DOCSLIB.ORG

Stephen Warbeck Composer

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Stephen Warbeck Composer Stephen Warbeck Composer Stephen Warbeck began studying piano and composing at the age of four, and by his mid-teens he had developed an affinity for rock 'n' roll as well as for theatre. Agents Lynda Mamy Assistant Eliza McWilliams [email protected] 020 3214 0999 Andrew Naylor Assistant [email protected] Lizzie Quinn +44 (0) 203 214 0899 [email protected] +44 (0)20 3214 0911 Credits Film Production Company Notes POINT OF CHANGE Company Enriched Media Group Dir: Rebecca Coley 2021 Prods: Philip Burgin, Martin McCabe and Mick Southworth DNA Why Not Productions Dir: Maïwenn 2020 Prod: Pascal Caucheteux THE MAN IN THE HAT Open Palm Films / Rather Good Dir: Stephen Warbeck & John-Paul 2020 Films Davidson As Composer, Co-Director/Writer MAKING NOISE QUIETLY Open Palm Films Dir: Dominic Dromgoole 2019 Prods: Alexandra Breede & Jacob Thomas United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes MY FAMILY AND THE La Compagnie Dir: Adrià Garcia WOLF Cinématographique 2019 THE CHILDREN ACT Toledo Productions Dir: Richard Eyre 2018 Prod: Duncan Kenworthy HAMPSTEAD Ecosse Films Dir: Joel Hopkins 2017 THE TIME OF THEIR Bright Pictures Dir: Roger Goldby LIVES Prods: Azim Bolkiah & Sarah Sulick 2017 INDIA IN A DAY Scott Free Productions Dir. Richie Mehta 2016 Prods. Jack Arbuthnott & Cassandra Sigsgaard THE JOURNEY Greenroom Entertainment Dir. Nick Hamm 2016 Prods. Nick Hamm, Mark Huffam & Piers Tempest LE SECRET DES Les Films du Lendemain Dir: Marie Madinier BANQUISES Prod: Kristina Larsen 2016 MON ROI Les Productions des Trésor Dir: Maiwenn 2015 Prod: Alain Attal Nominated for Best Original Score, CÉSAR Awards 2016 SEVE Renaissance Films Dir: John Paul Davidson 2014 Prod: Jonathan Evans KEEPING ROSY Air Productions/ Redemption Dir: Steve Reeves 2013 Films Prod: Richard Holmes LA MARCHE Chi Fou Mi Productions/ Dir: Nabil Ben Nadir 2013 EuropaCorp Prod: Hugo Selignac JE TE SURVIVRAI Les Productions des Trésor Dir: Silvestre Sbille 2013 Prods: Alain Attal, Andre Logié IT HAPPENED IN SAINT- Pathé Dir: Danièle Thompson TROPEZ Prods: Adrian Politowski, Gilles 2012 Waterkeyn HUSSEIN, WHO SAID NO Tamasha Cultural Institute Dir: Ahmad Reza Darvish 2012 Prod: Behrooz Paknahad DOWN TO EARTH Purple Wolf Ltd Dir: Rolf Winters, Renata Heinen FEATURE Prod: Rolf Winters DOCUMENTARY 2012 PAPADOPOULOS AND Double M Films Dir: Marcus Markou SONS Prod: Sara Butler 2011 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes ANGELS CREST Process Film Dir: Gaby Dellal 2011 Prods: Tim Perell, Leslie Cowan, Shirley Vercruysse POLISSE Les Productions des Trésor Dir: Maiwenn 2011 Prod: Alain Attal Winner of the Jury Prize, Cannes Film Festival 2011 DAY OF THE FLOWERS Repix #1 Ltd Dir: John Roberts 2010 Prod: Jonathan Rae THERE BE DRAGONS Mount Santa Fe Espana A.I.E Dir: Roland Joffé 2010 Prods: Guy J. Louthan, Ignacio Núñez, Ignacio G. Sancha KILLING BONO Cinema Three Dir: Nick Hamm 2010 Prods: Mark Huffam, Piers Tempest, Ian Flooks UN BALCON SUE LA MER Europa Corp/ Les Productions du Dir. Nicole Garcia (A View of Love) Trésor Prod. Alain Attal 2010 MEANT TO BE Corsan Dir: Paul Breuls 2009 Prod: Catherine Vandeleene PRINCESS KA'IULANI Island Film Group / Matador Dir: Marc Forby 2009 Pictures Prods: Nigel Thomas, Ricardo S. Galindez, Roy Tjioe THE OTHER MAN Rainmark Films Dir: Richard Eyre 2008 Prod: Michael Dreyer RED MIST Dark North NI Dir: Paddy Breathnach 2008 Prod: Mark Huffman MACHAN Studio Urania Dir: Uberto Pasolini 2008 Prod: Conchita Airoldi FRENCH FILM Slingshot Productions Dir: Jackie Oudney 2008 Prods: Judy Counihan, Arvind Ethan David THE HESSEN AFFAIR Corsan Productions NV Dir: Paul Breuls 2008 Prod: Catherine Vandeleene THE BOX COLLECTOR Buffalo Gal Pictures Dir: John Daly 2007 Prods: Paul Breuls, Catherine Vandeleene MIGUEL & WILLIAM Warner Bros. Dir: Ines Paris 2007 Prod: Antonio Saura, Albert Martinez- Martin FLAWLESS Future Films/Thema Dir: Michael Radford 2006 Prod: Albert Martinez-Martin United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes GOAL 2: LIVING THE Milkshake Films/Icon Dir: James Collet-Serra DREAM Prods: Mike Jefferies, Mark Huffam 2006 FEAST OF THE GOAT Lola Films/ Future Films Dir: Luis Llosa 2005 Prods: Albert Martinez, Jose Garasino CARGO Slate Films/ Morena Films Dir: Clive Gordon 2005 Prods: Andrea Calderwood, Juan Gordon Nomination for Best Score Mestre Mateo Galicia 2007 TRAVAUX Ognon Pictures/ Arte France Dir: Brigitte Rouan 2005 Cinema Prod: Humbert Balsan ALPHA MALE Xingu Dir: Don Wilde 2005 Prod: Trudie Styler ON A CLEAR DAY S.W.Berwin Prods/ Forthcoming Dir: Gaby Dellal 2005 Prods Prods: Dorothy Berwin, Sarah Curtis MICKYBO & ME Working Title Dir: Terry Loane 2004 Prod: Mark Huffam TWO BROTHERS Pathé / Universal Dir: Jean-Jacques Annaud 2004 Prod: Jake Eberts OYSTER FARMER Little Wing Dir: Anna Reeves 2004 Prod: Piers Tempest PROOF Miramax Dir: John Madden 2004 Prod: Alison Owen DE ZAAK ALZHEIMER MMG Dir: Eric Van Looy 2004 Prods: Erwin Povoost, Hilde de Laere European Film Academy Awards - Nomination 2004 POUR LE PLAISIR Zephyr Films & Fildebroc Dir: Dominique Deruddere 2003 Prod: Chris Curling & Michelle de Broca LOVE'S BROTHER Great Scott Dir: Jan Sardi 2003 Prods: Jane Scott, Sarah Radclyffe BLACKBALL Midfield Films Dir: Mel Smith 2003 Prod: James Gay-Rees MYSTICS M.R. Films Dir: David Blair 2002 Prods: Nigel Warren Green SECRET PASSAGE Zephyr Films/Delux Productions Dir: Ademir Kenovic 2002 Prod: Chirs Curling DESIRE Lolafilms Dir: Gerardo Vera 2002 Prod: Andres Gomez United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes CHARLOTTE GRAY Ecosse Films/Film Four/ Warner Dir: Gillian Armstrong 2001 Brothers Prods: Sarah Curtis, Douglas Rae BIRTHDAY GIRL Portobello Films/ Film Four/ Dir: Jez Butterworth 2001 Miramax Prods: Eric Abrahams, Steve Butterworth CAPTAIN CORELLI'S Working Title Films/ Universal Dir: John Madden MANDOLIN Prods: Kevin Loader, Tim Bevan 2000 GABRIEL AND ME Samuelsons/ Chrysalis/British Dir: Udayan Prasad 2000 Screen/ Film Consortium Prod: Marc Samuelson BILLY ELLIOT Tiger Aspect/ Working Title Dir: Stephen Daldry 2000 Prods: Jon Finn, Greg Brenman BAFTA nomination for Anthony Asquith Award for Achievement in Music QUILLS Industry Entertainment/ Fox Dir: Philip Kaufman 1999 Searchlight Prod: Peter Kaufman ASCAP Award Best Film Music 2001 Ivor Novello nomination 2002 VERY ANNIE MARY Dragon Films/Film Four/ Canal Dir: Sara Sugarman 1999 Plus Prod: Graham Broadbent MYSTERY MEN Universal Dir: Kinka Usher 1999 Prod: Lloyd Levin FANNY AND ELVIS Scala Films/ Film Consortium Dir: Kay Mellor 1999 Prod: Laurie Borg SHAKESPEARE IN LOVE Miramax Dir: John Madden 1998 Prod: David Parfitt Academy Award, BAFTA nomination, Ivor Novello nomination, Grammy nomination HEART Granada Films Dir: Charles McDougall 1997 Prod: Nicola Shindler MRS BROWN Ecosse Films/BBC Films/ Miramax Dir: John Madden 1997 Prod: Sarah Curtis MY SON THE FANATIC Zephyr Films/BBC Films/ Dir: Udayan Prasad 1996 Miramax Prod: Chirs Curling BROTHERS IN TROUBLE Renegade Films/BBC Dir: Udayan Prasad 1995 Prod: Rob Buckler DIFFERENT FOR GIRLS X Pictures/BBC/ Great Guns Dir: Richard Spence 1995 Prod: John Chapman SISTER MY SISTER NFH/British Screen/ Channel 4 Dir: Nancy Meckler 1994 Prod: Norma Heyman United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes O MARY THIS LONDON BBC/Goldwyn Dir: Suri Krishnamma 1993 Prod: Helen Greaves Television Production Company Notes UNCLE VANYA Sonia Friedman Productions / Dir: Ian Rickson 2020 BBC KING LEAR BBC2 / Playground Television Dir: Richard Eyre 2018 (UK) / Sonia Friedman Prod: Noëlette Buckley Productions INDIAN SUMMERS 2 New Pictures / C4 Dirs. Anand Tucker, John Alexander, 2016 Paul Wilmshurst, David Moore, Jamie Payne & Jonathan Teplitzky Prods.Dan McCulloch & Dan Winch FUNGUS THE BOGEYMAN Sky/ The Imaginarium Studios Dir: Catherine Morshead 2015 Prod: John Chapman STEPHEN FRY IN Sprout Pictures Dir: John-Paul Davidson CENTRAL AMERICA Prod: Gina Carter, John-Paul 2015 Davidson THE DRESSER BBC Dir: Richard Eyre 2015 Prod: Colin Callender INDIAN SUMMERS New Productions Ltd Dir: David Moore, Anand Tucker 2015 Prod: Dan McCulloch PACK UP YOUR BBC Dir: Steve Reeves TROUBLES Prod: Louise Jones 2014 A YOUNG DOCTOR'S Big Talk/ Sky Dir: Robert McKillop NOTEBOOK 2 Prod: Clelia Mountford 2013 HENRY IV PARTS ONE Shakespeare Productions Ltd Dir: Richard Eyre AND TWO Prod: Rupert Ryle-Hodges 2012 BAFTA Craft Award for Original Television Music in 2013 A YOUNG DOCTOR'S Big Talk/ Sky Dir: Alex Hardcastle NOTEBOOK Prod: Clelia Mountford 2012 PLAYHOUSE: Sprout/ Sky Dirs: Jeremy Brock, Jim Cartwright WALKING THE DOGS, Prod: Mike Elliot KING OF THE TEDS 2012 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes JUST WILLIAM BBC Dir: Paul Seed 2010 Prod: John Chapman 12 DAYS Endor Productions Three Kings 2009 Dir: Richard Eyre Prod: Hilary Bevan-Jones SKELLIG Feel Films Dir: Annabel Jankel 2009 Prod: Nick Hirschkorn FALLOUT Company Pictures Dir: Ian Rickson 2008 Prod: Matt Jones DREAMKEEPERS
Load more

Recommended publications
  • Stage by Stage South Bank: 1988 – 1996
    Stage by Stage South Bank: 1988 – 1996 Stage by Stage The Development of the National Theatre from 1848 Designed by Michael Mayhew Compiled by Lyn Haill & Stephen Wood With thanks to Richard Mangan and The Mander & Mitchenson Theatre Collection, Monica Sollash and The Theatre Museum The majority of the photographs in the exhibition were commissioned by the National Theatre and are part of its archive The exhibition was funded by The Royal National Theatre Foundation Richard Eyre. Photograph by John Haynes. 1988 To mark the company’s 25th birthday in Peter Hall’s last year as Director of the National October, The Queen approves the title ‘Royal’ Theatre. He stages three late Shakespeare for the National Theatre, and attends an plays (The Tempest, The Winter’s Tale, and anniversary gala in the Olivier. Cymbeline) in the Cottesloe then in the Olivier, and leaves to start his own company in the The funds raised are to set up a National West End. Theatre Endowment Fund. Lord Rayne retires as Chairman of the Board and is succeeded ‘This building in solid concrete will be here by the Lady Soames, daughter of Winston for ever and ever, whatever successive Churchill. governments can do to muck it up. The place exists as a necessary part of the cultural scene Prince Charles, in a TV documentary on of this country.’ Peter Hall architecture, describes the National as ‘a way of building a nuclear power station in the September: Richard Eyre takes over as Director middle of London without anyone objecting’. of the National. 1989 Alan Bennett’s Single Spies, consisting of two A series of co-productions with regional short plays, contains the first representation on companies begins with Tony Harrison’s version the British stage of a living monarch, in a scene of Molière’s The Misanthrope, presented with in which Sir Anthony Blunt has a discussion Bristol Old Vic and directed by its artistic with ‘HMQ’.
    [Show full text]
  • Headlong Announces Jeremy Herrin's
    PRESS RELEASE – 27 NOVEMBER, 2019 IMAGES CAN BE DOWNLOADED HERE HEADLONG ANNOUNCES JEREMY HERRIN’S LAST SEASON AS ARTISTIC DIRECTOR– 2020/21 • WORLD PREMIERE OF AFTER LIFE AT THE NATIONAL THEATRE – CREATED BY JACK THORNE, JEREMY HERRIN AND BUNNY CHRISTIE, BASED ON THE FILM BY HIROKAZU KORE-EDA (SHOPLIFTERS) • A NEW PRODUCTION OF AUGUST WILSON’S JITNEY DIRECTED BY TINUKE CRAIG (VASSA) WHICH WILL PREMIERE AT LEEDS PLAYHOUSE • A SERIES OF SHORT FILMS IN PARTNERSHIP WITH THE GUARDIAN EXPLORING EUROPEAN COUNTRIES’ RELATIONSHIPS WITH THE EU • APRIL DE ANGELIS’ RESPONSE TO THE CLIMATE CRISIS, MRS NOAH, TO BE STAGED AS A MUSIC AND THEATRE VIDEO • FURTHER CASTING ANNOUNCED FOR CHRIS BUSH’S FAUSTUS: THAT DAMNED WOMAN • HEADLONG ORIGINS DIRECTORS APPOINTED FOR 2020 • FUTURE COMMISSIONS FROM JOSH AZOUZ, INUA ELLAMS, JAMES GRAHAM, JASMINE LEE-JONES, NATHANIEL MARTELLO-WHITE, CHLOE MOSS AND NAOMI WALLACE ANNOUNCED Today, Headlong have announced their programme for 2020/21, the final season under current Artistic Director, Jeremy Herrin. Jeremy Herrin, Artistic Director, Headlong said: “Running Headlong has been the privilege of a lifetime and I’m immensely grateful to the colleagues, artists, stakeholders and audiences who have been part of the journey. It seems appropriate to draw my time as Artistic Director to a close with a range of projects and collaborators that are close to my heart. Bunny Christie, Jack Thorne and I have been incubating After Life for a while and I hope it will be a soulful and satisfying show that showcases what Headlong and the National Theatre can do at their best. I’m a big fan of August Wilson’s peerless writing, and Tinuke Craig’s production of one of his greatest plays Jitney will be a meaningful expansion of the canon on the UK’s touring scene.
    [Show full text]
  • The Old Vic Season 4: Part 2
    PRESS RELEASE FRIDAY 14 SEPTEMBER THE OLD VIC SEASON 4: PART 2 Matthew Warchus’ fourth season as Artistic Director of The Old Vic completes with an Arthur Miller double-bill, a World Premiere by Lucy Prebble and a special One Voice performance. These productions form Part 2 of the season, and follow the previously announced Part 1 consisting of ZooNation: The Kate Prince Company’s production of SYLVIA; Annie-B Parson’s 17c; Emma Rice’s Wise Children; and A Christmas Carol – for which today we also announce further casting. • Visionary director Rachel Chavkin makes her Old Vic debut directing Arthur Miller’s The American Clock from 4 February • Jeremy Herrin directs Sally Field, Bill Pullman, Jenna Coleman and Colin Morgan in Arthur Miller’s American classic All My Sons in a co-production with Headlong from 15 April • Closing the season is A Very Expensive Poison – a new play by Lucy Prebble based on the book by Luke Harding • A special One Voice performance to mark 100 years since the Armistice, Remembrance curated by Arinzé Kene and directed by Annabel Bolton • Further casting is announced for Jack Thorne’s version of A Christmas Carol directed by Matthew Warchus and starring Stephen Tompkinson as Ebenezer Scrooge. Coming soon: • A musical adaptation of the hit 1983 film, Local Hero, adapted by David Greig and Bill Forsyth, directed by John Crowley and with music and lyrics by Mark Knopfler, will come to The Old Vic in June 2020 following its world premiere at the Royal Lyceum Theatre Edinburgh in 2019. From The Old Vic: • Girl from the North Country opens on 1 October at the Public Theater, New York, and performances have been extended until 9 December.
    [Show full text]
  • THE MODERATE SOPRANO Glyndebourne’S Original Love Story by David Hare Directed by Jeremy Herrin
    PRESS RELEASE IMAGES CAN BE DOWNLOADED HERE Twitter | @ModerateSoprano Facebook | @TheModerateSoprano Website | www.themoderatesoprano.com Playful Productions presents Hampstead Theatre’s THE MODERATE SOPRANO Glyndebourne’s Original Love Story By David Hare Directed by Jeremy Herrin LAST CHANCE TO SEE DAVID HARE’S THE MODERATE SOPRANO AS CRITICALLY ACCLAIMED WEST END PRODUCTION ENTERS ITS FINAL FIVE WEEKS AT THE DUKE OF YORK’S THEATRE. STARRING OLIVIER AWARD WINNING ROGER ALLAM AND NANCY CARROLL AS GLYNDEBOURNE FOUNDER JOHN CHRISTIE AND HIS WIFE AUDREY MILDMAY. STRICTLY LIMITED RUN MUST END SATURDAY 30 JUNE. Audiences have just five weeks left to see David Hare’s critically acclaimed new play The Moderate Soprano, about the love story at the heart of the foundation of Glyndebourne, directed by Jeremy Herrin and starring Olivier Award winners Roger Allam and Nancy Carroll. The production enters its final weeks at the Duke of York’s Theatre where it must end a strictly limited season on Saturday 30 June. The previously untold story of an English eccentric, a young soprano and three refugees from Germany who together established Glyndebourne, one of England’s best loved cultural institutions, has garnered public and critical acclaim alike. The production has been embraced by the Christie family who continue to be involved with the running of Glyndebourne, 84 years after its launch. Executive Director Gus Christie attended the West End opening with his family and praised the portrayal of his grandfather John Christie who founded one of the most successful opera houses in the world. First seen in a sold out run at Hampstead Theatre in 2015, the new production opened in the West End this spring, with Roger Allam and Nancy Carroll reprising their original roles as Glyndebourne founder John Christie and soprano Audrey Mildmay.
    [Show full text]
  • STEVEN EDIS Freelance Composer/Arranger/Musical Director/Pianist Contact 07973 691168 / [email protected] Agent Clare Vidal Hall 020 8741 7647
    STEVEN EDIS Freelance composer/arranger/musical director/pianist contact 07973 691168 / [email protected] agent Clare Vidal Hall 020 8741 7647 New musical theatre composition: Where Is Peter Rabbit? (lyrics by Alan Ayckbourn) – preparing for its 4 th year at The Old Laundry Theatre, Bowness I Capture The Castle (lyrics by Teresa Howard) – co-produced by (& at) Watford Palace Theatre and Bolton Octagon The Silver Sword (lyrics (also!) by Steven Edis) – Belgrade, Coventry and national tour Possessed (lyrics by Teresa Howard) – Oxford Playhouse / Camden People's Theatre The Choker One-act opera co-composed with Jude Alderson – Tête-a-tête Festival. King's Cross A Christmas Carol (lyrics by Susie McKenna and Steven Edis) – Hackney Empire / Arts Theatre, London Other theatre work: Composer Agnes Colander Ustinov,Bath/Jermyn St Theatre Trevor Nunn Composer Aladdin Chipping Norton Theatre John Terry MD/conductor Fiddler On The Roof Guildhall School Martin Connor MD By Jeeves Old Laundry Theatre, Bowness Alan Ayckbourn Co-arranger Promises, Promises Southwark Playhouse Bronagh Lagan Arranger/mus.supervisor Crush Belgrade, Coventry + tour Anna Linstrum MD/arranger A Christmas Carol Noel Coward Phelim McDermott Musical director I Love You, You're Perfect... Frinton Summer Theatre Ben Stock Composer Volpone RSC, Swan Trevor Nunn Composer/research/MD The Captain of Köpenick NT, Olivier Adrain Noble MD/conductor Grand Hotel Guildhall School Martin Connor Arranger Oklahoma UK tour Rachel Kavanaugh Composer Richard III York/Nottingham Loveday Ingram
    [Show full text]
  • Voice Training and the Royal National Theatre Rena Cook
    Spring 1999 165 Voice Training and the Royal National Theatre Rena Cook I stepped off the double-decker bus at Waterloo Station with my map in hand, walked several blocks and found the Old Vic quite easily. But the Royal National Theatre Studio, where the orientation was to take place, was nowhere in sight. "Next to the Old Vic," I had been told. With address and directions in my pocket, I surveyed the area as my internal compass spun out of control. After a brief moment of panic, I went to the box office and asked for help. "Out this door, two steps to your left and through the iron gate." I had traveled to London to participate in a course entitled "International Voice Intensive" with Patsy Rodenburg. As I walked up the steps of the studio on that chilly Sunday afternoon, with jet lag hanging heavily on my limbs, I had little idea that in my two weeks study I was about to experience a Zeitgeist of contemporary London theatre, training and practice. The focus was, of course, the voice work under the tutelage of master teacher Patsy Rodenburg, who currently heads the voice departments at the Royal National Theatre and Guildhall School of Music and Drama. In addition, the course participants were exposed to and interacted with some of the finest artists working in Western theatre today, including Trevor Nunn, Richard Eyre, and Judi Dench. Following each exhaustive day of study, workshop, and discussion, we attended theatre, viewing five of the six productions currently in repertory at the National.
    [Show full text]
  • KILLING BONO a Nick Hamm Film
    KILLING BONO A Nick Hamm Film Production Notes Due for Release in UK: 1st April 2011 Running Time: 114 mins Killing Bono | Production Notes Press Quotes: Short Synopsis: KILLING BONO is a rock n’ roll comedy about two Irish brothers struggling to forge their path through the 1980’s music scene… whilst the meteoric rise to fame of their old school pals U2 only serves to cast them deeper into the shadows. Long Synopsis: Neil McCormick (Ben Barnes) always knew he’d be famous. A young Irish songwriter and budding genius, nothing less than a life of rock n’ roll stardom will do. But there’s only room for one singer in school band The Hype and his friend Paul’s already bagged the job. So Neil forms his own band with his brother Ivan (Robert Sheehan), determined to leave The Hype in his wake. There’s only one problem: The Hype have changed their name. To ‘U2’. And Paul (Martin McCann) has turned into ‘Bono’. Naturally there’s only one option for Neil: become bigger than U2. The brothers head to London in their quest for fame, but they are blighted by the injustices of the music industry, and their every action is dwarfed by the soaring success of their old school rivals. Then, just as they land some success of their own, Ivan discovers the shocking truth behind Neil’s rivalry with U2, and it threatens to destroy everything. As his rock n’ roll dream crashes and burns, Neil feels like his failure is directly linked to Bono’s success.
    [Show full text]
  • Dialect Coaching for Screen 2014/2015/2016 Dialect and Voice
    Dialect Coaching for Screen 2014/2015/2016 Nov 16 – Feb 2017 Roseline Productions Dialect Coach for Will Ferrell, John C Reilly: Holmes and Watson Nov 2016 Sky Dialect Coach Bliss Nov 2016 BBC Dialect Coach for Zombie Boy: Silent Witness Aug 2016 Sky Dialect Coach for Iwan Rheon and Dimitri Leonidas: Riviera Jan/Feb 2016 Channel 4 Dialect Coach: ADR: Raised By Wolves directed by Ian Fitzgibbon Oct 2015 Jellylegs/Sky 1 Dialect Coach: Rovers directed by Craig Cash Oct 2015 Channel 4 Dialect Coach: Raised By Wolves directed by Ian Fitzgibbon Sept 2015 LittleRock Pictures/Sky Dialect /voice coach: Elizabeth, Michael and Marlon (Joseph Fiennes, Stockard Channing, Brian Cox) January – May 2015 BBC2/ITV, London Dialect Coach (East London): Cradle to Grave – directed by Sandy Johnson January – April 2015 Working Title/Sky Dialect Coach (Gen Am, Italian): You, Me and the Apocalypse – TV directed by Michael Engler/Saul Metzstein September 2014 Free Range Films Ltd, London Dialect/voice coach (Leeds): The Lady in the Van – Feature directed by Nicholas Hytner May 2014 Wilma TV, Inc. for Discovery Channel, New York Dialect Coach (Australian): Amerikan Kanibal - Docudrama February/March 2014 Mad As Birds Dialect Coach (Various Period US accents): Set Fire to the Stars - Feature directed by Andy Goddard February and June 2014 BBC 3 Dialect Coach (Liverpool and Australian): Crims - TV directed by James Farrell Dialect and Voice Coaching for theatre 2016 Oct 2016 Park Theatre, Dialect support (New York: Luv directed by Gary Condes Oct 2016 Kings Cross
    [Show full text]
  • To Rock Or Not Torock?
    v7n3cov 4/21/02 10:12 AM Page c1 ORIGINAL MUSIC SOUNDTRACKS FOR MOTION PICTURES AND TV V OLUME 7, NUMBER 3 Exclusive interview with Tom Conti! TOTO ROCK ROCK OROR NOTNOT TOROCK?TOROCK? CanCan youyou smellsmell whatwhat JohnJohn DebneyDebney isis cooking?cooking? JOHNWILLIAMSJOHNWILLIAMS’’ HOOKHOOK ReturnReturn toto NeverlandNeverland DIALECTDIALECT OFOF DESIREDESIRE TheThe eroticerotic voicevoice ofof ItalianItalian cinemacinema THETHE MANWHO CAN-CAN-CANCAN-CAN-CAN MeetMeet thethe maestromaestro ofof MoulinMoulin Rouge!Rouge! PLUSPLUS HowardHoward ShoreShore && RandyRandy NewmanNewman getget theirs!theirs! 03> 7225274 93704 $4.95 U.S. • $5.95 Canada v7n3cov 4 /19/02 4 :29 PM P age c2 composers musicians record labels music publishers equipment manufacturers software manufacturers music editors music supervisors music clear- Score with ance arrangers soundtrack our readers. labels contractors scoring stages orchestrators copyists recording studios dubbing prep dubbing rescoring music prep scoring mixers Film & TV Music Series 2002 If you contribute in any way to the film music process, our four Film & TV Music Special Issues provide a unique marketing opportunity for your talent, product or service throughout the year. Film & TV Music Summer Edition: August 20, 2002 Space Deadline: August 1 | Materials Deadline: August 7 Film & TV Music Fall Edition: November 5, 2002 Space Deadline: October 18 | Materials Deadline: October 24 LA Judi Pulver (323) 525-2026, NY John Troyan (646) 654-5624, UK John Kania +(44-208) 694-0104 www.hollywoodreporter.com v7n03 issue 4/19/02 3:09 PM Page 1 CONTENTS MARCH/APRIL 2002 cover story departments 14 To Rock or Not to Rock? 2 Editorial Like it or hate it (okay, hate it), the rock score is Happy 70th, Maestro! here to stay.
    [Show full text]
  • 'Cumberbatch' Hamlet (1):'The Very Age and Body of the Time His Form
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Worcester Research and Publications The ‘Cumberbatch’ Hamlet (1):‘The very age and body of the time his form and pressure’ Boika Sokolova University of Notre Dame (U.S.A.) in England Nicoleta Cinpoeş University of Worcester, UK Abstract: This essay reads Lyndsey Turner’s 2015 Hamlet at the Barbican Theatre in London against the production’s priorities, namely, being star, new audience and box- office driven. It explores the negotiation of the script, space and politics at the heart of this production. Giving its due when discussing the cinematic employment of cuts, editing, lighting and freeze frames, it acknowledges that some of the special effects were lost to the theatre spectator, per force cast in a secondary role in a production that prioritised live-streaming across the world. Keywords: Cumberbatch, Turner, cinematic, politics, action design, Hamlet, Ophelia, Gertrude Corresponding author: Dr Nicoleta Cinpoeş Institute of Humanities and Creative Arts Bredon Building Henwick Grove Worcester WR2 6AJ UK [email protected] This assessment comes more than a year after the much hyped production of Hamlet with Benedict Cumberbatch took stage and screens by storm. The delay has afforded us the comfort of the longer view, after the dust of the media hysteria has settled, as have our own emotional responses to the production, directed by Lyndsey Turner, which we saw in different venues.1 As audience members and as reviewers here, we inevitably bring to the table our own Hamlet experiences, which are informed by a broader European tradition of the play in performance and adaptation.
    [Show full text]
  • Hamlet West End Announcement
    FOLLOWING A CRITICALLY ACCLAIMED & SELL-OUT RUN AT THE ALMEIDA THEATRE HAMLET STARRING THE BAFTA & OLIVIER AWARD-WINNING ANDREW SCOTT AND DIRECTED BY THE MULTI AWARD-WINNING DIRECTOR ROBERT ICKE WILL TRANSFER TO THE HAROLD PINTER THEATRE FOR A STRICTLY LIMITED SEASON FROM 9 JUNE – 2 SEPTEMBER 2017 ‘ANDREW SCOTT DELIVERS A CAREER-DEFINING PERFORMANCE… HE MAKES THE MOST FAMOUS SPEECHES FEEL FRESH AND UNPREDICTABLE’ EVENING STANDARD ‘IT IS LIVEWIRE, EDGE-OF-THE-SEAT STUFF’ TIME OUT Olivier Award-winning director, Robert Icke’s (Mary Stuart, The Red Barn, Uncle Vanya, Oresteia, Mr Burns and 1984), ground-breaking and electrifying production of William Shakespeare’s Hamlet, starring BAFTA award-winner Andrew Scott (Moriarty in BBC’s Sherlock, Denial, Spectre, Design For Living and Cock) in the title role, will transfer to the Harold Pinter Theatre, following a critically acclaimed and sell out run at the Almeida Theatre. Hamlet will run for a limited season only from 9 June to 2 September 2017 with press night on Thursday 15 June. Hamlet is produced by Ambassador Theatre Group (Sunday In The Park With George, Buried Child, Oresteia), Sonia Friedman Productions and the Almeida Theatre (Chimerica, Ghosts, King Charles III, 1984, Oresteia), who are renowned for introducing groundbreaking, critically acclaimed transfers to the West End. Rupert Goold, Artistic Director, Almeida Theatre said "We’re delighted that with this transfer more people will be able to experience our production of Hamlet. Robert, Andrew, and the entire Hamlet company have created an unforgettable Shakespeare which we’re looking forward to sharing even more widely over the summer in partnership with Sonia Friedman Productions and ATG.” Robert Icke, Director (and Almeida Theatre Associate Director) said “It has been such a thrill to work with Andrew and the extraordinary company of Hamlet on this play so far, and I'm delighted we're going to continue our work on this play in the West End this summer.
    [Show full text]
  • Front Matter
    Cambridge University Press 978-0-521-85054-4 - The Cambridge Companion to David Hare Edited by Richard Boon Frontmatter More information the cambridge companion to david hare David Hare is one of the most important playwrights to have emerged in the UK in the last forty years. This volume examines his stage plays, television plays and cinematic films, and is the first book of its kind to offer such comprehen- sive and up-to-date critical treatment. Contributions from leading academics in the study of modern British theatre sit alongside those from practitioners who have worked closely with Hare throughout his career, including former Director of the National Theatre Sir Richard Eyre. Uniquely, the volume also includes a chapter on Hare’s work as journalist and public speaker; a personal mem- oir by Tony Bicat,ˆ co-founder with Hare of the enormously influential Portable Theatre; and an interview with Hare himself in which he offers a personal ret- rospective of his career as a film maker which is his fullest and clearest account of that work to date. A complete list of books in the series is at the back of this book. © Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-85054-4 - The Cambridge Companion to David Hare Edited by Richard Boon Frontmatter More information THE CAMBRIDGE COMPANION TO DAVID HARE EDITED BY RICHARD BOON University of Hull © Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-85054-4 - The Cambridge Companion to David Hare Edited by Richard Boon Frontmatter More information cambridge university press Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, Sao˜ Paulo, Delhi Cambridge University Press The Edinburgh Building, Cambridge cb2 8ru,UK Published in the United States of America by Cambridge University Press, New York www.cambridge.org Information on this title: www.cambridge.org/9780521615570 C Cambridge University Press 2007 This publication is in copyright.
    [Show full text]