Radio 3 Listings for 22 – 28 October 2011 Page
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BBC Four Programme Information
SOUND OF CINEMA: THE MUSIC THAT MADE THE MOVIES BBC Four Programme Information Neil Brand presenter and composer said, “It's so fantastic that the BBC, the biggest producer of music content, is showing how music works for films this autumn with Sound of Cinema. Film scores demand an extraordinary degree of both musicianship and dramatic understanding on the part of their composers. Whilst creating potent, original music to synchronise exactly with the images, composers are also making that music as discreet, accessible and communicative as possible, so that it can speak to each and every one of us. Film music demands the highest standards of its composers, the insight to 'see' what is needed and come up with something new and original. With my series and the other content across the BBC’s Sound of Cinema season I hope that people will hear more in their movies than they ever thought possible.” Part 1: The Big Score In the first episode of a new series celebrating film music for BBC Four as part of a wider Sound of Cinema Season on the BBC, Neil Brand explores how the classic orchestral film score emerged and why it’s still going strong today. Neil begins by analysing John Barry's title music for the 1965 thriller The Ipcress File. Demonstrating how Barry incorporated the sounds of east European instruments and even a coffee grinder to capture a down at heel Cold War feel, Neil highlights how a great composer can add a whole new dimension to film. Music has been inextricably linked with cinema even since the days of the "silent era", when movie houses employed accompanists ranging from pianists to small orchestras. -
Upbeat Summer 2014
The Magazine for the Royal College of MusicI Summer 2014 Treasures beyond Measure Reimagining the Museum What’s inside... Welcome to upbeat... The cover of this issue shows the amazing transformation of the RCM Museum of Music, courtesy of celebrated artist Hugo Dalton. The previously grey walls have been Contents white washed and adorned with colourful paint and you can find out more about the project and the artist himself on page 13. 4 In the news The treasures in the Museum, alongside many manuscripts, books and programmes Updating you on recent RCM housed in the RCM Library, form part of the RCM collections – one of the UK’s most activities including Junior Department pianist Martin James wide-ranging and substantial resources relating to the history of music. In recent Bartlett’s spectacular win at BBC months both departments have been involved in a reorganisation of the collections as Young Musician 2014 and our Museum Curator Gabriele Rossi Rognoni and Librarian Peter Linnitt explain on page annual visit from HRH The Prince 10. And, if you’ve never heard of a tenoroon or contrabassophon turn to page 12 for of Wales details of a very special donation to the Museum. As usual Upbeat is also packed full with news from around the RCM including pianist 10 Changing the Guard Martin James Bartlett’s spectacular performance and win at BBC Young Musician 2014 Explore the RCM collections and the premiere performance of a lost song by Mendelssohn on BBC Radio 4’s Today with Librarian Peter Linnitt and programme. Museum Curator Gabriele Rossi Rognoni We’re always keen to hear from students past and present so if you have anything you’d like us to feature in the next issue of Upbeat, please send your news and pictures to 12 New Arrivals [email protected] by Monday 22 September. -
Radio 3 Audience Research
Radio 3 Audience Research The following is based on the latest RAJAR information (some of which is available to the public at www.rajar.co.uk). The greater detail available is this report is taken from analysis tools available in many advertising agencies, research companies and other media owners, including all the major commercial radio groups. Nothing presented here is exclusive to the BBC. RAJAR is the joint industry body jointly owned by the BBC and Commercial Radio. It measures radio listening through diaries that are placed with over 130,000 people a year. It’s worth noting that the methodology of RAJAR changed at the beginning of 1999 making strict comparisons with data before that date inaccurate. Prior to RAJAR starting at the end of 1992, the BBC used their own measurement system. For the purposes of this document, I’ve concentrated on more recent years for which full RAJAR is available. Note that all the information here is based on Adults 15+ (the age at which RAJAR defines an adult). There obviously are child listeners (71,000 at the latest count), but I’ve excluded them from this document. Definitions The following are definitions of some of the terms used, as listed on the RAJAR website. Total Survey Area (TSA) The area within which a station's audience is measured. Population The number of people aged 15+ who live within the TSA of a given station. Weekly Reach The number of people aged 15+ who tune to a radio station within at least 1 quarter- hour period over the course of a week. -
Tokenism in the Representation of Women Composers on BBC Radio 3
The Other Composer: Tokenism in the Representation of Women Composers on BBC Radio 3 Valerie Abma (5690323) Deadline: 15 juni, 2018 Begeleider: dr. Ruxandra Marinescu BA Eindwerkstuk Muziekwetenschap Universiteit Utrecht MU3V14004 2017-2018 Blok 4 Table of Contents Abstract.…………………………………….………………………………………………… 3 Introduction: The Other Composer.…………………...……………………………………… 4 Chapter 1: The Negligible Impact.……………………………….…………………………… 7 Chapter 2: BBC Radio 3 and its aims.………………………………………………………. 11 Chapter 3: BBC Radio 3 and its tokenism………………………………….…..…………….14 3.1: The BBC guidelines for diversity……………………………….……………….14 3.2: Programming…………………………………………………………………… 15 3.3: “Mind your language”.…………………….…………………………………… 17 Conclusion.…………………………………………………..……………………………… 20 Bibliography.…………………………………………………...…………………………… 22 BBC Website Data.……………………..…………………………………………… 25 Appendix 1.…………………………………………………………………………..……… 27 Appendix 2.…………………………………………..……………………………………… 31 Appendix 3.…………………………………………..……………………………………… 39 Appendix 4.…………………………………………...………………………………………44 2 Abstract This thesis focuses on the tokenism, which, as I will demonstrate, is present in the representation of women composers on BBC Radio 3. More specifically, this thesis looks at how tokenism hinders the equality in the representation of men and women composers. The presence of tokenism will be illustrated by data of BBC Radio 3 from 2015 until 2018. As long as compositions by women composers are programmed as tokens, and therefore only as a gesture of temporary change within a dedicated space -
Radio 3 Style Guide
Style Guide November 2018 Contents page 1. Team contacts 3 2. Proteus 4 3. Presentation Details 4 4. Programme Delivery 5 5. Technical Requirements 6 6. Dira! 7 7. Programme Durations 8 8. Announcements 9 9. Fills from Continuity 11 10. OBs 11 11. Digital language 12 12. On Air Promotion 15 Appendix 1 Completing Genealogy 16 Appendix 2 Contacts 18 2 | P a g e 1. Presentation and Operations Team Christine Howard – Scheduling Manager, Transmission and Delivery R3, R4, R4 Extra 020 7765 2631 Chris Pearson – Scheduling Co-ordinator, Transmission and Delivery R3 020 7765 4029 Helen Cocks – Scheduling Co-ordinator, Transmission and Delivery R3 & R4 020 7765 5436 Ben Spoor - Scheduling Co-ordinator, Transmission and Delivery R3 & R4Extra 020 7765 5652 Katy Hubbard - Head of Presentation, R3, R4, R4 Extra 07912 583534 E-mail: [email protected] 3 | P a g e 2. Proteus To enable us to operate efficiently we need Proteus to be completely up to date with: Production team (so we can contact you) Presenter (so we can bill and promote programme correctly) Programme Descriptions One calendar month before tx. Short, medium and long descriptions. No matter how little you know about what’s in the programme, you must put something in here. If anything is different from normal, eg tx type, ob, Salford instead of London production, let Colin Bromelow know immediately. [email protected] If your programme is a repeat, make sure David also knows. 3. Presentation Details Presentation details for pre-recorded programmes should either 1. be included in the script window in Highlander or 2. -
11 December 2009 Page 1 of 26 SATURDAY 05 DECEMBER 2009 Andrew Manze (Director)
Radio 3 Listings for 5 – 11 December 2009 Page 1 of 26 SATURDAY 05 DECEMBER 2009 Andrew Manze (director) SAT 01:00 Through the Night (b00p33ys) 4.36am Including: Mozart, Wolfgang Amadeus (1756-1791): Symphony No 16 in C, K128 1.00am CBC Vancouver Orchestra Schubert, Franz (1797-1828): Symphony No 5 in B flat, D485 Mario Bernardi (conductor) Royal Concertgebouw Orchestra Leonard Bernstein (conductor) 4.49am Milhaud, Darius (1892-1974): Scaramouche 1.31am James Anagnoson Beethoven, Ludwig van (1770-1827): Mass in C, Op 86 Leslie Kinton (pianos) Alison Hargan (soprano) Carolyn Watkinson (contralto) 5.01am Keith Lewis (tenor) Vivaldi, Antonio (1678-1741): Concerto in C for violin, strings Wout Oosterkamp (bass) and continuo in C, Op 8 No 12 Concertgebouw Orchestra Chorus Europa Galante Arthur Oldham (director) Fabio Biondi (violin/director) Royal Concertgebouw Orchestra Colin Davis (conductor) 5.10am Schutz, Heinrich (1585-1672): Magnificat anima mea Dominum, 2.20am SWV468 Chopin, Fryderyk (1810-1849): Grande Polonaise brillante Schutz Akademie (voices and instruments: violins, cornetts, precedee d'un Andante spianato, Op 22 sackbutts and continuo) Lana Genc (piano) Howard Arman (conductor) 2.35am 5.21am Nielsen, Carl (1865-1931): Quintet for flute, oboe, clarinet, horn Smit, Leo (1900-1943): Concertino for cello and orchestra and bassoon, Op 43 (1937) Cinque Venti Pieter Wispelwey (cello) Netherlands Radio Chamber Orchestra 3.01am Ed Spanjaard (conductor) Wagner, Richard (1813-1883), arr. Mottl: Funf Lieder von Mathilde von Wesendonck 5.32am -
WELCOME to the PROMS! SIR ANDREW DAVIS and Sir Henry Wood Invite You to the World’S Greatest Music Festival PLUS! FULL PROMS LISTINGS See P28
CDS, DVDSREVIEWS & BOOKS115 THE WORLD’S BEST-SELLING CLASSICAL MUSIC MAGAZINE FULL BBC RADIO 3 & CLASSICAL MUSIC TV LISTINGS! See p100 see p65 THE SUMMER STARTS HERE… WELCOME TO THE PROMS! SIR ANDREW DAVIS and Sir Henry Wood invite you to the world’s greatest music festival PLUS! FULL PROMS LISTINGS See p28 INSIDE YOUR SPECIAL ISSUE including Behind the scenes What does it take to bring the Albert Hall to your living room? Harrison Birtwistle We talk to the composer who caused panic at the Proms Beethoven Why the greatest symphonist vk.com/englishlibrary GREATfound writing WORKS opera EXPLORED! so difficult PLUS HUNDREDS OF OTHER TITLES AVAILABLE AT GREAT PRICES FROM PARTICIPATING RETAILERS PRICES FROM PARTICIPATING GREAT AT PLUS HUNDREDS OF OTHER TITLES AVAILABLE BEST-SELLING BEST-SELLING BLU-RAY & DVD FROM WARNER CLASSICS & ERATO DVD: 2564632323 Blu-Ray: 2564654365 / DVD: 2564656309 Blu-Ray: 2564660478 / DVD: 2564660468 Marketed and distributed by Warner Classics UK. A division of Warner Music UKLtd. ClassicsUK. Adivision ofWarner Marketed anddistributed by Warner www.warnerclassics.com DVD: 5991569 Blu-Ray: 2564646145 / DVD: 0630154812 Blu-Ray: 2564656333 / DVD: 2564688804 DVD: 5190029 DVD: 2564632035 Blu-Ray: 4040649 / DVD: 4040639 vk.com/englishlibrary JULY 2014 THE MONTH IN MUSIC THE MONTH IN MUSIC The recordings, concerts, broadcasts and websites exciting us this July ON AIR Let the Proms begin! The BBC Proms are back! The 120th season begins with a distinctly British flavour as Sir Andrew Davis raises the baton for Elgar’s mighty oratorio, The Kingdom, on the First Night. Tune in to hear the combined forces of the BBC Symphony Orchestra and Chorus, plus star soloists, in the live Radio 3 broadcast, or watch it in glorious colour later on BBC Two.