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Lub-Lun Prisoners
Lub-Lun Prisoners. The Thirteenth Enterprises; gen. mgr.. Nassour 1924; picturessinoeinctiude Murders In the Rue 1944; gets. Mgt, Amusement Prod. with it, Polk concert Chair. Wild Company. Dramila. Studios. 1949 -May. 1950: ors. & Morgue, White Zombe. Chemin.the Magician: Phantom elms: erg. & /red. 28 Supermanfilms for TV. 1901: Prod.. Killer. The Devil Rat, The Wolf Man.Black Cat. Black Loan Shar,. I'll Get You. ManFrom Cairo. Member: Va- Draeon., The Ghost of Frankenstein.The Corpse Vanishes, riety Club. L.A. 9 c, 5 Coate. Guard. Died. Angled.1958. Meets the b.Los Angeles.Calif. PicturesInclude: Ane Mon. Frankenstein LUBIN. ARTHUR: Director, pictures.Including Miff Man. The Return of the Vampire,One Rode Too Since1035hasdirectednumerous Moat. Keen 'Ern Many. (lentils at Work. A 0, C MeetFrankenstein, Bela Buck Private.Tn the Navy, Hold That FtAns. Ride 'Ens Cowboy.Eagle Rottruiron. Phantom of Lugesi Meets a Brooklyn Gorilla. the Opera. White Savage. AliRaba end the Forty Thieves, Hungary.May 28. Queen for a Day. Francis LUKAS, PAUL; Actor. b. 13m1anest,Acad.of Hungaryi nelivhthinv Tianceroun.Rhubarb. Francis. Francis Covers the Big Cell.of Thirlanest;Actor.' thePisces. 1005:e. Rndeneat,1918(titlerole. Preen.Goesto Frsnels floes to WestPoint..It Grows on Trees. Ptaal.debut Comedy Cheat.. leirrit screen role in Eta of India. Francis Joins the Lfliorn): at Comedy Meat. 9 era. steep. end from SmithSea Woman, Star pre/. Samson & Delilah: later nnN.'V', heat per- WA P.. inthe Nev.. S. nietimes. Aratlemy Award, RecentPictures: Lady Godiva. Francis 1520 in mane Ti. the Rhine Werner): Fnotstens in the Fog, FirstTraveling Saleslady, Escapade ferminnee nn actor. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
Dunmore's New World: Political Culture in the British Empire, 1745--1796
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2010 Dunmore's new world: Political culture in the British Empire, 1745--1796 James Corbett David College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African History Commons, and the United States History Commons Recommended Citation David, James Corbett, "Dunmore's new world: Political culture in the British Empire, 1745--1796" (2010). Dissertations, Theses, and Masters Projects. Paper 1539623561. https://dx.doi.org/doi:10.21220/s2-jexg-0r20 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Dunmore's New World: Political Culture in the British Empire, 1745-1796 James Corbett David Villanova, Pennsylvania Master of Arts, The College of William and Mary, 2004 Bachelor of Arts, Boston College, 2000 A Dissertation presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Doctor of Philosophy Department of History The College of William and Mary May, 2010 APPROVAL PAGE This Dissertation is submitted in partial fulfillment of the requirements for the degree of Approved by the Committee, March 2010 Professor James Axtell, History The College of William and Mary Associate Professor Ronald Schecter, History The College of William and Mary ABSTRACT PAGE Despite his participation in the Jacobite Rebellion of 1745, John Murray, fourth earl of Dunmore, eventually became royal governor of New York (1770-1771), Virginia (1771- 1783), and the Bahama Islands (1787-1796). -
A History of Failure Ann Reynolds University of Texas at Austin, [email protected]
Criticism Volume 56 Article 3 Issue 2 Jack Smith: Beyond the Rented World 2014 A History of Failure Ann Reynolds University of Texas at Austin, [email protected] Follow this and additional works at: http://digitalcommons.wayne.edu/criticism Recommended Citation Reynolds, Ann (2014) "A History of Failure," Criticism: Vol. 56: Iss. 2, Article 3. Available at: http://digitalcommons.wayne.edu/criticism/vol56/iss2/3 A hIStoRy of Failure Ann Reynolds Blonde Cobra begins with silence and a still black-and-white image. After several seconds, a voice asks, “What are your favorite gershwin songs?” this voice seems to prompt movement within the image, as well as the sound of a second voice quickly rattling off a list of songs in response: “I’ve got Rhythm,” “Liza,” “S’Wonderful,” . and “of thee I Sing.”1 the first voice interrupts the second’s recitation with the ob- servation that most of these songs are in the movies as the second voice continues to suggest a few more songs. then the conversation turns to Victor Moore, an actor in the Broadway musical Of thee I Sing (director george S. kaufman, 1931). first voice: “And Victor Moore is dead.” Second voice: “yeah. I’m sorry.” first: “Who’d he play? What was the part he played?” “ta ta tum ta tuttlebaum . tuttlebaum. tuttlebaum. throttlebottom.” Second: “What? What was throttlebottom’s first name?” first: “how did the song go?” Second: “What was his first name, throttlebottom? faster, Robert faster.” first: “I give up.” Second: “Alexander.” first: “Alexander throttlebottom.” Second: “What part, position did he have, did he play in?” Criticism Spring 2014, Vol. -
Universal Pictures: WELCOME Celebrating 100 Years
Curated by UCLA Film & Television Archive Presented by American Express CArL Laemmle ii 1 UnivErsAL PiCTUrEs: WELCOmE CELEbrating 100 YEArs or 100 years Universal Pictures has been in the business of making movies. “We hope you FUniversal films have touched the hearts of millions and fostered one of the enjoy the films world’s greatest shared love affairs of going to the movies. Along with our extensive film restoration commitment, as part of our year- and thank you for long Centennial Celebration, it was important to find ways to share our films with others. We are proud to be working with the UCLA Film & Television honoring our past Archive to bring you the “Universal Pictures: Celebrating 100 Years” film tour. We hope this event will introduce a new generation of filmgoers to Universal by celebrating classics. 100 years of Movies continue to touch our hearts, make us laugh, cry and unite us in the most amazing ways. We are proud to play a role in preserving and continuing Universal films the iconic legacy of our Studio. with us.” We hope you enjoy the films and thank you, and our corporate partner American Express, for honoring our past by celebrating 100 years of Universal films with us. Ron Meyer President and Chief Operating Officer, Universal Studios 2 mEssAgE FrOm THE DirECTOr t’s not often that we have the opportunity to celebrate the centenary of a Imajor motion picture company—and given its mission to collect, preserve and “…this opportunity showcase moving image culture, this opportunity has been a particularly rich and rewarding one for UCLA Film & Television Archive. -
Südsee: Mythos, Handlungsraum, Thema
Repositorium für die Medienwissenschaft Hans Jürgen Wulff Südsee: Mythos, Handlungsraum, Thema. Eine Filmographie 2003 https://doi.org/10.25969/mediarep/12847 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Wulff, Hans Jürgen: Südsee: Mythos, Handlungsraum, Thema. Eine Filmographie. Hamburg: Universität Hamburg, Institut für Germanistik 2003 (Medienwissenschaft: Berichte und Papiere 43). DOI: https://doi.org/10.25969/mediarep/12847. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0043_03.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft / Hamburg: Berichte und Papiere 43, 2003: Südsee. ISSN 1613-7477. Redaktion und Copyright dieser Ausgabe: Hans J. Wulff. Letzte Änderung: 24. Februar 2012. URL der Hamburger Ausgabe: .http://www1.uni-hamburg.de/Medien/berichte/arbeiten/0043_03.pdf. Südsee: Mythos, Handlungsraum, Thema. Eine Filmographie zusammengestellt von Hans J. Wulff Inhalt 1926 Spielfilme, TV Movies, Mini-Series Lamour, Dorothy Moana (Moana); USA 1926, Robert Flaherty. – Do- The Mutiny on the Bounty / Die Meuterei auf der kumentarfilm. Bounty Dokumentarfilme, Dokumentationen, Fernsehfeatures Pearl of the South Sea, aka: Hound of the Deep; Australien 1926, Frank Hurley. – 56 min.To inherit a fortune, a London playboy must find a pearl in the waters off Thursday Island, in the process defeating Spielfilme, TV-Movies, Mini-Series a ruthless rival and tropical diseases. -
Allied Artists & Monogram Pictures Historical* Resume
Allied Artists & Monogram Pictures The Allied Artists and Monogram Pictures names have always stood for cost effective, yet quality entertainment product. There have been a number of motion picture houses known for their ability to produce movies inexpensively. Many such companies have not only produced “cheap” movies – often dubbed “B’s” - but some have successfully modeled themselves after larger studios, earning multiple Academy Awards along the way. By the early 1930’s, only a handful of the independents had configured themselves into cheaper versions of the studio system. One of the most important was Monogram, which was originally located at 4516 Sunset Blvd., then relocated to 1040 N. Las Palmas Ave. In 1935, Monogram merged into Republic, becoming an independent company again one year later, and moving, once again, over to Sunset Drive and Hoover Street. Monogram made money on the Bowery Boys and the Cisco Kid, but under its intended “A” movie subsidiary, Allied Artists, also produced some truly memorable films, including Don Siegel’s paranoid masterpiece, Invasion of the Body Snatchers. Throughout the years, Allied Artists has released such award winning movies as Cabaret; Papillon; The Wild Geese; El Cid; The Pawnbroker; House on Haunted Hill; and such camp cult classics as The Blob, The Attack of the Fifty Foot Woman, and The Queen of Outer Space, to name just a few. Through the golden age of the low budgets, Allied Artists and Monogram Pictures were responsible for the following motion pictures: (Award nominated, award winning, and notable films indicated in italic bold face) ALLIED ARTISTS PRODUCED MOVIES 1. -
Going Native
ANGLIA RUSKIN UNIVERSITY GOING NATIVE: COLONIAL CONTINUITIES AND DISCONTINUITIES IN CONTEMPORARY HOLLYWOOD CINEMA STEPHEN TRINDER A DISSERTATION IN PARTIAL FUFILLMENT FOR THE REQUIREMENTS OF ANGLIA RUSKIN UNIVERSITY FOR THE DEGREE OF MASTER OF ARTS IN INTERCULTURAL COMMUNICATION Submitted: June 2012 Word count: 17,704 I declare that this work is my own and that the material contained herein has not been substantially used in any other submission for an academic award. This work may (i) be made available for consultation within the University Library or (ii) be lent to other libraries for the purpose of consultation or may be photocopied for such purposes. Signed: Dated: ACKNOWLEDGEMENTS I wish to thank my mum most of all for the support she has shown me in allowing me to live back at home for the time I have been studying. Without her I would be completely bankrupt and hungry by now. Also thank you to Dr. Guido Rings for pointing me in the right direction over the year and helping me in my studies. ii TABLE OF CONTENTS AKNOWLEDGEMENTS (ii) TABLE OF CONTENTS (iii) ABSTRACT (iv) 1.0 INTRODUCTION 1.1 PRELIMINARY REMARKS 1 1.2 METHODOLOGY 5 1.3 SOME CONSIDERATIONS OF COLONIALISM, IMPERIALISM AND OTHERNESS IN HOLLYWOOD FILM 8 2.0 FILM ANALYSIS 2.1 PRELIMINARY REMARKS CONCERNING THE FILMS 17 2.2 SULLY ALGREN AND DUNBAR AS NOVELISTIC HEROES 22 2.3 THE NA’VI, THE SAMURAI AND THE SIOUX AS THE OTHER 37 2.4 CONSIDERATIONS OF OTHER THEMES THAT CONTRIBUTE TO THE COLONIAL UNDERPIN OF THE FILMS 54 3.0 CONCLUSION 68 4.0 BIBLOGRAPHY 4.1 PRIMARY REFERENCES -
Large Print Bibliography, 1990. INSTITUTION South Dakota State Library, Pierre
DOCUMENT RESUME ED 337 172 IR 053 743 TITLE Large Print Bibliography, 1990. INSTITUTION South Dakota State Library, Pierre. PUB DATE 90 NOTE 694p. PUB TYPE Reference Materials - Bibliographies (131) EDRS PRICE MF04/PC28 Plus Postage. DESCRIPTORS Annotated Bibliographies; Fiction; Indexes; *Lart7e Type Materials; Library Collections; Library Materials; Nonfiction; Reading Materials; Stat(J Libraries; Visual Impairments IDENTIFIERS *South Dakota ABSTRACT This bibliography lists materials that are available in large print format from the South Dakota State Library. The annotated entries are printed in large print and include the title of the material and its author, call number, publication date, and type of story or subject area covered. Some recorded items are included in the list. The entries are arranged alphabetically by title. Author, title, and subject indexes are provided. The subject categories include adventure, animal stories, bicgraphy, general (ficton), historical fiction, humor, mystery, religion, romance, spy/espionage, western, and World War II. Subjects with fewer items listed include cookery, dictionaries, fantasy, gardening, literature, psychology, and regency romance. (MAB) *****w****************************y************************************ Reproductions supplied by EDRS are the best that can be made from the original document. *********************************************************************** Um. Office of Educational Resoorch and Improvement EDUCATIONAL RESOURCES INFORMATION CENTER fERIC) 0 This document has been reproduced as received from the parson or organization originating II o Minor changes have been made to improve reproduction quality Points of view or opinions Mateo in this docu merit do not netesSenly represent official OERI position or policy LARGE PRINT BIBLIOGRAPHY 1990 SOUTH DAKOTA STATE LIBRARY "PERMISSION TO REPRODUCE THIS MATERIAL HAS BEEN GRANTED BY Iglig-bUsig,_913Janheck S.D.