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Nine Concerts: July 11 th to 19 th 2015 Courses Stock hau sen Concerts Thursday, July 16 th , 8 p.m., Sülztalhalle Faculty and works which will be taught in master INORI-gestures (Instructor: Alain Louafi ) Saturday, July 11 th , 5 p.m. classes Due to the special significance given to the synthesis of and Courses Kürten 2015 Festive opening of the courses at the ROSA MYSTICA (from SCENTS – SIGNS) music and gesture in Stockhausen’s works, the gestures for tenor und synthesizer Suzanne Stephens (clarinet, basset-horn, bass clarinet) from the composition INORI (1973–74) are rehearsed in Karlheinz-Stockhausen-Platz . MICHAEL’S CALL th th and Kathinka Pasveer (flute, alto flute, piccolo) this course. The course takes place each morning before from July 11 to July 19 for 4 trumpets will open and close the ceremony and will be teach ing all Stock hau sen works com posed for their the master classes and other events of the courses and is nd 2 participants’ concert respec tive instru ments. open to all interested participants. “Sometimes music vibrates beyond the clouds, and we can Saturday, July 11 th , 8 p.m., Sülztalhalle no longer hear its echo. Very rarely is it truly infinite; then Sound projection (Instructors: Kathinka Pasveer, sound Marco Blaauw (trumpet, piccolo trumpet, flugelhorn): it makes us forget the Earth. The great masters sense that TELEMUSIK (TELEMUSIC) electronic music projectionist; Igor Kavulek, sound engineer) th ARIES, TIERKREIS, IN FREUNDSCHAFT, DONNERSTAGS- they have one last thing to say, and that life is coming to an Friday, July 17 , 8 p.m., Sülztalhalle In the context of the daily rehearsals and concerts with MICHAELs REISE (MICHAEL’S JOURNEY) GRUSS, MICHAELS-RUF, MICHAELs REISE UM DIE ERDE, HALT, end –. But their music stays behind with humanity as a Stockhausen’s closest technical collaborators, anyone who Soloists’ Version PIANO PIECE VI MISSION und HIMMELFAHRT, VISION, OBERLIPPENTANZ, is interested in learning more about the sound projection legacy, and we must gratefully preserve this precious gem, PIETÀ, TRUMPETENT, MICHAELION, BASSETSU-TRIO, QUITT, in performances of Stockhausens electronic, vocal and and endeavour in the spirit of the composer to grow deeper for a trumpeter, 9 co-players * LICHT-BILDER, HARMONIEN, SCHÖNHEIT, ERWACHEN. instrumental works can experience, first-hand, which and sound projectionist KONTAKTE (CONTACTS) and deeper into his works and let them worthily arise aspects must be addressed and how they are can be solved for electronic sounds, piano and percussion again.” Benjamin Kobler (piano): KREUZSPIEL, from the sound engineering point of view. Sunday, July 12 th , 8 p.m., Sülztalhalle K. Stockhausen, July 20 th 1948 KLAVIERSTÜCKE I–XI, SCHLAGTRIO *, REFRAIN *, KONTAKT E *, MANTRA, DER KINDERFÄNGER, STOP und START, DÜFTE – TELEMUSIK (TELEMUSIC) electronic music The language spoken in the courses is English . Saturday, July 18 th , 8 p.m., Sülztalhalle ZEICHEN, SONNTAGS-ABSCHIED, NATÜRLICHE DAUERN. MICHAELs REISE (MICHAEL’S JOURNEY) UD (from SCENTS – SIGNS) For the 16 th time, the music of Karlheinz Stockhausen Hubert Mayer (tenor): TIERKREIS, KINDHEIT, MONDEVA, Soloists’ Version for bass und synthesizer will be the focal point of nine days of concerts and for a trumpeter, 9 co-players EXAMEN, VISION, DIE 7 LIEDER DER TAGE, MICHAELION, interpretation courses. Composers, interpreters, musi - and LICHTER – WASSER, ENGEL-PROZESSIONEN, ROSA MYSTICA, and sound projectionist cologists, sound projectionists and music lovers are 3rd participants’ concert LICHT-BILDER, HIMMELFAHRT, JERUSEM. cordially invited to attend the Stockhausen Concerts Monday, July 13 th , 8 p.m., Sülztalhalle * and Courses Kürten 2015 . Michael Pattmann (percussion): SCHLAGTRIO , ZYKLU S, SUSANIs ECHO for alto flute REFRAIN *, KONTAKT E*, NASENFLÜGELTAN Z*, KOMET, th Sunday, July 19 , 6 p.m., Sülztalhalle VIBRA-ELUFA, MITTWOCH-FORMEL . Stockhausen’s motto for the 2015 courses is KLANG – 14 th Hour: HAVONA for bass and electronic music WEIHRAUCH (FRANKINCENSE) from SCENTS – SIGNS LEARNING TO DO . for soprano, tenor and synthesizer Antonio Pérez Abellán (synthesizer and piano): SYNTHI- * FOU (KLAVIERSTÜCK XV), KLAVIERSTÜCKE XVI, XVII KLANG – 13 th Hour: ARIES for trumpet and electronic music (KOMET) and XVIII (MITTWOCH-FORMEL) , NASEN - Concerts * COSMIC PULSES electronic music FLÜGELTANZ *, HIMMELFAHRT and all other works with synthe - CAPRICORN for bass and electronic music Instrumental, vocal and electronic works by Karlheinz Stock - sizer ; REFRAIN *, KONTAKTE *, NATÜRLICHE DAUERN. hausen will be performed in nine concerts. The concerts are Tuesday, July 14 th , 8 p.m., Sülztalhalle * These works will be taught joint ly by Michael Pattmann, performed by the faculty of the master classes, many of whom 1st participants’ concert Bejamin Kobler and Anto nio Pérez Abellán. worked with Stockhausen for many years. Also internationally Interpreters are requested to indicate on their application the renowned guest musicians will perform. In three concerts Admission to the concerts is free. Wednesday, July 15 th , 8 p.m., Sülztalhalle works prepared. The faculty is willing to assist participants One hour before each concert selected participants will perform compositions which were in preparing themselves for course attendance ahead of TRUMPETENT für 4 trumpeters there will be an introduction (in German) prepared during the master classes. All dress rehearsals are time . Interpreters will receive the respective faculty address open to the participants of the courses. to the program which is performed that evening. LIGHTS – WATERS [8-track tape projection ] after they have registered for participation. Prizes Tuition Fee Reg is tra tion Form (Dead line: June 1 st 2015) Please enrol me, Ì Ms. Ì Mr. Stockhausen Concerts For the best inter pre ta tions of Stock hau sen works per - A fee of 325 ¤($430) cov ers admis sion to all events Name: ......................... Sur name: ............................ formed in the participants’ concerts, three prizes (4000 and in cludes lodging reserva tion . Trav el, lodg ing and and Courses Kürten Date and country of birth: .......................................... ¤, 2500 ¤, and 1500 ¤) will be award ed following meals are not includ ed. th th the final con cert. A prize may be divided among several Present address: from July 11 to July 19 Pay ment of the tui tion fee is due upon registration and musicians. Street: ........................................................................ may be paid by cheque, bank transfer or PayPal. All City .............................. zip code: ............................. 2015 cheques must be made out to the Stockhausen-Stiftung State + Country: ......................................................... Location für Musik (adding 1 5¤/ $20 for handling charges ). Tel.: ............................. Fax: .................................... All charges for bank trans fers (in ¤ only) are to be Kürten is Stockhausen’s hometown, where he lived e-mail: ......................................................................... from 1965 to 2007. The “Stockhausen-Community” paid by the appli cant. as par tic i pant in the Stock hau sen Cours es Kürten 2015 . Kürten is situated about 30 kilometers (19 miles) east Account number of the Stock hau sen-Stif tung für Ì Ì Ì of Cologne in the part of Germany called the Bergisches Musik : Com pos er Musi col ogist Sound Projectionist Auditor Ì Inter pret er * Ì Instrument .............................. Land . For the 16 th time, the community of Kürten is IBAN: DE 41 3701 0050 0121 6785 09; allowing the Stockhausen Foundation for Music to BI C/SWIFT: PBNKDEFFXXX. * I have pre pared the fol low ing work(s): use its school complex and community centre for the continuation of its annual Stockhausen Concerts and Payment by PayPal can be made to Date: ..................... Sig na ture: ................................ Courses Kürten . All of the concerts, courses, semi - [email protected] Dates (arrival – departure) : nars and rehearsals take place at the school complex. July 10 th 2015 –July 20 th 2015 ............................... Ì Also the organisation office and the practice rooms other: .................................................................... Ì are located at the school complex. The address is: Mobility in Kürten : yes /maybe Olpenerstraße 4, 51515 Kürten. The on-location I will have a car. ........................................... Ì Ì organisation office will open at 9 a.m. starting on I would be will ing to participate with my car in th Thursday, July 9 2015. a car pool while in Kürten. ............................. Ì Registration Online registration and fur ther infor ma tion Pre ferred lodg ing : To reg is ter for the concerts and courses, please com - about the cours es in the internet: pri vate * (0 –15 ¤) ................................................... Ì plete the reg is tra tion form, and send it to: vaca tion apart ment * (15 –30 ¤ per per son) ................ Ì www.karlheinzstockhausen.org hotel sin gle room (ca. 3 0–65 ¤) .............................. Ì Stockhausen-Stiftung für Musik hotel double room * (ca. 3 0–65 ¤ per person) ............ Ì Kettenberg 15, D-51515 Kürten A free com plete work list and order forms for scores, I do not need lodgin g. .......................................... Ì CDs, books and videos may be ordered from the Stock - * I agree to share a room with another participant. Fax: 0049-[0 ] 2268-1813 hau sen -Ver lag , Ket ten berg 15, 51515
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  • TEXTE Zur MUSIK 199 8 –2007

    TEXTE Zur MUSIK 199 8 –2007

    Karlheinz Stockhausen TEXTE zur MUSIK 199 8 –2007 Band 17 KLANG-Zyklus – Geist und Musik – Ausblicke Im Auftrag der Stockhausen-Stiftung für Musik herausgegeben von Imke Misch Stockhausen-Verlag Kürten 2014 First edition 2014 Published by Stockhausen-Verlag 51515 Kürten, Germany Alle Rechte vorbehalten / All rights reserved. Kopieren gesetzlich verboten / Copying prohibited by law. Das Vorwort der Herausgeberin zu den TEXT EN zu r MUSIK 1991–1998 und 1998 –2007 befindet sich in Band 11 . Photo auf de m Umschlag vorn e: Stockhausen im Juli 2007 während der Stockhausen-Kursen Kürten Abbildung auf dem Umschlag hinten : Formschema von COSMIC PULSES, 13. Stunde aus KLANG © Copyright Stockhausen-Stiftung für Musik 2014 Satz: Kathinka Pasveer ISBN 978-3-9815317-7-0 Die TEXTE zur MUSIK 1991 –1998 sind in vier Bände mit zehn Kapiteln gegliedert: Band 11 I Nachsätze: Zu KREUZSPIEL (1951) bis LIBRA (1977) II Werktreue III Ergänzendes zu LICHT Band 12 IV FREITAG aus LICHT V Neue Konzertpraxis Band 13 VI MITTWOCH aus LICHT VII Elektronische Musik Band 14 VIII Über Musik, Kunst, Gott und die Welt IX Blickwinkel X Komponistenalltag V Die TEXTE zur MUSIK 1998 –2007 sind in drei Bände mit neun Kapiteln gegliedert: Band 15 I SONNTAG aus LICHT II Neue Einzelwerke III Stockhausen-Kurse Kürten Band 16 IV LICHT-Reflexe V Seitenzweige VI Klangproduktion / Klangprojektion Band 17 VII KLANG-Zyklus VIII Geist und Musik IX Ausblicke VI TEXT E zur MUSI K Band 17 Inhalt VII KLANG-Zyklus HIMMELFAHRT – 1. Stunde (Partiturvorwort) ...................... 1 FREUDE – 2. Stunde (Partiturvorwort) ................................... 11 NATÜRLICHE DAUERN – 3. Stunde (Partiturvorwort) ........ 15 HIMMELS-TÜR – 4.
  • Dossier De Presse Karlheinz Stockhausen

    Dossier De Presse Karlheinz Stockhausen

    FESTIVAL D’AUTOMNE À PARIS 10 sept – 31 déc 2018 DOSSIER DE PRESSE KARLHEINZ STOCKHAUSEN Service presse : Christine Delterme – [email protected] Lucie Beraha – [email protected] Assistées de Violette Kamal – [email protected] 01 53 45 17 13 Karlheinz Stockhausen, 1971 © Reproduction avec l’aimable autorisation de la Stockhausen-Stiftung f ür Musik, Kettenberg 15, 51515 Kürten KARLHEINZ Quarante-quatre ans après en avoir programmé la création française, le Festival d’Automne retrouve l’une des œuvres les STOCKHAUSEN plus emblématiques de Karlheinz Stockhausen. Rarement donné dans sa forme originale, pour grand orchestre de quatre- Inori – Adoration ving-dix musiciens et deux solistes danseurs, Inori désigne, par son titre en langue japonaise, la prière, l’invocation ou l’adoration. Karlheinz Stockhausen : Inori – Adoration Composé en 1973-1974, Inori magnifie la spirale sous le signe de pour deux solistes danseurs et grand orchestre laquelle Stockhausen plaçait sa création. Une spirale entraînant dans son tournoiement toutes les dimensions de l’œuvre. À Danseurs : Emmanuelle Grach, Jamil Attar* l’origine, une forme fondamentale, une formule, qui ne dure qu’une minute. Par la puissance de l’invention, celle-ci génère Orchestre de l’Académie du Festival de Lucerne plus d’une heure de musique. Une telle invention, d’une Gergely Madaras , direction exceptionnelle rigueur, est musicale, mais aussi mystique et Paul Jeukendrup, réalisation sonore cosmologique : dans le sillage de la pensée grecque antique, et Coproduction Philharmonie de Paris ; Festival d’Automne à Paris à proximité des traditions hermétiques et ésotériques, créer, pour Stockhausen, c’est construire ou reconstruire l’ordre de l’univers.