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Qt0vt371gt Nosplash B25ef242 TALIKA IN ARUDAM NO I For Bass Clarinet, Piano, Violin, Viola, and Cello Composer Candra Bangun Setyawan 2 Program notes The idea of this musical work is very simple, which is inspired by the kotekan and ngimbal technique on Javanese gamelan EXPLANATION OF SIGNS *piano *string damp on string with the hand behind bridge on string : play in string piano/ inside off string : ord./on keyboard overpressure/o.p decrease strong bow pressure glissando on string piano (much stronger than normal) harmonic l.h.Pizz /left hand pizz as high as possible *Bass Clarinet vibrato glissando M1 damp string / on violin and cello damp string with the left hand M2 M3 clb : col legno bututto ord. : ordinary/normal ric. : ricochet - sign ricochet ../.../.... M4 sp : sul ponticello esp : extreme sul ponticello st : sul tasto M5 spic : spiccato M6 Talika in Arudam No #I For Bass Clarinet, Piano, Violin, Viola and Cello Candra Bangun Setyawan (2020) e : 45 7 8 7 2 5 2 7 8 8 8 8 8 8 8 you can give vibrato on long tone if possible ∑ ∑ Bass Clarinet & j ˙ œ œ™ œ œ™ œ œ œ œ œ œ p ff pp “” ◊ÿ ÿ > ◊ œ™ ™ œ > œ >œ >œ r œ œ œ œ œ œ œ œ œ œ œ ™ œ #œ ∑ ∑ ‰ J ‰ ® J ™ ≈ ≈ #œ œ™ ® œ nœ & œ Ù Ù #œ œ œ 6 5 Piano sfz ff p f #œ {? ‰ ≈ Œ j ‰ ∑ ‰ œ œ œ™ ‰ ∑ bœ œ œ ™ bœ O bœO œ œ œ bœ >œ 6 > œ œ “‘ “‘ œ mp f ff ° ø esp … µ ™ ™ œ Bœ œ ° ™ æj µw ˙ œ œ œ œ œ œ œ œ œ æ Violin & Œ æ ‰ Œ æ æ æ æ >6 sfz p f p ff esp Viola B ∑ #w ˙ œ™ œ œ™ œ œ œ œ œ œ œ œ p f p ff ord. esp pizz. arco è esp j œ » ? Œ 6 ‰ œ >¿ ‰ æ æ æ æ Cello ¢ > J µw ˙ œ™ œ œ™ œ™ œ œ œ œ … sfz mf ff p f p ff 3 7 5 8 8 you can see multiphonic on explenation of signs M1 M6 M3 air sound 8 ™ B. Cl. & Œ ™ ™ ™ ™ ™ ™ ’ ’ ’ ’ ’ ’ ’ ‡ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ - - - - p f p f > nœœ. œ >œ œ ™ & Ó J Œ ∑ ∑ ∑ ™ ≈ ≈ œ ≈ œ f sfz Pno. p j > 5 {? œ Ó™ ∑ ∑ bœO ‰ ‰ Œ ™ ≈ œ œ ≈ J œ œ 6 6 6 6 6 R œ “‘ ff dim. p fff ° ø ° ø … ord. n>6™ ° æ æ j Ó æ æ 6™ 6™ ™ O ‰ Vln. & æ ) æ ) ™ #O œ #O O æ æ æ æ æ æ æ æ æ > œ œ œ 3 f f p ff ppp ord. … pizz. æ æ æ æ j æ æ æ æ æ æ æ æ ™ >œ Vla. B 6 B6 Bb6™ ) n6 ˜6 6 6 6 µ6 ) ) 6™ ™ Ó J sfz p ff ppp ord. … 6™ 6 6 ) ™ >) ? ≈ ≈ ‰ 6™ æ 6 6™ ™ ˙ ‰ Vc. ¢ ˙ œ™ 6 6 æ æ æ æ æ æ æ æ æ æ æ æ æ p ff ppp f 4 4 3 12 8 8 8 air sound 13 ™ æ B. Cl. & ™ ∑ æ ™ œ ™ - - œ œ œ œ œ œ œ _ - œ œ œ œ œ œ œ œ œ œ œ o pp mf pp “” “” . œ œ œ œ œ œ œ œ œ œ œ œ œ œ > œ . œ œ. œ œ™ œ #œ #œ nbœ œœ œ œ bœ ∏ ™ bœ bœ . œ . œ ™ ∏ #œœ™ #œ œ ‰ œ œ ™ ∏ œ™ ≈ ≈ ≈ ≈ ≈ ≈ ‰ & œ œ . ∏ œ ∏ œ. œ #œ mf ppp p p Pno. #œ {? Ó ™ ‰™ ® ‰ œœ #œœ ≈ ≈ œ ≈ ∑ ∑ ≈ ≈ ≈ bœ j ™ #œ œ œ nœ œ #œ nœ œœ bœ œ ◊Ÿ “‘ p p ° ø nail pizz. arco > ™ ™ ™ ™ ™ œ œ œ œ œ œ µµœO ™ œO œO ™ œO µµœO œO œO œO ™ œO œO œO µµœO œO ™ œO ™ ° ™ J Vln. & ‰ ™ mf dim. mp pp arco sp œ æ æ æ æ æ æ æ œ B Œ æ œ ™ Bœ™ æ æ æ æ æ œ œ œ œ œ œ™ Vla. æJ æ Bœæ œ œ œ œ œæ™ ˙æ œ œ æ æ æ æ æ æ æ æ æ æ æ æ æ æ pp mf pp sul A 1> œ œ o o o o o o o o o æ æ œ œ œ™ œ ˙ œ™ œ œ œ œ œ œ ? æJ æ Œ ™ œ ≈ œ œ™ æ æ æ æ æ ≈ ≈ ≈ Vc. ¢ ™ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ p o f pp mf pp 5 e : 30 12 5 8 8 8 8 you can see multiphonic on explenation of signs M6 M6 M5 slap tongue 20 ∑ ‰ Œ B. Cl. & ’ ™ j ’ ™ ‡ ‡ - - - - >f mp ff pp ff mf on string off string with pick guitar “” on string >f f f f f f ◊ÿ >œ >œ >œ 3 ∑ æJ ‰ Œ ≈ ≈ ≈ ≈ Œ ∑ Ó f & æ æ æ æ æ f f 5 ff dim. p sfz f dim. Pno. j {? Œ j ‰ Ó ‰ Œ™ ‰ ∑ j ‰ j Ó Œ™ œO 6 6 6 6 6 6 6 6 6 6 6 6 #œO œO O > > > 6 6 6 6 6 6 6 6 6 6 6 6 b>œ “‘ “‘ “‘ ff pp ff sfz ff pp ff ° L.h.pizz. nail pizz. arco arco nail pizz. arco o + ric. > nœ™ œ œ œ™ œ œ + µO œ esp ° œ œ ... ... ... µ ˙ ≈ ‰ œ™ ‰ œ œ œ™ ≈ ≈ œ ≈ œ ≈ ≈ ≈ J ∑ æ Vln. & æ œ #w œ æ æ 7 ff ff pp ff pp f arco pizz. esp œ œ œ œ™ ˙ œ œ œ æ æ æ æ æ æ w Vla. B æ ‰ ‰ æ æ æ æ æ æ æ œ ‰ ∑ æ æ æJ œ œ™ œ œ œ œ œ æ æ > æ pp ff pp f ff arco arco clb clb pizz. pizz. arco arco esp o > pizz. o ™ è œ œ #O≤ œ nœ œ œ ? ≈ ‰ ≈ # œ ‰ > ‰ œ œ œ ≈ ‰ æ ‰ œ œ œ œ œ ‰ >¿ ≈ ¿ ∑ æ Vc. ¢ œ æ wæ 5 » 3 7 pp o sfz p sfz p ff f mp sfz ff 6 e : 55 7 8 M1 25 6 4 6 4 Œ ≈ ≈ ≈ ≈ ≈ ‰ ≈ ≈ ≈ ≈ ≈ ‰ ≈ B. Cl. & ‡ ‡ ™ r œ œ œ œ œ #œ œ œ ˙™ >œ œ œ œ œ œ p ff p “” off string > ÿ 5 œ >œ ◊ j 3 U >œ >œ > f f Œ™ f ‰ ‰ f f Œ Ó Ó Œ™ ≈ ≈ ‰ ≈ ≈ œ ‰ ∑ & J J f J 3 pp ff Pno. 6 4 6 4 6 4 {? ∑ ∑ ≈ ≈ ≈ ‰ ≈ ≈ ≈ ≈ ≈ ‰ ≈ ≈ #œ ≈ ≈ ≈ ‰ œ ≈ 6 6 6 6 6 6 6 6 œ œ œ > œ œ œ œ œ #œ “‘ œ #œ ø p ff p ° ø ric. ord. Ÿ~~~~~~~~~~~~~~~~~~~~ 5 - - ° U U bœ nœ œ œ æ æ Œ Œ™ ˙O ‰ bœ™ ® œ œ .. œ #œ œ œ œ œ Vln. & <#>wæ ˙æ™ .. œ™ 5 o pp ff pp ff pp ff p ord. spic esp spic esp spic sp U U w ˙™ ™ æ æ æ æ æ æ æ æ æ Vla. B æ æ Œ Œ æ æ r æ æ æ æ æ œæ œ æ æ œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ œ. œ. œ. œ. œ™ œ. œ. œ. œ. œ œ œ œ œ o pp f p ord. ord. sp ! ric. ric. 5 o ™ æ æ æ œ o œo U U #O ™ æ æ æ æ æ ... j œ ? æ æ Œ # œ™ nœ ‰ œ ‰ æ æ ≈ œ ‰ J ≈ R ‰™ ≈ œ ≈ Vc. ¢ wæ ˙æ™ . nœ. J #œ 3 5 ... o pp ff pp f p 7 3 8 5 3 3 5 30 ∑ ∑ ≈ ≈ ≈ ≈ ≈ ≈ ≈ ≈ ≈ ≈ B. Cl. & œ œ œ™ œ œ > œ > œ œ œ œ œ œ œ >œ >œ >œ > > > > > œ œ p ff “” ◊ÿ œ ◊ÿ >œ bœ œ™ œ #œ nœ bœ œ œ œ œ œ œ œ œ #œ œ & ≈ ‰ ‰ J ‰ ∑ ∑ ≈ ≈ ® #œ p pp ff Pno. 5 3 3 5 {? ∑ ∑ ≈ ≈ ≈ ≈ ≈ ≈ ≈ ≈ ≈ nœ ≈ #œ nœ bœ bœ™ œ nœ œœ œœ œœ œœ œ œœ œœ œœ œ > > > > >œ œœ > > > >œ > p ff esp ord. ™ ™ µO O µ ° ˙ œ ˙ œ µO µ œ œ µœO b O ™ œO ™ ˙ œ™ ˙ œ™ r O™ ‰ µ œ ‰ ≈ ≈ ≈ æ ≈ ≈ bœ™ Vln. & æ æ æ æ æ >œ æJ æJ æ æ R 3 5 3 ff p esp ord. 5 3 3 5 æ æ æ æ æ æ æ æ æ æ æ œ O ™ O ™ B æ æ™ æ æ ≈ œ œ œ ≈ ≈ œ ≈ ≈ œ ≈ ≈ œ > ≈ œ™ œ™ Vla. ˙ œ ˙æ œæ™ œ > > > œ > > œ > > > > ff p esp ord. 5 >œ r 5 ˙ æ æ æ ? æ æ æ œ œ #œ ≈ œ #œ ≈ œ ≈ œ nœ œ R ‰ #Oæ Oæ ≈ æ Vc. ¢ œæ œ #œ æ nœ œ™ œ œ œ # œ œ œO O™ O™ æ æ æ æ æ æ æ #œ™ œ™ pp ff p 8 flz 35 æ æ æ æ æ æ æ æ 3 ‰ ≈ ≈™ æ æ æ æ æ B. Cl. & ™ ™ œ ™ œ œ œ œ œ œ œ œ™ œ œ œ œ œ œ œ œ œ œ œ œ > > œ f “” ◊ÿ #œ bœ #>œ > œ #>œ >œ >œ n>œ >œ œ >œ œ œ & ≈™ ‰ ≈ ≈™ ‰ ® œ ® ≈ ≈ ≈ ≈ ≈ ≈ ≈ ≈ ≈ ≈ œ ≈ ≈ ≈ æ æ æ æ æ æ æ æ f Pno. 5 #œ bœ bœ œ {? ≈ #œ ≈ œ œ Œ bœ ≈ ≈ ≈ œ ≈ œ ≈ œ œ œ bœ J r bœ œ œ nœ œ p f ° b O ™ O ™ O > bœO ™ > > > O bœ™ œ™ œ O nO O æ ‰ O O ≈ ≈ O ≈ ‰™ O O O ≈ Vln.
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