Hermetic Qabalah
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The Magician's Kabbalah
The Magician's Kabbalah By FP The Classical esoteric model of the Universe as practised by a working Magician, with unique details of the theories and practices of modern magic for the general reader. This book demonstrates the integration of Kabbalah with the leading edge of scientific thought in the realms of psychology and cosmology, as well as providing an unparalleled guide to the hidden world of the modern occultist. Acknowledgements I acknowledge the lessons of my teachers and colleagues of the Invisible College, particularly Frater Daleth for the Operation of Sol; Soror Jasinth for love and company in the Circle of the Moon ; Soror Brina for reopening Eden; And the participants in the Illuminated Congregation of Melchizedek, past, present and future, who seek to maintain and preserve the Greatest Work of All. Propositum Perfectio Est F.I.A.T. (5=6) Cognitatione sui secumque colloquio firmitatem petere (6=5) Dedications To Sue, whose friendship was given through a long dark night of the soul. To Carolyne. With love CONTENTS Chapter One : The Tree of Sapphires Chapter Two : The Sephiroth and the Four Worlds Chapter Three Ain Soph Aur Chapter Four : Kether Chapter Five : Chockmah Chapter Six Binah Chapter Seven Chesed Chapter Eight Geburah Chapter Nine Tiphareth Chapter Ten Netzach Chapter Eleven Hod Chapter Twelve Yesod Chapter Thirteen Malkuth Chapter Fourteen The Klippoth Chapter Fifteen Gematria Chapter Sixteen The Twenty-Two Paths Chapter Seventeen The Curtain of Souls Chapter Eighteen Exercises Chapter Nineteen The Rituals of the Sapphire Temple Appendix One Names of the Sephiroth Appendix Two The Lesser Banishing Ritual of the Pentagram Chapter Notes Bibliography Index Chapter One; The Tree of Sapphires Voices of the Word, Leaves of the Light The Kabbalah (a Hebrew word meaning "handed down", or "oral tradition") is the term used to denote a general set of esoteric or mystical teachings originally held within Judaism, but later promulgated to a wider audience in the 12th century onwards through centres of learning such as Spain. -
Tanya Sources.Pdf
The Way to the Tree of Life Jewish practice entails fulfilling many laws. Our diet is limited, our days to work are defined, and every aspect of life has governing directives. Is observance of all the laws easy? Is a perfectly righteous life close to our heart and near to our limbs? A righteous life seems to be an impossible goal! However, in the Torah, our great teacher Moshe, Moses, declared that perfect fulfillment of all religious law is very near and easy for each of us. Every word of the Torah rings true in every generation. Lesson one explores how the Tanya resolved these questions. It will shine a light on the infinite strength that is latent in each Jewish soul. When that unending holy desire emerges, observance becomes easy. Lesson One: The Infinite Strength of the Jewish Soul The title page of the Tanya states: A Collection of Teachings ספר PART ONE לקוטי אמרים חלק ראשון Titled הנקרא בשם The Book of the Beinonim ספר של בינונים Compiled from sacred books and Heavenly מלוקט מפי ספרים ומפי סופרים קדושי עליון נ״ע teachers, whose souls are in paradise; based מיוסד על פסוק כי קרוב אליך הדבר מאד בפיך ובלבבך לעשותו upon the verse, “For this matter is very near to לבאר היטב איך הוא קרוב מאד בדרך ארוכה וקצרה ”;you, it is in your mouth and heart to fulfill it בעזה״י and explaining clearly how, in both a long and short way, it is exceedingly near, with the aid of the Holy One, blessed be He. "1 of "393 The Way to the Tree of Life From the outset of his work therefore Rav Shneur Zalman made plain that the Tanya is a guide for those he called “beinonim.” Beinonim, derived from the Hebrew bein, which means “between,” are individuals who are in the middle, neither paragons of virtue, tzadikim, nor sinners, rishoim. -
Pistis Sophia Unveiled Samael Aun Weor 1
Pistis Sophia Unveiled Samael Aun Weor 1 … A Collection of Sacred Magick | The Esoteric Libraruy | www.sacred-magick.com Pistis Sophia Unveiled Samael Aun Weor PISTIS SOPHIA UNVEILED By SAMAEL AUN WEOR 2 Pistis Sophia Unveiled Samael Aun Weor PROLOGUE We, the forty-two Judges of Karma, exhort the Gnostic people to be united in these moments in which humanity is found at the crossroads of “To be or not to be” We speak, reunited in full council with the just authorization of Jeu, Patriarch of the Supreme Hierarchy, and the whole White Fraternity to which we belong. We send our blessings to all humans beings, without distinction of sex, creed, race, or color. We yearn for the revolution of the Christic Consciousness, to accelerate its steps in order for Christ to descend into you. Thus, the light of the Divine Logos will make the igneous rose of spirituality flourish on the giant cross of the galaxy. We, reunited in the Heart Temple of the Earth by the supreme order of the Heart Temple of the Sun and its Hierarchies, and with the powers that have been conferred to us. We have authorized the publication of this book, The Gnostic Bible, The Pistis Sophia Unveiled, in which all of our sacred mysteries are concretely found, because the precise instant has arrived in which it must encounter humanity. The ascending periplus, with all the published books of the Venerable Master Samael Aun Weor, has accomplished its commended mission with the unveiling of this sacred work. This book fills one of the greatest necessities of the world. -
Experimental Film
source guides experimental film National Library experimental film 16 + Source Guide contents THE CONTENTS OF THIS PDF CAN BE VIEWED QUICKLY BY USING THE BOOKMARKS FACILITY INFORMATION GUIDE STATEMENT . .i BFI NATIONAL LIBRARY . .ii ACCESSING RESEARCH MATERIALS . .iii APPROACHES TO RESEARCH, by Samantha Bakhurst . .iv INTRODUCTION . .1 GENERAL REFERENCES . .1 FOCUS ON: DEREK JARMAN . .4 CHRIS MARKER . .6 MARGARET TAIT . .10 CASE STUDIES: ANGER, BRAKHAGE, AND WARHOL . .12 KENNETH ANGER . .13 STAN BRAKHAGE . .17 ANDY WARHOL . .23 Compiled by: Christophe Dupin Stephen Gordon Ayesha Khan Peter Todd Design/Layout: Ian O’Sullivan Project Manager: David Sharp © 2004 BFI National Library, 21 Stephen Street, London W1T 1LN 16+ MEDIA STUDIES INFORMATION GUIDE STATEMENT “Candidates should note that examiners have copies of this guide and will not give credit for mere reproduction of the information it contains. Candidates are reminded that all research sources must be credited”. BFI National Library i BFI National Library All the materials referred to in this guide are available for consultation at the BFI National Library. If you wish to visit the reading room of the library and do not already hold membership, you will need to take out a one-day, five-day or annual pass. Full details of access to the library and charges can be found at: www.bfi.org.uk/filmtvinfo/library BFI National Library Reading Room Opening Hours: Monday 10.30am - 5.30pm Tuesday 10.30am - 8.00pm Wednesday 1.00pm - 8.00pm Thursday 10.30am - 8.00pm Friday 10.30am - 5.30pm If you are visiting the library from a distance or are planning to visit as a group, it is advisable to contact the Reading Room librarian in advance (tel. -
Gnosticism, Transformation, and the Role of the Feminine in the Gnostic Mass of the Ecclesia Gnostica Catholica (E.G.C.) Ellen P
Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 11-13-2014 Gnosticism, Transformation, and the Role of the Feminine in the Gnostic Mass of the Ecclesia Gnostica Catholica (E.G.C.) Ellen P. Randolph Florida International University, [email protected] DOI: 10.25148/etd.FI14110766 Follow this and additional works at: https://digitalcommons.fiu.edu/etd Part of the Feminist, Gender, and Sexuality Studies Commons, History of Religions of Western Origin Commons, Liturgy and Worship Commons, New Religious Movements Commons, Religious Thought, Theology and Philosophy of Religion Commons, and the Social and Cultural Anthropology Commons Recommended Citation Randolph, Ellen P., "Gnosticism, Transformation, and the Role of the Feminine in the Gnostic Mass of the Ecclesia Gnostica Catholica (E.G.C.)" (2014). FIU Electronic Theses and Dissertations. 1686. https://digitalcommons.fiu.edu/etd/1686 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. FLORIDA INTERNATIONAL UNIVERSITY Miami, Florida GNOSTICISM, TRANSFORMATION, AND THE ROLE OF THE FEMININE IN THE GNOSTIC MASS OF THE ECCLESIA GNOSTICA CATHOLICA (E.G.C.) A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS in RELIGIOUS STUDIES by Ellen P. Randolph 2014 To: Interim Dean Michael R. Heithaus College of Arts and Sciences This thesis, written by Ellen P. Randolph, and entitled Gnosticism, Transformation, and the Role of the Feminine in the Gnostic Mass of the Ecclesia Gnostica Catholica (E.G.C.), having been approved in respect to style and intellectual content, is referred to you for judgment. -
Kabbalah, Magic & the Great Work of Self Transformation
KABBALAH, MAGIC AHD THE GREAT WORK Of SELf-TRAHSfORMATIOH A COMPL€T€ COURS€ LYAM THOMAS CHRISTOPHER Llewellyn Publications Woodbury, Minnesota Contents Acknowledgments Vl1 one Though Only a Few Will Rise 1 two The First Steps 15 three The Secret Lineage 35 four Neophyte 57 five That Darkly Splendid World 89 SIX The Mind Born of Matter 129 seven The Liquid Intelligence 175 eight Fuel for the Fire 227 ntne The Portal 267 ten The Work of the Adept 315 Appendix A: The Consecration ofthe Adeptus Wand 331 Appendix B: Suggested Forms ofExercise 345 Endnotes 353 Works Cited 359 Index 363 Acknowledgments The first challenge to appear before the new student of magic is the overwhehning amount of published material from which he must prepare a road map of self-initiation. Without guidance, this is usually impossible. Therefore, lowe my biggest thanks to Peter and Laura Yorke of Ra Horakhty Temple, who provided my first exposure to self-initiation techniques in the Golden Dawn. Their years of expe rience with the Golden Dawn material yielded a structure of carefully selected ex ercises, which their students still use today to bring about a gradual transformation. WIthout such well-prescribed use of the Golden Dawn's techniques, it would have been difficult to make progress in its grade system. The basic structure of the course in this book is built on a foundation of the Golden Dawn's elemental grade system as my teachers passed it on. In particular, it develops further their choice to use the color correspondences of the Four Worlds, a piece of the original Golden Dawn system that very few occultists have recognized as an ini tiatory tool. -
Marcelo Ramos Motta Carta a Um Macon.Pdf
Carta A Um Maçon Por Marcelo Ramos Motta Texto Integral Rio de Janeiro, 9 de julho de 1963. Caro Dr. G.: Faze o que tu queres há de ser tudo da Lei. Li, com maior prazer, a entrevista concedida ao Diário de Notícias, através da qual o Grande Oriente do Brasil manifesta à nação a sua intenção de, finalmente, fazer com que a Maçonaria venha a ocupar na vida brasileira o papel que lhe cabe e sempre lhe coube desde a Independência -- que, como todos sabemos, foi feita por mações. Relembrei nessa ocasião minha conversa com o senhor, e as nossas palavras de despedida, nas quais buscou o senhor gentilmente trazer à minha atenção o fato de que (na sua opinião) a Igreja Católica Romana é uma boa introdução à vida adulta para crianças. Eu lhe disse então: "Mas a Maçonaria é infinitamente melhor", e aproveito esta oportunidade para repetir e ampliar estas palavras. Eu não quis discutir a validade ou falta de validade da Igreja Romana como campo de treino para crianças, porque não é assunto que se possa, propriamente, discutir. É assunto que deve -- repito, deve -- ser pesquisado por todo homem consciencioso e responsável, principalmente por maçon de alto grau e no Brasil, onde essa Igreja teve tanta influência na formação psíquica do povo -- com os resultados que estamos vend o no presente. Para esta pesquisa, vitalmente necessária a todos os maçons neste momento de transição, é necessário uma análise cuidadosa da evidência espalhada pelas obras de muitos pesquisadores imparciais e fidedignos; e isto não pode ser resumido numa breve discussão. -
“A Joyful Heart Is Good for Healing, a Depressed Spirit Dries the Bones.” —Proverbs 17:22
IYAR “A joyful heart is good for healing, a depressed spirit dries the bones.” —Proverbs 17:22 THEMES HEAL THE MIND, BODY, AND SOUL // PURSUE WHOLENESS REACH TOWARDS YOUR HIGHEST SELF // CALL IN YOUR ANGELS 1 SPIRITUAL ELEMENTS OF IYAR We made it out of slavery. So...we’re good? If you’re still feeling skeptical, think of it this way: Jewish tradition teaches us that each human carries within them Not quite. a Divine spark. That means your individual healing is an element of universal healing. After 400 years of suffering and struggle in narrow straits, Passover doesn’t conclude our freedom story. It’s actually just But wait! We’re not even done! Check this too: the Hebrew are an anagram for the ,אייר ,the beginning. Now that we’re finally free, it’s time to heal. letters of the name of this month Torah verse Ani Yud Yud Rofecha. Translation: “I am G-d1, your healer.” The month of Iyar challenges us to draw closer to our most sacred selves by changing our relationship with ourselves. Iyar is all about metamorphosing into the Badass for Light you have The message is clear: healing oneself is the way we connect to waiting inside. Maybe you’re not so sure about her existence. our greater “wholeness,” shleimut, in Hebrew. But don’t fret; we are. Now, healing — what is that, exactly? Allow us to split a few Iyar offers an invaluable opportunity. We won’t become linguistic hairs and look at the rabbis’ distinction between “cure” glittering, spiritually-emblazoned upholders of justice without and “healing.” investment in self-healing. -
Liber AL Vel Legis, the Book of The
1 Liber AL vel Legis sub figurâ CCXX - The Book of the Law Espaço Novo Æon www.thelema.com.br 2 Aiwass A∴A∴ Publication in Class A. Espaço Novo Æon www.thelema.com.br 3 Liber AL vel Legis sub figurâ CCXX - The Book of the Law LIBER AL VEL LEGIS SVB FIGVRÂ CCXX AS DELIVERED BY XCIII = 418 TO DCLXVI I 1. Had! The manifestation of Nuit. 2. The unveiling of the company of heaven. 3. Every man and every woman is a star. 4. Every number is infinite; there is no difference. 5. Help me, o warrior lord of Thebes, in my unveiling before the Children of men! 6. Be thou Hadit, my secret centre, my heart & my tongue! 7. Behold! it is revealed by Aiwass the minister of Hoor-paar-kraat. 8. The Khabs is in the Khu, not the Khu in the Khabs. 9. Worship then the Khabs, and behold my light shed over you! 10. Let my servants be few & secret: they shall rule the many & the known. 11. These are fools that men adore; both their Gods & their men are fools. 12. Come forth, o children, under the stars, & take your fill of love! 13. I am above you and in you. My ecstasy is in yours. My joy is to see your joy. 14. Above, the gemmed azure is The naked splendour of Nuit; She bends in ecstasy to kiss The secret ardours of Hadit. The winged globe, the starry blue, Are mine, O Ankh-af-na-khonsu! 15. Now ye shall know that the chosen priest & apostle of infinite space is the prince-priest the Beast; and in his woman called the Scarlet Woman is all power given. -
WHITNEY BIENNIAL 2006: DAY for NIGHT to OPEN Signature Survey Measuring the Mood of Contemporary American Art, March 2-May 28, 2006
Press Release Contact: Jan Rothschild, Stephen Soba, Meghan Bullock (212) 570-3633 or [email protected] www.whitney.org/press February 2006 WHITNEY BIENNIAL 2006: DAY FOR NIGHT TO OPEN Signature survey measuring the mood of contemporary American art, March 2-May 28, 2006 Peter Doig, Day for Night, 2005. Private Collection; courtesy Contemporary Fine Arts, Berlin. The curators have announced their selection of artists for the 2006 Whitney Biennial, which opens to the public on March 2, and remains on view at the Whitney Museum of American Art through May 28, 2006. The list of participating artists appears at the end of this release. Whitney Biennial 2006: Day for Night is curated by Chrissie Iles, the Whitney’s Anne & Joel Ehrenkranz Curator, and Philippe Vergne, the Deputy Director and Chief Curator of the Walker Art Center in Minneapolis. The Biennial’s lead sponsor is Altria. "Altria Group, Inc. is proud to continue its forty year relationship with the Whitney Museum of American Art by sponsoring the 2006 Biennial exhibition," remarked Jennifer P. Goodale, Vice President, Contributions, Altria Corporate Services, Inc. "This signature exhibition of some of the most bold and inspired work coming from artists' studios reflects our company's philosophy of supporting innovation, creativity and diversity in the arts." Whitney Biennial 2006: Day for Night takes its title from the 1973 François Truffaut film, whose original French name, La Nuit américaine, denotes the cinematic technique of shooting night scenes artificially during the day, using a special filter. This is the first Whitney Biennial to have a title attached to it. -
LETTER to a BRAZILIAN MASON UNEXPURGATED Marcelo Ramos Motta
LETTER TO A BRAZILIAN MASON UNEXPURGATED Marcelo Ramos Motta Rio de Janeiro, 9 July 1963 e.v. Dear Dr.G.: Do what thou wilt shall be the whole of the Law. I read with pleasure in the news that Brazilian Masonry has finally decided to take once more an active role in the affairs of this nation. I remembered then my conversation with you, and our parting, when you remarked that in your opinion the Roman Church was a good introduction to adult life for children. I told you then: "Perhaps, but Masonry is infinitely better"; and I take this opportunity to repeat and enlarge that statement. I did not wish at the time to discuss the validity or lack of validity of the Roman Church as a training ground for children. One cannot discuss this subject. It is a subject that must - I repeat, must - be researched by every responsible individual, particularly a high grade Mason, and particularly in Brazil, where that church had so much influence in the psychological makeup of the people - with the results that we see at present. For such a research, vitally important at this point, a careful analysis of evidence scattered in the works of many impartial and reputable observers is essential - an analysis that cannot be made in a conversation or summed up in an argument. I know the facts; you did not, at the time; assertions by me, though based on facts, would have seemed to you biased and unfair; the more so because you, naturally, suspect me and my intentions - Thelemites are not better liked or trusted at present than the Gnostics and Essenes were in their day. -
A Qabalistic Examination of Symbolist Poetry and the Music of Claude Debussy
The Muse of Secrecy: A Qabalistic Examination of Symbolist Poetry and the Music of Claude Debussy Author Churchill, Christina Published 2020-06-03 Thesis Type Thesis (PhD Doctorate) School School of Hum, Lang & Soc Sc DOI https://doi.org/10.25904/1912/1355 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/394685 Griffith Research Online https://research-repository.griffith.edu.au The Muse of Secrecy: A Qabalistic Examination of Symbolist Poetry and the Music of Claude Debussy Christina Churchill MMus Perf Submitted in fulfilment of the requirements of Doctor of Philosophy August 2019 School of Humanities Griffith University i Abstract The Qabalah played an important role to a number of esoteric and cultural groups in Paris from the 1840s through to the end of the 19th century. This Qabalistic brand of esotericism was spearheaded by Eliphas Lévi who combined facets of the Cabala of the Renaissance that held a Christian view of ancient Jewish Kabbalah, with Gnostic, Hermetic, Pythagorean, and Neoplatonic sources. Initiates sought the hidden and cryptographic meaning of Qabalistic texts and were attracted to the concept of a Divine language and its evocatory potential. This thesis shows how esoteric ideas were circulated though networks and clubs, including Le Chat Noir, Librairie de l'Art indépendant, and Mallarmé’s Tuesday salons. It argues that the Qabalah was especially important in these circles through the influence of Lévi, Gérard Encausse (Papus), and Joséphin Péladan. Baudelaire, Mallarmé, Verlaine, and Debussy, along with other Symbolist poets and composers such as Villiers de l’Isle Adam, J.-K.