HERITAGE CLUB NEWSLETTER Season's Greetings!

Total Page:16

File Type:pdf, Size:1020Kb

HERITAGE CLUB NEWSLETTER Season's Greetings! December 2020 Issue #386 Member FDIC HERITAGE CLUB NEWSLETTER Due to COVID-19, all events are cancelled until further notice. Give yourself the gift Season’s Greetings! of happy holidays As 2020 winds down and we reflect on all the changes we have endured, remember that without the past, we can’t arrive at the For many people, holidays mean good cheer, shopping and family future. Let’s finish the year with positive thoughts and good cheer! gatherings. For others, the holidays can be tough. Many people Mail a Christmas card to someone – you don’t have to know them, feel more stress, disappointment, guilt and sadness. And this year, you don’t have to sign your name, just spread some happiness and COVID-19 concerns may make the holidays challenging for all. positive words of encouragement this holiday season. Setting healthy limits is key to keeping the holidays a favorite time For December, I am putting EVERYONE into the drawing and of the year. each day up to Christmas, I will randomly draw a name to mail Tips for a happier holiday during COVID-19 a Christmas card with a little something extra tucked in. • Be reasonable. Don’t expect this year’s holiday celebrations We had a record amount of puzzle entries turned in for November! to be like other years. Staying healthy is the number one Out of the 157 received, 6 had no name on them so unfortunately, priority. they could not be entered into the drawing. The winners are: • Give yourself and others a break. Don’t get upset if Judy Jacobs Jo Mathiesen Becky Conley Sylvia Rollins things don’t go as planned. Judy Schneider Pauline Alter Deborah Katt Cheryl Baron • Enjoy the season. But don’t expect it to it to be the same Shirley Schock Marilyn Dunkle as non-COVID years. Extra 2021 calendars are still available at any of the bank branch • Take care of yourself. Get enough sleep and make time locations - stop by and pick one up. If you would like one mailed for exercise. out, let me know and I can mail one out to you. • Spend within your budget. Worrying about money adds Shirley Baker, a fixture with Washington County Bank for 47 years to the stress of the holiday season. will be retiring on December 4th. I am sure many of you have had • Carefully choose the events you can attend. Celebrate Shirley assist you in some capacity – please join me in extending our with people who are respecting COVID safety rules. Consider best wishes to her and her future adventures. having some “get togethers” online through video-chat. Focus on the true meaning of the holidays for you. I extend to you my wish for a very Merry Christmas full of good health, love, happiness and the hopes of a much better 2021 to • If you’re away from family and friends, or have come! experienced the loss of a loved one, share your feelings of grief. Keep the demands on your time, energy -Becky and wallet to a minimum. Reach out and talk to loved ones for support. Email: [email protected] Mailing address: 303 S. 13th St., Tekamah, NE 68061 Phone: 402-374-2020 Cell: 402-870-1310 Source: Resources for Living Blair 402-426-2111 | Tekamah 402-374-2020 | Fort Calhoun 402-468-5411 | www.washingtoncountybank.com YARN WREATH ORNAMENT This cute little yarn wrapped ornament is made using a mason jar lid, some yarn, ribbon, and glue. This ornament would also make an awesome gift topper for your presents! Materials List • Worsted weight yarn, any color • Mason jar lid • Glue, or another adhesive • Ribbon (optional) Instructions: 1. Wrap yarn around the mason jar lid; adhere using glue. 2. Wrap a single piece of red yarn around the white yarn. 3. Cut a small piece of ribbon (in any color that you want) and tie into a bow. Affix to the yarn wrapped mason jar lid using glue, or another adhesive. 4. Cut a small piece of yarn (in matching color) and tie a loop around the top. This will allow you to hang the ornament on your tree! Have you ever wondered about the history of Wassailing? Wassailing is a very ancient custom that is rarely done today. The word 'wassail' comes from the Anglo-Saxon phrase 'waes hael', which means 'good health'. Originally, the wassail was a drink made of mulled ale, curdled cream, roasted apples, eggs, cloves, ginger, nutmeg and sugar. It was served from huge bowls, often made of silver or pewter. Jesus College, in Oxford University, has a Wassail bowl, that is covered with silver. It can hold 10 gallons of drink! Wassailing was traditionally done on New Year's Eve and Twelfth Night, but some rich people drank Wassail on all the 12 days of Christmas. The Wassail drink mixture was sometimes called 'Lamb's Wool', because of the pulp of the roasted apples looked all frothy and a bit like lamb’s wool. One legend about how Wassailing was created, says that a beautiful Saxon maiden named Rowena presented Prince Vortigen with a bowl of wine while toasting him with the words 'waes hael'. Over the centuries, a great deal of ceremony developed around the custom of drinking wassail. The bowl was carried into a room with a great fanfare, a traditional carol about the drink was sung, and finally, the steaming hot beverage was served. From this it developed into another way of saying Merry Christmas to each other! One of the most popular Wassailing Carols went like this: A Wassail Bowl Wassail Recipe Here we come a-wassailing Among the leaves so green, Ingredients Here we come a-wassailing, 48 ounces apple cider 1 cup sugar So fair to be seen: 1 quart orange juice 1 cup lemon juice 1 quart pineapple juice 24 whole cloves Love and joy come to you, 4 cinnamon sticks And to you your wassail too, And God bless you and send you, Directions A happy New Year, Heat over stove for 1 hour. Remove cloves and cinnamon sticks. And God send you, Keep over low heat and serve hot. A happy new year. In parts of England (such as Somerset and Sussex) where apples are grown, especially for cider, Wassailing still takes place on Twelfth Night (or sometimes New Year's Eve or even Christmas Eve). People go into apple orchards and then sing songs, make loud noises and dance around to scare of any evil spirits and also to 'wake up' the trees so they will give a good crop! .
Recommended publications
  • Lyle Tompsen, Student Number 28001102, Masters Dissertation
    Lyle Tompsen, Student Number 28001102, Masters Dissertation The Mari Lwyd and the Horse Queen: Palimpsests of Ancient ideas A dissertation submitted to the University of Wales Trinity Saint David in fulfilment of the requirements for the Degree of Master of Arts Celtic Studies 2012 Lyle Tompsen 1 Lyle Tompsen, Student Number 28001102, Masters Dissertation Abstract The idea of a horse as a deity of the land, sovereignty and fertility can be seen in many cultures with Indo-European roots. The earliest and most complete reference to this deity can be seen in Vedic texts from 1500 BCE. Documentary evidence in rock art, and sixth century BCE Tartessian inscriptions demonstrate that the ancient Celtic world saw this deity of the land as a Horse Queen that ruled the land and granted fertility. Evidence suggests that she could grant sovereignty rights to humans by uniting with them (literally or symbolically), through ingestion, or intercourse. The Horse Queen is represented, or alluded to in such divergent areas as Bronze Age English hill figures, Celtic coinage, Roman horse deities, mediaeval and modern Celtic masked traditions. Even modern Welsh traditions, such as the Mari Lwyd, infer her existence and confirm the value of her symbolism in the modern world. 2 Lyle Tompsen, Student Number 28001102, Masters Dissertation Table of Contents List of definitions: ............................................................................................................ 8 Introduction ..................................................................................................................
    [Show full text]
  • The Boar's Head and Yule Log Festival
    The Boar’s Head and Yule Log Festival January 3 & 4, 2015 IN THE CITY OF CINCINNATI The Festival’s roots. Oxford University’s Queens College, The Boar’s Head Tradition Oxford, England. From Medieval Terrors to Modern Magic 1340 - 2015 The Boar’s Head Festival is probably the oldest continuing festival of the Christmas season. When it came to Cincinnati in 1940, it already had a 600-year history. The pageant’s roots go back to medieval times when wild boars were the most dangerous animals in European forests. They were a menace to humans and were hunted as public enemies. Like our Thanksgiving turkey, roasted boar was a staple of medieval banquet tables—symbolizing the triumph of man over ferocious beast. As Christian beliefs overtook pagan customs in Europe, the presentation of a boar’s head at Christmas time came to symbolize the triumph of the Christ Child over the evils of the world. The festival we know today originated at Queen’s College, Oxford, England, in 1340. Legend has it that a scholar was studying a book of Aristotle while walking through the forest on his way to Christmas Mass. Suddenly he was confronted by an angry boar. Having no other weapon, the quick-witted student rammed his metal-bound philosophy book down the throat of the charging animal and the boar choked to death. That night, the beast’s head, finely dressed and garnished, was carried in procession into the dining room accompanied by carolers. By 1607, a similar ceremony was being celebrated at St. John’s College, Cambridge.
    [Show full text]
  • Community Carol Sing Deck the Halls I Saw Three Ships
    COMMUNITY CAROL SING DECK THE HALLS I SAW THREE SHIPS TABLE Deck the halls with boughs of holly, I saw three ships come sailing in, Fa la la la la, la la la la. On Christmas day, On Christmas day. OF CONTENTS Tis the season to be jolly... I saw three ships come sailing in, Don we now our gay apparel... On Christmas day in the morning. DECK THE HALLS page 3 Troll the ancient Yuletide carol... And what was in those ships all three… The Virgin Mary and Christ were there… O COME, ALL YE FAITHFUL page 3 See the blazing Yule before us... Pray, whither sailed those ships all I SAW THREE SHIPS page 3 Strike the harp and join the chorus... three.. Follow me in merry measure... O they sailed into Bethlehem… HERE WE COME A-WASSAILING page 3 While I tell of Yuletide treasure... page 4 IT CAME UPON A MIDNIGHT CLEAR Fast away the old year passes, HERE WE COME A-WASSAILING Hail the new, ye lads and lasses... HARK! THE HERALD ANGELS SING page 4 Here we come a-wassailing Among Sing we joyous, all together... the leaves so green; Here we come GOD REST YE MERRY GENTLEMEN page 5 Heedless of the wind and weather... a-wandering, So fair to be seen. RUDOLPH THE RED-NOSED REINDEER page 5 Chorus: Love and joy come to you, O COME ALL YE FAITHFUL JINGLE BELLS page 6 And to you our wassail, too. O come all ye faithful, And God bless you and JINGLE BELL ROCK page 6 joyful and triumphant.
    [Show full text]
  • December 2020: the Peaceful Transfer of Mumming
    Folklife Today December 2020: The Peaceful Transfer of Mumming Announcer: From the Library of Congress in Washington, D.C. Music: “Breaking Up Christmas” played by Norman Edmonds, Paul Edmonds, and Rufus Quesinberry. JOHN FENN: Welcome to Folklife Today! I’m John Fenn, the head of research and programs at the American Folklife Center, and I’m here with Steve Winick, a folklife specialist at the Center and the creator of the Folklife Today blog. Steve: Hi, everyone! John: We have kind of an unusual episode for December. Every year, in the week or two before Christmas, staff members of the American Folklife Center put our research and performance skills into play, bringing collections to life in a dramatic performance that tours the halls of the Library of Congress. The performance is based on traditional mummers’ plays. And this year, since we can’t actually perform our mummers’ play live, we decided to do it as a podcast episode, sort of like an old-time radio play. We did all the recording remotely over the Web, so sound quality varies. Steve: Right, but we don’t want to throw our audience in at the deep end, so we’re going to say a little about the tradition first. And for that, we’re joined by Jennifer Cutting, another folklife specialist at the American Folklife Center. Hi Jennifer! Jennifer: Hi John! Hi Steve! Hi everybody out there! John: So Jennifer, what are mummer’s plays? Jennifer: Well, “mumming” is an old word for a tradition of getting dressed up in costumes and going from house to house, doing a performance in exchange for food, drink…sometimes money.
    [Show full text]
  • December 2018: Christmas Songs from the American Folklife Center
    Folklife Today December 2018: Christmas Songs from the American Folklife Center Steve Winick: Welcome to the Folklife Today podcast. I’m Steve Winick, the editor in the American Folklife Center at the Library of Congress, and the creator of the Folklife Today blog, and I’m here with John Fenn, the head of Research and Programs at the Center. John Fenn: Hello. You’ve probably noticed that the holiday season is here. You hear Christmas tunes everywhere this time of year – on the radio, in the mall, in your family’s home. I thought we could look into some more unusual traditional Christmas songs. Steve Winick: So we had our staff here at the American Folklife Center pick their favorite songs to talk about today. John Fenn: That said, would you like to start us off? Steve Winick: I’d love to. John Fenn: What song do you have to share with us? Steve Winick: I’m a big fan of “The Cherry Tree Carol.” It’s one you can hear sung by a lot of people, from Joan Baez to Annie Lennox. It tells a story derived from one of the apocryphal gospels, which came into English in the middle ages, both in this ballad and in Christmas mystery plays. John Fenn: Wow! So this is medieval caroling. How did you first hear it? Steve Winick: Well, I was a medievalist a long time ago, and I came across the song back then when I studied the N-Town plays, a set of medieval mystery plays that tell the same story.
    [Show full text]
  • Twelfth Night First Folio
    1 TWELFTH NIGHT CURRICULUM GUIDE Consistent with the Shakespeare Theatre Company’s central mission to be the leading force in producing and preserving the Table of Contents highest quality classic theatre, the Education Department challenges learners of all ages to explore the ideas, emotions Synopsis 3 and principles contained in classic texts and to discover the Who’s Who in Twelfth Night 4 connection between classic theatre and our modern William Shakespeare 5 perceptions. We hope that this Curriculum Guide will prove useful to you while preparing to attend Twelfth Night. Elizabethan England 6 Shakespeare’s Genres 7 This curriculum guide provides information and activities to Shakespeare’s Language 8 help students form a personal connection to the play before attending the production. It contains material about the Topsy-Turvy, or The Feast of 12 playwright, their world and their works. Also included are Epiphany approaches to explore the play in the classroom before and The Heroine’s Journey 14 after the performance. What You Will: A Note on Gender 15 We encourage you to photocopy these articles and activities Diversity and use them as supplemental material to the text. Theatre Design 17 Classroom Activity: Design a Set 18 Enjoy the show! Discussion & Essay Questions 19 Resource List 20 The First Folio Curriculum Guide for the 2017-2018 Theatre Etiquette 21 Season was developed by the Shakespeare Theatre Company Education Department: Founding Sponsors Miles Gilburne and Nina Zolt Director of Education Samantha Wyer Bello Presenting Sponsors Beech Street Foundation Associate Director of Education Dat Ngo Suzanne and Glenn Youngkin Audience Enrichment Manager Hannah Hessel Ratner Leadership Support Community Engagement Manager Jared Shortmeier D.C.
    [Show full text]
  • Proposed Core Literature Titles Twelfth Night, Or, What You Will
    Proposed Core Literature Titles The following summary is provided by the California Department of Education’s “Recommended Literature List”, and the top three Google searches of the book title and author name that produced a description of the title. Twelfth Night, or, What You Will Proposed Grade Level: 8 Title: Twelfth Night, or, What You Will ​ ​ Author: William Shakespeare ​ First Published: 2002 ​ Lexile Level: 1140 ​ Proposed Grade Level: 8 ​ California Department of Education, Recommended Literature List: https://www.cde.ca.gov/ci/cr/rl/ This title is on the CDE Recommended Literature List. Annotation: On the island of Illyria, Duke Orsino pines away for the love of the beautiful, but ​ unapproachable Olivia. A tempest occurs that brings Viola and Sebastian to the shores, and a renewed pursuing of affection begins among the island's inhabitants. (Circa 1600.) Copyright: 1992: ​ Original Copyright: 1600 ​ Grade Level Span: 9-12 ​ Genre: Drama ​ Classification: Classic ​ Topic: English-Language Arts/General ​ Discipline: English Language Arts/Vocabulary; Visual and Performing Arts ​ Descriptions From Top 3 Google Searches: Search: "Twelfth Night or What You Will" by William Shakespeare https://en.wikipedia.org/wiki/Twelfth_Night Viola is shipwrecked on the coast of Illyria and she comes ashore with the help of a Captain. She has lost contact with her twin brother, Sebastian, whom she believes to be drowned, and with the aid of the Captain, she disguises herself as a young man under the name Cesario and enters the service of Duke Orsino. Duke Orsino has convinced himself that he is in love with Olivia, who is mourning the recent deaths of her father and brother.
    [Show full text]
  • Apple Wassail
    Apple Wassail The word wassail comes from the Anglo-Saxon toast Wæs þu hæl, meaning "be thou hale" — "be in good health". There are two different types of wassail – the house-visiting wassail and the orchard- visiting or apple wassail. The house-visiting wassail, also known as caroling, is the practice of going door-to-door singing Christmas carols. Apple wassailing refers to the practice of visiting orchards, drinking the health of the trees and singing to them to promote a good harvest next year. The first recorded mention of apple wassailing was at Fordwich, Kent in 1585 when groups of young men went around orchards performing the rite for a reward. It was common in the cider orchards of South West England and many of the traditional wassail songs are indeed from this area – primarily Devon, Somerset, Dorset, Gloucestershire and Herefordshire. The practice was carried out to ‘bless’ the trees, to wake them up and scare away evil spirits and so to encourage a good crop for the following autumn. The date for wassailing apple trees varies widely – from Christmas Eve in some areas, to Twelfth Night Eve (Twelfth night is January 6th) or New year’s Day in others. Many areas perform the ceremony on January 17th which corresponds to January 6th before the calendar was changed in England in 1752. Apple wassailing was sometimes referred to as ‘howling’ and was historically performed by men. The elements of the ceremony varied and included some or all of the following: • a wassail King and Queen leading the song and/or processional tune played/sung from one orchard to the next • lifting the wassail Queen up into the boughs of the tree • soaking slices of bread or toast in last years cider and lying these on the tree roots or hanging them in the branches – by the wassail Queen if there is one – as a gift to the tree spirits • pouring cider over the tree roots • drinking cider from a wassail bowl which was passed round • singing and chanting apple wassails around the trees • firing of shotguns to scare away any evil spirits.
    [Show full text]
  • Wassail Song Book 2017
    Deck the Halls The Wassail Song Deck the halls with boughs of holly, Here we come a wassailing Fa la la la la, la la la la. Among our vines so fine Tis the season to be jolly, Here we come a wassailing Fa la la la la, la la la la. To toast with our good wine (Chorus) Don we now our gay apparel, Fa la la, la la la, la la la. Love and joy come to you Troll the ancient Yule tide carol, And to you your wassail too, Fa la la la la, la la la la. And God bless you and send you A bountiful new year See the blazing Yule before us, And God send you a bountiful new year. Fa la la la la, la la la la. Strike the harp and join the chorus. We are not daily beggars Fa la la la la, la la la la. Who beg from door to door. We are county winegrowers Follow me in merry measure, Who you have seen before. Fa la la la la, la la la la. Chorus While I tell of Yule tide treasure, Fa la la la la, la la la la. Good master and good mistress. As you sit beside the fire, Fast away the old year passes, Pray think of us poor winegrowers Fa la la la la, la la la la. A’trudging through the mire. Hail the new, ye lads and lasses, Chorus Fa la la la la, la la la la. We have brought a wassail cup Sing we joyous, all together, Filled with spicy brew, Fa la la la la, la la la la.
    [Show full text]
  • Antonio's (Happy) Ending: Queer Closure in All-Male Twelfth Night
    Antonio’s (Happy) Ending: Queer Closure in All-Male Twelfth Night Chad Allen Thomas t is more or less common knowledge, popularized by John Madden’s IfilmShakespeare in Love, that in Shakespeare’s time male actors played female roles because women were forbidden from appearing on the public stage. Young men (called “boy-actors”) played romantic ingénues, such as Juliet, whereas mature male actors played comic roles and older women, such as Juliet’s Nurse and Lady Capulet. Whatever the historical context, and whatever response these performances elicited from their original audiences, the tradition of the “transvestite stage” (male actors playing female roles) has helped make early modern plays by Shakespeare and his contemporaries compelling for scholars of early modern sexuality.1 Shortly after the start of the English Civil War in 1642, Parliament closed the theaters and banned public stage plays altogether; however, after the restoration of the monarchy in 1660, Charles II lifted the restriction against women on the public stage, and cross-gender casting quickly became more or less an antiquated practice in the professional theater. Certainly cross-gender casting remained common enough at all-boys and all-girls schools, and even resurfaced on the professional stage as part of British pantomime in the nineteenth century, but the practice was regarded mostly as a relic of days past. In fact, when Ben Greet directed a professional all-male production of As You Like It at the Central London YMCA in 1920—the first such production in 250 years—he explicitly sought to reconstruct the historical past by capitalizing on the premise of recuperating original stage practices.2 After Greet, the next professional all-male production of Shakespeare did not occur for another forty-seven years; however, it broke with Greet’s proposition that historical re-creation was the main reason to present 221 222 Comparative Drama an all-male production.
    [Show full text]
  • Merry Krampus: Alternative Holiday Praxis in The
    MERRY KRAMPUS: ALTERNATIVE HOLIDAY PRAXIS IN THE CONTEMPORARY UNITED STATES by KIRK ANDREW PETERSON A THESIS Presented to the Folklore Program and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Arts June 2019 THESIS APPROVAL PAGE Student: Kirk Andrew Peterson Title: Merry Krampus: Alternative Holiday Praxis in the Contemporary United States This thesis has been accepted and approved in partial fulfillment of the requirements for the Master of Arts degree in the Folklore Program by: Daniel Wojcik Chairperson Doug Blandy Member and Janet Woodruff-Borden Vice Provost and Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded June 2019 ii © 2019 Kirk Andrew Peterson This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs (United States) License. iii THESIS ABSTRACT Kirk Andrew Peterson Master of Arts Folklore Program June 2019 Title: Merry Krampus: Alternative Holiday Praxis in the Contemporary United States Since the early twenty-first century, individuals in the US have discovered the enduring winter tradition from Alpen Austria known as Krampusnacht. These events center around the figure of the Krampus, a beast-like, punishing “devil” that accompanies St. Nicholas on December 5, the eve of his feast day. By 2010, groups of people in US cities were staging their own Krampusnacht processions in downtown areas, referencing the European enactments while simultaneously innovating their embodiments to meaningfully interact with the Christmas season in the United States. Participation in these events increases annually and the Krampus figure’s presence online and in popular media is on the rise.
    [Show full text]
  • THE GUIDE 98.7Wfmt the Member Magazine Wfmt.Com for WTTW and WFMT
    wttw11 wttw Prime wttw Create wttw World wttw PBS Kids wttw.com THE GUIDE 98.7wfmt The Member Magazine wfmt.com for WTTW and WFMT A CULTURAL AND CULINARY JOURNEY ACROSS AMERICA TUNE IN OR STREAM FRI DEC 20 9 PM December 2019 ALSO INSIDE WFMT will present a new special, Whole Notes: Music of Healing and Peace, in response to America’s gun violence epidemic and related to WTTW’s FIRSTHAND: Gun Violence initiative. From the President & CEO The Guide Dear Member, The Member Magazine for WTTW and WFMT Renowned chef, restaurateur, and author Marcus Samuelsson is passionate about Renée Crown Public Media Center the cuisine of America’s diverse immigrant cultures. This month, he returns with 5400 North Saint Louis Avenue Chicago, Illinois 60625 a new season of No Passport Required, where home cooks and professional chefs around the country share how important food can be in bringing us together around the table. Join us at 9:00 pm on December 20 for Marcus’s first stop, as he explores Main Switchboard (773) 583-5000 Seattle’s Filipino culinary traditions. And, in December, WTTW will be hosting a related Member and Viewer Services food tour event and creating digital content for you to feast on. The tour event and (773) 509-1111 x 6 stories will focus on a remarkably diverse half-mile stretch of a single Chicago street (Lawrence Avenue between Western and California) with a selection of restaurants Websites owned and run by immigrants, representing a variety of cuisines: Filipino, Vietnamese, wttw.com wfmt.com Bosnian and Serbian, Venezuelan, Korean, and Greek.
    [Show full text]