Michael Craig-Martin Datasheet

Image not found or type unknown Image not found or type unknown TITLE INFORMATION Tel: +44 (0) 1394 389950 Email: [email protected] Web: https://www.accartbooks.com/uk Published 31st Jan 2019 Image not found or type unknown Michael Craig-Martin Present Sense Ben Luke Tim Marlow ISBN 9781912520152 Publisher Royal Academy of Arts Binding Paperback / softback Territory World excluding USA & Canada Size 305 mm x 245 mm Pages 96 Pages Illustrations 45 color Price £19.95 A selection of Michael Craig-Martin's paintings, prints and sculptures, with an interview This book is the result of a collaboration between The Gallery at Windsor, Florida, and the Royal Academy of Arts, London Born in Ireland, the artist Michael Craig-Martin studied in America. On returning to the UK, he became a key figure in British conceptual art and an influential educator, linked in particular to the YBAs including Damien Hirst and Gary Hume. Craig-Martin's works transform recognisable objects - such as sneakers, headphones, watches and, most recently, Modernist buildings - with bold colour and simplified lines. He cites his 'rationalism' as the root of his practice. Craig-Martin is the latest subject of a three-year curatorial partnership between The Gallery at Windsor, Florida, and the Royal Academy of Arts, London, initiated to celebrate the Academy's 250th anniversary. This lively book reproduces a selection of his paintings, prints and sculptures, with an insightful essay by the art critic Ben Luke and an interview between Tim Marlow and the artist. Published to accompany an exhibition at the Gallery at Windsor, Florida, 26 January - 26 April 2019. Born in Ireland, the artist Michael Craig-Martin studied in America. On returning to the UK, he became a key figure in British conceptual art and an influential educator, linked in particular to the YBAs including Damien Hirst and Gary Hume. Ben Luke is the art critic at the London Evening Standard. Tim Marlow is artistic director at the Royal Academy of Arts, London..

Copy Link

Recommended publications

Michael Landy Born in London, 1963 Lives and Works in London, UK
Michael Landy Born in London, 1963 Lives and works in London, UK Goldsmith's College, London, UK, 1988 Solo Exhibitions 2017 Michael Landy: Breaking News-Athens, Diplarios School presented by NEON, Athens, Greece 2016 Out Of Order, Tinguely Museum, Basel, Switzerland (Cat.) 2015 Breaking News, Michael Landy Studio, London, UK Breaking News, Galerie Sabine Knust, Munich, Germany 2014 Saints Alive, Antiguo Colegio de San Ildefonso, Mexico City, Mexico 2013 20 Years of Pressing Hard, Thomas Dane Gallery, London, UK Saints Alive, National Gallery, London, UK (Cat.) Michael Landy: Four Walls, Whitworth Art Gallery, Manchester, UK 2011 Acts of Kindness, Kaldor Public Art Projects, Sydney, Australia Acts of Kindness, Art on the Underground, London, UK Art World Portraits, National Portrait Gallery, London, UK 2010 Art Bin, South London Gallery, London, UK 2009 Theatre of Junk, Galerie Nathalie Obadia, Paris, France 2008 Thomas Dane Gallery, London, UK In your face, Galerie Paul Andriesse, Amsterdam, The Netherlands Three-piece, Galerie Sabine Knust, Munich, Germany 2007 Man in Oxford is Auto-destructive, Sherman Galleries, Sydney, Australia (Cat.) H.2.N.Y, Alexander and Bonin, New York, USA (Cat.) 2004 Welcome To My World-built with you in mind, Thomas Dane Gallery, London, UK Semi-detached, Tate Britain, London, UK (Cat.) 2003 Nourishment, Sabine Knust/Maximilianverlag, Munich, Germany 2002 Nourishment, Maureen Paley/Interim Art, London, UK 2001 Break Down, C&A Store, Marble Arch, Artangel Commission, London, UK (Cat.) 2000 Handjobs (with Gillian
[Show full text]
Download Press Release Here
! For Immediate Release 1 May 2019 Artists Announced for New Contemporaries 70th Anniversary Constantly evolving and developing along with the changing face of visual art in the UK, to mark its 70th anniversary, New Contemporaries is pleased to announce this year's selected artists with support from Bloomberg Philanthropies. The panel of guest selectors comprising Rana Begum, Sonia Boyce and Ben Rivers has chosen 45 artists for the annual open submission exhibition. Since 1949 New Contemporaries has played a vital part in the story of contemporary British art. Throughout the exhibition's history, a wealth of established artists have participated in New Contemporaries exhibitions including post-war figures Frank Auerbach and Paula Rego; pop artists Patrick Caulfield and David Hockney; YBAs Damien Hirst and Gillian Wearing; alongside contemporary figures such as Tacita Dean, Mark Lecky, Mona Hatoum, Mike Nelson and Chris Ofili; whilst more recently a new generation of artists including Ed Atkins, Marvin Gaye Chetwynd, Rachel Maclean and Laure Prouvost have also taken part. Selected artists for Bloomberg New Contemporaries 2019 are: Jan Agha, Eleonora Agostini, Justin Apperley, Ismay Bright, Roland Carline, Liam Ashley Clark, Becca May Collins, Rafael Pérez Evans, Katharina Fitz, Samuel Fordham, Chris Gilvan- Cartwright, Gabriela Giroletti, Roei Greenberg, Elena Helfrecht, Mary Herbert, Laura Hindmarsh, Cyrus Hung, Yulia Iosilzon, Umi Ishihara, Alexei Alexander Izmaylov, Paul Jex, Eliot Lord, Annie Mackinnon, Renie Masters, Simone Mudde, Isobel Napier, Louis Blue Newby, Louiza Ntourou, Ryan Orme, Marijn Ottenhof, Jonas Pequeno, Emma Prempeh, Zoe Radford, Taylor Jack Smith, George Stamenov, Emily Stollery, Wilma Stone, Jack Sutherland, Xiuching Tsay, Alaena Turner, Klara Vith, Ben Walker, Ben Yau, Camille Yvert and Stefania Zocco.
[Show full text]
Fundraiser Catalogue As a Pdf Click Here
RE- Auction Catalogue Published by the Contemporary Art Society Tuesday 11 March 2014 Tobacco Dock, 50 Porters Walk Pennington Street E1W 2SF Previewed on 5 March 2014 at the Institute of Contemporary Arts, London The Contemporary Art Society is a national charity that encourages an appreciation and understanding of contemporary art in the UK. With the help of our members and supporters we raise funds to purchase works by new artists Contents which we give to museums and public galleries where they are enjoyed by a national audience; we broker significant and rare works of art by Committee List important artists of the twentieth century for Welcome public collections through our networks of Director’s Introduction patrons and private collectors; we establish relationships to commission artworks and promote contemporary art in public spaces; and we devise programmes of displays, artist Live Auction Lots Silent Auction Lots talks and educational events. Since 1910 we have donated over 8,000 works to museums and public Caroline Achaintre Laure Prouvost – Special Edition galleries – from Bacon, Freud, Hepworth and Alice Channer David Austen Moore in their day through to the influential Roger Hiorns Charles Avery artists of our own times – championing new talent, supporting curators, and encouraging Michael Landy Becky Beasley philanthropy and collecting in the UK. Daniel Silver Marcus Coates Caragh Thuring Claudia Comte All funds raised will benefit the charitable Catherine Yass Angela de la Cruz mission of the Contemporary Art Society to
[Show full text]
Gary Hume CV
Gary Hume Born in 1962, Kent, UK Lives and works in London, UK and New York, USA EDUCATION 1988 Goldsmiths College, London, UK SELECTED SOLO SHOW 2019 Matthew Marks Gallery, Los Angeles, USA Carvings, New Art Centre, Salisbury, UK Looking and Seeing, Barakat Contemporary, Seoul, Korea Destroyed School Paintings, Matthew Marks Gallery, New York. Traveled to Museum Dhondt- Dhaenens, Deurle, Belgium (catalogue) 2018 Sprüth Magers, Berlin, Germany 2017 RA: Prints Pictures, Royal Academy of Arts, London, UK Mum, Sprüth Magers, London, UK (catalogue) Mum, Matthew Marks Gallery, New York, USA (catalogue) 2016 Front of a Snowman, Aspen Art Museum, Aspen, USA 2014 Lions and Unicorns, White Cube Gallery, São Paulo, Brazil 2013 The Wonky Wheel, Matthew Marks Gallery, New York, USA (catalogue) White Cube, London, UK Tate Britain, London, UK (catalogue) 2012 2, Sprüth Magers, Berlin, Germany Anxiety and the Horse, Matthew Marks Gallery, New York, USA The Indifferent Owl, White Cube, London, UK (catalogue) Beauty, Pinchuk Art Centre, Kiev, Ukraine Flashback, Leeds Art Gallery, UK. Traveled to Wolverhampton Art Gallery, UK; Jerwood Gallery, Hastings, UK; and Aberdeen Art Gallery, UK (catalogue) 2010 Bird in a Fishtank, Sprüth Magers, Berlin, Germany BARAKAT CONTEMPORARY 36, Samcheong–ro 7–gil, Jongno–gu [email protected] +82 02 730 1948 barakatcontemporary.com New Work, New Art Centre, Roche Court, East Winterslow, UK 2009 Yardwork, Matthew Marks Gallery, New York, USA (catalogue) 2008 Door Paintings, Modern Art Oxford, UK (catalogue) Baby Birds
[Show full text]
Patrick Painter, Inc
PATRICK PAINTER, INC Glenn Brown Born 1966, Northumberland, England Lives and works in London Education 1992 Goldsmiths’ College, London 1988 Bath College of Higher Education 1985 Norwich School of Art, Foundation Course Solo Exhibitions 2006 Galerie Max Hetzler, Berlin, Germany 2005 Patrick Painter Inc., Santa Monica, CA 2004 Serpentine Gallery, London, England Gagosian Gallery, New York, New York 2002 Galerie Max Hetzler, Berlin, Germany 2001 Patrick Painter Inc., Santa Monica, California Künstlerverein Malkasten, Düsseldorf, Germany 2000 Domaine de Kerguéhennec, Centre d’art Contemporain, Bignan, Franc Galerie Max Hetzler Berlin, Germany Patrick Painter Inc., Santa Monica, California Jerwood Space, London, England Galerie Ghislaine Hussenot, Paris, France 1996 Queen’s Hall Arts Centre, Hexham, England 1995 Karsten Schubert Gallery, London, England Group Exhibitions 2005 Translations, Thomas Dane, London, England Ecstasy: In and About Altered States, Museum of Contemporary Art, Los Angeles, California Strata: Difference and Repetition, Fondazione Davide Halevim, Milan, Italy 2003 La Biennale di Venezia: Delays and Revolutions, Padiglione Italia, Giardini della Biennale, Venice, Italy 2002 Sao Paulo Bienal: Iconografias Metropolitanas, Oscar Niemeyer Bulding, 1 PATRICK PAINTER, INC Pavilhao Ciccillio Matarazzo, Parque Ibirapuera Melodrama, Artium, Centro-Museo Vasco de Arte Contemporaneo, Spain and Palacio de los Condes de Gabia, Granada Biennale of Sydney 2002: (The World May Be) Fantastic, Museum of Contemporary Art Sydney and Art Gallery
[Show full text]
THE CLASS of 2010 Alison Taylor Meets F Ive Young Artists Exhibiting at London’S Royal Academy This Summer
ELLEELLEstylepreview OUR EDIT OF THE ROYAL ACADEMY’S UP-AND-COMING ART TALENT THE CLASS OF 2010 Alison Taylor meets f ive young artists exhibiting at London’s Royal Academy this summer. Remember their names Photographs by HENRY BOURNE OSQ L Edited by CLAIRE MATTHIAE ARTWORK JULIETTE ARTWORK From left: Jonathan Trayte, Katharina Stoever, Juliette Losq, Sarah Poots and Michael Armitage in the Royal Academy’s Drawing Room elle 00 ELLEpreview Whether it’s the giant silver baubles that dominated the famous courtyard at Anish Kapoor’s 2009 show or Tracey Emin’s controversial Summer Exhibition offerings, you can always(art) rely on London’s Royal Academy of Arts to cause a stir. Today, ELLE heads there to interview some of the art world’s brightest new talents. The Royal Academy Schools – a magical rabbit warren of studios – has been an integral part of the institution since its foundation in 1768. Past students include the master painters JMW Turner, William Blake and John Constable. Then there are today’s governing members, known as Royal Academicians, who include Tracey Emin and painters Peter Blake and Gary Hume, bringing Britain’s oldest art institution up to date. The RA Schools Show, which showcases its graduates’ efforts, is one of the hottest dates in the calendar. This is, of course, due to the incredible standard of work on view, but is also thanks to the attention it attracts. The man who has launched a thousand art careers, Charles Saatchi, has been known to buy entire collections on opening night. We caught up with five of the most promising talents from the class of 2010.
[Show full text]
Download PDF Title Sheet
New title information Dimensions Variable Product Details New Works for the British Council Collection £15 Artist(s) Fiona Banner, Don Brown, Angela Bulloch, Mat Collishaw, Martin Creed, artists: Fiona Banner, Don Brown & Stephen Murphy, Angela Bulloch, Willie Doherty, Angus Fairhurst, Ceal Floyer, Douglas Gordon, Graham Mat Collishaw, Martin Creed, Willie Doherty, Angus Fairhurst, Ceal Gussin, Mona Hatoum, Damien Hirst, Floyer, Douglas Gordon, Graham Gussin, Mona Hatoum, Damien Hirst, Gary Hume, Michael Landy, Stephen Gary Hume, Michael Landy, Chris Ofili, Simon Patterson, Vong Murphy, Chris Ofili, Simon Patterson, Phaophanit, Georgina Starr, Sam Taylor-Wood, Mark Wallinger, Gillian Vong Phaophanit, Georgina Starr, Wearing, Rachel Whiteread, Catherine Yass Sam Taylor-Wood, Mark Wallinger, Gillian Wearing, Rachel Whiteread, Catherine Yass The title of this book and the choice of George Stubbs’s painting of a zebra on its cover points to one of the underlying preoccupations of the Publisher British Council artists selected: the constantly shifting perspectives that new ISBN 9780863553769 information, new technologies and new circumstances make evident. Format softback Dimensions Variable features recent purchases for the British Council Pages 112 Collection of works by a generation of artists who have come to Illustrations over 100 colour and 9 b&w prominence in the last decade. The works, each illustrated in full colour, illustrations represent a variety of approaches, concerns and means of realisation. Dimensions 295mm x 230mm Weight 700 The influence of past movements in 20th Century art – particularly Conceptualism, but also Minimalism, Performance and Pop Art – are readily discerned in much of the work. Young British artists have received a great deal of attention in the past few years and have often been perceived as a coherent national grouping.
[Show full text]
Press Release
Institute of Contemporary Arts PRESS RELEASE ICA Artists’ Editions + Paul Stolper Gallery 12 January – 16 February 2019 Opening Friday 11 January, 6–8pm Paul Stolper Gallery Frances Stark, Proposal for a Peace Poster, 2017. Silkscreen print with deboss elements, 67 × 67 cm, Edition of 10 (2AP) ICA Artists’ Editions and Paul Stolper Gallery collaborate for the first time to present a joint exhibition of artists’ editions at Paul Stolper Gallery, opening 12 January 2019. The exhibition showcases a collection of rare editions from Peter Blake, Adam Chodzko, Mat Collishaw, Keith Coventry, Jeremy Deller, Brian Eno, Marcus Harvey, Jenny Holzer, Roger Hiorns, Gary Hume, Sarah Lucas, Vinca Petersen, Peter Saville, Bob and Roberta Smith, Frances Stark, Gavin Turk and Cerith Wyn Evans. The exhibition provides an opportunity to view a selection of important editions from the last 40 years: from Peter Blake’s Art Jak, commissioned by the ICA in 1978 to raise funds for the institution, to Jeremy Deller’s iconic and catalysing print The History of the World, published by Paul Stolper in 1998, to Jenny Holzer’s pivotal Inflammatory Essays, first fly-posted around New York in the late 1970s and then created as an edition for the ICA in 1993. www.ica.art The Mall London SW1Y 5AH +44 (0)20 7930 0493 Tracking the course of editions produced by ground-breaking artists such as Cerith Wyn Evans and Sarah Lucas, the exhibition explores the potential of the format and the numerous ways that artists have engaged with the editioning method of creation. The exhibition is inspired by conversations between Paul Stolper, Stefan Kalmár (ICA Director) and Charlotte Barnard (ICA Artists’ Editions) on the radical history and potential of the editioned artwork, which can free the artist from the demands of their primary practice or gallery expectations.
[Show full text]
State of the Art: the Future of the UK's Cultural Sector
State of the art: the future of the UK’s cultural sector Candida Gertler, the co-founder of the Outset, and Louise Evans, regional manager for the UBS Art Collection, discuss how to safeguard the future of the visual arts BY FRANCES HEDGES JUL 27, 2020 When the most-visited museum in the UK – London’s Tate Modern – shut its doors on 17 March, it was only the start of a flurry of closures in the art sector that were soon to become mandatory for galleries, auction houses and studios. With no confirmed reopening date in sight or most large arts venues (these are deemed ‘higher-risk’ by the government and are therefore subject to more careful monitoring), the year ahead is bound to be challenging for an already cash-strapped industry. Yet paradoxically, the past few months of isolation have, more than ever, shown us the value of culture in connecting us across seemingly impossible divides. Whether we have been admiring the countless rainbow drawings decorating the windows of people’s homes or logging on to one of the many free-to-view online exhibitions hosted by British galleries, art has been a valuable source of solace in turbulent times. For Candida Gertler, a leading art philanthropist who co-founded the Outset Contemporary Art Fund in 2003, this is clear evidence that culture is an essential, not a luxury. “It’s elementary for a healthy society, especially in times like this, because it stops us from descending into depression,” she argues. “Damage to our mental health can come at a huge cost, so there’s no better long-term investment a business can make in terms of promoting wellbeing.” Candida Gertler LARRY BUSACCAGETTY IMAGES One such business is UBS, which has a 60-year history of collecting contemporary art and has maintained its commitment to the sector throughout the pandemic.
[Show full text]
Sarah Lucas (B.1962) Self-Portraits 1990–98
Sarah Lucas (b.1962) Self-Portraits 1990–98 Key Facts: • Medium: Iris print • Size: 12 prints, dimensions variable (height: 78–98 cm; width: 72–90 cm) • Collection: British Council Collection 1. ART HISTORICAL TERMS AND CONCEPTS Visual analysis: The series comprises a mixture of black-and-white, colour and collaged photographs. The artist is the subject of each image, though her appearance varies greatly. Art History in Schools CIO | Registered Charity No. 1164651 | www.arthistoryinschools.org.uk In the majority, we see Lucas’ face looking out as us from behind a dark curtain of hair. Provocative or arresting, she challenges us to return her gaze. In other photographs, she is engaged in an activity, smoking and/or on top of, or sandwiched between, a toilet. Neither type presents her in a light we might expect from a female artist; rather, her unflinching gaze and androgynous appearance suggest that gender is something fluid and up for question. One photograph stands apart from others in the series: entitled Summer (1998), it depicts liquid being thrown at Lucas’ face. The fluid distorts Lucas’ features and causes her to look away from the lens. In many of the photographs, additional objects add humour and interest: a skull, fried eggs, knickers, a large fish, a mug of tea, a banana. Together with Lucas’ candid postures, sexual puns are made more apparent and the objects themselves become symbolic. Lucas’ legs spread wide and ending in heavy-duty boots are often photographed from below, with this view enhancing our impression of them as strong and dominant. The photographs are both a retort to the laddish culture of 1990s Britain and a reflection of the growth of the ‘ladette’.
[Show full text]
My Bed on the Market for the First Time Yba Icon Sold to Benefit the Saatchi Gallery’S Foundation
PRESS RELEASE | LONDON FOR IMMEDIATE RELEASE – 28 MAY 2014 TRACEY EMIN’S MY BED ON THE MARKET FOR THE FIRST TIME YBA ICON SOLD TO BENEFIT THE SAATCHI GALLERY’S FOUNDATION My Bed Mattress, linens, pillows and objects 31 x 83 x 92⅛in. (79 x 211 x 234cm.) Executed in 1998 Estimate: £800,000 -1,200,000 London – On 1 July, Christie’s will offer one of the most iconic works from the YBA movement, Tracey Emin’s My Bed, 1998, in the Post-War & Contemporary Art Evening Auction, London. Building on Christie’s recent success with Sensation generation artists, including record prices for works by Jenny Saville and Gary Hume in the February 2014 Evening Auction, and for a more recent work by Tracey Emin (To Meet My Past, 2002) in Christie’s October 2013 Thinking Big auction of sculpture from the Saatchi Gallery Collection, we anticipate a strong degree of interest in this work. A major piece that encapsulates Emin’s deeply personal work exploring the relationship between her life and her art, My Bed caused a furore when it was shortlisted for the Tate’s Turner Prize in 1999, prompting widespread public debate about the nature of contemporary art. As Francis Outred, Christie’s Head of Post- War & Contemporary Art, Europe, says: ‘In My Bed (1998) Tracey Emin shares with us her most personal space, revealing a dark moment from her life story with startling honesty and raw emotion. Her ability to integrate her work and personal life to a point where they become indistinguishable creates an intimacy with her viewers and asks us to witness her cathartic practice as a means of her survival.
[Show full text]
Young British Artists: the Legendary Group
Young British Artists: The Legendary Group Given the current hype surrounding new British art, it is hard to imagine that the audience for contemporary art was relatively small until only two decades ago. Predominantly conservative tastes across the country had led to instances of open hostility towards contemporary art. For example, the public and the media were outraged in 1976 when they learned that the Tate Gallery had acquired Carl Andre’s Equivalent VIII (the bricks) . Lagging behind the international contemporary art scene, Britain was described as ‘a cultural backwater’ by art critic Sarah Kent. 1 A number of significant British artists, such as Tony Cragg, and Gilbert and George, had to build their reputation abroad before being taken seriously at home. Tomake matters worse, the 1980s saw severe cutbacks in public funding for the arts and for individual artists. Furthermore, the art market was hit by the economic recession in 1989. For the thousands of art school students completing their degrees around that time, career prospects did not look promising. Yet ironically, it was the worrying economic situation, and the relative indifference to contemporary art practice in Britain, that were to prove ideal conditions for the emergence of ‘Young British Art’. Emergence of YBAs In 1988, in the lead-up to the recession, a number of fine art students from Goldsmiths College, London, decided it was time to be proactive instead of waiting for the dealers to call. Seizing the initiative, these aspiring young artists started to curate their own shows, in vacant offices and industrial buildings. The most famous of these was Freeze ; and those who took part would, in retrospect, be recognised as the first group of Young British Artists, or YBAs.
[Show full text]