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Pulp and Paper Industry Energy Bandwidth Study
REPORT for American Institute of Chemical Engineers (AIChE) Pulp and Paper Industry Energy Bandwidth Study Prepared by Jacobs Greenville, South Carolina, USA and Institute of Paper Science and Technology (IPST) at Georgia Institute of Technology Atlanta, Georgia August 2006 Project Number: 16CX8700 P&P Industry Energy Bandwidth Study Table of Contents 1. INTRODUCTION ______________________________________________________2 2. EXECUTIVE SUMMARY________________________________________________3 3. DOMESTIC ENERGY CONSUMPTION AND PRODUCTION ________________12 4. PAPER INDUSTRY AVERAGE PROCESS ENERGY DEMAND ______________18 5. OVERALL DOMESTIC ENERGY BALANCE ______________________________32 6. ESTIMATED CONSUMPTION WITH “BAT”______________________________33 7. DESCRIPTION OF A MODERN MILL ___________________________________44 8. PRACTICAL MINIMUM ENERGY CONSUMPTION _______________________56 9. ACKNOWLEDGEMENTS ______________________________________________72 10. APPENDIX __________________________________________________________73 11. REFERENCES ______________________________________________________111 Project: 16CX8700 1 P&P Industry Energy Bandwidth Study 1. INTRODUCTION The American Institute of Chemical Engineers (AIChE) has been requested to manage a Project, on behalf of the Department of Energy’s Industrial Technologies Program (DOE-ITP), to develop estimates of the present energy consumption of the U.S. Pulp and Paper Industry and how much energy could be saved if more efficient types of pulp and paper manufacturing technologies as -
Burning in Naval Stores Forest
Proceedings: 3rd Tall Timbers Fire Ecology Conference 1964 Burning in Naval Stores Forest NORMAN R. HAWLEY Naval Stores Conservation Program U. S. Forest Service Valdosta, Georgia BEFORE discussing woods burning in naval stores, what is naval stores? First, be it understood that there are three fields within the activity, namely (1) wood distillation, or the process of obtaining the desired product from pine stumps; (2) the capture of tall oil in the sulfate pulping process, and (3) gum naval stores, or the harvesting of oleoresin or gum from standing, living pine trees, ob tained throughout a long working season of some seven months annually. Today, I shall discuss fire in its relation to the gum naval stores business. But first, how did the activity derive its odd name? There is cause for puzzlement. The story is told-with tongue in cheek-that a Secretary of the Navy, somewhat confused, but firm in his resolve to be prepared, declared: "I don't know what it is, but let's get some of it!" The term is a carry-over from the days of sail. Then the product was in prime demand. It caulked the hulls of wooden ships, and treated rigging against the erosive action of sun, rain, wind, ice, and salt water. How old is the business? We know that flammable gum featured heavily in the combustibles tossed around in ancient Mediterranean sea fights. Some writers speak with authority that it dates from the year 315 B. C. Others point to the Bible and quote from chapter and verse how Noah treated the hull of the Ark with derivatives from the 81 NORMAN R. -
History and Treatment of Works in Iron Gall Ink September 10-14, 2001, 9:30-5:30 Daily Museum Support Center Smithsonian Center for Materials Research and Education
2001 RELACT Series The History and Treatment of Works in Iron Gall Ink September 10-14, 2001, 9:30-5:30 daily Museum Support Center Smithsonian Center for Materials Research and Education Instructors: Birgit Reibland, Han Neevel, Julie Biggs, Margaret Cowan Additional Lecturers: Jacque Olin, Elissa O'Loughlin, Rachel-Ray Cleveland, Linda Stiber Morenus, Heather Wanser, Abigail Quandt, Christine Smith, Maria Beydenski, Season Tse, Elmer Eusman, Scott Homolka This 3-day course (offered twice in one week for 2 separate groups of participants) focuses on one of the most corrosive media problems found on documents and works of art on paper. The 2-day workshop and 1 interim day of lectures cover the production of inks from historic recipes; historic drawing and writing techniques; identification, examination and classification of deterioration; and the execution of treatment options, including the use of calcium phytate solution. The interim day of lectures will feature local and international conservators' research into the history and treatment of works with iron gall ink. The course represents the first time iron gall ink has been the primary focus of an international gathering in the United States. Registration deadline for the full course is July 1 or until the course is filled with qualified applicants; for the interim day of lectures only, participants have until August 29 to register. Limit for Interim Day of Lectures: 30 Lunch and handouts provided Cost: $ 75.00 Registration deadline August 29 The 3-day course is fully enrolled. Places still remain for the Interim Day of Lectures. Please contact Mary Studt, [email protected] or 301-238-3700 x149 for further information and application materials. -
Introduction to Process and Properties of Tissue Paper
Introduction to process and properties of tissue paper enrico galli, 2017 Enrico Galli self-presentation • I was born in Viareggio (Lucca county or “the so called tissue valley”) Tuscany - Italy • Graduated in Chemical Engineering at University of Pisa in 1979 • Process and project engineer and then technical manager in oil industry (oil refineries and spent lube oil re-refining) in GULF, API, AGIP in Italy • Technical manager in chemical and consumer products company (soap, detergents, derivate from fatty acids, sanitary gloves, tissue paper) in Italy. • Since 1984 in paper and tissue business: • Italy: Tissue (PM, PBD, CON), Newspaper (PM), Cardboard paper (PM, MM) • Estónia: Tissue (PM, CEO) • France: Tissue (PM) • Hungary: Tissue (CON) • Nigéria: Tissue (CON) • Romania: Tissue (PM, PBM, MM, CON), Writing paper (PBM) • Rússia: Tissue (PM) • Spain: Tissue (PBM) • UK: Tissue (PBM) • Cooperation with following main European Tissue Companies: Annunziata (now WEPA – Italy), GP (now Lucart – Italy), Horizon Tissue (Estonia), Imbalpaper (now Sofidel – Italy), Kartogroup (now WEPA – Italy, France, Spain), Montebianco (Romania), Pehartec (Romania), Perini (now Sofidel – Romania, UK), Siktyvkar Tissue Group (Russia), Vaida Papir (Hungary)… and now proudly NAVIGATOR in Portugal! • I have been supporting Sales and Marketing Teams for strategic planning as well as for products development in Baltic Countries, BENELUX, Denmark, Finland, France, Germany, Hungary, Ireland, Italy, Norway, Poland, Romania, Russia, Spain, Sweden, UK. • Since 1998 I have -
Preserving Your Memories Enjoy Your Favourite Photos Every Day with These Three Crafty Framing Projects
Handmade Preserving your memories Enjoy your favourite photos every day with these three crafty framing projects. Words and styling Sarah Heeringa. Photography Amanda Reelick Photographs top left, centre and bottom middle by Sarah Heeringa Opposite page: Project #1: Hanging photo wall A simple and cost-effective photo display, ideal for when you cannot make multiple holes in the walls. This page, bottom left: Attach your hanging photo wall strings using a large, flat surface. Clockwise from middle right: Project #3: Photo gallery Use accent colours on selected frames; use paper templates when hanging photos; seal frames using picture framing tape. Top left, middle and main image: Project #2: Upcycle an old frame Dissasemble old frames to paint and re-assemble. 74 75 Handmade PROJECT #1 PROJECT #2 PROJECT #3 Hanging Upcycling Composing a photo wall an old frame photo gallery You need: You need: You need: · up to 20 square photographs (all 10cm x · a photograph · a second-hand picture frame · coordinated photo frames · dark thread 10cm) · white card, medium thickness, cut that includes an outer frame, firm backing · Blu-Tack · spirit level · roll of newsprint, into squares (8cm x 8cm) · white string · board and a mat or mounting board · glazier brown paper or newspaper · hammer and spray adhesive or glue stick · scissors and points or tiny nails · masking tape · wide nails · picture hanging hooks or adhesive ruler · A branch or length of bamboo brown picture framing tape · small pliers hanging strips · step-ladder or stool (paint white if you wish) · 1 metre of nylon line · hammer · nylon line · D-ring or small screws · small stones (optional) · Blu-Tack · small paintbrush · dropcloth · Resene Step 1: Pick photos Summer is great for Enamacryl enamel for the frame (I used taking photos, but how many of our images Step 1: Prepare and print images Resene Breathless) and Resene SpaceCote from this season or years past lie dormant on Adjust the photographs before printing to Flat for the mat (I used Resene Black White). -
BRITISH COLUMBIA PULP and PAPER SECTOR SUSTAINABILITY: Sector Challenges and Future Opportunities B.C
BRITISH COLUMBIA PULP AND PAPER SECTOR SUSTAINABILITY: Sector Challenges and Future Opportunities B.C. Forest Sector Competitiveness Agenda INTRODUCTION The British Columbia forest sector provides well-paying jobs for tens of thousands of British Columbians, many of them in rural communities, and contributes taxes for important services across the province. This integrated sector is made up of many highly interdependent sub-sectors so it can make the most efficient use of and gain the most value from all the fibre harvested. The pulp and paper sector processes as much as 50% of the total volume of timber harvested each year in British Columbia (B.C.) mainly in the form of residual chips, shavings, sawdust and hog fuel. It generates value from lower quality timber not suitable for manufacture into lumber and other solid wood products. The conversion of these residuals and lower valued fibre into high-valued pulp and paper products results in about $4 billion in sales annually to markets in China, the Unites States, Japan, and other Asian and European countries. The sector is, however, facing challenges as demand for certain types of paper declines and lower-cost competitors compete for market share. In 2015, as part of a process led by the Ministry of Forests, Lands and Natural Resource Operations (FLNRO), senior government and forest industry representatives undertook to identify ways to maintain B.C.’s overall forest sector competitiveness. A collaborative review was undertaken on a number of the key subsectors of the forest sector to position them for the future. The B.C. Pulp and Paper Sustainability Project was launched as part of this competitiveness agenda. -
Pdf51da2bb9237.Pdf FAO, F
PEER-REVIEWED REVIEW ARTICLE bioresources.com Understanding the Effect of Machine Technology and Cellulosic Fibers on Tissue Properties – A Review Tiago de Assis,a Lee W. Reisinger,b Lokendra Pal,a Joel Pawlak,a Hasan Jameel,a and Ronalds W. Gonzalez a,* Hygiene tissue paper properties are a function of fiber type, chemical additives, and machine technology. This review presents a comprehensive and systematic discussion about the effects of the type of fiber and machine technology on tissue properties. Advanced technologies, such as through-air drying, produce tissue with high bulk, softness, and absorbency. Conventional technologies, where wet pressing is used to partially dewater the paper web, produces tissue with higher density, lower absorbency, and softness. Different fiber types coming from various pulping and recycling processes are used for tissue manufacturing. Softwoods are mainly used as a source of reinforcement, while hardwoods provide softness and a velvet type surface feel. Non- wood biomass may have properties similar to hardwoods and/or softwoods, depending on the species. Mechanical pulps having stiffer fibers result in bulkier papers. Chemical pulps have flexible fibers resulting in better bonding ability and softness. Virgin fibers are more flexible and produce stronger and softer tissue. Recycled fibers are stiffer with lower bonding ability, yielding products that are weaker and less soft. Mild mechanical refining is used to improve limitations found in recycled fibers and to develop properties in virgin fibers. -
Paper, Paperboard and Wood Pulp Markets, 2010-2011 Chapter 8
UNECE/FAO Forest Products Annual Market Review, 2010-2011 __________________________________________________________ 71 8 Paper, paperboard and woodpulp markets, 2010-2011 Lead Author, Peter Ince Contributing Authors, Eduard Akim, Bernard Lombard, Tomas Parik and Anastasia Tolmatsova Highlights • Paper and paperboard output rebounded along with overall industrial production in both Europe and the United States, but has not yet fully recovered to the peak levels of 2007-2008. • Generally more robust market conditions prevailed from 2010 to early 2011, with higher consumption and prices for most pulp, paper and paperboard commodities. • Prices reached a plateau by late 2010 and may have peaked in a cycle that began with rebound from the global financial crisis of 2008-2009; but prices still remained high in early 2011. • The Russian Federation is seeing an almost complete recovery of pulp and paper output to the levels that preceded the global financial crisis of 2008-2009. • European pulp, paper and paperboard output rebounded in 2010 after declining in 2008-2009, but the production levels before the crisis have not yet been reached. • Similarly, US production of pulp, paper and paperboard all rebounded from the sharp declines of 2008-2009, but production levels in 2010-2011 remained below previous cyclical peak levels. • A major project to expand use of larch was initiated in the Russian Federation, while wood pellet output and wood energy use also expanded in the Russian pulp and paper industry. • The market rebound coincides with expanding industry interest in the contributions of paper and paperboard products to green and sustainable development. • Green and sustainable product features such as use of renewable resources and product recyclability help support sustainability initiatives and an evolving symbiotic relationship between pulp and paper market development and the green economy. -
Making Paper from Trees
Making Paper from Trees Forest Service U.S. Department of Agriculture FS-2 MAKING PAPER FROM TREES Paper has been a key factor in the progress of civilization, especially during the past 100 years. Paper is indispensable in our daily life for many purposes. It conveys a fantastic variety and volume of messages and information of all kinds via its use in printing and writing-personal and business letters, newspapers, pamphlets, posters, magazines, mail order catalogs, telephone directories, comic books, school books, novels, etc. It is difficult to imagine the modern world without paper. Paper is used to wrap packages. It is also used to make containers for shipping goods ranging from food and drugs to clothing and machinery. We use it as wrappers or containers for milk, ice cream, bread, butter, meat, fruits, cereals, vegetables, potato chips, and candy; to carry our food and department store purchases home in; for paper towels, cellophane, paper handkerchiefs and sanitary tissues; for our notebooks, coloring books, blotting paper, memo pads, holiday greeting and other “special occasion’’ cards, playing cards, library index cards; for the toy hats, crepe paper decorations, paper napkins, paper cups, plates, spoons, and forks for our parties. Paper is used in building our homes and schools-in the form of roofing paper, and as paperboard- heavy, compressed product made from wood pulp-which is used for walls and partitions, and in such products as furniture. Paper is also used in linerboard, “cardboard,” and similar containers. Wood pulp is the principal fibrous raw material from which paper is made, and over half of the wood cut in this country winds up in some form of paper products. -
Matting and Framing
Matting and Framing Ford Conservation Center 2017 Basics of Matting and Framing Matting and framing is used to display, store, and safeguard works of art of pa- per, archives, and family documents. Proper matting and framing can help to protect these items from deterioration due to changing relative humidity, light exposure, handling, and other sources of damage. The following information is intended to explain the basics of mat- ting, framing, and hanging art or other paper-based items. Consult a conserva- tor for specific questions. See a framer you trust for help with your matting and framing needs. Inside this issue: M a t t i n g Matting 1 Matting, matboard, or mat (all used window mat held together with a Hinging 2 interchangeably) is flat, paper- strip of linen tape. The object is at- based material used to separate art tached to the back mat with hinges Adhesives 2 from a frame. Matboard is used to made of special Japanese tissue securely house works on paper. paper. Hinging is preferred over Framing 3 Matboard comes in various sizes, commercial tapes because it allows colors, weights and types of materi- for easy removal of the object with Hanging 4 al. minimal use of adhesive. The win- dow mat construction allows the A mat for an object is a series of Consulting a Conser- 5 object to be seen while protecting vator pieces constructed to protect the it from handling while the back Additional Resources 5 object. It includes a back mat and mat provides structural support for Matting and Framing the object. -
Sizes and Specifications
Sizes and Specifications Newsprint display sizes & specs ................................2 Newsprint reproduction tips ......................................3 Book of Lists sizes & specs ........................................5 How to submit print ads .............................................6 Online and email advertising ......................................7 Questions? Contact [email protected] Newsprint display advertising sizes Pacific Business News is an untrimmed, cold-set, tabloid newspaper on newsprint that measures approximately 10.5 inches wide x 14 inches tall. 1/2 Vertical 4.5 x 12.5 2 Page Spread Full Island 3/8 Horizontal 3/8 Vertical 19.75 x 12.5 9.25 x 12.5 6.875 x 12.5 6.875 x 6.125 4.5 x 9.325 1/2 Horizontal 9.25 x 6.125 L or Reverse L Triangle Triangle Centerpiece Towers: 2.125 x 11.85 Middle Right 1/4 Vertical 1/4 Strip U-Shape Bottom Strip: 9.25 x 0.85 9.25 x 6.125 6.875 x 8.5 2.125 x 12.5 9.25 x 2.9375 Towers: 2.125 x 11.85 Bottom Strip: 19.75 x 0.85 1/8 Horizontal 1/8 Vertical Centerpiece Towers 4.5 x 2.9375 2.125 x 6.125 2.125 x 11.85 Centerstrip 1/4 Square 1/8 Strip 19.75 x 2.9375 4.5 x 6.125 9.25 x 1.35 PAGE 2 OF 7 PACIFIC BUSINESS NEWS » 2017 SIZES AND SPECIFICATIONS Requirements for newsprint display ads Specifications for submitting your documents for print Camera-ready files • Ads must be submitted as PDF/X-1a files • Files must be prepared in a layout program such as InDesign. -
4-10 Matting and Framing.Pdf
PRESERVATION LEAFLET CONSERVATION PROCEDURES 4.10 Matting and Framing for Works on Paper and Photographs NEDCC Staff NEDCC Andover, MA The importance of proper matting, mounting and framing Do not use any type of foam board such as Fom-cor®, is often overlooked as a key part of collections care and “archival” paper faced foam boards, Gator board, preventative conservation. Poor quality materials and expanded PVC boards such as Sintra® or Komatex®, any improper framing techniques are a common source of lignin containing paper-based mat boards, kraft (brown) damage to artwork and cultural heritage materials that paper, non-archival or self-adhesive tapes (i.e. document are in otherwise good condition. Staying informed about repair tapes), or ATG (adhesive transfer gum), all of which proper framing practices and choosing conservation-grade are used in the majority of frame shops. mounting, matting and framing can prevent many problems that in the future will be much more difficult to MATTING solve or even completely irreversible. As Benjamin Franklin said, “An ounce of prevention is worth a pound of The window mat is the standard mount for works on cure.” paper. The ideal window mat will be aesthetically pleasing while safely protecting the piece from exterior damage. Mats are an excellent storage method for works on paper CHOICE OF A FRAMER and can minimize the damage caused from handling in When choosing a framer it is important to find someone collections that are used for exhibition and study. Some well-informed about best conservation framing practices institutions simplify their framing and storage operations and experienced in implementing them.