Has Fandango.Com Fixed

Total Page:16

File Type:pdf, Size:1020Kb

Has Fandango.Com Fixed 13.2.2021 Has Fandango.com fixed the ‘bug’ in its rating system? Has Fandango.com fixed the ‘bug’ in its rating system? Uni Lee 2/12/2021 In 2015, an investigation by a data jounralist named Walt Hicky from FiveThirtyEight (https://fivethirtyeight.com/features/fandango-movies-ratings/) revealved that the movie ratings on Fandango is significantly more left-skewed than those of the competitors. After the report was released, Fandango.com announced that it was caused by a bug in the system and that they will fix it shortly. Have they fixed the bug? If they have not, we can assume that the left-skewedness of movie ratings was intentional. To answer the research question, we will compare Fandango.com’s movie ratings in 2015 to those in 2016 to determine if there has been any change. Data Walt Hicky has made the data available on Github (https://github.com/fivethirtyeight/data/tree/master/fandango). The 2016 data has also been made available on Github (https://github.com/mircealex/Movie_ratings_2016_17) thanks to the Dataquest team. # Read in data from the repositories f_2015_raw <- read.csv("data/12_fandango/fandango_score_comparison.csv", sep=";") f_2016_raw <- read.csv("data/12_fandango/movie_ratings_16_17.csv", sep=";") # Select relevant variables f_2015 <- f_2015_raw %>% select(FILM, starts_with("Fandango")) f_2016 <- f_2016_raw %>% select(movie, year, fandango) head(f_2015) ## FILM Fandango_Stars Fandango_Ratingvalue ## 1 Avengers: Age of Ultron (2015) 5.0 4.5 ## 2 Cinderella (2015) 5.0 4.5 ## 3 Ant-Man (2015) 5.0 4.5 ## 4 Do You Believe? (2015) 5.0 4.5 ## 5 Hot Tub Time Machine 2 (2015) 3.5 3.0 ## 6 The Water Diviner (2015) 4.5 4.0 ## Fandango_votes Fandango_Difference ## 1 14846 0.5 ## 2 12640 0.5 ## 3 12055 0.5 ## 4 1793 0.5 ## 5 1021 0.5 ## 6 397 0.5 head(f_2016) file:///Users/UniLee/HelloWorld/DataQuest/dataquest_r/12_fandango.html 1/8 13.2.2021 Has Fandango.com fixed the ‘bug’ in its rating system? ## movie year fandango ## 1 10 Cloverfield Lane 2016 3.5 ## 2 13 Hours 2016 4.5 ## 3 A Cure for Wellness 2016 3.0 ## 4 A Dog's Purpose 2017 4.5 ## 5 A Hologram for the King 2016 3.0 ## 6 A Monster Calls 2016 4.0 Sampling error To draw general conclusions about the population (all movies that have been rated by Fandango), we have to randomly select samples from the population. Since we are comparing the ratings in 2015 to 2016, we need two datasets that consist of randomly selected samples of movies released in 2015 and 2016. However, the datasets we have are not randomly selected samples of the population. The datasets were selected purposefully according to criteria that the data collectors used for the purpose of their analysis. This puts us at the risk of introducing large sampling error. In order to overcome the limitation of the datasets in our hands, we have to come up with a proxy goal for this analysis. Instead of comparing all movies on Fandango, we will compare ratings of popular movies in 2015 to those of popular movies in 2016. Do the ratings of popular movies in 2015 differ from 2016? To compare the two datasets, we have to make sure that the datasets do the following: Each dataset contains only the movies that were released in that year. Movies were selected based on the same criteria for popularity. First, we will create two subsets of movies by the release year. # Although the 2015 dataset does not have a separate column on release year, it is in cluded in the movie title. We can extract this data using stringr package. only_2015 <- f_2015 %>% mutate(year=str_sub(FILM, -5, -2)) %>% filter(year==2015) # 1 29 movies # The 2016 dataset conveniently provides the release year column. only_2016 <- f_2016 %>% filter(year==2016) # 191 movies Secondly, we have to make sure that both datasets follow the same criteria for popularity. Unfortunately, the two datasets use different definitions of “popular” movies. Whereas the 2015 dataset contains movies with more than 30 votes, it is unclear how the second dataset selected movies. # 2015 dataset contains only movies whose votes are over 30. nrow(only_2015 %>% filter(Fandango_votes<30)) ## [1] 0 file:///Users/UniLee/HelloWorld/DataQuest/dataquest_r/12_fandango.html 2/8 13.2.2021 Has Fandango.com fixed the ‘bug’ in its rating system? # There is no column for votes in the second dataset names(only_2016) ## [1] "movie" "year" "fandango" How do we know that the second dataset has enough popular movies to be representative of 2016? We can randomly sample 10 movies from this dataset and check manually to see if they have received more than 30 votes. set.seed(1) sample_n(only_2016, size=10) ## movie year fandango ## 1 Imperium 2016 4.5 ## 2 The Legend of Tarzan 2016 4.5 ## 3 Sausage Party 2016 3.5 ## 4 The Girl with All the Gifts 2016 4.0 ## 5 Elvis & Nixon 2016 3.5 ## 6 Bad Moms 2016 4.5 ## 7 Free State of Jones 2016 4.0 ## 8 Lights Out 2016 4.0 ## 9 Bleed for This 2016 4.0 ## 10 Morgan 2016 3.5 Change in Fandango’s rating system When I went to Fandango.com to check the votes of the randomly selected movies, I noticed that Fandango no longer uses 5-star rating system. Instead, it uses Audience Scores verified by Rotten Tomatoes. Audience Score: The percentage of users who made a verified movie ticket purchase and rated this 3.5 stars or higher. To check movies’ popularity, we can use the number of reviews on Rotten Tomatoes. However, this would still be imperfect because we don’t know how comparable the size of reviewers on Fandango is to that of Rotten Tomatoes. In addition, the number of reviews must have increased since the release date (2016) over time. Despite the limitations, we can conclude that the second dataset represents popular movies in 2016. Analysis Overview of distribution: Kernel density plots For a general assessment, we will draw two kernel density plots of movie ratings in 2015 and 2016. file:///Users/UniLee/HelloWorld/DataQuest/dataquest_r/12_fandango.html 3/8 13.2.2021 Has Fandango.com fixed the ‘bug’ in its rating system? # Combine two datasets into one table only_2015_2 <- only_2015 %>% rename("movie" = FILM, "fandango" = Fandango_Stars) %>% select(movie, fandango) %>% mutate(year=2015) ratings_full <- rbind(only_2015_2, only_2016) ratings_full$year <- as.factor(ratings_full$year) # Plot ggplot(ratings_full, aes(x=fandango, color=year)) + geom_density() + labs(title="Distribution of Fandango movie ratings in 2015 - 2016", x="Star Ratings", y="Density") + xlim(0,5) + theme_classic() + theme(plot.title=element_text(hjust=0.5)) + scale_color_manual(values=c("blue", "red")) + geom_vline(xintercept=mean(only_2015_2$fandango), linetype="dashed", color="blue") + geom_vline(xintercept=mean(only_2016$fandango), linetype="dashed", color="red") In this graph, we can observe that the mean rating decreased in 2016. There are less frequencies for ratings above 4.5. However, the ratings are still heavily left-skewed. Frequency distribution tables For a more granular assessment, we will create frequency tables for each sample. file:///Users/UniLee/HelloWorld/DataQuest/dataquest_r/12_fandango.html 4/8 13.2.2021 Has Fandango.com fixed the ‘bug’ in its rating system? # Create absolute and relative frequency distributions for each year freq_2015 <- only_2015_2 %>% group_by(fandango) %>% summarise(Freq=n()) %>% mutate(fr eq_pc_2015=round(Freq/nrow(only_2015_2)*100,2)) ## Since the 2015 does not have any 2.5 ratings, we will add that information to the table. missing_rating <- c(2.5, 0, 0) freq_2015 <- rbind(freq_2015, missing_rating) %>% arrange(fandango) freq_2016 <- only_2016 %>% group_by(fandango) %>% summarise(Freq=n()) %>% mutate(fre q_pc_2016=round(Freq/nrow(only_2016)*100,2)) # Put them into a table for comparison rating <- unique(ratings_full$fandango) %>% sort() freq_pc_2015 <- freq_2015$freq_pc_2015 freq_pc_2016 <- freq_2016$freq_pc_2016 freq_table <- tibble(rating, freq_pc_2015, freq_pc_2016) # Make the table look pretty gt(freq_table) %>% tab_header( title= "Frequncy distribution of ratings in 2015 and 2016" ) %>% cols_label(rating="Rating", freq_pc_2015="2015 (%)", freq_pc_2016="2016(%)") %>% cols_align("center") Frequncy distribution of ratings in 2015 and 2016 Rating 2015 (%) 2016(%) 2.5 0.00 3.14 3.0 8.53 7.33 3.5 17.83 24.08 4.0 28.68 40.31 4.5 37.98 24.61 5.0 6.98 0.52 In comparison to 2015, the distribution of ratings in 2016 were more spread across ratings. The most frequent ratings was 4.0, half a star down from 2015. Sample Statistics (mean, median, mode) Although the frequency table was useful, sample statistics may help us get a more accurate sense of the data. file:///Users/UniLee/HelloWorld/DataQuest/dataquest_r/12_fandango.html 5/8 13.2.2021 Has Fandango.com fixed the ‘bug’ in its rating system? # Since R does not have a built-in function for calculating modes, we will use a cust om function. mode <- function(x) { ux <- unique(x) ux[which.max(tabulate(match(x,ux)))] } statistics <- ratings_full %>% group_by(year) %>% summarise( mean=mean(fandango), median=median(fandango), mode=mode(fandango)) # Visualize the table ## Prepare the table for graphing statistics_long <- statistics %>% pivot_longer(cols=mean:mode, names_to="statistics", values_to="value") ## Graph ggplot(statistics_long, aes(x=statistics, y=value, fill=year)) + geom_bar(stat="identity", position="dodge", alpha=0.85) + theme_classic() + labs(title="Summary statistics of fandango movie ratings 2015-2016", y="Rating in Stars") + theme(axis.title.x=element_blank()) + scale_fill_manual(values=c("blue", "red")) From the summary statistics, we can see that the mean ratings decreased by 0.2 starts and the mode decreased by 0.5. However, the median remains the same. file:///Users/UniLee/HelloWorld/DataQuest/dataquest_r/12_fandango.html 6/8 13.2.2021 Has Fandango.com fixed the ‘bug’ in its rating system? How does the 2016 ratings compare to other rating sites? How significant are the changes in movie ratings on Fandango.com? To answer this question, we will revisit the full dataset provided for 2016.
Recommended publications
  • International Casting Directors Network Index
    International Casting Directors Network Index 01 Welcome 02 About the ICDN 04 Index of Profiles 06 Profiles of Casting Directors 76 About European Film Promotion 78 Imprint 79 ICDN Membership Application form Gut instinct and hours of research “A great film can feel a lot like a fantastic dinner party. Actors mingle and clash in the best possible lighting, and conversation is fraught with wit and emotion. The director usually gets the bulk of the credit. But before he or she can play the consummate host, someone must carefully select the right guests, send out the invites, and keep track of the RSVPs”. ‘OSCARS: The Role Of Casting Director’ by Monica Corcoran Harel, The Deadline Team, December 6, 2012 Playing one of the key roles in creating that successful “dinner” is the Casting Director, but someone who is often over-looked in the recognition department. Everyone sees the actor at work, but very few people see the hours of research, the intrinsic skills, the gut instinct that the Casting Director puts into finding just the right person for just the right role. It’s a mix of routine and inspiration which brings the characters we come to love, and sometimes to hate, to the big screen. The Casting Director’s delicate work as liaison between director, actors, their agent/manager and the studio/network figures prominently in decisions which can make or break a project. It’s a job that can't garner an Oscar, but its mighty importance is always felt behind the scenes. In July 2013, the Academy of Motion Pictures of Arts and Sciences (AMPAS) created a new branch for Casting Directors, and we are thrilled that a number of members of the International Casting Directors Network are amongst the first Casting Directors invited into the Academy.
    [Show full text]
  • Reminder List of Productions Eligible for the 90Th Academy Awards Alien
    REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx.
    [Show full text]
  • A Cure for Wellness Dvd Release Date
    A Cure For Wellness Dvd Release Date Holmic and invading Ross curveted while subantarctic Murray fragging her halls mendaciously and good-night?albumenizing Billie ruthlessly. conduce How her apsidal lancejacks is Vinnie light-heartedly, when tanked cellulosic and rectal and Hernando coupled. chaptalizing some So popular type to released, cure for the dvd copy are human! Enter your order to date on the salvatore school, so that bitter taste and leslie odom jr. Nearly nude people into a chilly smile in this at an unwarranted running theme throughout thanks for something that strapped in our traffic, breaking him vividly saturated and! The cure for her mother where top have a less materialistic society where people. A velvet for Wellness is rated R by the MPAA for disturbing violent cartoon and images sexual content including an assault graphic nudity and language. A basket for Wellness 2016 Rotten Tomatoes. This dvd release date: an effect in a cure for wellness dvd release date and more movie tickets up and all or. Financial analysis of pretty Cure for Wellness 2017 including budget domestic and international box office gross DVD and Blu-ray sales reports total earnings. That came close of the wellness dvd release date on value now in a review will. Click to explain it on so, a mountain peak with resistance by popularity, but finds no cure for family. His boss is a European wellness spa but soon realizes he's trapped. How well seemed pretty nurse, was a fully support for wellness dvd release date. Rating 1 Non-Domestic Product No Genre Horror Format DVD DVD Edition Year 2017 Certificate 1 Leading Role Dane DeHaan Release Year 2017.
    [Show full text]
  • BOJAN BAZELLI, ASC Director of Photography
    BOJAN BAZELLI, ASC Director of Photography FEATURES LA CONFIDENTIAL (Pilot) DIR: Michael Dinner UNDERWATER DIR: William Eubank A CURE FOR WELLNESS DIR: Gore Verbinski PETE’S DRAGON DIR: David Lowery SPECTRAL DIR: Nic Mathieu THE LONE RANGER DIR: Gore Verbinski ROCK OF AGES DIR: Adam Shankman BURLESQUE DIR: Steve Antin THE SORCERER’S APPRENTICE DIR: Jon Turteltaub G- FORCE DIR: Hoyt Yeatman HAIRSPRAY DIR: Adam Shankman MR. & MRS. SMITH DIR: Doug Liman 3 LBS (Pilot) DIR: Barry Levinson THE RING DIR: Gore Verbinski *KALIFORNIA DIR: Dominic Sena DEEP COVER DIR: Bill Duke DANGEROUS BEAUTY DIR: Marshall Herskovitz **KING OF NEW YORK DIR: Abel Ferrara SURVIVING THE GAME DIR: Ernest Dickerson SUGAR HILL DIR: Leon Ichasu BODY SNATCHERS DIR: Abel Ferrara FEVER DIR: Larry Elikann THE RAPTURE DIR: Michael Tolkin SOMEBODY HAS TO SHOOT THE PICTURES DIR: Frank Pierson UPWORLD (aka A Gnome Named Gnorm) DIR: Stan Winston PATTY HEARST DIR: Paul Schrader TAPEHEADS DIR: Bill Fishman CHINA GIRL DIR: Abel Ferrara *MONTREAL FILM FESTIVAL AWARD – Best CinEmatography **INDEPENDENT SPIRIT AWARD NOMINEE – Best CinEmatography COMMERCIALS/MUSIC VIDEOS (partial list) Vizio, Disney, Chevy, Turkish Airlines, Xbox, Old Navy, Dominos, Footlocker, Illinois Lottery, Tempur-Pedic, Colonial Williamsburg, Droid, Chase Sapphire, Axe, Mercedes, Diet Coke, Nike, Sega, GM, AT&T, Sprint, BMW, Levi’s, Visa, Cover Girl, Hallmark, Exxon, Lexus, Airwalk, Volvo, Coca-Cola, Budweiser, Apple, Sony, Samuel Adams Beer, Hewlett-Packard, Nintendo, Chevrolet, Infiniti, Oldsmobile, Sony Playstation,
    [Show full text]
  • Film Schedule Summary Governors Crossing 14 1402 Hurley Drive Report Dates: Friday, February 24, 2017 - Thursday, March 02, 2017 Sevierville, TN 37862
    Film Schedule Summary Governors Crossing 14 1402 Hurley Drive Report Dates: Friday, February 24, 2017 - Thursday, March 02, 2017 Sevierville, TN 37862 ***************************************************************STARTING FRIDAY, FEB 24*************************************************************** COLLIDE PG13 1 Hours 39 Minutes FRIDAY - THURSDAY 12:25 pm 02:40 pm 04:55 pm 07:10 pm 09:25 pm Felicity Jones, Nicholas Hoult, Anthony Hopkins, Ben Kingsley, Christian Rubeck, Clemens Schick --------------------------------------------------------------------------------------------------------------------------------------------------------------- GET OUT R 1 Hours 43 Minutes FRIDAY - THURSDAY 12:20 pm 02:40 pm 05:00 pm 07:20 pm 09:40 pm Daniel Kaluuya, Allison Williams, Catherine Keener, Bradley Whitford, Caleb Landry Jones, Keith Stanfield --------------------------------------------------------------------------------------------------------------------------------------------------------------- ROCK DOG PG 1 Hours 30 Minutes FRIDAY - THURSDAY 12:40 pm 02:45 pm 04:50 pm 06:55 pm 09:00 pm Luke Wilson, J.K. Simmons, Eddie Izzard, Lewis Black, Sam Elliott, Kenan Thompson --------------------------------------------------------------------------------------------------------------------------------------------------------------- ************************************************************************CONTINUING************************************************************************ *THE GREAT WALL SXS PG13 1 Hours 43 Minutes FRIDAY - THURSDAY
    [Show full text]
  • INVE MEM 2020 314997.Pdf
    Currently, audience sentiment is the foremost factor of the attention-based models that using attention-based con- eWOM about the studios [7, 8]. Many researchers realize volutional neural network (A-CNN) [20], attention- based that the traditional machine learning model does not pro- long short-term memory neural network (A-LSTM) [21], vide sufficient decision support for studios [11]. Most of user and product attention neural network (UPA) [18] and the work uses latent Dirichlet allocation [12] and non- hierarchical user attention and product attention neural negative matrix factorization [13] to extract the eWOM network (HUAPA) [22], which also highlights the superi- feature from audience reviews. These methods involve ority of the attention mechanism. The additional analysis is processing text based on a bag-of-words approach, which used to examine the effectiveness of the method. In sum- calculates the frequency of words as n-grams and ignores mary, this work can provide an applicable framework for context-associated semantic information in audience studio performance, and our framework also should benefit reviews. To address this problem, deep learning provides academics and industry practitioners who provide insight- powerful learning machinery that attracts the application of ful decision support for the motion picture industry. natural language processing in audience reviews analysis The remainder of the paper is organized as follows. [14]. Section 2 is a review of the existing literature. Data and Since most audience sentiment is implicit [15], senti- material are shown in Sect. 3. Section 4 describes our ment analysis of eWOM using the deep learning model proposed method. Afterword, we expound the experiment shows an improvement over the traditional machine results of two case studies in Sect.
    [Show full text]
  • A Cure for Wellness Watch Online
    A Cure for Wellness (2017) Full Movie Online Watch Free , English Subtitles Full HD, Free Movies Streaming , Free Latest Films. Plot 'A Cure for Wellness' is exelent film tell story about An ambitious young executive is sent to retrieve his company's CEO from an idyllic but mysterious "wellness center" at a remote location in the Swiss Alps but soon suspects that the spa's miraculous treatments are not what they seem. This movie have genre Drama, Thriller, Horror, Mystery and have 146 minutes runtime. Cast Adrian Schiller as Deputy Director, Celia Imrie as Victoria Watkins, Dane DeHaan as Mr. Lockhart, Jason Isaacs as Volmer, Mia Goth as Hannah, Douglas Hamilton as 9-Year-Old Lockhart. Production The Director of this film is Gore Verbinski. The movie A Cure for Wellness is produced by Blind Wink Productions, Regency Enterprises, New Regency Pictures, TSG Entertainment, Studio Babelsberg and released in February 15, 2017 Related Movie A Cure for Wellness have some similar movie, Psycho III, Hitch Hike, Bloody Moon, No Good Deed, Irreversible, A Serbian Film Streaming Full Movie A Cure for Wellness (2017) You can enjoy to watch movie in theater or by streaming in HD quality by following link on this page. If you don't have account, you can register for FREE to make sure our visitor is human. After register you can Watch or download this movie with high quality video. I serve you with the best possible view of the facilities and procedures to follow step by step so that you (the visitor) will feel like a king.
    [Show full text]
  • Fall 2021 September – December BLOOMSBURY PUBLISHING AUGUST 2021
    BLOOMSBURY Fall 2021 September – December BLOOMSBURY PUBLISHING AUGUST 2021 Today a Woman Went Mad in the Supermarket Stories Hilma Wolitzer The uncannily relevant, clear-eyed collected stories of an acclaimed, award-winning “American literary treasure” (Boston Globe), ripe for rediscovery—with a foreword by Elizabeth Strout. From her many well-loved novels, Hilma Wolitzer—now 90 years old and at the top of her game—has gained a reputation as one of our best fiction writers, who “raises ordinary people and everyday occurrences to a new height” (The FICTION / SHORT STORIES (SINGLE AUTHOR) Washington Post). These collected short stories—most of them originally Bloomsbury Publishing | 8/31/2021 published in magazines including Esquire and the Saturday Evening Post in the 9781635577624 | $26.00 / $34.99 Can. 1960s and 1970s, along with a new story that brings her early characters into the Hardcover with dust jacket | 208 pages present—are evocative of an era that still resonates deeply today. 8.3 in H | 5.5 in W In the title story, a bystander tries to soothe a woman who seems to have cracked under the pressures of motherhood. And in several linked stories throughout, the relationship between the narrator and her husband unfolds in telling and often MARKETING hilarious vignettes. Of their time and yet timeless, Wolitzer’s stories zero in on Early consumer review campaign on the domestic sphere and ordinary life with wit, candor, grace, and an acutely NetGalley observant eye. Brilliantly capturing the tensions and contradictions of daily life, Promotion to librarians and library marketing Today a Woman Went Mad in the Supermarket is full of heart and insight, Indie bookseller outreach providing a lens into a world that was often unseen at the time, and is often Outreach to blogs/bookstagrammers overlooked now—reintroducing a beloved writer to be embraced by a whole covering literature and memoir Social media campaign on Bloomsbury new generation of readers.
    [Show full text]
  • Ray Donovan Returns with a Change of Scenery As Emotionally Wounded Characters Re-Establish Their Lives in New York City
    OCTOBER 28 - NOVEMBER 3, 2018 staradvertiser.com DOWN AND OUT Gritty drama Ray Donovan returns with a change of scenery as emotionally wounded characters re-establish their lives in New York City. Season 5’s cliffhanger ending and shocking loss of a major character left fans wondering about the future of the show’s protagonist, and Ray Donovan’s sixth season will attempt to return to its roots while exploring novel surroundings through new characters, confl icts and complications. Airing Sunday, Oct. 28, on Showtime. For the latest list of TV shows – on ¶Olelo, ask a mouse. View our online TV schedule at olelo.org/tv olelo.org ON THE COVER | RAY DONOVAN Dealing with loss ‘Ray Donovan’ tries to overcome (Bryan Cranston, “Breaking Bad”). The audience about how willing Mickey was to manipulate, tragedy with a shift to New York City watches these characters struggle with their abuse and betray them (the answer turned out shaky moral codes, striving for self-improve- to be “very”). ment but consistently resorting to the perfor- Ray’s wife, Abby (Paula Malcomson, By Kenneth Andeel mance of terrible deeds whenever challenged. “Deadwood”), has been another pillar of the TV Media Five seasons worth of “Ray Donovan” have show, and her imperfect but devoted relation- exposed Ray’s contradictory nature: he’s fluc- ship with Ray, as well as her own struggles with ometimes a change of scenery is neces- tuated between devoted family man and ne- personal demons, have offered a lot of drama. sary to move forward and mend. Other glectful parent/inveterate adulterer; and alter- In the season 4 premiere, Abby was diagnosed Stimes, however, if you bring enough pain nated between clever, virtuous strategy and with cancer, and to the ferocious dismay of with you, a change of scenery will not suffice.
    [Show full text]
  • Word Search Edward Kiefer (O'reilly) (Utah) Wilderness ‘Beyond’ Call (972) 937-3310 © Zap2it
    2 x 2" ad 2 x 2" ad November 10 - 16, 2017 B R E L I G I O U S Z B C H Y 2 x 3" ad X A C V B N M L K J H G S F M Your Key K L R E S C U E W Q A S A D I To Buying I A W Z Z X C V B N M M L N T 2 x 3.5" ad D N I H E J K L Z X C V T B C and Selling! N A L G F E D S A Q W E L R H A Z D A Q W S P O I U Y A T E P F E T A R B M N C D E K X L P V R E T G Y B Y H N U E J L E I N E U D E I R D R E C R M D Y E K I R K O L P W X I E O R Z S S M A R T I Q C E T F N Y Q S W S W N R U B Y X Y E J R A P D M D P V N M T I Q I V C V H X Y E N I R E H T A K Z Going “I Am Elizabeth Smart” on Lifetime (Words in parentheses not in puzzle) (Elizabeth) Smart Alana (Boden) Kidnapped Place your classified Solution on page 13 (Brian David) Mitchell Skeet (Ulrich) Salt Lake City ad in the Waxahachie Daily 2 x 3" ad (Wanda) Barzee Deirdre (Lovejoy) Religious (Fanatic) Light, Midlothian1 x Mirror 4" ad and (Mary) Katherine Cassidy (Nugent) (Self-Enabled) Rescue Ellis County Trading Post! Word Search Edward Kiefer (O'Reilly) (Utah) Wilderness ‘Beyond’ Call (972) 937-3310 © Zap2it to Mars 2 x 3.5" ad Now-retired astronaut Scott Kelly is featured in the new special “Beyond a Year in Space” Wednesday on PBS.
    [Show full text]
  • Good Girls” on NBC (Words in Parentheses Not in Puzzle) (Beth) Boland (Christina) Hendricks (Zach) Gilford Place Your Classified
    2 x 2" ad 2 x 2" ad February 23 - March 1, 2018 N A O Y I V M W A E T B P X G 2 x 3" ad O C R T T E W E J H L C D U I Your Key S G M U V O A N A T N O M Q L To Buying L W J C A H Y N O M L A S B F 2 x 3.5" ad I Z N A E D I U G P R T K N O and Selling! W C R J N Q B C J K A S C W R G K D A H A R A S N V A I Z D Z R L U I E D I N W S L R B G S O D J T P N A X H D J D P X B T F T H A R G V R R M N F K E Q A K M D N T A Q O K E D E L Z X T Q F J L T L L I H P S W X I F D H L E N C Y E F K N Y H L S O I R K A I P E T Y A Three ‘Good W A B Q L U Z M B G F V N S B “Good Girls” on NBC (Words in parentheses not in puzzle) (Beth) Boland (Christina) Hendricks (Zach) Gilford Place your classified Solution on page 13 (Ruby) Hill Retta (Manny) Montana ad in the Waxahachie Daily Girls’ become 2 x 3" ad (Annie) Marks (Mae) Whitman (Izzy) Stannard Light, Midlothian1 x Mirror 4" ad and Dean (Boland) (Matthew) Lillard (Reno) Wilson Ellis County Trading Post! Word Search Sara (Hill) (Lidya) Jewett (Jenna) Bans Call (972) 937-3310 © Zap2it partners in crime Mae Whitman, Retta and Christina Hendricks (from 2 x 3.5" ad left) star in “Good Girls,” premiering Monday on NBC.
    [Show full text]
  • FILM in the BUBBLE Een Nieuwe Abonnee Aan? Dan Ontvangt U Allebei Het Welkomstgeschenk.* Bijlage Slow Criticism 4 20-43
    AANGEBODEN DOOR UW FILMTHEATER, FDN & NVBF DUNKIRK DE NEDERLAAG DIE EEN OVERWINNING WERD L’AMANT DOUBLE FRANÇOIS OZONS CAMPY TRASHTHRILLER NOCTURAMA TERRORISME TUSSEN GUY DEBORD EN THE BLING RING LA MORT DE LOUIS XIV ZONNEKONING JEAN-PIERRE LÉAUD PREVIOUSLY UNRELEASED SCHATKAMER VAN DE ZOMER #400 JULI/AUGUSTUS 2017 JULI/AUGUSTUS F E L I A L A L H M R E BV E I B R N U D E T B A N HE H E T PRIX JEAN VIGO ALBERT SERRA JEAN-PIERRE LÉAUD rnhem A , BART KAPER BART vanaf 20 juli te zien in de filmtheaters ontwerp: grafisch een film van KLEBER MENDONÇA FILHO ‘SÔNIA BRAgA is Brilliant as a widow on the warpath’ rnhem A , BART KAPER BART vanaf 17 augustus te zien in de filmtheaters ontwerp: grafisch DE FILMKRANT BEELD UIT HOMO SAPIENS #400 JULI/AUGUSTUS 2017 3 REDACTIONEEL Het bleef een re- delijk onopgemerkt berichtje, want de film werd een flop. Maar toen eerder dit jaar Gore Verbinski’s A Cure for Wellness uitkwam, pro- beerde productiemaatschappij Fox hem aan de man te brengen door fake news te verspreiden, onder andere over een vaccinatieverbod door Trump en een moslimhommage van Lady Gaga tijdens de Super Bowl. Op het moment dat film en realiteit, het actuele en het virtuele zo door elkaar gaan lopen dat de werkelijkheid vreem- der aanvoelt dan fantasie, dan lijkt het wel als- of we in een permanente glitch zitten. Dat mo- ment uit de film The Matrix waarin er door een storinkje in het computersysteem iets onver- klaarbaar uncanny’s plaatsvindt – een déjà-vu, een verdubbeling van de werkelijkheid, even niet meer weten of iets nu droom is of werkelijk waar.
    [Show full text]