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Journal, Summer 2009 | National Association of Black Journalists
Journal, Summer 2009 | www.nabj.org | National Association of Black Journalists | 1 2 | National Association of Black Journalists | www.nabj.org | Journal, Summer 2009 Table of Contents Features 6 – Prime Movers. Program started by former NABJ President grooms future journalists 8 – The Contenders. Angelo Henderson and Kathy Times are both able, willing and passionate about being the next NABJ President. See how the candidates, as well as the candidates for the 2009-2011 Board of Directors, stack up. Cover Story – NABJ Special Honors 12 – Journalist of the Year – National Public Radio’s Michele Norris 16 – Lifetime Achievement – Michael Wilbon 18 – Legacy Award – Sandra Rosenbush and Leon Carter 20 – Student Journalist of the Year – Jamisha Purdy 22 – Educator of the Year – Lawrence Kaggwa 24 – Hall of Famers – Caldwell, Norment, Peterman and Whiteside inducted 26 – Emerging Journalist of the Year – Cynthia Gordy, Essence Magazine 27 – Community Service Award – The Chauncey Bailey Project 27 – Percy Qoboza Foreign Journalist Award – Andrison Shadreck Manyere NABJ Convention 30 – Welcome to Tampa. Departments President’s Column .............................................................4 8 – Election 2009: Kathy Times, the current NABJ Executive Director .............................................................5 VP of Broadcast, and Angelo Henderson, a former Comings and Goings .......................................................34 parliamentarian, are both now seeking the organization’s Passages .........................................................................35 presidency. Read more on page 8. Photos by Ad Seymour. Cover Photo by Mark Gail / Washington Post The NABJ Journal (USPS number pending) is published quarterly by the National Association of Black Journalists (NABJ) at 8701-A Adelphi Road, Adelphi, MD 20783-1716. Pending periodicals postage is paid at Adelphi, MD. NABJ is the largest organization of journalists of color in the nation. -
Archived Content Contenu Archivé
ARCHIVED - Archiving Content ARCHIVÉE - Contenu archivé Archived Content Contenu archivé Information identified as archived is provided for L’information dont il est indiqué qu’elle est archivée reference, research or recordkeeping purposes. It est fournie à des fins de référence, de recherche is not subject to the Government of Canada Web ou de tenue de documents. Elle n’est pas Standards and has not been altered or updated assujettie aux normes Web du gouvernement du since it was archived. Please contact us to request Canada et elle n’a pas été modifiée ou mise à jour a format other than those available. depuis son archivage. Pour obtenir cette information dans un autre format, veuillez communiquer avec nous. This document is archival in nature and is intended Le présent document a une valeur archivistique et for those who wish to consult archival documents fait partie des documents d’archives rendus made available from the collection of Public Safety disponibles par Sécurité publique Canada à ceux Canada. qui souhaitent consulter ces documents issus de sa collection. Some of these documents are available in only one official language. Translation, to be provided Certains de ces documents ne sont disponibles by Public Safety Canada, is available upon que dans une langue officielle. Sécurité publique request. Canada fournira une traduction sur demande. Lff3RARY MINISYfIY OF T^vE SOLICITOR I GENERAL OF CANADA OCT 24 .^J9 BIBLIOTHÈQUE MINISTÈRE DU SOLLICITEUR GÉNÉRAL DU CANADA OTTAWA, ONTAMO CANADA f<1A OP8 4 GEORGE V. SESSIONAL PAPER No. 252 REPORT OF THE ROYAL COMMISSION 0\ PENITENTIARIES PRINTED BY ORDER OF PARLIAMF,'NT. -
DEPICTIONS of BLACK LOVE in EBONY MAGAZINE Alexandra
DEPICTIONS OF BLACK LOVE IN EBONY MAGAZINE Alexandra Odom A thesis submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History in the College of Arts and Sciences. Chapel Hill 2019 Approved by: Claude Clegg William Sturkey Katherine Turk © 2019 Alexandra Odom ALL RIGHTS RESERVED ii ABSTRACT Alexandra Odom: Depictions of Black Love in Ebony Magazine (Under the direction of Claude Clegg) The ten years between 1979 and 1989 signaled a significant shift in the discourse about the "crisis of the black family", and proposed solutions to this crisis. Public discourse aimed at finding a solution to this “crisis” resulted in wide-ranging criticism of black family dynamics. Throughout the decade, the increased number of features about dating to marry, maintaining a successful marriage, and advertisements that showcased middle class black family life work to highlight Ebony's message that black romantic love was the key to the success of the black community. Ebony’s emphasis on the importance of black heteronormative romantic love often ignored the larger structural forces that contributed to the famed "crisis". As historians have dedicated increased attention to the study of black marriages and the black family in recent years, studies of popular depictions of black love in print media are a valuable addition to these growing conversations. iii To my parents. iv TABLE OF CONTENTS INTRODUCTION: Black Love as a Major Concern in Black Popular Discourse ........................ 1 Mainstream Discourse About the Black Family in the Twentieth Century ................................ -
Access the Best in Music. a Digital Version of Every Issue, Featuring: Cover Stories
Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE MARCH 23, 2020 Page 1 of 27 INSIDE Lil Uzi Vert’s ‘Eternal Atake’ Spends • Roddy Ricch’s Second Week at No. 1 on ‘The Box’ Leads Hot 100 for 11th Week, Billboard 200 Albums Chart Harry Styles’ ‘Adore You’ Hits Top 10 BY KEITH CAULFIELD • What More Can (Or Should) Congress Do Lil Uzi Vert’s Eternal Atake secures a second week No. 1 for its first two frames on the charts dated Dec. to Support the Music at No. 1 on the Billboard 200 albums chart, as the set 28, 2019 and Jan. 4, 2020. Community Amid earned 247,000 equivalent album units in the U.S. in Eternal Atake would have most likely held at No. Coronavirus? the week ending March 19, according to Nielsen Mu- 1 for a second week without the help of its deluxe • Paradigm sic/MRC Data. That’s down just 14% compared to its reissue. Even if the album had declined by 70% in its Implements debut atop the list a week ago with 288,000 units. second week, it still would have ranked ahead of the Layoffs, Paycuts The small second-week decline is owed to the chart’s No. 2 album, Lil Baby’s former No. 1 My Turn Amid Coronavirus album’s surprise reissue on March 13, when a new (77,000 units). The latter set climbs two rungs, despite Shutdown deluxe edition arrived with 14 additional songs, a 27% decline in units for the week.Bad Bunny’s • Cost of expanding upon the original 18-song set. -
ARTIST INDEX(Continued)
ChartARTIST Codes: CJ (Contemporary Jazz) INDEXINT (Internet) RBC (R&B/Hip-Hop Catalog) –SINGLES– DC (Dance Club Songs) LR (Latin Rhythm) RP (Rap Airplay) –ALBUMS– CL (Traditional Classical) JZ (Traditional Jazz) RBL (R&B Albums) A40 (Adult Top 40) DES (Dance/Electronic Songs) MO (Alternative) RS (Rap Songs) B200 (The Billboard 200) CX (Classical Crossover) LA (Latin Albums) RE (Reggae) AC (Adult Contemporary) H100 (Hot 100) ODS (On-Demand Songs) STS (Streaming Songs) BG (Bluegrass) EA (Dance/Electronic) LPA (Latin Pop Albums) RLP (Rap Albums) ARB (Adult R&B) HA (Hot 100 Airplay) RB (R&B Songs) TSS (Tropical Songs) BL (Blues) GA (Gospel) LRS (Latin Rhythm Albums) RMA (Regional Mexican Albums) CA (Christian AC) HD (Hot Digital Songs) RBH (R&B Hip-Hop) XAS (Holiday Airplay) MAY CA (Country) HOL (Holiday) NA (New Age) TSA (Tropical Albums) CS (Country) HSS (Hot 100 Singles Sales) RKA (Rock Airplay) XMS (Holiday Songs) CC (Christian) HS (Heatseekers) PCA (Catalog) WM (World) CST (Christian Songs) LPS (Latin Pop Songs) RMS (Regional Mexican Songs) 15 CCA (Country Catalog) IND (Independent) RBA (R&B/Hip-Hop) DA (Dance/Mix Show Airplay) LT (Hot Latin Songs) RO (Hot Rock Songs) 2021 $NOT HS 23 BIG30 H100 80; RBH 34 NAT KING COLE JZ 5 -F- PETER HOLLENS CX 13 LAKE STREET DIVE RKA 43 21 SAVAGE B200 111; H100 54; HD 21; RBH 25; BIG DADDY WEAVE CA 20; CST 39 PHIL COLLINS HD 36 MARIANNE FAITHFULL NA 3 WHITNEY HOUSTON B200 190; RBL 17 KENDRICK LAMAR B200 51, 83; PCA 5, 17; RS 19; STM 35 RBA 26, 40; RLP 23 BIG SCARR B200 116 OLIVIA COLMAN CL 12 CHET -
“Two Voices:” an Oral History of Women Communicators from Mississippi Freedom Summer 1964 and a New Black Feminist Concept ______
THE TALE OF “TWO VOICES:” AN ORAL HISTORY OF WOMEN COMMUNICATORS FROM MISSISSIPPI FREEDOM SUMMER 1964 AND A NEW BLACK FEMINIST CONCEPT ____________________________________________ A Dissertation presented to the Faculty of the Graduate School at the University of Missouri-Columbia ________________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy ____________________________________________ by BRENDA JOYCE EDGERTON-WEBSTER Dr. Earnest L. Perry Jr., Dissertation Supervisor MAY 2007 The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled: THE TALE OF “TWO VOICES:” AN ORAL HISTORY OF WOMEN COMMUNICATORS FROM MISSISSIPPI FREEDOM SUMMER 1964 AND A NEW BLACK FEMINIST CONCEPT presented by Brenda Joyce Edgerton-Webster, a candidate for the degree of Doctor of Philosophy, and hereby certify that, in their opinion, it is worthy of acceptance. Dr. Earnest L. Perry, Jr. Dr. C. Zoe Smith Dr. Carol Anderson Dr. Ibitola Pearce Dr. Bonnie Brennen Without you, dear Lord, I never would have had the strength, inclination, skill, or fortune to pursue this lofty task; I thank you for your steadfast and graceful covering in completing this dissertation. Of greatest importance, my entire family has my eternal gratitude; especially my children Lauren, Brandon, and Alexander – for whom I do this work. Special acknowledgements to Lauren who assisted with the audio and video recording of the oral interviews and often proved herself key to keeping our home life sound; to my fiancé Ernest Evans, Jr. who also assisted with recording interviews and has supported me in every way possible from beginning to end; to my late uncle, Reverend Calvin E. -
ARTIST INDEX(Continued)
ChartARTIST Codes: CJ (Contemporary Jazz) INDEXINT (Internet) RBC (R&B/Hip-Hop Catalog) –SINGLES– DC (Dance Club Songs) LR (Latin Rhythm) RP (Rap Airplay) –ALBUMS– CL (Traditional Classical) JZ (Traditional Jazz) RBL (R&B Albums) A40 (Adult Top 40) DES (Dance/Electronic Songs) MO (Alternative) RS (Rap Songs) B200 (The Billboard 200) CX (Classical Crossover) LA (Latin Albums) RE (Reggae) AC (Adult Contemporary) H100 (Hot 100) ODS (On-Demand Songs) STS (Streaming Songs) BG (Bluegrass) EA (Dance/Electronic) LPA (Latin Pop Albums) RLP (Rap Albums) ARB (Adult R&B) HA (Hot 100 Airplay) RB (R&B Songs) TSS (Tropical Songs) BL (Blues) GA (Gospel) LRS (Latin Rhythm Albums) RMA (Regional Mexican Albums) CA (Christian AC) HD (Hot Digital Songs) RBH (R&B Hip-Hop) XAS (Holiday Airplay) MAR CA (Country) HOL (Holiday) NA (New Age) TSA (Tropical Albums) CS (Country) HSS (Hot 100 Singles Sales) RKA (Rock Airplay) XMS (Holiday Songs) CC (Christian) HS (Heatseekers) PCA (Catalog) WM (World) CST (Christian Songs) LPS (Latin Pop Songs) RMS (Regional Mexican Songs) 21 CCA (Country Catalog) IND (Independent) RBA (R&B/Hip-Hop) DA (Dance/Mix Show Airplay) LT (Hot Latin Songs) RO (Hot Rock Songs) 2020 $NOT HS 4 BILLIE EILISH B200 11, 42; DLP 17; A40 14; DEBORAH COX ARB 15 FLEETWOOD MAC B200 88; PCA 9 IMAGINE DRAGONS B200 114, 171; PCA 20 CHRIS LANE CS 43, 48 THE 1975 MO 23; RKA 35; RO 47 DA 5; H100 14; HA 8; HD 11, 34; MO 2; RKA ROBERT CRAY BL 2 FLIPP DINERO HS 5; RP 21 TAME IMPALA B200 60, 166; INT 25; MO 15; TORY LANEZ B200 81; RBA 45; RBL 9 21 SAVAGE B200 152 -
Correctional Data Analysis Systems. INSTITUTION Sam Honston State Univ., Huntsville, Tex
I DocdnENT RESUME ED 209 425 CE 029 723 AUTHOR Friel, Charles R.: And Others TITLE Correctional Data Analysis Systems. INSTITUTION Sam Honston State Univ., Huntsville, Tex. Criminal 1 , Justice Center. SPONS AGENCY Department of Justice, Washington, D.C. Bureau of Justice Statistics. PUB DATE 80 GRANT D0J-78-SSAX-0046 NOTE 101p. EDRS PRICE MF01fPC05Plus Postage. DESCRIPTORS Computer Programs; Computers; *Computer Science; Computer Storage Devices; *Correctional Institutions; *Data .Analysis;Data Bases; Data Collection; Data Processing; *Information Dissemination; *Iaformation Needs; *Information Retrieval; Information Storage; Information Systems; Models; State of the Art Reviews ABSTRACT Designed to help the-correctional administrator meet external demands for information, this detailed analysis or the demank information problem identifies the Sources of teguests f6r and the nature of the information required from correctional institutions' and discusses the kinds of analytic capabilities required to satisfy . most 'demand informhtion requests. The goals and objectives of correctional data analysis systems are ontliled. Examined next are the content and sources of demand information inquiries. A correctional case law demand'information model is provided. Analyzed next are such aspects of the state of the art of demand information as policy considerations, procedural techniques, administrative organizations, technology, personnel, and quantitative analysis of 'processing. Availa4ie software, report generators, and statistical packages -
Findings of Fact and Conclusions of Law
349 F.Supp. 881 (1972) Nazareth GATES et al. and United States of America, Plaintiff-Intervenor, v. John COLLIER et al. No. GC 71-6-K. United States District Court, N. D. Mississippi, Greenville Division. September 13, 1972. Judgment October 20, 1972. 882883884885 *882 *883 *884 *885 Roy S. Haber, Jackson, Miss., for plaintiffs. H. M. Ray, U. S. Atty., Oxford, Miss., Jesse Queen, Michael Davidson, Tom Sheron, Department of Justice, Washington, D. C., for plaintiff-intervenor. A. F. Summer, Atty. Gen., Jackson, Miss., P. Roger Googe, Jr., William A. Allain, Jesse Adams, Asst. Attys. Gen., for defendants. FINDINGS OF FACT AND CONCLUSIONS OF LAW PRELIMINARY STATEMENT KEADY, Chief Judge. This case of great public concern and interest involves alleged unconstitutional conditions and practices in the maintenance, operation, and administration of the Mississippi State Penitentiary at Parchman, Mississippi (Parchman). The action began February 8, 1971, as a class action brought by certain Parchman inmates against the Superintendent of the Penitentiary, the members of the Mississippi Penitentiary Board and the Governor of the State. Thomas D. Cook, penitentiary superintendent at the commencement of the action, was replaced in February 1972 by John Collier, who has been substituted in his stead as a defendant. Invoking federal court jurisdiction under 28 U.S.C. §§ 1331 and 1343, the plaintiffs allege that the defendants, by their methods of prison administration, have deprived the inmates of rights, privileges and immunities secured to them by the First, Eighth, Thirteenth and Fourteenth Amendments and by 42 U.S.C. §§ 1981, 1983, 1985 and 1994. The complaint also charge that negro inmates have been segregated and discriminated against on the basis of their race in [1] violation of the Equal Protection Clause of the Fourteenth Amendment. -
Travis Scott Releases Jackboys Short Film and Official Video for “Gang Gang”
TRAVIS SCOTT RELEASES JACKBOYS SHORT FILM AND OFFICIAL VIDEO FOR “GANG GANG” DIRECTED BY CACTUS JACK & WHITE TRASH TYLER WATCH JACKBOYS SHORT FILM HERE WATCH “GANG GANG” VIDEO HERE JACKBOYS PACK OUT NOW, GET IT HERE Los Angeles, DeCember 27, 2019 - To celebrate the release of the debut pack from his CaCtus JaCk creative collective, JACKBOYS, Travis Scott has released the JACKBOYS short film plus the video for “Gang, Gang” featuring Sheck Wes. Both clips were directed by Cactus Jack & White Trash Tyler and features the Tesla Cybertruck. Travis the first person besides Tesla CEO, Elon Musk, to be seen with the coveted vehicle. Watch the JACKBOYS short film HERE. Watch the video for “Gang, Gang” HERE. Get the JACKBOYS pack HERE. ABOUT TRAVIS SCOTT: Some artists make history. Six-time GRAMMY® Award-nominated artist, designer, style icon, ASTROWORLD Festival curator, and Cactus Jack record label founder Travis Scott makes culture. Among dozens of multi-platinum certifications and nearly 17 billion streams since 2012, he delivered three chart-topping full-length albums—the platinum Rodeo [2015], platinum Birds in the Trap Sing McKnight [2016], and triple-platinum ASTROWORLD [2018]. The latter emerged as “The Second Largest Debut Album of 2018” and achieved the “Biggest Sales Week of 2018.” Proclaimed one of the “Songs That Defined the Decade” by Billboard, the seven-times platinum single “Sicko Mode” became “the first hip-hop track to spend at least 30 weeks in the Top 10 of the Hot 100.” It earned GRAMMY® Award nominations in the categories of “Best Rap Performance” and “Best Rap Song” as ASTROWORLD garnered a nod for “Best Rap Album.” Beyond guesting on Ellen and The Tonight Show Starring Jimmy Fallon, he starred in the NETFLIX documentary LOOK MOM I CAN FLY. -
Les Payne • 1981-1983 Bob Reid • 1979-1981 Bob Reid • Vernon Jarrett • 1977- Vernon Jarrett Chuck Stone • 1975-1977 Chuck Foreword Merv Aubespin • 1983
T Foreword 3 able of by Paula Madison Chuck Stone • 1975-1977 5 • Essay by Paul Brock • Photograph by Robert Miller Vernon Jarrett • 1977- 8 Contents • Essay by Lynn Norment • Photograph by Andre F. Chung Bob Reid • 1979-1981 11 • Essay by Gayle Pollard Terry • Photograph by Hillery Shay Les Payne • 1981-1983 14 • Essay by Derrick Z. Jackson • Photograph by Suné Woods Merv Aubespin • 1983- 17 • Essay by Michel Marriott • Photograph by Durell Hall Al Fitzpatrick • 1985- 20 • Essay by John L. Dotson Jr. • Photograph by Gary J. Kirksey DeWayne Wickham • 23 • Essay by Sheila Brooks • Photograph by Hillery Shay Thomas Morgan III • 1989- 26 • Essay by Katti Gray • Photograph by Suné Woods Sidmel Estes-Sumpter • 1991-1993 29 • Essay by Ernie Suggs • Photograph by Joey Ivansco Dorothy Butler Gilliam • 1993-1995 32 • Essay by Jacqueline E. Trescott • Photograph by Hillery Shay Arthur Fennell • 1995- 35 • Essay by Herbert Lowe • Photograph by Hillery Shay Vanessa Williams • 1997- 38 • Essay by Betty Winston Bayé • Photograph by Dudley M. Brooks William W. Sutton Jr. • 1999- 41 • Essay by Michael Days • Photograph courtesy of The News & Observer Condace Pressley • 2001- 44 • Essay by Eric Deggans • Photograph by Ian Irving 47 Contents Herbert Lowe • 2003- • Essay by Jackie Jones • Photograph by Jason Miccolo Johnson Remembering Vernon 50 able of Contributors 52 T hen did I first learn of NABJ? It was back in the late '70s. I was an Y B investigative reporter at The Syracuse (N.Y.) Herald-Journal and I PAULA was down. We had no black editors, no black folks on the desk, no black photographers. -
Convict Leasing and the Construction of Carceral
RAGGED BATTALIONS, PLOTTING LIBERTY: CONVICT LEASING AND THE CONSTRUCTION OF CARCERAL CAPITALISM IN FLORIDA, 1875-1925 E. Carson Eckhard AN HONORS THESIS in HIstory Presented to the Faculty of the Department of HIstory of the UniversIty of Pennsylvania in PartIal Fulfillment of the Requirements for the Degree of Bachelor of Arts wIth Honors 2021 Warren Breckman, Honors Seminar Director Mia Bay, Thesis Advisor _____________________________ Sinyen Fei Undergraduate Chair, Department of History I Acknowledgements This project would not have been possIble wIthout the many people who supported me along the way. I would lIke to thank my advisors, MIa Bay and Warren Breckman for theIr constant support, encouragement and feedback on every draft. I am also grateful to the Andrea MItchell Center for the Study of Democracy, whose financIal support made my archival research possIble. I would also lIke to thank Jeff Green, Matt Shafer, GIdeon Cohn-Postar and Paul Wolff MItchell for theIr feedback and support throughout this Process. Thank you also to Scott WIlds for his genealogical assIstance, on this project and on others throughout my tIme at Penn. I would also lIke to thank Kathleen Brown for InsPIring me to pursue historical research and supportIng me these past four years, and Gabriel Raeburn, for IntroducIng me to Penn’s HIstory Department. AdditIonally, NatalIa Rommen and MIsha McDaniel’s love, lIstening and support empowered me throughout this project. Lastly, I am endlessly grateful to my famIly and friends, whose encouragement and patIence made this process possIble and enjoyable. I am especIally thankful for my grandparents, Janie and Harry ClIne, who have nurtured my love of history sInce I was a child.