Practical Guidelines for Constructing Accurate Acoustical Spaces Including Advice on the Proper Materials to Use

Total Page:16

File Type:pdf, Size:1020Kb

Practical Guidelines for Constructing Accurate Acoustical Spaces Including Advice on the Proper Materials to Use Auralex® Acoustics, Inc. Practical Guidelines For Constructing Accurate Acoustical Spaces Including Advice On The Proper Materials To Use by Eric T. Smith Edited by Jeff D. Szymanski, PE July 2004 Version 3.0 Published & © Copyright 1993, 2004 by Auralex® Acoustics, Inc. 6853 Hillsdale Court, Indianapolis IN USA 46250-2039 • www.auralex.com FOREWORD.........................................................................................................................................4 WELCOME........................................................................................................................................4 CHAPTER 1..........................................................................................................................................6 BASICS OF ACOUSTICS.................................................................................................................6 ACOUSTICAL DEFINITIONS ...........................................................................................................7 Acoustics 101 Definitions ...........................................................................................................7 GENERAL TECHNICAL INFORMATION.........................................................................................9 STC................................................................................................................................................9 Absorption Coefficients and NRC ............................................................................................12 A final thought ...........................................................................................................................13 CHAPTER 2........................................................................................................................................14 MATERIALS AND PRODUCTS DISCUSSED................................................................................14 Common Construction Materials .............................................................................................14 Specialty Construction Materials .............................................................................................15 Auralex Products .......................................................................................................................16 CHAPTER 3........................................................................................................................................18 FLOORS .........................................................................................................................................18 Stringers.....................................................................................................................................21 CEILINGS .......................................................................................................................................22 (Non-)Flat Ceilings.....................................................................................................................23 Cathedral Ceiling Treatment for Live Rooms ..........................................................................24 Mr. T (Bar)...................................................................................................................................25 WALLS............................................................................................................................................26 Existing Walls ............................................................................................................................26 Construction ..............................................................................................................................27 CHAPTER 4........................................................................................................................................29 DOORS ...........................................................................................................................................29 Isolation......................................................................................................................................29 Garage doors .............................................................................................................................30 Airlocks.......................................................................................................................................30 WINDOWS ......................................................................................................................................31 Exterior .......................................................................................................................................31 Interior ........................................................................................................................................31 HVAC (HEATING AND COOLING SYSTEMS) ..............................................................................33 The Air Handler ..........................................................................................................................33 The Fan.......................................................................................................................................34 Connections ...............................................................................................................................34 2 Ducts...........................................................................................................................................34 Terminations ..............................................................................................................................36 ELECTRICAL ISSUES....................................................................................................................36 CHAPTER 5........................................................................................................................................38 MONITOR MOUNTING SOLUTIONS .............................................................................................38 ROOM DESIGNS ............................................................................................................................38 Angled Surfaces ........................................................................................................................38 Room Dimensions .....................................................................................................................39 The Acoustics 101 Room ..........................................................................................................40 5.1 Mixing Rooms ......................................................................................................................40 Other Resources........................................................................................................................41 APPLICATION EXAMPLES ...........................................................................................................41 General Resources ....................................................................................................................41 Night Club Isolation...................................................................................................................41 Garage Isolation and Treatment ...............................................................................................42 MORE CONSTRUCTION TIPS.......................................................................................................43 PERSONALIZED ROOM ANALYSIS FORM..................................................................................44 APPENDIX 1.......................................................................................................................................45 LINKS..............................................................................................................................................45 Online Forums ...........................................................................................................................45 Professional Organizations ......................................................................................................45 Professional Design Assistance ..............................................................................................45 Acoustical Prediction, Test and Measurement .......................................................................45 Cool Corporate (non-Auralex) Stuff .........................................................................................45 Cool People ................................................................................................................................46 Other Cool Stuff .........................................................................................................................46 APPENDIX 2.......................................................................................................................................47 THE ACOUSTICS 101 ROOM ........................................................................................................47 3 FOREWORD WELCOME Welcome to our newly expanded and revised Acoustics 101.com, the world’s best source for bottom line, no BS, just-the-facts-ma’am advice on how to build a good sounding recording studio or listening room. The tips contained in this small booklet have worked for
Recommended publications
  • EDM (Dance Music): Disco, Techno, House, Raves… ANTHRO 106 2018
    EDM (Dance Music): Disco, Techno, House, Raves… ANTHRO 106 2018 Rebellion, genre, drugs, freedom, unity, sex, technology, place, community …………………. Disco • Disco marked the dawn of dance-based popular music. • Growing out of the increasingly groove-oriented sound of early '70s and funk, disco emphasized the beat above anything else, even the singer and the song. • Disco was named after discotheques, clubs that played nothing but music for dancing. • Most of the discotheques were gay clubs in New York • The seventies witnessed the flowering of gay clubbing, especially in New York. For the gay community in this decade, clubbing became 'a religion, a release, a way of life'. The camp, glam impulses behind the upsurge in gay clubbing influenced the image of disco in the mid-Seventies so much that it was often perceived as the preserve of three constituencies - blacks, gays and working-class women - all of whom were even less well represented in the upper echelons of rock criticism than they were in society at large. • Before the word disco existed, the phrase discotheque records was used to denote music played in New York private rent or after hours parties like the Loft and Better Days. The records played there were a mixture of funk, soul and European imports. These "proto disco" records are the same kind of records that were played by Kool Herc on the early hip hop scene. - STARS and CLUBS • Larry Levan was the first DJ-star and stands at the crossroads of disco, house and garage. He was the legendary DJ who for more than 10 years held court at the New York night club Paradise Garage.
    [Show full text]
  • Connector Theory and Application Connector Theory and Application a Guide to Connection Design and Specification
    Connector Theory and Application Connector Theory and Application A Guide to Connection Design and Specification Revised 5th Edition Authored by: GARY DITROIA IEEE MEMBER BURNDY LLC 47 East Industrial Park Drive Manchester, NH 03109 USA RONALD LAI IEEE Life Senior Member ASME Life Member SAE Life Member Consultant to BURNDY LLC KENNETH WOO BURNDY LLC 47 East Industrial Park Drive Manchester, NH 03109 USA GAYLORD ZAHLMAN BURNDY LLC 47 East Industrial Park Drive Manchester, NH 03109 USA Connector Theory and Application - A Guide to Connection Design and Specification - Revised 5th Edition - 2 © BURNDY LLC, 2018 All rights reserved. Abstracting is permitted with credit to the source. Table of Contents Introduction 1.0 Theory of Connector Technology 1.1 Grounding (Earthing) and Bonding 1.1.1 Corrosion 1.1.2 Fault Current 1.1.3 Special Grounding Applications 1.1.4 Ground Connection Design 1.2 Substation 1.2.1 Distribution Substations 1.2.2 Conductors 1.2.3 Substation Connector Design 1.3 Underground Distribution 1.3.1 Design Objectives 1.3.2 Underground Secondary Networks 1.3.3 Special Considerations 1.3.4 Network Protection 1.4 Overhead 1.4.1 Thermal Expansion and Contraction 1.4.2 Mechanical Integrity 1.4.3 Dielectric Fundamentals 1.4.4 Corrosion 1.4.5 Performance Testing (ANSI C119.4) 1.5 Service Entrance 1.5.1 Secondary Conductor 1.5.2 Service Connectors 1.6 Telecommunication 1.6.1 Telecommunication Conductors 1.6.2 Telecommunication Connections 2.0 Connector Functions and Types 2.1 Functions 2.1.1 Tap 2.1.2 Terminal 2.1.3 Splice 2.2 Types of Connectors 2.2.1 Mechanical Connectors Connector Theory and Application - A Guide to Connection Design and Specification - Revised 5th Edition - © BURNDY LLC, 2018 All rights reserved.
    [Show full text]
  • Tohoku University Fact Book 2008 東北大学概要 2008 Tohoku University Fact Book 2008
    Tohoku University Fact Book 2008 東北大学概要 2008 Tohoku University Fact Book 2008 CONTENTS 〈Introduction〉 Historical Background ・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・ 01 Mission Statement and Towards Tohoku University 2016・・ 02 Message from the President ・・・・・・・・・・・・・・・・・・・・・・・・・・ 03 Tohoku University’s Official Symbol, School Colors, Song and Logo ・・・・・・・・・・・・・・・・・・・・・・・・ 04 Presidents of Tohoku University ・・・・・・・・・・・・・・・・・・・・・・・ 05 Japan Academy Members ・・・・・・・・・・・・・・・・・・・・・・・・・・・・ 06 Chronological Chart ・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・ 07 Prize Winners ・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・ 09 University Awards ・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・ 12 The 100th Anniversary Projects ・・・・・・・・・・・・・・・・・・・・・・・ 14 〈Organization〉 Organization Chart ・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・ 17 Administrative Staff ・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・ 20 President Election Committee ・・・・・・・・・・・・・・・・・・・・・・・・ 22 Board of Directors ・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・ 22 Management Committee ・・・・・・・・・・・・・・・・・・・・・・・・・・・・・ 22 Education and Research Council ・・・・・・・・・・・・・・・・・・・・・・ 23 University Personnel ・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・ 24 Faculties ・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・ 25 Graduate Schools ・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・ 25 Research Institutes ・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・ 26 Inter-Department Institutes for Education and Research ・・ 26 University Collaborating Institutions ・・・・・・・・・・・・・・・・・・・ 27 Institute of Liberal Arts and Sciences・・・・・・・・・・・・・・・・・・・ 27 WPI Advanced Institute for Materials Research(WPI-AIMR) ・・・・ 27 Information Synergy Organization
    [Show full text]
  • Melni Bd-2Hls the Smarter Crimpless Connector
    MELNI BD-2HLS THE SMARTER CRIMPLESS CONNECTOR. Setting A New Standard In The Electrical Industry. 1. Acquire all components, 2. Insert conductor into 3. Tighten nut to value on label. attach BD-2HLS to paddle. the BD-2HLS. 847.325.7825 OR VISIT WWW.REMKE.COM/MELNI MELNI BD-2HLS THE SMARTER CRIMPLESS CONNECTOR. Traditional electrical connector methodology is based on crimping, using a device to conjoin two pieces of metal by deforming one or both of them in a way that causes them to hold to each other. This requires multiple lugs and specialized dyes, each one manufactured for a specific cable size. The process is lengthy and intricate, requiring precise tools to secure the connection, such as hydraulic or mechanical crimps that are expensive and hard on the installer’s back and shoulders. Though this practice is time consuming, expensive and hazardous, it has been the accepted process for years. But all it takes is one idea to change everything. Introducing the BD-2HLS Melni Crimpless Connector. The BD-2HLS is a mechanical connector that can replace existing commercial mechanical and crimp-style connectors. Its crimpless installation design and spiral insert technology simplifies the connection process making it safer, easier and less expensive. A revolutionary innovation, the BD-2HLS is redefining the electrical industry. While traditional 2-hole lugs are non-range taking, the Melni BD-2HLS accepts anything between 2/0 AWG and #2AWG, spanning a large range of cable and wire sizes, and drastically reducing installation time. The BD-2HLS is all that’s required for a variety of electrical applications - having multiple lug sizes and specialized dies on hand just isn’t necessary anymore.
    [Show full text]
  • The Decline of New York City Nightlife Culture Since the Late 1980S
    1 Clubbed to Death: The Decline of New York City Nightlife Culture Since the Late 1980s Senior Thesis by Whitney Wei Fulfillment of the Requirements For the Degree of BA Economic and Social History Barnard College of Columbia University New York, New York 2015 2 ii. Contents iii. Acknowledgement iv. Abstract v. List of Tables vi. List of Figures I. Introduction……………………………………………………………………7 II. The Limelight…………………………………………………………………12 III. After Dark…………………………………………………………………….21 a. AIDS Epidemic Strikes Clubland……………………..13 b. Gentrification: Early and Late………………………….27 c. The Impact of Gentrification to Industry Livelihood…32 IV. Clubbed to Death …………………………………………………………….35 a. 1989 Zoning Changes to Entertainment Venues…………………………36 b. Scandal, Vilification, and Disorder……………………………………….45 c. Rudy Giuliani and Criminalization of Nightlife………………………….53 V. Conclusion ……………………………………………………………………60 VI. Bibliography………………………………………………………………..…61 3 Acknowledgement I would like to take this opportunity to thank Professor Alan Dye for his wise guidance during this thesis process. Having such a supportive advisor has proven indispensable to the quality of this work. A special thank you to Ian Sinclair of NYC Planning for providing key zoning documents and patient explanations. Finally, I would like to thank the support and contributions of my peers in the Economic and Social History Senior Thesis class. 4 Abstract The purpose of this thesis is to investigate the impact of city policy changes and the processes of gentrification on 1980s nightlife subculture in New York City. What are important to this work are the contributions and influence of nightlife subculture to greater New York City history through fashion, music, and art. I intend to prove that, in combination with the city’s gradual revanchism of neighborhood properties, the self-destructive nature of this after-hours sector has led to its own demise.
    [Show full text]
  • Cisco Telepresence System Codec C90 Physical Interface Guide
    Cisco TelePresence System Codec C90 Physical interface guide TC software FEBRUARY 2014 The Physical Interface Guide Cisco Telepresence System Codec C90 D14644.04 Codec C90 Physical Interface Guide | February 2014. © 2014 Cisco Systems, Inc. All rights reserved. 1 www.cisco.com Cisco TelePresence System Codec C90 Physical interface guide TA - ToC - Table of Contents What’sHidden text in anchor Introduction Video outputs .....................................................................14 this guide? HDMI 1 and 3 ..................................................................14 About this guide .................................................................. 4 DVI-I 2 and 4 ..................................................................14 The top menu bar and the entries in the Table of User documentation ........................................................ 4 Composite 5 ...................................................................14 Software download ......................................................... 4 Contents are all hyperlinks, just click on them to Video output formats ......................................................14 go to the topic. 2 x HDMI and 2 x DVI-I outputs, supported formats ..14 Connecting to the codec 1 x Composite output, supported formats .................14 Basic setup when connecting to Codec C90 ..................... 6 Levels .............................................................................14 We recommend you visit our web site regularly for updated versions of the user
    [Show full text]
  • 5197-Edge13 MARCH 2006
    The Strokes boxing clever In this Issue: e Ministry of Sound, Singapore e Virtually Frank Sinatra e Kanye West & Chris Rea e Icebar & Living Room W1 Issue 13 March 2006 The Martin Experience www.martin-audio.com right at the cutting EDGE THE EDGE An earlier than usual edition of The Edge this spring sees us publishing our biggest-ever issue in time for the NSCA Exhibition in Las Vegas. It’s a win-win situation as this then enables us to reach visitors at the hugely influential Pro Light+Sound Frankfurt at the end of the month, with arguably the most important edition of The Edge we have yet published. Rich in coverage from North America, we are also proud to bring you some groundbreaking stories from around the world. In the hierarchy of pro audio installs little causes as much excitement as projects undertaken by Steve Dash (Integral Sound) and Austen Derek (Aurateq) — particularly to any of us old enough and fortunate enough to have experienced the original Richard Long sound system at Paradise Garage nearly 30 years ago. Therefore your first port of call should be to page 6 where the new 3,360-capacity Ministry of Sound in Singapore is awash with Martin Audio components specified by these master technicians. On the domestic front we have been kept busy covering The Strokes (with Capital Sound), Chris Rea (with RG Jones) and the new ‘Virtual’ Frank Sinatra season (with Autograph Sound) who have used our equipment as their main PA arrays at the London Palladium. Working from reclaimed archives, the show has presented a major restoration and time-coding challenge as the Sinatra voice is ‘synced’ to a live 24-piece orchestra and 35mm footage appears on nine different moving projection displays.
    [Show full text]
  • Tohoku University Fact Book 2014 Sendai 980-8577 JAPAN Aoba-Ku
    Tohoku University Fact Book 201 4 Tohoku University Fact Book 2014 Tohoku University Fact Book 2014 2-1-1, Katahira, Aoba-ku, Sendai 980-8577 JAPAN http://www.tohoku.ac.jp/ 東北大概要EN-AD面-三[1].indd 1 2014/09/01 18:27:52 2014 〈Introduction〉 Historical Background 01 ●Land: 92,746㎡ ●Buildings: 30,847㎡ (as of April 1, 2014) Mission Statement and Towards Tohoku University 2016 02 5 AMAMIYA CAMPUS Message from the President 03 1-1, Amamiya-machi, Tsutsumidori, Aoba-ku, Sendai 981-8555 Phone: +81-22-717-8603 Tohoku University Official Symbol, Logo, School Colors and Songs 04 Graduate School of Agricultural Science / Faculty of Agriculture Presidents of Tohoku University 05 Japan Academy Members 06 Chronological Chart of Tohoku University's History 07 Prize Winners 09 University Awards 13 〈Organization〉 Organization Chart 15 Administrative Staff 18 President Election Committee 20 Board of Directors 20 Management Committee 20 Education and Research Council 21 University Personnel 22 Faculties / Schools 23 Graduate Schools 23 Research Institutes 24 Inter-Department Institutes for Education and Research 24 Tsutsumi-dori 1 University Collaborating Institutions 25 Organization for Advanced Studies 26 3 Advanced Institute for Materials Research (AIMR) 26 2 Tohoku Forum for Creativity 26 Miyagi University of Information Synergy Organization 26 4 5 6 Education Affilated Tohoku Medical Megabank Organization 26 Junior High School Promotion Office of Strategic Innovation 26 1717 Division of Engineering and Technical Staff 26 7 1414 1515 Micro System Integration Center (μSIC) 26 10 1616 Center for Spintronics Integrated Systems 27 Research Organization of Electrical Communication 27 11 8 9 Center for Collaborative Research on Materials Science 27 ■ 1919 Center for Innovative Integrated Electronic Systems 27 Historical Background Organization for Leading Graduate School Program Tohoku University, formerly known as the Tohoku 27 12 Material Solutions Center(MaSC) 27 Imperial University, was founded in 1907.
    [Show full text]
  • IEEE Paper Template in A4
    Volume 6, Issue 2, February 2016 ISSN: 2277 128X International Journal of Advanced Research in Computer Science and Software Engineering Research Paper Available online at: www.ijarcsse.com A Review Paper on Cable Connectors Jhankar Tyagi Guest Faculty, Shaheed Sukhdev College of Business Studies, Delhi University, Delhi, India Abstract— This paper is an attempt to give a basic knowledge of cable connectors to the user. Keywords— Cable glands, RJ 45 Connector, Banana Connector, BNC Connector, XLR Connector I. INTRODUCTION An electrical connector is an electro-mechanical device for joining electrical circuits as an interface using a mechanical assembly. Connectors consist of plugs (male-ended) and jacks (female-ended). In computing, an electrical connector can also be known as a physical interface. II. PROPERTIES OF CONNECTORS Electrical connectors are characterized by their pin out and physical construction, ruggedness and resistance to vibration, resistance to entry of water or other contaminants, resistance to pressure, lifetime .They may be keyed to prevent insertion in the wrong orientation. It is usually desirable for a connector to be easy to identify visually, rapid to assemble, and be inexpensive .No single connector has all the ideal properties. Cable Glands: Cable glands known as cable connectors, connect wires to devices mechanically rather than electrically and are distinct from quick-disconnects .They are mechanical cable entry devices and can be constructed from metallic or non-metallic materials. They are used in conjunction with cable and wiring used in electrical instrumentation and automation systems. They are used as a ceiling and a termination device to insure that the characteristic of the enclosure which the cable enters can be contained adequately.
    [Show full text]
  • 1 "Disco Madness: Walter Gibbons and the Legacy of Turntablism and Remixology" Tim Lawrence Journal of Popular Music S
    "Disco Madness: Walter Gibbons and the Legacy of Turntablism and Remixology" Tim Lawrence Journal of Popular Music Studies, 20, 3, 2008, 276-329 This story begins with a skinny white DJ mixing between the breaks of obscure Motown records with the ambidextrous intensity of an octopus on speed. It closes with the same man, debilitated and virtually blind, fumbling for gospel records as he spins up eternal hope in a fading dusk. In between Walter Gibbons worked as a cutting-edge discotheque DJ and remixer who, thanks to his pioneering reel-to-reel edits and contribution to the development of the twelve-inch single, revealed the immanent synergy that ran between the dance floor, the DJ booth and the recording studio. Gibbons started to mix between the breaks of disco and funk records around the same time DJ Kool Herc began to test the technique in the Bronx, and the disco spinner was as technically precise as Grandmaster Flash, even if the spinners directed their deft handiwork to differing ends. It would make sense, then, for Gibbons to be considered alongside these and other towering figures in the pantheon of turntablism, but he died in virtual anonymity in 1994, and his groundbreaking contribution to the intersecting arts of DJing and remixology has yet to register beyond disco aficionados.1 There is nothing mysterious about Gibbons's low profile. First, he operated in a culture that has been ridiculed and reviled since the "disco sucks" backlash peaked with the symbolic detonation of 40,000 disco records in the summer of 1979.
    [Show full text]
  • Clock Jitter Effects on the Performance of ADC Devices
    Clock Jitter Effects on the Performance of ADC Devices Roberto J. Vega Luis Geraldo P. Meloni Universidade Estadual de Campinas - UNICAMP Universidade Estadual de Campinas - UNICAMP P.O. Box 05 - 13083-852 P.O. Box 05 - 13083-852 Campinas - SP - Brazil Campinas - SP - Brazil [email protected] [email protected] Karlo G. Lenzi Centro de Pesquisa e Desenvolvimento em Telecomunicac¸oes˜ - CPqD P.O. Box 05 - 13083-852 Campinas - SP - Brazil [email protected] Abstract— This paper aims to demonstrate the effect of jitter power near the full scale of the ADC, the noise power is on the performance of Analog-to-digital converters and how computed by all FFT bins except the DC bin value (it is it degrades the quality of the signal being sampled. If not common to exclude up to 8 bins after the DC zero-bin to carefully controlled, jitter effects on data acquisition may severely impacted the outcome of the sampling process. This analysis avoid any spectral leakage of the DC component). is of great importance for applications that demands a very This measure includes the effect of all types of noise, the good signal to noise ratio, such as high-performance wireless distortion and harmonics introduced by the converter. The rms standards, such as DTV, WiMAX and LTE. error is given by (1), as defined by IEEE standard [5], where Index Terms— ADC Performance, Jitter, Phase Noise, SNR. J is an exact integer multiple of fs=N: I. INTRODUCTION 1 s X = jX(k)j2 (1) With the advance of the technology and the migration of the rms N signal processing from analog to digital, the use of analog-to- k6=0;J;N−J digital converters (ADC) became essential.
    [Show full text]
  • Effective Bits
    Application Note Effective Bits Effective Bits Testing Evaluates Dynamic Performance of Digitizing Instruments The Effective Bits Concept desired time resolution, run the digitizer at the requisite Whether you are designing or buying a digitizing sys- sampling rate. Those are simple enough answers. tem, you need some means of determining actual, Unfortunately, they can be quite misleading, too. real-life digitizing performance. How closely does the While an “8-bit digitizer” might provide close to eight output of any given analog-to-digital converter (ADC), bits of accuracy and resolution on DC or slowly waveform digitizer or digital storage oscilloscope changing signals, that will not be the case for higher actually follow any given analog input signal? speed signals. Depending on the digitizing technology At the most basic level, digitizing performance would used and other system factors, dynamic digitizing seem to be a simple matter of resolution. For the performance can drop markedly as signal speeds desired amplitude resolution, pick a digitizer with the increase. An 8-bit digitizer can drop to 6-bit, 4-bit, requisite number of “bits” (quantizing levels). For the or even fewer effective bits of performance well before reaching its specified bandwidth. Effective Bits Application Note Figure 1. When comparing digitizer performance, testing the full frequency range is important. If you are designing an ADC device, a digitizing instru- components. Thus, it may be necessary to do an ment, or a test system, it is important to understand the effective bits evaluation for purposes of comparison. If various factors affecting digitizing performance and to equipment is to be combined into a system, an effective have some means of overall performance evaluation.
    [Show full text]