Chicago (High School Edition) — Cast List

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CHICAGO (HIGH SCHOOL EDITION) — CAST LIST VELMA KELLY: Dani Gilbert ROXIE HART: Julianne Magistrado MATRON "MAMA" MORTON: Emily Gilligan BILLY FLYNN: Henry Goodnik (A) Tyrik Iman-Washington (B) AMOS HART: Bryant Aguirre FRED CASELY: Walker Heller SERGEANT FOGARTY: Wesley Reyes MARY SUNSHINE: Carlee Fisco LIZ: Cherise Graham ANNIE: Kaileigh Cagnassola JUNE: Olivia Berlingero HUNYAK: Dimitra Georgoutsos MONA: Ellie Higgins Additional Murderesses Gretchen Albrecht Kayla Beam Linsday Simonson REPORTER (p 41; 73) Sam Lewis KITTY: Gretchen Abrecht HARRY Cayle Montegomery THIRD REPORTER Ian Higgins HARRISON Amy Twohig JUDGE: Taryn Faccenda COURT CLERK: Ryan Cagnassola JUROR 1 Connor Farrington ENSEMBLE: Gretchen Albrecht Cherise Graham Cayle Montgomery Olivia Berlingerio Dimitra Georgoutsos Simone North Kayla Beam Walker Heller Sophie Piccone Kaileigh Cagnassola Ellie Higgins Wesley Reyes Ryan Cagnassola Ian Higgins Lindsay Simonsen Taryn Faccenda Abby Lamour Catherine Stabile Connor Farrington Sam Lewis Abby Thomas Alayana Lino Amy Twohig ENSEMBLE NUMBER BREAKDOWN: Overture Full Company Spoken Ensemble Member Act 1: Act 2: Lines # aka MCs 1- Sam Lewis 1- Ian Higgins 2- 8 A ll That Jazz Assigned later 2- Amy Twohig by vocal director 3- Wesley Reyes 9- Abby Lamour 4- Sam Lewis 10- Simone North 11- Sophie Piccone 12- Catherine Stabile 1- Sam Lewis 2- Alayna Lino 3- Amy Twohig 4- Sam Lewis 5- Walker Heller 6- Abby Thomas 7- Ian Higgins 8- Abby Thomas 9- Catherine Stabile 10- Sophie Piccone 11- Kayla Beam 12- Wesley Reyes All That Jazz 1. Gretchen Albrecht 2. Olivia Berlingerio 3. Kayla Beam 4. Kaileigh Cagnassola 5. Ryan Cagnassola 6. Cherise Graham 7. Dimitra Georgoutsos 8. Ellie Higgins 9. Cayle Montgomery 10. Lindsay Simonsen All I Care About is Love 1. Gretchen Albrecht 2. Kayla Beam 3. Taryn Faccenda 4. Ellie Higgins 5. Abby Lamour 6. Alayna Lino 7. Sophie Piccone 8. Simone North 9. Abby Thomas 10. Lindsay Simonsen We Both Reached for the 1. Olivia Berlingerio With Additional Reporters Gun 2. Kaileigh Cagnassola 3. Ryan Kagnassola 1. Sam Lewis 4. Cherise Graham 2. Abby Thomas 5. Dimitra Georgoutsos 3. Amy Twohig 6. Connor Farrington 4. Wesley Reyes 7. Walker Heller 8. Ian Higgins 9. Cayle Montgomery 10. Catherine Stabile Roxie 1. Bryant Aguiree 2. Ryan Cagnassola 3. Connor Farrington 4. Henry Goodnik 5. Walker Heller 6. Ian Higgins 7. Tryik Iman-Washington 8. Cayle Montgomery 9. Wesley Reyes 10. Amy Twohig My Own Best Friend 1. Ryan Cagnassola 2. Ian Higgins 3. Walker Heller 4. Abby Lamour 5. Alayana Lino 6. Sophie Piccone 7. Simone North 8. Cayle Montgomery 9. Lindsay Simonsen 10. Abby Thomas Me and My Baby 1. Kayla Beam 2. Kaileigh Cagnassola 3. Cherise Graham 4. Dimitra Georgoutsos When Velma Takes the Stand Full Company Velma Takes the Stand Exit Razzle Dazzle Full Company Finale Full Company .

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The Auditions for Chicago. Please Read the Information Below So That You Are Prepared for Your Audition
Welcome to the auditions for Chicago. Please read the information below so that you are prepared for your audition. Please arrive 15 minutes prior to your audition time to complete forms. While we will endeavour to run as close to time as possible, please understand that sometimes unforeseen circumstances arise and you may be required to wait. All casting including Ensemble will be by audition only. Age Restriction - 16yrs & older to be in this production. PHOTO Please provide a photo with your audition application form. This does not have to be professional quality it is simply to assist recalling those who auditioned. VOCAL: Prepare a musical theatre song which demonstrates your vocal range. We are looking for a big brassy sound so think up tempo song with an opportunity to belt Audition songs must suit your voice, and your preferred role. It would be helpful for your song to reflect the emotional tone of the character you are auditioning for. We are looking for expression of character, vocal range and technique (pitch, tone, diction etc). Please select 16 – 32 bars that showcases your vocal ability Please DO NOT sing a song from the show. There will be a pianist if you have sheet music and there will be access to a blue tooth speaker. NO CD’s or USB’s please. DANCE If you would like to be considered for a lead role (female / Billy Flynn) or the dance troupe you will be required to prepare YOUR OWN short dance routine, jazz / tap to perform at your audition. Your dance routine MUST be to a song from the show.
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Chicago (1927)
Closing Night Gala Sunday 26th March | Screening 20:00 Chicago Dir. Frank Urson & Cecil B.DeMille (uncredited) | USA | 1927 | 1h 58m With: Phyllis Haver, Victor Varconi, Virginia Bradford Performing live: Stephen Horne (piano, accordion) & Frank Bockius (percussion) Chicago is the thoroughly modern tale of a publicity hungry, headline grabbing anti-heroine, as addicted to her own reflection as today’s popular culture is to the Selfie. Roxie Hart is the iconic free-spirited 1920’s flapper transformed into a destructively willful, reckless, self-centred and amoral media darling. Taken to the extreme, she’s the troubling threat to the establishment posed by a generation of young women flaunting social conventions, dress codes and manners, enjoying sexual freedom, self-determination and demanding what they most want out of life. Phyllis Haver (1899-1960) plays Roxie to perfection in a sparkling performance of devious charm, ruthless determination and brilliant comic timing. Tonight is a rare opportunity to rediscover her talent and celebrate the work of an almost forgotten star. Haver began her career in cinema accompanying silent films on piano, became a Mack Sennett Bathing Beauty and then got her big break as an actress, appearing in over 35 films for the Sennett Studios from 1916-20 before signing with DeMille-Pathé. She worked with some of the most revered artists of her day including Buster Keaton, Lon Chaney, Howard Hawks, Raoul Walsh and D.W. Griffith. There’s no doubt that Haver’s star quality and comedic flair elevate Chicago above a simple black and white morality tale. Her career defining performance was praised by critics as “astoundingly fine”, an impressive combination of “comedy and tragedy”.
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Heather Parcells KMR Resume
HEATHER PARCELLS CELL: 917-743-3992 EMAIL: [email protected] BROADWAY Tuck Everlasting Mae Tuck & Betsy Foster u/s’s Dir. Casey Nicholaw Finding Neverland Swing/Ensemble Dir. Diane Paulus Soul Doctor Holy Rebel/Mother u/s Dir. Daniel Wise Wonderland Mad Hatter & Queen u/s’s Dir. Gregory Boyd A Chorus Line (Original Revival Cast) Judy Turner Dir. Bob Avian Chitty Chitty Bang Bang Ensemble Dir. Adrian Noble NATIONAL TOURS Thoroughly Modern Millie (1st National) Miss Dorothy & Flannery u/s Dir. Michael Mayer Some Like it Hot Rosella/Sweet Sue u/s Dir. Dan Siretta Chicago Velma Kelly Dir. Scott Farris STAGE Chicago Roxie Hart Dir. Nick Kenkel/North Shore Music Theatre Piece of My Heart Jessie u/s Dir. Denis Jones/Signature Theatre Elf Emily Hobbs U/S Dir. Eric Ankrim/Papermill Playhouse Reefer Madness Joan of Arc Dir. Ilana Toeplitz/New World Stages Annie Lily St. Regis Dir. Charles Repole/Pittsburgh CLO Happy Hunting Emily/Margaret Dir. David Glenn Armstrong/York Theatre Boeing Boeing Gloria Hawkins Dir. James Brennan/Papermill Playhouse Boeing Boeing Gloria Hawkins Dir. James Brennan/Cape Playhouse My Own Song Mrs. Ferguson Dir. Vincent Marini/Flat Rock Playhouse Love, Inc. Faith Stillman Dir. Igor Goldin/Roper Auditorium, VA Dirty Rotten Scoundrels Jolene Oakes Dir. Mark Martino/Cape Playhouse How the Grinch Stole Christmas Adult Who Dir. Matt August/NYC Workshop Meet Me in St. Louis Esther Smith Dir. Thomas Mills/Musicals Tonight The Gospel According to Tammy Faye Jessica Hahn Dir. Mindy Cooper/Playwrights Horizons Call Me Madam Princess Maria Virginia Musical Theatre Moon Over Buffalo Rosalind Central Piedmont Summer Theatre, NC FILM & TELEVISION O-Cast (Webseries) Aphrodite: Goddess of Love Dir.
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Chicago: a Movie Musical Mockery of the Media's Razzle Dazzle Image of Murder
Salve Regina University Digital Commons @ Salve Regina Pell Scholars and Senior Theses Salve's Dissertations and Theses Summer 8-2012 Chicago: A Movie Musical Mockery of the Media's Razzle Dazzle Image of Murder. Emily Sulock Salve Regina University, [email protected] Follow this and additional works at: https://digitalcommons.salve.edu/pell_theses Part of the American Film Studies Commons, American Popular Culture Commons, and the Film and Media Studies Commons Sulock, Emily, "Chicago: A Movie Musical Mockery of the Media's Razzle Dazzle Image of Murder." (2012). Pell Scholars and Senior Theses. 83. https://digitalcommons.salve.edu/pell_theses/83 This Article is brought to you for free and open access by the Salve's Dissertations and Theses at Digital Commons @ Salve Regina. It has been accepted for inclusion in Pell Scholars and Senior Theses by an authorized administrator of Digital Commons @ Salve Regina. For more information, please contact [email protected]. Chicago : A Movie Musical Mockery of the Media’s Razzle Dazzle Image of Murder Emily Sulock Sulock 2 Introduction Almost a decade has passed since Rob Marshall’s 2002 movie musical, Chicago , took home the Academy Award for Best Picture. For a movie musical this was a huge success considering that a musical had not won this category since 1969. The film dominated the 2003 Academy Awards as it was nominated for twelve categories, overall winning six. No one had expected the film to do so well since it was three decades in the making after Bob Fosse’s original release of the Broadway musical in 1976.
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Programming in the Historic Capitol Theatre
2015 SEASON NOW SHOWING Tues.-Sat., June 16-20, 7:30 p.m. Sun., June 21, 2:30 p.m. ABERDEEN COMMUNITY THEATRE Based on the DreamWorks Animation Motion Picture and the book by William Steig Book and Lyrics by Music by David Lindsay-Abaire Jeanine Tesori Originally produced on Broadway by DreamWorks Theatricals and Neal Street Productions “I’m A Believer” by Neil Diamond YOUR COMMUNITY. YOUR THEATRE. FROM THE ARTISTIC/ MANAGING DIRECTOR Welcome to “Shrek the Musical.” What a fun show this has been to work on with our ACT Board of Directors volunteers. We hope you enjoy their talents onstage and behind the scenes. Often, the audience Barb Evans, President doesn’t think about what happens back stage to help the actors look and do their best. Along Ann Rasmussen, Vice-president with the actors, I want to thank all the people who worked on costumes, props, set, sound, Linda Bartholomew, Secretary lights, orchestra and running crews for all their time and talent to get “Shrek the Musical” on Kathy Stuck, Treasurer stage for you here at the Capitol Theatre. I thank them and hope you do too! Speaking of volunteers, I will surely miss the ladies at Kathleen’s. They have served as ACT’s Members at Large box office for more than 20 years. Over that time, they have become dear friends and valued box Linda Batteen, Vicki Lust, Gregg Magera, office volunteers. They’re a special group of women and I wish them all the best in their new Warren Redmond, Curt Wischmeier adventures in life.
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Character Descriptions/Synopsis
CHARACTER DESCRIPTIONS/SYNOPSIS SYNOPSIS: Broadway’s longest-running American musical, Chicago is a dazzling and satirical look at fame, justice, and the media machine. Set in 1920s Chicago and based on real-life murders and trials, Chicago follows Roxie Hart, a wannabe vaudevillian star who murders her lover and is arrested, despite her attempts to convince her pushover husband, Amos, to lie for her. In the Cook County Jail, Roxie meets her hero, the famed double-murderess and nightclub performer Velma Kelly. When both acquire the same lawyer, the greedy and lustful superstar, Billy Flynn, tensions come to a head as they vie for the spotlight-- though instead of onstage, they’re mugging for the flashbulb of the newspaper reporters. With catchy, jazzy music and timeless lyrics by John Kander and Fred Ebb, and a funny, intelligent, and utterly engaging book by Kander and Bob Fosse, Chicago is a musical spectacular that is as addictive as gossip rags and as unforgettable as any trial of the century. CHARACTERS: Roxie Hart (Female/Lead/Mezzo-Soprano)-- Roxie is an aspiring vaudeville performer, who stays out late with her entertainment-business-connected lover, Fred Casely, hoping to use him to break into the business. One night, Fred tries to leave Roxie, and she kills him. When her husband Amos comes home, she convinces him to lie to protect her, which he does until Sergeant Fogarty questions him until he reveals the truth. Velma Kelly is one of Roxie’s heroes, and she’s thrilled to meet her when Roxie is thrown into the Cook County Jail, only to discover that her idol wants nothing to do with her.
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BROADWAY MEMORIES Is Produced and Hosted by New York Casting Director Stephen Deangelis
BROADWAY MEMORIES is produced and hosted by New York Casting Director Stephen DeAngelis. Five of Broadway’s finest vocalists will recreate their most memorable musical moments and career highlights, display their great versatility, share backstage behind-the- scenes anecdotes and participate in an enlightening and entertaining question-and-answer session with the audience. Scheduled Broadway performers are KECIA LEWIS, who recently appeared as Mrs. Norman in the Broadway revival of Children of a Lesser God and on television in “Law and Order: SVU” (recurring), “The Unbreakable Kimmy Schmidt” (Season 2), “Limitless” and “Blue Bloods”, Lana Gordon (Velma Kelly in Chicago on Broadway and around the world; Jesus Christ Superstar; original cast The Lion King), Drama Desk Award nominee Adam Jacobs (Aladdin in Disney’s Aladdin; Marius in Les Miserables; Simba in The Lion King). Jon Peterson (The Emcee in Cabaret on Broadway and around the world) and Craig Schulman (The Phantom in The Phantom of the Opera; Jean Valjean in Les Miserables; Jekyl and Hyde-the only actor in the world to have portrayed all three of the greatest musical theatre roles ever). Musical Director/Accompanist will be Eugene Gwozdz. MUSIC & MEMORY®, is researched-based and works with patients who suffer from a wide range of cognitive and physical challenges to find renewed meaning and connection in their lives through the gift of personalized music. STEPHEN DeANGELIS (Producer/Host) has produced over 300 different Broadway concerts at venues in New York and across the United States featuring a multitude of Broadway stars including many Tony Award and Drama Desk Award winners and nominees, stars from hit television series and films whose roots are on stage and Broadway's fastest rising young performers.
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Chicago Full Script 2019 FINAL
A Musical Vaudeville Book by Fred Ebb and Bob Fosse Music by John Kander Lyrics by Fred Ebb ACT ONE SCENE 1 Chicago, Illinois Nightclub Cabaret, 1926 Master of Ceremonies: Ladies and Gentlemen, you are about to see a story of greed, corruption, violence, exploitation, adultery, and treachery…all those things we hold near and dear to our hearts. Thank you…and welcome. Song #1 Overture (trumpet intro) MC: 5, 6, 7, 8… (Lights up on the action! Dance sequences.) Song #2 All That Jazz Velma: COME ON BABE WHY DON’T WE PAINT THE TOWN AND ALL THAT JAZZ! I’M GONNA ROUGE MY KNEES AND ROLL MY STOCKINGS DOWN. AND ALL THAT JAZZ! START THE CAR, I KNOW A WHOOPEE SPOT WHERE THE GIN IS COLD AND THE PIANO HOT, IT’S JUST A NOISY HALL WHERE THERE’S A NIGHTLY BRAWL, AND ALL THAT JAZZ. SLICK YOUR HAIR AND WEAR YOUR BUCKLE SHOES, AND ALL THAT JAZZ! I HEAR THAT FATHER DIP IS GONNA BLOW THE BLUES… AND ALL THAT JAZZ! HOLD ON HON, WE’RE GONNA BUNNY HUG, I BOUGHT SOME ASPIRIN DOWN AT UNITED DRUG, IN CASE WE SHAKE APART AND WANT A BRAND NEW START TO DO THAT… All: Jazz! Bernie, Wilbur, Alvin, Ezekial: Skiddoo… Velma, Veronica: And all that jazz! Lulu: Hotcha! Liz, Annie, June, Mona, Katalin: Whoopee! Velma: And all that jazz. All: Hah! Hah! Hah! Velma, Veronica: It’s just a noisy hall where there’s a nightly brawl, And all that jazz. During the song, Fred and Roxie leave the club.
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Theater Latté Da Presents This Fall's Must-See Musical
FOR IMMEDIATE RELEASE July 17, 2019 Contact: Andrew Leshovsky [email protected] 612-767-5646 office THEATER LATTÉ DA PRESENTS THIS FALL’S MUST-SEE MUSICAL CHICAGO BROADWAY’S LONGEST-RUNNING AMERICAN MUSICAL CHICAGO stars Britta Ollmann as Roxie Hart, Michelle de Joya as Velma Kelly, Robert O. Berdahl as Billy Flynn, Reed Sigmund as Amos Hart, and Regina Marie Williams as Matron “Mama” Morton. The production will transform the historic Ritz Theater into a 1920s Speakeasy, putting audiences in the center of the action. Performances begin September 18 and run thru November 3, 2019 at the Ritz Theater Opening Night September 21, 2019 (Minneapolis/St. Paul) Theater Latté Da today announced casting for CHICAGO, Broadway’s longest-running American musical. Winner of 7 Tony awards including Best Musical Revival, CHICAGO features a book by Fred Ebb and Bob Fosse, music by John Kander, and lyrics by Fred Ebb. The musical, based on the play by Maurine Dallas Watkins, is directed by Theater Latté Da Artistic Director Peter Rothstein with Music Direction by Denise Prosek and choreography by Kelli Foster Warder. CHICAGO will run September 18 – November 3, 2019 at the Ritz Theater. Preview performances are September 18-20. Single tickets start at $33. Group, student, and other discounts are available. On stage seating is also available and general admission. Tickets go on sale July 18 through the box office at 612.339.3003 or online at Latteda.org. Post-show discussions and access services (ASL/AD performances) are available on select dates and by request. Set in Chicago during the roaring 1920s and based on real-life murders and trials, CHICAGO follows Roxie Hart, a wannabe vaudevillian star who murders her secret lover.
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“Isn't It Swell... Nowadays?”: the Reception History of Chicago On
“Isn’t It Swell . Nowadays?”: The Reception History of Chicago on Stage and Screen A thesis submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Master of Music in the Division of Composition, Musicology, and Theory of the College-Conservatory of Music by Michael M. Kennedy BM, Butler University, 2004 MM, University of Hartford, 2008 Committee Chair: bruce d. mcclung, PhD Abstract The musical Chicago represents an anomaly in Broadway history: its 1996 revival far surpassed the modest success of the original 1975 production. Despite the original production’s box-office accomplishments, it received disparaging reviews regarding the cynicism of the work’s content. The musical celebrates the crimes and acquittals of two murderesses, and is based on Maurine Dallas Watkins’s coverage as a Chicago Tribune reporter of two 1924 murder cases, from which she generated a 1926 Broadway play. The 1975 Broadway production of Chicago: A Musical Vaudeville utilized this historical source material to comment on contemporary American society, highlighting parallels between the U.S. justice system and the entertainment industry, which critics and audiences of the post-Watergate era deemed as too cynical. Although Chicago initially achieved a mixed reception, the revival’s producers made few changes to John Kander’s music, Fred Ebb’s lyrics, and Ebb and Bob Fosse’s book, aside from simplifying the title to Chicago: The Musical. This suggests that the musical’s newfound success can be attributed to a societal shift in the perception of its subject matter. With further success from Chicago’s 2002 film adaptation, the originally dark and sardonic material became a smash hit and found itself as mainstream entertainment at the turn of the millennium.
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Voice Details
Philo’s production of Chicago will be performed at the Erindale Theatre in March 2017. Auditions Where: The Philo Hut, 18 Collie St Fyswhick. Date: Sat/Sun 3/4 September 2016 Your auditions will be in groups of up to 8-10 people. Your audition will take place in 2 parts. The first section will involve your group learning a small prepared choreographed routine. Please wear something comfortable that you can move in. This is to be followed by you singing your selected song for the panel. The panel will evaluate your song selection on what we hear. We know what we are looking for, so don’t be concerned if you are not required to sing an entire song. Auditionees for Lead roles (named parts listed below) will then do their prepared script for the role they are auditioning for. Please allocate at least 1 hour for your audition. To Book To book your audition, fill out the form at http://philo.org.au/auditions/ Note: Acting script audition material for lead roles will be emailed to you after you book an audition. Philo’s Chicago Audition Requirements Principal Roles: Singing: Auditionees should prepare two contrasting songs for their audition – The songs should be from a musical and in a style that is consistent with the character you are auditioning for. This should be something that you are very comfortable with – not something you learned the day before! Acting: You should also prepare the section of script set out for that character. Once you have booked a time and nominated the character/characters you wish to audition for the script will be emailed to you.
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Show Content Guide
ABOUT Best known for its iconic Bob Fosse choreography, its heroines’ passion for deceit and its dark, witty score, CHICAGO has been a staple of American musicals since it opened on Broadway in 1975. Though the original production received mixed reviews and endured several setbacks that led to its final bow in 1977, these merry murderesses weren’t to stay out of the limelight for long. In 1996, a revival directed by Walter Bobbie and starring Ann Reinking as Roxie Hart became an unprecedented sensation, earning the unanimous praise from critics that its predecessor had lacked. The adapted script by David Thompson and the changing tides in audiences’ willingness to accept celebrated scandal as entertainment has kept the revival playing on The Great White Way for nearly 20 years. Chicago is currently the longest-running musical revival on Broadway, and the second longest running Broadway show of all time. CHARACTERS ROXIE HART – A woman desperate for fame who unexpectedly gains it through the media’s obsession over the murder of her lover VELMA KELLY – A blasé vaudevillian star on trial for killing her husband and sister BILLY FLYNN – The best lawyer in Chicago who’s love for justice is easily eclipsed by his love for money AMOS HART – Roxie’s sheepish and gullible husband who wishes to win his wife’s affection MATRON “MAMA” MORTON – the matron of Cook County Jail who is always glad to extend a favor or two to her charges – as long as they can pay her back MARY SUNSHINE – A vocal and easily swayed newspaper reporter involved with the trials of both Roxie and Velma CONTENT Recommended for ages 13 and older.
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