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The Auditions for Chicago. Please Read the Information Below So That You Are Prepared for Your Audition
Welcome to the auditions for Chicago. Please read the information below so that you are prepared for your audition. Please arrive 15 minutes prior to your audition time to complete forms. While we will endeavour to run as close to time as possible, please understand that sometimes unforeseen circumstances arise and you may be required to wait. All casting including Ensemble will be by audition only. Age Restriction - 16yrs & older to be in this production. PHOTO Please provide a photo with your audition application form. This does not have to be professional quality it is simply to assist recalling those who auditioned. VOCAL: Prepare a musical theatre song which demonstrates your vocal range. We are looking for a big brassy sound so think up tempo song with an opportunity to belt Audition songs must suit your voice, and your preferred role. It would be helpful for your song to reflect the emotional tone of the character you are auditioning for. We are looking for expression of character, vocal range and technique (pitch, tone, diction etc). Please select 16 – 32 bars that showcases your vocal ability Please DO NOT sing a song from the show. There will be a pianist if you have sheet music and there will be access to a blue tooth speaker. NO CD’s or USB’s please. DANCE If you would like to be considered for a lead role (female / Billy Flynn) or the dance troupe you will be required to prepare YOUR OWN short dance routine, jazz / tap to perform at your audition. Your dance routine MUST be to a song from the show. -
A Dark New World : Anatomy of Australian Horror Films
A dark new world: Anatomy of Australian horror films Mark David Ryan Faculty of Creative Industries, Queensland University of Technology A thesis submitted in fulfillment of the degree Doctor of Philosophy (PhD), December 2008 The Films (from top left to right): Undead (2003); Cut (2000); Wolf Creek (2005); Rogue (2007); Storm Warning (2006); Black Water (2007); Demons Among Us (2006); Gabriel (2007); Feed (2005). ii KEY WORDS Australian horror films; horror films; horror genre; movie genres; globalisation of film production; internationalisation; Australian film industry; independent film; fan culture iii ABSTRACT After experimental beginnings in the 1970s, a commercial push in the 1980s, and an underground existence in the 1990s, from 2000 to 2007 contemporary Australian horror production has experienced a period of strong growth and relative commercial success unequalled throughout the past three decades of Australian film history. This study explores the rise of contemporary Australian horror production: emerging production and distribution models; the films produced; and the industrial, market and technological forces driving production. Australian horror production is a vibrant production sector comprising mainstream and underground spheres of production. Mainstream horror production is an independent, internationally oriented production sector on the margins of the Australian film industry producing titles such as Wolf Creek (2005) and Rogue (2007), while underground production is a fan-based, indie filmmaking subculture, producing credit-card films such as I know How Many Runs You Scored Last Summer (2006) and The Killbillies (2002). Overlap between these spheres of production, results in ‘high-end indie’ films such as Undead (2003) and Gabriel (2007) emerging from the underground but crossing over into the mainstream. -
Chicago the Musical Female Characters: VELMA KELLY: Female
Chicago the Musical Female Characters: VELMA KELLY: Female, 25-45 (Range: Alto, E3-D5) Vaudeville performer who is accused of murdering her sister and husband. Hardened by fame, she cares for no one but herself and her attempt to get away with murder. ROXIE HART: Female, 25-45 (Range: Mezzo-Soprano, F3-B4) Reads and keeps up with murder trials in Chicago, and follows suit by murdering her lover, Fred Casely. She stops at nothing to render a media storm with one goal: to get away with it. She wants to be a star. MATRON "MAMA" MORTON: Female, 30-50 (Range: Alto, F#3-Bb4) Leader of the prisoners of Cook County Jail. The total essence of corruption. Accepts bribes for favors from laundry service to making calls to lawyers. “When you’re good to Moma, Moma’s good to you.” MARY SUNSHINE: Female – TYPICALLY PLAYED BY A MAN IN DRAG, 25-60 (Range: Soprano, Bb3-Bb5) Sob sister reporter from the Evening Star. Believes there is a little bit of good in everyone and will believe anything she is fed that matches her beliefs. LIZ: Female, 18-45 (Range: Ensemble, A3-C#5) Prisoner at Cook County Jail. She is imprisoned after shooting two warning shots into her husband’s head. ANNIE: Female, 18-45 (Range: Ensemble, A3-C#5) Prisoner at the Cook County Jail. Murder’s her lover after finding out he already has six wives. “One of those Mormons, ya’ know.” JUNE: Female, 18-45 (Range: Ensemble, A3-C#5) Prisoner at Cook County Jail. After her husband accuses her of screwing the milk man, he mysteriously runs into her knife… ten times. -
Chicago (High School Edition) — Cast List
CHICAGO (HIGH SCHOOL EDITION) — CAST LIST VELMA KELLY: Dani Gilbert ROXIE HART: Julianne Magistrado MATRON "MAMA" MORTON: Emily Gilligan BILLY FLYNN: Henry Goodnik (A) Tyrik Iman-Washington (B) AMOS HART: Bryant Aguirre FRED CASELY: Walker Heller SERGEANT FOGARTY: Wesley Reyes MARY SUNSHINE: Carlee Fisco LIZ: Cherise Graham ANNIE: Kaileigh Cagnassola JUNE: Olivia Berlingero HUNYAK: Dimitra Georgoutsos MONA: Ellie Higgins Additional Murderesses Gretchen Albrecht Kayla Beam Linsday Simonson REPORTER (p 41; 73) Sam Lewis KITTY: Gretchen Abrecht HARRY Cayle Montegomery THIRD REPORTER Ian Higgins HARRISON Amy Twohig JUDGE: Taryn Faccenda COURT CLERK: Ryan Cagnassola JUROR 1 Connor Farrington ENSEMBLE: Gretchen Albrecht Cherise Graham Cayle Montgomery Olivia Berlingerio Dimitra Georgoutsos Simone North Kayla Beam Walker Heller Sophie Piccone Kaileigh Cagnassola Ellie Higgins Wesley Reyes Ryan Cagnassola Ian Higgins Lindsay Simonsen Taryn Faccenda Abby Lamour Catherine Stabile Connor Farrington Sam Lewis Abby Thomas Alayana Lino Amy Twohig ENSEMBLE NUMBER BREAKDOWN: Overture Full Company Spoken Ensemble Member Act 1: Act 2: Lines # aka MCs 1- Sam Lewis 1- Ian Higgins 2- 8 A ll That Jazz Assigned later 2- Amy Twohig by vocal director 3- Wesley Reyes 9- Abby Lamour 4- Sam Lewis 10- Simone North 11- Sophie Piccone 12- Catherine Stabile 1- Sam Lewis 2- Alayna Lino 3- Amy Twohig 4- Sam Lewis 5- Walker Heller 6- Abby Thomas 7- Ian Higgins 8- Abby Thomas 9- Catherine Stabile 10- Sophie Piccone 11- Kayla Beam 12- Wesley Reyes All That Jazz 1. Gretchen Albrecht 2. Olivia Berlingerio 3. Kayla Beam 4. Kaileigh Cagnassola 5. Ryan Cagnassola 6. Cherise Graham 7. Dimitra Georgoutsos 8. Ellie Higgins 9. -
30 Years of Awgie Award Winners
AWG SPECIAL AWARD WINNERS 1973 - 2019 Special Awards The Dorothy Crawford Award for Outstanding Contribution to the Profession and the Industry The Fred Parsons Award for Outstanding Contribution to Australian Comedy The Richard Lane Award for Outstanding Service and Dedication to the Australian Writers' Guild The Hector Crawford Award For Outstanding Contribution to the Craft as a Script Producer, Editor or Dramaturg Australian Writers’ Guild Lifetime Achievement Award, proudly presented by Foxtel David Williamson Prize - Given in Celebration and Recognition of Excellence in Writing for Australian Theatre AWG Awards Monte Miller Award 1972 to 2006 Monte Miller Award - Long Form Monte Miller Award - Short Form John Hinde Award for Excellence in Science-Fiction Writing Life Membership Life Members Previous Awards Foxtel Fellowship - In Recognition of a Significant and Impressive Body of Work (2007-2014) Kit Denton Fellowship For Courage and Excellence in Performance Writing (2007-2012) CAL Peer Recognition Prize - Awarded to Major AWGIE Winner (2008-2010) Richard Wherrett Prize - Recognising Excellence in Australian Playwriting (2007-2009) Ian Reed Award for Best Script by a First-Time Radio Writer (1998-2000) Australian Writers' Foundation Playwriting Award (2014-2015) The Dorothy Crawford Award for Outstanding Contribution to the Profession and the Industry Previously The Dorothy Crawford Award for Outstanding Contribution to the Profession (1984-2018) 1984 Carmel Powers 1985 Katherine Brisbane 1986 Betty Burstall 1987 Hector Crawford -
Musical! Theatre!
Premier Sponsors: Sound Designer Video Producer Costume Coordinator Lance Perl Chrissy Guest Megan Rutherford Production Stage Manager Assistant Stage Manager Stage Management Apprentice Mackenzie Trowbridge* Kat Taylor Lyndsey Connolly Production Manager Dramaturg Assistant Director Adam Zonder Hollyann Bucci Jacob Ettkin Musical Director Daniel M. Lincoln Directors Gerry McIntyre+ & Michael Barakiva+ We wish to express our gratitude to the Performers’ Unions: ACTORS’ EQUITY ASSOCIATION AMERICAN GUILD OF MUSICAL ARTISTS AMERICAN GUILD OF VARIETY ARTISTS SAG-AFTRA through Theatre Authority, Inc. for their cooperation in permitting the Artists to appear on this program. * Member of the Actor's Equity Association, the Union of Professional Actors and Stage Managers in the United States. + ALEXA CEPEDA is delighted to be back at The KRIS COLEMAN* is thrilled to return to the Hangar. Hangar! Select credits: Mamma Mia (CFRT), A Broadway Credit: Jersey Boys (Barry Belson) Chorus Line (RTP), In The Heights (The Hangar Regional Credit: Passing Strange (Narrator), Jersey Theatre), The Fantasticks (Skinner Boys - Las Vegas (Barry Belson), Chicago (Hangar Barn), Cabaret (The Long Center), Anna in the Theatre, Billy Flynn), Dreamgirls (Jimmy Early), Sister Tropics (Richard M Clark Theatre). She is the Act (TJ), Once on This Island (Agwe), A Midsummer founder & host of Broadway Treats, an annual Nights Dream (Oberon) and Big River (Jim). benefit concert organized to raise funds for Television and film credits include: The Big House Animal Lighthouse Rescue (coming up! 9/20/20), and is (ABC), Dumbbomb Affair, and The Clone. "As we find ourselves currently working on her two-person musical Room 123. working through a global pandemic and race for equality, work Proud Ithaca College BFA alum! "Gracias a mamacita y papi." like this shows the value and appreciation for all. -
CHICAGO to Tour Australia in 2009 with a Stellar Cast
MEDIA RELEASE Embargoed until 6pm November 12, 2008 We had it coming…CHICAGO to tour Australia in 2009 with a stellar cast Australia, prepare yourself for the razzle-dazzle of the hit musical Chicago, set to tour nationally throughout 2009 following a Gala Opening at Brisbane‟s Lyric Theatre, QPAC. Winner of six Tony Awards®, two Olivier Awards, a Grammy® and thousands of standing ovations, Chicago is Broadway‟s longest-running Musical Revival and the longest running American Musical every to play the West End. It is nearly a decade since the “story of murder, greed, corruption, violence, exploitation, adultery and treachery” played in Australia. Known for its sizzling score and sensational choreography, Chicago is the story of a nightclub dancer, a smooth talking lawyer and a cell block of sin and merry murderesses. Producer John Frost today announced his stellar cast: Caroline O’Connor as Velma Kelly, Sharon Millerchip as Roxie Hart, Craig McLachlan as Billy Flynn, and Gina Riley as Matron “Mama” Morton. “I‟m thrilled to bring back to the Australian stage this wonderful musical, especially with the extraordinary cast we have assembled. Velma Kelly is the role which took Caroline O‟Connor to Broadway for the first time, and her legion of fans will, I‟m sure, be overjoyed to see her perform it once again. Sharon Millerchip has previously played Velma in Chicago ten years ago, and since has won awards for her many musical theatre roles. She will be an astonishing Roxie. Craig McLachlan blew us all away with his incredible audition, and he‟s going to astound people with his talent as a musical theatre performer. -
A Documentation of the Choreography Process for Chicago
A DOCUMENTATION OF THE CHOREOGRAPHY PROCESS FOR CHICAGO A Thesis Presented to The Faculty of the Caudill College of Humanities Morehead State University In Partial Fulfillment of the Requirements for the Degree Masters of Arts by Summer F. Copley December, 2007 Accepted by the facu lty of the Caudil l College of Humanities, Morehead State University, in partial fulfi llment of the requirements for the Masters of Arts degree. Director of Thesis Master's Committee: a/l.)_#1tJ /IJ~ , Chair ~k;;:_;JIM ~~ Date A DOCUMENTATION OF T HE CHOREOGRAPHY PROCESS FOR CHICAGO Summer F. Copley, M.A. Morehead State University, 2007 Director o f Thesis:_.....a'-"--+-RJrif1........._____...J'-¥-1/A,.<....-..<-.JJllJ...,__~_j).____ _ The choreography process for the Morehead State University's Communication and Theatre's production of Chicago, in the Spring Semester of 2007, posed several chall enges. The first challenge of the choreography was casting the show. The li mited number of actors who could both si ng and dance meant a compromise had to be made between the choreographer and musical director. Faced with only having five trained dancers in the final cast, I not only had to choreograph the dances, but teach the cast how to dance as well. There was also the challenge of stayi ng true to my origi nal concepts of each musical number, while at the same time choreographing to the director's vision and concept. The final challenge was time. I was constantly aware of the fact that I had over ten musical numbers and only fo ur weeks complete the task. -
Chicago (1927)
Closing Night Gala Sunday 26th March | Screening 20:00 Chicago Dir. Frank Urson & Cecil B.DeMille (uncredited) | USA | 1927 | 1h 58m With: Phyllis Haver, Victor Varconi, Virginia Bradford Performing live: Stephen Horne (piano, accordion) & Frank Bockius (percussion) Chicago is the thoroughly modern tale of a publicity hungry, headline grabbing anti-heroine, as addicted to her own reflection as today’s popular culture is to the Selfie. Roxie Hart is the iconic free-spirited 1920’s flapper transformed into a destructively willful, reckless, self-centred and amoral media darling. Taken to the extreme, she’s the troubling threat to the establishment posed by a generation of young women flaunting social conventions, dress codes and manners, enjoying sexual freedom, self-determination and demanding what they most want out of life. Phyllis Haver (1899-1960) plays Roxie to perfection in a sparkling performance of devious charm, ruthless determination and brilliant comic timing. Tonight is a rare opportunity to rediscover her talent and celebrate the work of an almost forgotten star. Haver began her career in cinema accompanying silent films on piano, became a Mack Sennett Bathing Beauty and then got her big break as an actress, appearing in over 35 films for the Sennett Studios from 1916-20 before signing with DeMille-Pathé. She worked with some of the most revered artists of her day including Buster Keaton, Lon Chaney, Howard Hawks, Raoul Walsh and D.W. Griffith. There’s no doubt that Haver’s star quality and comedic flair elevate Chicago above a simple black and white morality tale. Her career defining performance was praised by critics as “astoundingly fine”, an impressive combination of “comedy and tragedy”. -
Character Descriptions ***
Set in roaring twenties Chicago, chorine Roxie Hart murders a faithless lover and convinces her hapless husband Amos to take the rap...until he finds out he's been duped and turns on Roxie. Convicted and sent to death row, Roxie and another "Merry Murderess" Velma Kelly, vie for the spotlight and the headlines, ultimately joining forces in search of the "American Dream": fame, fortune and acquittal. This sharp edged satire features a dazzling score that sparked immortal staging and choreography by Bob Fosse. Character Descriptions *** Roxie Hart: Age 25-45. Innocent, sexy, desperate, selfish. Roxie is not very bright and never thinks about the consequences of her actions before she says or does things. Every move is selfish, every idea foolish and ill considered and yet she remains strangely sympathetic because we know her selfishness is not malicious; but childish. All Roxie cares about is getting into Vaudeville. Needs to be a strong actress, singer and dancer. (mezzo) Billy Flynn: Age 35-60. Sexy, persuasive, manipulative, masculine. Billy is a suave, educated lawyer who can persuade anyone to do anything. Billy will take any case as long as it is sure to put money in his pocket. Billy is a lot like a Hollywood Agent. Needs to be a strong character actor who can sing and dance well. (tenor) Amos Hart: Age 30-50. Charming, funny, vulnerable, timid man. Amos is an average guy, not very good looking, not very smart. Manipulated easily, Amos is the only character in Chicago whose motives are entirely pure, never selfish and he's the only character who really loses ultimately. -
Amongst Friends: the Australian Cult Film Experience Renee Michelle Middlemost University of Wollongong
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2013 Amongst friends: the Australian cult film experience Renee Michelle Middlemost University of Wollongong Recommended Citation Middlemost, Renee Michelle, Amongst friends: the Australian cult film experience, Doctor of Philosophy thesis, School of Social Sciences, Media and Communication, University of Wollongong, 2013. http://ro.uow.edu.au/theses/4063 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Amongst Friends: The Australian Cult Film Experience A thesis submitted in fulfillment of the requirements for the award of the degree DOCTOR OF PHILOSOPHY From UNIVERSITY OF WOLLONGONG By Renee Michelle MIDDLEMOST (B Arts (Honours) School of Social Sciences, Media and Communications Faculty of Law, Humanities and The Arts 2013 1 Certification I, Renee Michelle Middlemost, declare that this thesis, submitted in fulfillment of the requirements for the award of Doctor of Philosophy, in the Department of Social Sciences, Media and Communications, University of Wollongong, is wholly my own work unless otherwise referenced or acknowledged. The document has not been submitted for qualifications at any other academic institution. Renee Middlemost December 2013 2 Table of Contents Title 1 Certification 2 Table of Contents 3 List of Special Names or Abbreviations 6 Abstract 7 Acknowledgements 8 Introduction -
“If I See a Red Carpet
“IF I SEE A RED CARPET, Nadine Garner reminisces about the years she and Kylie Minogue were just Kids, and reveals that acting for adults is equally rewarding... and no less treacherous Photography CAMERON GRAYSON Styling IRENE TSOLAKAS Interview SIOBHAN DUCK adine Garner has seen and heard plenty series – was a blow for the single mother of two. “It was the most during her three-plus decades in showbiz. I was ever going to be earning,” she says. “I thought, ‘Oh my god… When she was 14, co-star Kylie Minogue everything is going to turn around!’ But nothing is guaranteed. introduced her to the music of Prince, the “I think we are at the very beginning of a new way of behaving Violent Femmes and Donna Summer on across all industries. And ours needed to be looked at – no doubt. the set of their TV series The Henderson Kids It still does; nothing is fixed here. We still have a systemic and turned her on to fashion with regular vulnerability in our industry for people to be taken advantage of.” excursions to Melbourne’s Camberwell Sunday Market. Despite her disappointment over the show’s demise, Garner NFor her second movie, Disney’s Bushfire Moon, she worked is supportive of the changes that are starting to take place: alongside veteran actor Charles “If you’ve got a menace in the “Bud” Tingwell; she’d later star in workplace [it needs to be dealt with]. a nationwide production of Cabaret And I know many actresses who have for a year as it travelled Australia.