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Court Review: the Journal of the American Judges Association American Judges Association
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Court Review: The Journal of the American Judges Association American Judges Association 2015 Court Review: The Journal of the American Judges Association 51:3 (2015)- Whole Issue Follow this and additional works at: https://digitalcommons.unl.edu/ajacourtreview "Court Review: The Journal of the American Judges Association 51:3 (2015)- Whole Issue" (2015). Court Review: The Journal of the American Judges Association. 526. https://digitalcommons.unl.edu/ajacourtreview/526 This Article is brought to you for free and open access by the American Judges Association at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Court Review: The Journal of the American Judges Association by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Court ReviewVolume 51, Issue 3 THE JOURNAL OF THE AMERICAN JUDGES ASSOCIATION TABLE OF CONTENTS EDITORS BOOK REVIEW Judge Steve Leben Kansas Court of Appeals 90 Writing Like the Best Judges Professor Eve Brank Steve Leben University of Nebraska MANAGING EDITOR Charles F. Campbell National Center for State Courts ARTICLES ASSOCIATE EDITOR Justine Greve 94 Weddings, Whiter Teeth, Judicial-Campaign Speech, and More: Kansas Court of Appeals Civil Cases in the Supreme Court’s 2014-2015 Term EDITORIAL BOARD Todd E. Pettys Kelly Lynn Anders Kansas City, Missouri 106 Making Continuous Improvement a Reality: Judge Karen Arnold-Burger Kansas Court of Appeals Achieving High Performance in the Ottawa County, Michigan, Circuit and Probate Courts Pamela Casey, Ph.D. Brian J. Ostrom, Matthew Kleiman, Shannon Roth & Alicia Davis National Center for State Courts Judge B. -
2018–2019 Annual Report
18|19 Annual Report Contents 2 62 From the Chairman of the Board Ensemble Connect 4 66 From the Executive and Artistic Director Digital Initiatives 6 68 Board of Trustees Donors 8 96 2018–2019 Concert Season Treasurer’s Review 36 97 Carnegie Hall Citywide Consolidated Balance Sheet 38 98 Map of Carnegie Hall Programs Administrative Staff Photos: Harding by Fadi Kheir, (front cover) 40 101 Weill Music Institute Music Ambassadors Live from Here 56 Front cover photo: Béla Fleck, Edgar Meyer, by Stephanie Berger. Stephanie by Chris “Critter” Eldridge, and Chris Thile National Youth Ensembles in Live from Here March 9 Daniel Harding and the Royal Concertgebouw Orchestra February 14 From the Chairman of the Board Dear Friends, In the 12 months since the last publication of this annual report, we have mourned the passing, but equally importantly, celebrated the lives of six beloved trustees who served Carnegie Hall over the years with the utmost grace, dedication, and It is my great pleasure to share with you Carnegie Hall’s 2018–2019 Annual Report. distinction. Last spring, we lost Charles M. Rosenthal, Senior Managing Director at First Manhattan and a longtime advocate of These pages detail the historic work that has been made possible by your support, Carnegie Hall. Charles was elected to the board in 2012, sharing his considerable financial expertise and bringing a deep love and further emphasize the extraordinary progress made by this institution to of music and an unstinting commitment to helping the aspiring young musicians of Ensemble Connect realize their potential. extend the reach of our artistic, education, and social impact programs far beyond In August 2019, Kenneth J. -
Alvin Ailey American Dance Theater
Tuesday through Friday, March 14 –17, 2017, 8pm Saturday, March 18, 2017, 2pm and 8pm Sunday, March 19, 2017, 3pm Zellerbach Hall Alvin Ailey American Dance Theater Alvin Ailey, Founder Judith Jamison, Artistic Director Emerita Robert Battle , Artistic Director Masazumi Chaya, Associate Artistic Director COMPANY MEMBERS Hope Boykin Jacquelin Harris Akua Noni Parker Jeroboam Bozeman Collin Heyward Danica Paulos Sean Aaron Carmon Michael Jackson, Jr. Belen Pereyra Elisa Clark Megan Jakel Jamar Roberts Sarah Daley Yannick Lebrun Samuel Lee Roberts Ghrai DeVore Renaldo Maurice Kanji Segawa Solomon Dumas Ashley Mayeux Glenn Allen Sims Samantha Figgins Michael Francis McBride Linda Celeste Sims Vernard J. Gilmore Rachael McLaren Constance Stamatiou Jacqueline Green Chalvar Monteiro Jermaine Terry Daniel Harder Fana Tesfagiorgis Matthew Rushing, Rehearsal Director and Guest Artist Bennett Rink, Executive Director Major funding for Alvin Ailey American Dance Theater is provided by the National Endowment for the Arts; the New York State Council on the Arts; the New York City Department of Cultural Affairs; American Express; Bank of America; BET Networks; Bloomberg Philanthropies; BNY Mellon; Delta Air Lines; Diageo, North America; Doris Duke Charitable Foundation; FedEx; Ford Foundation; Howard Gilman Foundation; The William R. Kenan, Jr. Charitable Trust; The Prudential Foundation; The SHS Foundation; The Shubert Foundation; Southern Company; Target; The Wallace Foundation; and Wells Fargo. These performances are made possible, in part, by Corporate -
City, University of London Institutional Repository
City Research Online City, University of London Institutional Repository Citation: Berköz, Levent Donat (2012). A gendered musicological study of the work of four leading female singer-songwriters: Laura Nyro, Joni Mitchell, Kate Bush, and Tori Amos. (Unpublished Doctoral thesis, City University London) This is the unspecified version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/1235/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] A Gendered Musicological Study of the Work of Four Leading Female Singer-Songwriters: Laura Nyro, Joni Mitchell, Kate Bush, and Tori Amos Levent Donat Berköz Thesis Submitted in Fulfilment of the Requirements for the Degree of Doctor of Philosophy City University London Centre for Music Studies June 2012 1 TABLE OF CONTENTS TABLE OF CONTENTS ………………………………………………………… 2 LIST OF FIGURES ……………………………………………………………… 5 ACKNOWLEDGEMENTS ……………………………………………………… 7 DECLARATION ………………………………………………………………… 9 ABSTRACT ……………………………………………………………………… 10 INTRODUCTION ……………………………………………………………….. 11 Aim of the thesis…………………………………………………………………. -
Course Descriptions Spring 2009 (20091)
DEPARTMENT OF ENGLISH COURSE DESCRIPTIONS SPRING 2009 (20091) Welcome to the Department of English. For spring semester 2009 we offer a rich 261 (English Lit to 1800) 32605R 10-10:50 MWF Cervone selection of introductory and upper-division courses in English and American literature and culture, as well as Creative Writing workshops. Please feel free English 261 is an introductory course that will familiarize students with medieval to talk to Lawrence Green (director of undergraduate studies), Rebecca Woods and renaissance literature. The course will follow the development of English (departmental staff adviser), or other English faculty to help you select the menu poetry, drama and prose, and it will also examine the translation of the Bible into of courses that is right for you. English during the Reformation. In addition to the study of aesthetic, the course will employ an examination of the various social, cultural, and political movements that All Department of English courses are “R” courses, except for the following “D” influenced literature during the key centuries between the Norman Conquest and courses: Engl. 303, 304, 404, 407, 408, 490 & 496. A Department stamp is not the English Civil War. Authors will include Marie De France, Chaucer, Spenser, required for “R” course registration prior to the beginning of the semester, but is More, Marlowe, Shakespeare, and Milton. Texts will include the Norton Anthology required for “D” course registration. On the first day of classes all courses will be of English Literature vol. A (edition to be announced), plus handouts. There will closed—admission is granted only by the instructor’s signature and the Department be five papers, all 5-7 pages in length. -
Ajanogha's Classic Harriet Tubman Sculpture
June 2016 The Mid-South Tribune Juneteenth Edition Page 6 Museum launches fundraiser to purchase Fred EbonyLife TV presents Ajanogha’s classic Harriet Tubman sculpture ‘Hello Africa’ MACON, GA - In conjunction tion entitled “Afrofuturism This fundraising effort will help with the recent U.S. Department Rising: Black Art Across the the Tubman Museum keep this LAGOS, Nigeria, of Treasury announcement that Spectrum,” in partnership with important Ajanogha sculpture in /PRNewswire/ -- EbonyLife TV Harriet Tubman will be the new the National Alliance of Artists Macon. All donations, which are is thrilled to announce the face on the $20 bill, the Tubman from Historically Black launch of their brand new fea- Museum has launched a Colleges & Universities and Atlanta-based sculptor, ture show, Hello Africa. fundraising campaign to pur- Fort Valley State University, Fred Ajanogha, attended Hello Africa is the latest addi- chase a sculpture of Harriet from October to December tion to EbonyLife TV's selection Tubman. The goal is to raise the 2015. Of the three Fred the Creative Art Academy of black entertainment and $9,000 required to purchase the Ajanogha sculptures on display in Nigeria, where he stud- lifestyle programming. It will work by artist Fred Ajanogha for at the Tubman Museum in 2015, ied under the direction of offer interviews with inspira- the museum’s permanent collec- this is the work with which most Doran Door. He also spent tional, successful African tion. people wanted to be pho- time in the studios of many celebrities. Hello Africa is pro- tographed. other well-known contem- duced and hosted by Eunice Currently on display in the Atlanta-based sculptor, Fred Omole, who is herself an Tubman’s John S. -
New York City: Musically Speaking
DOCUMENT RESUME ED 294 293 CS 506 165 AUTHOR Alex, Nola Kortner TITLE New York City: Musically Speaking. PUB DATE Apr 85 NOTE 16p.; Paper presented at the Annual Meeting of the American Culture Association (7th, Louisville, KY, April 3-7, 1985). PUB TYPE Speeches/Conference Papers (150) Viewpoints (120) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS *Audiodisks; *Musical Composition; Music Appreciation; *Popular Culture; Singing; *Songs; Urban Culture; Urban Environment IDENTIFIERS Lyrics; Music Composers; *New York (New York); *Popular Music; Rock Music ABSTRACT New York City as a subject has fascinated generations of artists, writers, and musicians. However, the glamorous image of the city has changed over the years, and in the 1960s, popular music, in particular, began to reflect a utopia/dystopia dichotomy in relation to New York. During the past twenty years, six popular singer-songwriters who have produced record albums destined for mass market consumption and specifically dealing with the concept of the city are (1) Laura Nyro--"New 7ork Tendaberry" (1969); (2) Bruce Springsteen--"The Wild, the Innocent, and the E-Street Shuffle" (1973); (3) Neil Diamond--"Beautiful Noise" (1976); (4) Billy Joel--"52nd Street" (1978); (5) Joe Jackson--"Night and Day" (1982) and "Body and Soul" (1984); and (6) Bryan Ferry (Rory Music)--"Avalon" (1982). Although the six musicians all project different visions of New York City, such is the city's diversity that each sucfmeding portrayal seems as valid as the previous one. Each artist uses the city in his or her own way, either as background or as foreground for particular preoccupations; some of them present realistic pictures of the city, while others go out of their way to avoid realism. -
Alvin Ailey's Embodiment of African American Culture
DeFrantz.00 FM 10/20/03 2:50 PM Page ii Alvin Ailey’s Embodiment of African American Culture 1 2004 DeFrantz.00 FM 10/20/03 2:50 PM Page iii DANCING REVELATIONS THOMAS F. DEFRANTZ DeFrantz.00 FM 10/20/03 2:50 PM Page iv 1 Oxford New York Auckland Bangkok Bogotá Buenos Aires Cape Town Chennai Dar es Salaam Delhi Hong Kong Istanbul Karachi Kolkata Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi São Paulo Shanghai Singapore Taipei Tokyo Toronto Copyright © 2004 by Oxford University Press, Inc. Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 www.oup.com Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data DeFrantz, Thomas Dancing revelations : Alvin Ailey’s embodiment of African American culture / Thomas F. DeFrantz. p. cm. Includes bibliographical references and index. ISBN 0-19-515419-3 1.Ailey, Alivn. 2. Dancers—United States—Biography. 3.Choreographers— United States—Biography. 4.Alvin Ailey American Dance Theater. 5.African American dance. I. Title. GV1785.A38 D44 2003 792.8'028'092—dc21 2002156670 Credits: Photographs: frontispiece and pages 5, 8, 19, 47, 63, 95, 101 courtesy and copyright by Jack Mitchell; cover illustration and pages 11, 12,courtesy and copyright by J. -
Recordings by Women Table of Contents
'• ••':.•.• %*__*& -• '*r-f ":# fc** Si* o. •_ V -;r>"".y:'>^. f/i Anniversary Editi Recordings By Women table of contents Ordering Information 2 Reggae * Calypso 44 Order Blank 3 Rock 45 About Ladyslipper 4 Punk * NewWave 47 Musical Month Club 5 Soul * R&B * Rap * Dance 49 Donor Discount Club 5 Gospel 50 Gift Order Blank 6 Country 50 Gift Certificates 6 Folk * Traditional 52 Free Gifts 7 Blues 58 Be A Slipper Supporter 7 Jazz ; 60 Ladyslipper Especially Recommends 8 Classical 62 Women's Spirituality * New Age 9 Spoken 64 Recovery 22 Children's 65 Women's Music * Feminist Music 23 "Mehn's Music". 70 Comedy 35 Videos 71 Holiday 35 Kids'Videos 75 International: African 37 Songbooks, Books, Posters 76 Arabic * Middle Eastern 38 Calendars, Cards, T-shirts, Grab-bag 77 Asian 39 Jewelry 78 European 40 Ladyslipper Mailing List 79 Latin American 40 Ladyslipper's Top 40 79 Native American 42 Resources 80 Jewish 43 Readers' Comments 86 Artist Index 86 MAIL: Ladyslipper, PO Box 3124-R, Durham, NC 27715 ORDERS: 800-634-6044 M-F 9-6 INQUIRIES: 919-683-1570 M-F 9-6 ordering information FAX: 919-682-5601 Anytime! PAYMENT: Orders can be prepaid or charged (we BACK ORDERS AND ALTERNATIVES: If we are tem CATALOG EXPIRATION AND PRICES: We will honor don't bill or ship C.O.D. except to stores, libraries and porarily out of stock on a title, we will automatically prices in this catalog (except in cases of dramatic schools). Make check or money order payable to back-order it unless you include alternatives (should increase) until September. -
On the Purple Circuit with Bill Kaiser Volume 10, Number 3 the JILL TOWAGA / PURPLE MOON ISSUE
On The Purple Circuit With Bill Kaiser Volume 10, Number 3 THE JILL TOWAGA / PURPLE MOON ISSUE WELCOME TO ON THE PURPLE CIRCUIT! The Purple Circuit promotes and celebrates GLQBT is leaving Chicago for LA. Now we need a volunteer to report theatre and performance throughout the world. We on The Windy City's happenings. Interested? Contact Bill need your help to continue our work, so please Kaiser at [email protected] subscribe or renew today by sending a check payable Erik Haagensen, a playwright/lyricist whose most recent to “Bill Kaiser” at $20/year or whatever you can afford. show was the Obie-winning musical revue TAKING A CHANCE ON LOVE about gay lyricist John Latouche, wrote This issue is The Jill Towaga / Purple Moon Dance Project th an extensive article on gay/lesbian theatre companies for the Issue. Purple Moon is celebrating its 10 anniversary this NY edition of Back Stage for June Pride month. He Sept. Jill Towaga founded Purple Moon in 1992 to realize a interviewed representative PC companies around the country creative vision, that of integrating non-western and western as well as focusing on what was happening in NYC. He also dance forms and aesthetics and multi-disciplinary published The Purple Circuit Directory of Venues. Well done, collaboration while consistently exploring the continuum of Erik! Back Stage kindly granted us reprint permission so you intimacy between women. The mission of Purple Moon is to can read the article on our Web site: develop a greater appreciation and visibility for American www.buddybuddy.com/pc.html cultural diversity especially for Lesbians and Women of Color and to contribute a healing, positive social change and peace By the way, we are updating and expanding the Directory in our society through the medium of dance. -
A Year in the Life of Bottle the Curmudgeon What You Are About to Read Is the Book of the Blog of the Facebook Project I Started When My Dad Died in 2019
A Year in the Life of Bottle the Curmudgeon What you are about to read is the book of the blog of the Facebook project I started when my dad died in 2019. It also happens to be many more things: a diary, a commentary on contemporaneous events, a series of stories, lectures, and diatribes on politics, religion, art, business, philosophy, and pop culture, all in the mostly daily publishing of 365 essays, ostensibly about an album, but really just what spewed from my brain while listening to an album. I finished the last essay on June 19, 2020 and began putting it into book from. The hyperlinked but typo rich version of these essays is available at: https://albumsforeternity.blogspot.com/ Thank you for reading, I hope you find it enjoyable, possibly even entertaining. bottleofbeef.com exists, why not give it a visit? Have an album you want me to review? Want to give feedback or converse about something? Send your own wordy words to [email protected] , and I will most likely reply. Unless you’re being a jerk. © Bottle of Beef 2020, all rights reserved. Welcome to my record collection. This is a book about my love of listening to albums. It started off as a nightly perusal of my dad's record collection (which sadly became mine) on my personal Facebook page. Over the ensuing months it became quite an enjoyable process of simply ranting about what I think is a real art form, the album. It exists in three forms: nightly posts on Facebook, a chronologically maintained blog that is still ongoing (though less frequent), and now this book. -
Anti-Racism Inc.: Why the Way We Talk About Racial Justice Matters
antiracism inc. Before you start to read this book, take this moment to think about making a donation to punctum books, an independent non-profit press, @ https://punctumbooks.com/support/ If you’re reading the e-book, you can click on the image below to go directly to our donations site. Any amount, no matter the size, is appreciated and will help us to keep our ship of fools afloat. Contri- butions from dedicated readers will also help us to keep our commons open and to cultivate new work that can’t find a welcoming port elsewhere. Our ad- venture is not possible without your support. Vive la Open Access. Fig. 1. Hieronymus Bosch, Ship of Fools (1490–1500) Antiracism Inc.: Why the Way We Talk About Racial Justice Matters. Copyright © 2019 by the editors and authors. This work carries a Creative Com- mons BY-NC-SA 4.0 International license, which means that you are free to copy and redistribute the material in any medium or format, and you may also remix, transform and build upon the material, as long as you clearly attribute the work to the authors (but not in a way that suggests the authors or punctum books en- dorses you and your work), you do not use this work for commercial gain in any form whatsoever, and that for any remixing and transformation, you distribute your rebuild under the same license. http://creativecommons.org/licenses/by- nc-sa/4.0/ First published in 2019 by punctum books, Earth, Milky Way. https://punctumbooks.com ISBN-13: 978-1-950192-23-6 (print) ISBN-13: 978-1-950192-24-3 (ePDF) doi: 10.21983/P3.0250.1.00 lccn: 2019937769 Library of Congress Cataloging Data is available from the Library of Congress Editorial Team: Chip Badley, Lexxus Edison Coffey, Molly Guillermo, Carmen Guzman, and Jessica Reincke Cover Design: Carmen Guzman and Vincent W.J.