNSON, Secretary. FEDERAL TRADE COMMISSIONER--1915-1931 Name State from which appointed Period of service Joseph E Davies Wisconsin Mar. 16, 1915-Mar. 18, 1918. William J. Harris Georgia Mar. 16, 1915-May 31, 1918. Edward N. Hurley Illinois Mar.16, 1915-Jan. 31, 1917. Will H. Parry Washington Mar.16, 1915-Apr. 21, 1917. George Rublee New Hampshire Mar.16, 1915-May 14, 1916. William B. Colver Minnesota Mar.16, 1917-Sept. 25, 1920. John Franklin Fort New Jersey Mar.16, 1917-Nov. 30, 1919. Victor Murdock Kansas Sept. 4, 1917-Jan. 31, 1924. Huston Thompson Colorado Jan.17, 1919-Sept. 25, 1926. Nelson B. Gaskill New Jersey Feb. 1, 1920-Feb. 24, 1925. John Garland Pollard Virginia Mar. 6, 1925-Sept. 25,1921. John F. Nugent Idaho Jan.15, 1921-Sept. 25, 1927 Vernon W. Van Fleet Indiana June 26, 1922-July 31, 1926. C. W. Hunt Iowa June 16, 1924. William E Humphrey Washington Feb.25, 1925. Abram F. Myers Iowa Aug. 2, 1926-Jan. 15, 1929. Edgar A. McCulloch Arkansas Feb.11, 1927. G. S. Ferguson, Jr North Carolina Nov.14, 1927. Charles H. March Minnesota Feb. 1, 1929. GENERAL OFFICES OF THE COMMISSION 1800 Virginia Avenue, NW., Washington BRANCH OFFICES 608 South Dearborn Street 45 Broadway Chicago New York 544 Market Street 431 Lyon Building San Francisco Seattle II CONTENTS PART I. -
Stylwear Clothes
frmiTiTTWirriiir!K a Bvy.iyg woiifD, fkidaYh yoymjij, 7, im. it ENQINE-ORASrHNJUR- FIVE. JGLQAK MODELHSKS $00,000- - A Wide Variety Virm Truck Goes Through Window of Men's and Young Men's Ur WAK PLANb bNUlNbtH --One Man Will Die. Bench Made Fall and Winter Shoes In Black, Tan and the New Christmas Spectacle Opens With a 7, Great BVltACUSE, N, York's T.. Nov. One man 9ic Charges He Is Now Going to waa fatally Injured and four others new Browns. In Marry Another terlouil) hurt yesterday when an Calf, Kid and auto fire engine crashed through a Woman. Cordovan. big plate glass window nnd Into the Unusual WANAMAKER'S. 1 lobby Saturday, tM.OOO ot Hotel 10.30 Suit to recover for attest the Winchester. The at values. Carnival Parade breech ot promise was brought yeater-6- T driver had tried to avoid colllalon In the 8upremfi Court. Brooklyn. I.v with u twin car. At MUi Marxuertte Frohman, k pretty Both trucks were apeedlng In $9.00. Jack-and-the-Bean-S- World-Ba- cloak model of No. Wl Lincoln ru v. aporise to an alarm uf fire and met up talk and Toy ng! They're Off! against James A. May. engineer. In at rlsht angles In. front of the hotel. oluxre ot the plant ot the Nentor Ma- William Ammurman of Moravia, a nufactory; Company, No. 40 Wet 13th travelling salesman, was hit. Hla Street, Manhattan, which during the skull was fractured and he was In- - war luppllcd airplanes to the dovern ternally hurt.