DOCSLIB.ORG

Daily Iowan (Iowa City, Iowa), 1953-08-11

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Daily Iowan (Iowa City, Iowa), 1953-08-11 The Weather Sorving the StaN ,. Pari., e I • a II J klday. University of Iowa Scattend Ulandenbo'll'­ ,. ~rs aDd cooler WedDn­ Campus and cla,. Rlth Ucla,. II: low, Iowa City n. "Ida M 0 n.a ." 81; owan low. 65. Iowa City. Iowa. Tum t II, 1953 - Vol. 97, No. 224 Ike,, Dulles Plan Retaliation If Reds Withhold Prisoners 100• Mo.re 'Am'erica ns DENVER (,IP) - President Eis- 40 I enhower and Secretary of State how, Dulles and his party left for DuUes MOl1day diJcUBsed plans Washingto~ . The Pre~ident went for American retaliatory stePs to Denver s. Ch.erry Hills country .gainst the Communists in Korea c!ub for. his first rouna oC golf if they refuse to release all U.S. since arrIving here last Saturday. prisoners ot waf. The President an? Mrs. Eisell- Dulles told a news conference hower plan to remam In ColoradQ Reach Freed om Village at the President's vacation head- for at least three weeks. They I * * * quarters here that the United may extend their stay1 until about bb h h No Wounded states "presumably would adopt Labor Day. FII 80 y Puts t e Bite on :Butc I reciprocal measures" j[ the Reds A reporter also asked Dulles POW Ig ht withhold American prisoners in whether "evidence ot Communist • CHARLESTON. W. Va. OP}-Fourteen-mol\lh-old DObby Taylor 0 violation ot the armistice t,rrns. atrocities" would be placed before made news Monday. He blt"a dog. P W's Are Asked whether "rec1procal the Uni~ed Natlons. M Inel d ·Bobby not only bit the dog, he had to be pried loose from ~s measures" meant that Communist "r don't know," Dulles said. "jt ay u e tooth-hold on the pup's nose. prisoners would be withheld in depends upon how much evidence . ' You see, Bobby's pel "Butch" had the audacity to confiscate a 0 LI tJOel turn under such circumstances there is. It hasn't been collated piece of tried chicken lrom hI! master's hand. n IS ay Dulles replied: "That would see~ yet." 3 Pro-Reds Bobby promptly $ank his teeth into Butch's nose and held on. to be a normal rrocedure." * * * Mrs. Robert Earl Taylor of Charleston, the boy's mother, forced ROKa WIt Cooperate M t Rt All her son's mouth open to free the (log. PANMUNJOM (Tuesday) ~,4>)-. After the 70-mlnute session in US e urn HONOLULU TIPl-Three Ameri- Bobby got another piece of chicken. Americans freed from Ion g Eisenhower's summer Whit.e cans softened to communism may Th e d 0, k ep t hIS· dl s t ance. months and years of Communist ' D II S captivity were homeward bound House office in the Lowry air POW sues ays be aboard the first planeload of today while the trartlc down force base administration build- , liberated prisoners or war flying M . P Ik ' , Freedom Road moved again. ing. Dullei repeated that he had home Monday.' One hundred Americans and received frqrn Ilhee "unqualified WASHINGTON (,4>)-Secreta~y A partial news blackout and con- artln ra,·ses e s ' ' 300 olher Allled prisoners were and categoric assurance" that of state John Foster Dulles Said tradictory statements by military) , T h' /. In today's lI~ration quota. The. South Korea won't upset the Monday night on returning trom spokesmen here indicated a po..;- oug Fore,·gn P exchange be,an promptly at 9 armistice. Korea the Communists must re- • • sible . repeat performance or a 0 , cy a.m. (6 p.m. Iowa time Mondny). The secretary also said he had turn all American war prisoners, "mystery flight" in last spring's The first American arrivab. ap_ Informed Japanese Prime Mlnls- even those convicted' of so-called ( Oall, I... , .. Pholo b,. Phil Be,~) sick and wounded prisoner ex- WASHINGTON ~A') _ Housel pea red helllthy. ter Yoshida in Tokyo that the crimes. change. Then a iroup 01 freed cap-ISpeaker Joseph Martin (R-Mass.) The Communists had said there United States feels Japan must He told reporters at the Wash- JOHN McCONNELL. CENTER, adjust the cap on hi. brother, tlves suspect d of having swal- said Monday night President EI,- would be no sick and wounded DSsume "a larger responsiblllty" initon airport the United Nations <!ampbell, while their mother, Mrs. Jes Ie l\lcConnell, proudly lowed Red indoctrination wa 8 enhower demonstrated a new _____________ for defense of its home islands. command "wouldn't return" Chi- watches. Both brothers will receive their Ph.D. derree at \Yeoes- !tlown under wraps to the United "toughness" in American toreign BULLETIN "We don't expect Japan to as- nese and North Korean Commu- day's commencement ceremonIes. John Wi ll receive his decree In States. policy when he ordered the U.S. PANMUNJOM (Tuesday) (,4»­ sume responsibilities , for areas nlst prisoners convicted of crimes phYSical educaUon and Campbell In eco'lomle . The first report from Tok 0 7th Fleet to stop protecting Red The 00""" ...." ..Id &o4a, they other than Japan," Dulles said. "until we know the attitude of the said 17 disabled Americans lertlChlnG against possible attack would. return U' capUves in "But Japan is not doing all we Communists toward ours." SUI T GI Ph D D ' Haneda airport Monday nliht [rom Formosa. WedDesday'. extlhaD&'e, InclucUnr could hope for its own security." Dulles had conferred with Presl- 0 lye •• eg rees but iave no destination or arrivai The result, he said, has been 110 Amerl...... 26 British, Z5 TurluiJ Clark Estimates POW, dent Eisenhower in Denver earlier time In the U.S. "an amazing chain of events" that and 250 80uUl K.oreana. Gcn Mark Olark supreme com- Monday on plans for American T B I Th . litary k h led to n truce In the 3-year-old mond~r of United' Nations forces retaliatory steps against the Com- h eln.: ml lt StPOd est man I ere Korenn war and round reflection I Is I ad ' Th In the Far East estimated at a munists in Korea if they refuse tO 0 2 rothers Wednesday WI 0 a"'d r in d~mpt de 0 rC ract In the current strife behind the pr oners n t ay s group. ere ' . h s wor s n Ica e more f ree d I r C t I were no ambulances In the first Washington news conference last release all U.S. pnsoners of war. prisoners might be aboard. Sov et . ron ur a n. contingent plI~slng through Pan- Thursday that the Reds hold from At commencement exercises MartIn also declared that smce munjom. 2000 to 3000 more American /.. / • I He had said that the plane's the Eisenhower administration R d &0 R II C 11 p'risoners than the figure 3,313 3 Po ,fica Sc.ence Wednesday two brothers from vanced degree in economIcs. manifest showed 21 n~ssenl!'ers , took olCice last Jan. 20 , "record The ~=ricDns j~mpe~ from they have agreed to return. S d N d Harvey, Ill., will be among the John wlll teach at Longbeach Includlni 17 ex-POW s whose after record has been broken" in the high tailgates ot the Russlnn- The. cabinet officer said this tu en's ame graduates. Although brother com- State colleie, Longbeach, CGIU.; names could be released and three the realm of national prosperity Rep. Joseph Martin built trucks and responded to roll government is greatly ~oncerned T T h· J b binatlons have not been uncom- next year. He will be an instruc- ex-POW's w~ose names could not -more jobs, higher wages. blgg~r Gioc$ Ike Credit call alertly: "Yes sir." But some over "the rIsk that some of our 0 eac .n9 0 s mon brothers who are candidates tor In physical education and will be r~iea sed due to their mental savin is deposits. were choked wltl'\ emotion as they prisoners ot war may be withheld for doctor of philosophy dearees coach the college baseball team. condition." . Claims GOP prowe eign policy." reachjld freedom. and not exchanged" by the Com- . !h ree ~t udent s in the SUI ~o- are unusual in SUI commence- Asal.tant Proles or The 21st passenger was descrlb- Martin set forth his claims nr Narrators recalled. h.ow Eisen- A ~umber of Communist Red munists. ht.lcal sCience department "ho ment ranks. Campbell, 25, will be an assls- ed as a reiUlar evacuation pa- Republican prowess in a televised hower offered 15 million dtollau Cross worken; observed today's Atter conferring with Eisen- Will receive their Ph.D. d.egrees on tlent, not a released priJoner. Wm entitled "The 83d Con~esa- in f~ee food to Easl Germany and exchange. With them were Red _________~ ___ IWednesday, have recelve~ ap- John James McConnell will re- tant pr~fessor in economics at the Finally. all military sources An Appraisal," lIponsored by the a million-ton wheat ,1ft to Pakis- Cr~s representotives from Allied polntments to college facuille.~ . ceive ~is Ph.D. degree In physical University of Nebraska next raIl. said none of the names could be Republicnn national committee tan. nations. Returns They are: Marvin Summers, educatlon. Hi ~ brother, Campbell Both men took their undergra- released. and the GOP congressional cam- Martin said another move "de- Ule Clqled Ambulanees .. ,. h T· Claude Cross and Duane Hill. Robertson, Will receive the ad- duate work at Cornell colleJe in TIl group wa expected to reach paien committee. sll/ned to strengthen our position. Streamint north through Fan- From BfI.S r.p Summers has been appointed J Hawaii Tuesday Tho telecast '!Vas schedujed for not only wfth the people behind munlQfll were N&rth Korean an assistant professor of poJitcal Cit C 01 OK' Mt.
Load more

Recommended publications
  • Issues of Gender in Muscle Beach Party (1964) Joan Ormrod, Manchester Metropolitan University, UK
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by E-space: Manchester Metropolitan University's Research Repository Issues of Gender in Muscle Beach Party (1964) Joan Ormrod, Manchester Metropolitan University, UK Muscle Beach Party (1964) is the second in a series of seven films made by American International Pictures (AIP) based around a similar set of characters and set (by and large) on the beach. The Beach Party series, as it came to be known, rode on a wave of surfing fever amongst teenagers in the early 1960s. The films depicted the carefree and affluent lifestyle of a group of middle class, white Californian teenagers on vacation and are described by Granat as, "…California's beautiful people in a setting that attracted moviegoers. The films did not 'hold a mirror up to nature', yet they mirrored the glorification of California taking place in American culture." (Granat, 1999:191) The films were critically condemned. The New York Times critic, for instance, noted, "…almost the entire cast emerges as the dullest bunch of meatballs ever, with the old folks even sillier than the kids..." (McGee, 1984: 150) Despite their dismissal as mere froth, the Beach Party series may enable an identification of issues of concern in the wider American society of the early sixties. The Beach Party films are sequential, beginning with Beach Party (1963) advertised as a "musical comedy of summer, surfing and romance" (Beach Party Press Pack). Beach Party was so successful that AIP wasted no time in producing six further films; Muscle Beach Party (1964), Pajama Party (1964) Bikini Beach (1964), Beach Blanket Bingo (1965) How to Stuff a Wild Bikini (1965) and The Ghost in the Invisible Bikini (1966).
    [Show full text]
  • Acting Schools and Coaches
    ACTING SCHOOLS AND COACHES ACTING SCHOOLS AND COACHES: NEW YORK A Class Act NY 200 W. 60th St., Ste. 28 E New York, NY 10023 212-315-3010 email: [email protected] website: www.aclassactny.com Staff: Jessica Rofe (Artistic Director/Founder) Policy: Class size varies. All levels, unless otherwise noted. Some programs may be by audition only. All ages. Auditing is not permitted. Private and Skype coaching available. One-day workshops, camps, and ongoing sessions, showcases, and camp programs. Offers internship program. Discounts available for student group workshops in NYC. Comments: One-day workshops and ongoing classes in on- camera, drama, voiceover, and musical theater workshops with industry guests (agents, casting directors, and Broadway actors). Agent and manager showcases, as well as Broadway camp programs with Broadway actors for kids and teens. Studio puts on full-scale productions and cabarets at off Broadway theaters. Voice, vocal coaching, dance, business consultations, and evaluation lessons available. Camps and workshops hosted in New York and across the United States. Acting Business Boot Camp 330 E. 75th St., Ste. 8H New York, NY 10021 310-712-5655 email: [email protected] website: www.actingbusinessbootcamp.com Staff: Peter Pamela Rose (Owner/Career Coach) Policy: Group intensives. Private coaching available. All levels. Free live seminars. Free mp3 by email request. Ongoing sessions. Comments: Peter Pamela Rose uses experience and skills as a certified coach to motivate actors, empowering them with the courage and opportunity to show their talent with honesty and confidence without fear. Coaches in N.Y. and L.A., both privately and in weekend intensives.
    [Show full text]
  • Download College-Guide 2010
    Graduates of performing arts high schools look back and face the future. JAMES LEYNSE LOS ANGELES COUNTY HIGH SCHOOL FOR THE ARTS ORANGE COUNTY HIGH SCHOOL FOR THE ARTS BEYOND‘FAME’ JOAN MARCUS By Gerard Raymond [email protected] rik Altemus made a critical decision when, in the eighth grade, he transferred to the Orange County High ESchool of the Arts. Prior to attending the Southern California performing arts school, he went to a “stereotypi- cal” junior high school, he says: “It was all about whether or Clockwise from top left: Coby Getzug in the Los Angeles County not you were on the football team. I hated it. I was complete- High School for the Arts’ production of “Blood Wedding;” Noah Robbins with John Glover in “Secrets of the Trade,” Off-Broadway; Krysta Rodriguez with Nathan Lane in “The Addams Family” on ly ridiculed, and talent didn’t mean anything to those people.” Broadway; Erik Altemus in the Orange County High School of the Continued on page A2— Arts’ “60’s-a-Go-Go” 1104 SPOT College Guide Feature.indd 1 11/1/10 3:29 PM —continued from page 2 But enrolling in the musical theater program The acting education at OCHSA really helped him as an artist: “I was able to immerse myself 100 percent in what I did artistically. It wasn’t just some- of a lifetime... thing I did on the side. I had academic class- es, yes, but now my days were surrounded by doing what I loved to do.” He adds, “All of a sudden, I was one of the popular kids and it was all about how talented you were.” Several young performers who went to performing arts high schools concurred that Erik Altemus the experience gave them a leg up in their careers and, more importantly, spoke di- rectly to their passion for the arts.
    [Show full text]
  • The A.I.P. Beach Movies - Cult Films Depicting Subcultural Activities Andrew Caine, University of Sunderland, UK
    The A.I.P. Beach Movies - Cult Films Depicting Subcultural Activities Andrew Caine, University of Sunderland, UK The legendary Annette Funicello sings six songs from the AIP cult movie [Beach Party], along with six other sand-dusted ditties of equal inconsequence. Marvellous junk and, if nothing else, an artefact of the era when the leather-clad Eric Von Zipper ruled Southern California's beaches as no-one else has, before or since. (Dellar, 1997: 122) Describing "Annette's Beach Party" by Annette Funicello, the companion soundtrack album to Beach Party (1963), rock critic Fred Dellar associated this product of 1960s surfing culture with cult fandom. Significantly, the extract originates from the "nuggets", i.e. collectors page of the music magazine Mojo, itself a publication aimed primarily at dedicated enthusiasts of "classic rock". An original HMV mono copy of the album costs an estimated £40; an expensive sum for a star who never achieved a hit in Britain. The extract's actual wording also locates the film and Funicello within discourses on cult fandom, placing the movie and album within a specific historical context. Her music and films represent a bygone era, eminently of potential interest for the collectors and readers of Mojo. Moreover, Dellar's review contains a contradictory, love-hate tone. Funicello might be "legendary", but her music and films are effectively treated as entertaining kitsch of minimal artistic merit: surely it is paradoxical to write about "marvellous junk"? Other writers also assume that the A.I.P. (American International Pictures) beach movies belong within the broad generic category of cult movies.
    [Show full text]
  • Die Beach-Party-Filme (1963-1968) 2011
    Repositorium für die Medienwissenschaft Katja Bruns; James zu Hüningen Die Beach-Party-Filme (1963-1968) 2011 https://doi.org/10.25969/mediarep/12745 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Bruns, Katja; Hüningen, James zu: Die Beach-Party-Filme (1963-1968). Hamburg: Universität Hamburg, Institut für Germanistik 2011 (Medienwissenschaft: Berichte und Papiere 115). DOI: https://doi.org/10.25969/mediarep/12745. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0115_11.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft / Hamburg: Berichte und Papiere 115, 2010: Beach-Party-Filme. Redaktion und Copyright dieser Ausgabe: Katja Bruns, James zu Hüningen. ISSN 1613-7477. Eine Parallelausgabe der Filmographie erscheint in: Kieler Beiträge zur Filmmusikforschung 5,4, 2011, S. 623-651. URL: http://www.rrz.uni-hamburg.de/Medien/berichte/arbeiten/0115_11.html Letzte Änderung: 1.2.2011. Die Beach-Party-Filme (1963-1968) Zusammengestellt von Katja Bruns und James zu Hüningen Inhalt: Es handelte sich ausschließlich um minimal budge- Alphabetisches Verzeichnis der Filme tierte Filme, die on location vor allem an den Strän- Chronologisches Verzeichnis der Filme den Kaliforniens (meist am Paradise Cove) aufge- Literatur nommen wurden; später kamen auch Aufnahmen auf Hawaii und an anderen berühmten Surfer-Stränden Als Beach Party Movies bezeichnet man ein kleines zustande.
    [Show full text]
  • Shakespeare on Film and Television in the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress
    SHAKESPEARE ON FILM AND TELEVISION IN THE MOTION PICTURE, BROADCASTING AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by Zoran Sinobad January 2012 Introduction This is an annotated guide to moving image materials related to the life and works of William Shakespeare in the collections of the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. While the guide encompasses a wide variety of items spanning the history of film, TV and video, it does not attempt to list every reference to Shakespeare or every quote from his plays and sonnets which have over the years appeared in hundreds (if not thousands) of motion pictures and TV shows. For titles with only a marginal connection to the Bard or one of his works, the decision what to include and what to leave out was often difficult, even when based on their inclusion or omission from other reference works on the subject (see below). For example, listing every film about ill-fated lovers separated by feuding families or other outside forces, a narrative which can arguably always be traced back to Romeo and Juliet, would be a massive undertaking on its own and as such is outside of the present guide's scope and purpose. Consequently, if looking for a cinematic spin-off, derivative, plot borrowing or a simple citation, and not finding it in the guide, users are advised to contact the Moving Image Reference staff for additional information. How to Use this Guide Entries are grouped by titles of plays and listed chronologically within the group by release/broadcast date.
    [Show full text]
  • The Gazette Volume 229 June 23 — July 6, 2019
    The Gazette Volume 229 June 23 — July 6, 2019 Taylor Community and Wright Museum to Honor the ‘Greatest Generation’ Taylor Community 2019 Music Series New Hampshire Music Festival Players Sunday, July 14 at 3pm George Lopez, piano Elizandro Garcia-Montoya, clarinet Music will feature George Gershwin and Leonard Left to right: Michael Culver, Wright Museum Executive Director; Bernstein among others. More on Page 5. Barbara Wood, Taylor Community Trustee and resident; Gretchen Gandini, Taylor Community Director of Development & Community Taylor’s 2019 Music Series is generously supported Outreach; Joe Picard, WWII veteran and Taylor Community resident; by Bank of New Hampshire. A donation from Taylor and Rob Levey, Wright Museum Director of Advancement Residents Bob & Diane Smith helped to make this concert possible. On September 15, The Last Good War: The Faces and Voices of World War II exhibit opens at Wright Museum, an occasion that has attracted the attention of Taylor Culver said he is just as excited to visit Taylor Commu- Community, which is now sponsoring it. nity as Gandini is to welcome him. The exhibit features photographs of World War II veterans “All of us at the Wright love to travel to places like by Thomas Sanders, who traveled the nation to record in Taylor Community and share the stories that mean so pictures and words experiences from those who fought the much to us all,” he said. “last good war.” The Last Good War: The Faces and Voices of World “It is our pleasure to partner with Wright Museum and help War II opens September 15 and runs through the end bring this special exhibit to the Lakes Region,” said Taylor of the museum’s season on October 31.
    [Show full text]
  • YIDDISH ART THEATER/YIDDISH FOLKS THEATER) BUILDING, 181-189 Second Avenue, Manhattan
    Landmarks Preservation Commission February 9, 1993; Designation List 249 LP-1764 LOUIS N. JAFFE ART THEATER (YIDDISH ART THEATER/YIDDISH FOLKS THEATER) BUILDING, 181-189 Second Avenue, Manhattan. Built 1925-26; architect Harrison G. Wiseman. Landmark Site: Borough of Manhattan Tax Map Block 467, Lot 31. On December 12, 1989, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Yiddish Art Theater and the proposed designation of the related Landmark Site (Item No. 28). The hearing had been duly advertised in accordance with the provisions of law. A representative of the owner and lessee appeared and stated that they were not opposed to the designation. Three speakers testified in favor of designation. The Commission had previously received letters in support of this designation. 1 DESCRIPTION AND ANALYSIS Summary The Louis N. Jaffe Art Theater (Yiddish Art Theater/Yiddish Folks Theater) Building, designed by the prolific theater architect Harrison G. Wiseman, was constructed in 1925-26 for Louis N. Jaffe, a Brooklyn lawyer and prominent Jewish civic leader, who intended it as a permanent home for the Yiddish Art Theater, one of the leading Yiddish "art theater" companies, under the direction of preeminent Yiddish actor Maurice Schwartz. Although the Yiddish Art Theater company performed in the Jaffe Art Theater for only four seasons, this theater remained a Yiddish playhouse (most often as the Yiddish Folks Theater) nearly the entire time between its opening in 1926 and 1945, and was also the site of Yiddish theater revival productions in the 1970s and '80s. The Jaffe Art Theater Building is one of the most tangible reminders of the heyday of Yiddish theater in New York City in the early twentieth century, particularly along the "Yiddish Rialto" of lower Second Avenue, when this form of entertainment was a significant part of the rich cultural heritage of the Jewish Lower East Side of Manhattan.
    [Show full text]
  • New on Video &
    New On Video & DVD Gunsmoke Season 1 In the frontier town of Dodge City, justice goes by the name of Matt Dillon (James Arness). This debut season of the pioneering TV Western finds Dillon in his earliest adven- tures alongside the kindly Doc Adams (Milburn Stone) and shapely saloon owner Kitty Russell (Amanda Blake). Guest stars include Claude Akins, Keye Luke, Sebastian Cabot and -- in a brief introduction of the series' first episode -- Western icon John Wayne. Disc 1 includes the following episodes: "Mattt Gets It," "Hot Spell," "Word of Honor," "Home Surgery," "Obie Tater" and "Night Visitor." Additional Actors: Howard Culver , Malcolm Atterbury, Paul Richards, Robert Anderson, John Wayne, James Westerfield, John Dehner, Claude Akins, Dick Paxton, Robert Middleton, Thom Carney, Wright King, Gloria Talbott, Joe De Santis, Royal Dano, Jon Shepodd, Jeanne Bates, Lou Vernon, Amzie Strickland, Robert Foulk . Disc 2 includes the following episodes: "Smoking Out the Nolans," "Kites Reward," "The Hunter," "The Queue," "General Parcley Smith" and "Magnus." Additional Actors: Glenn Strange, John Larch, Ainslie Pryor, Jeanne Bates, Edward Platt, James Griffith, Chris Alcaide, Adam Kennedy , Lou Vernon, Peter Whitney, Sebastian Cabot, Keye Luke, Robert Gist, Raymond Bailey, James O'Rear, Robert Easton, Than Wyenn . Disc 3 includes the fol- lowing episodes: "Reed Survives," "Professor Lute Bone," "No Handcuffs," "Reward for Matt," "Robin Hood" and "Yorky." Additional Actors: Lola Albright, John Carradine, James Drury, Strother Martin, Jester Hairston, Don Garner, John Abbott, Gloria Castillo, Sally Corner, Mort Mills, Vic Perrin, Cyril Delevanti, Charles Gray, Marjorie Owens, Paul Newlan, Helen Wallace, Nora Marlowe, Barry Atwater, James McCallion, William Hopper, S.
    [Show full text]
  • Harvey Lembeck Papers, 1946-1982
    http://oac.cdlib.org/findaid/ark:/13030/kt609nc9qn No online items Finding Aid for the Harvey Lembeck Papers, 1946-1982 Processed by Norma M. Vega and Julie L. Graham; machine-readable finding aid created by Norma M. Vega and Julie Graham UCLA Library, Performing Arts Special Collections University of California, Los Angeles, Library Performing Arts Special Collections, Room A1713 Charles E. Young Research Library, Box 951575 Los Angeles, CA 90095-1575 Phone: (310) 825-4988 Fax: (310) 206-1864 Email: [email protected] http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm © 2005 The Regents of the University of California. All rights reserved. Finding Aid for the Harvey 287 1 Lembeck Papers, 1946-1982 Descriptive Summary Title: Harvey Lembeck Papers Date (inclusive): 1946-1982 Collection number: 287 Creator: Lembeck, Harvey Extent: 4 boxes (2 linear ft.) and 1 carton (1.5 linear ft.) Abstract: Harvey Lembeck made his acting debut in the Broadway production of Mr. Roberts (1948) and went on to establish himself in film, television, and on stage. The collection consists of photographs, clippings, ephemera and a small number of scripts related to his career. Repository: University of California, Los Angeles. Library. Performing Arts Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Advance notice required for access. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library, Performing Arts Special Collections.
    [Show full text]
  • The Art of Comedy!”
    “Building a sense of humor can turn your life around. Feeling less stressful and skipping along the lighter side of life might be the right road for you. Paul’s book is your road map.” —Phyllis Diller, First Lady of Comedy “Paul Ryan knows comedy! He is one of the industry’s true teachers who knows how to cultivate humor—from hosting, to sitcoms, to improv. Paul pays attention to all of the comedy details that separate the amateur from the professional. He delivers all this to you with a comedy punch in The Art of Comedy!” —Debra Wilson, actress from Mad TV “Paul Ryan knows funny. The time I spent with him in his comedy workshop was valuable and laugh-filled.” —John Larroquette, Emmy award-winning actor “Paul’s relaxed style of teaching puts you at ease and allows you to take chances and experiment, without the usual anxiety.” —Bryan Cranston, Emmy-nominated actor from Malcolm in the Middle “A personal and specific approach to acting and comedy. Practical guidance, with exercises that are fun and clear.” —Steven Nash, Arts and Letters Management; president of Talent Managers Association “Paul Ryan is fabulous. I learned so much about comedy from him. Now you can learn amazing comedic skills from the man who teaches comedy to the stars.” —Sally Kirkland, Oscar-nominated actress and Golden Globe winner “Since I’m Korean—and Koreans are the funny people of Asia—I know all about funny. Paul Ryan does, too. He’s hilarious, smart, generous, and a great communicator. In fact, we should make him an honorary Korean.
    [Show full text]
  • Classic Commercials Volume 1- 50
    Classic Commercials Volume 1- 50 CLASSIC TV COMMERCIALS OF THE FIFTIES & SIXTIES Vol. 1 (approx 60 min) It's a trip down memory lane with this potpourri of classic commercials from the Golden Age of Television, including a market place of products to buy: candy, toys, dolls, games, cars, gasoline, tires, beer, watches, hair cream, and cigarettes. Remember eating Bonomo Turkish Taffy; brushing with Ipana Toothpaste; smoking Marlboro cigarettes, Lucky Strikes, Winstons, Camels, and Kent. You'll have guys greasing their hair with Wild Root Creme Oil; girls playing with Mystery Date and Patti Play Pal; great road race games; Gillette razors with Pee Wee Reese; coffee commercials; Mr. Machine; Garry Moore for SOS soap pads; U.S. Keds sneakers; the Crest Test; great car commercials with Hertz putting you in the driver's seat; Esso gasoline; Shari Lewis spots and much, much more! CLASSIC TV COMMERCIALS OF THE FIFTIES & SIXTIES Vol. 2 (approx 60 min) It's more terrific commercials from the Fifties and Sixties shown during the Golden Age of TV advertising: Kool, Parliament, Marlboro, Old Gold dancing cigarettes, DICK VAN DYKE SHOW stars for Kent cigarettes; Hasbro Ice Cream Machine; Rocket 500; Soaring Sam plane; Pro Star Football; Dick Tracy Silent Ray Gun and Electric Target Game; Chevy commercial; Hydrox cookies; Lustre Creme with Sandra Dee and Jeanne Crain; Coca-Cola; Nestle's Chocolate; Oreos; Olympia Beer; Screaming Yellow Zonkers; Eastern Airlines; Air France; Lyndon Johnson for President; Telstar Pong Game; Gunter Beer; Vitalis for the hair; Tootsie Rolls; Hoopla and Tiger Island games; Bromo Seltzer; Campbell Soup; Orange Juice with Mickey Mantle; Barbasol shaving cream; Drano; Colgate; Beechnut Gum; Heinz Products with Captain Gallant played by Buster Crabbe with his son Cuffy; Inger Stevens for Vel; Battle Wagon Boat; Twinkies; Cheerios; Johnny Reb Civil War Cannon; Fizzie's Tablets; Travel by Air; Bayer Aspirin; Candy Fashion, and of course, more.
    [Show full text]