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Sociopathetic Abscess Or Yawning Chasm? the Absent Postcolonial Transition In
Sociopathetic abscess or yawning chasm? The absent postcolonial transition in Doctor Who Lindy A Orthia The Australian National University, Canberra, Australia Abstract This paper explores discourses of colonialism, cosmopolitanism and postcolonialism in the long-running television series, Doctor Who. Doctor Who has frequently explored past colonial scenarios and has depicted cosmopolitan futures as multiracial and queer- positive, constructing a teleological model of human history. Yet postcolonial transition stages between the overthrow of colonialism and the instatement of cosmopolitan polities have received little attention within the program. This apparent ‘yawning chasm’ — this inability to acknowledge the material realities of an inequitable postcolonial world shaped by exploitative trade practices, diasporic trauma and racist discrimination — is whitewashed by the representation of past, present and future humanity as unchangingly diverse; literally fixed in happy demographic variety. Harmonious cosmopolitanism is thus presented as a non-negotiable fact of human inevitability, casting instances of racist oppression as unnatural blips. Under this construction, the postcolonial transition needs no explication, because to throw off colonialism’s chains is merely to revert to a more natural state of humanness, that is, cosmopolitanism. Only a few Doctor Who stories break with this model to deal with the ‘sociopathetic abscess’ that is real life postcolonial modernity. Key Words Doctor Who, cosmopolitanism, colonialism, postcolonialism, race, teleology, science fiction This is the submitted version of a paper that has been published with minor changes in The Journal of Commonwealth Literature, 45(2): 207-225. 1 1. Introduction Zargo: In any society there is bound to be a division. The rulers and the ruled. -
Gallifrey: No
GALLIFREY: NO. 5 PDF, EPUB, EBOOK James Peaty,Una McCormack,David Llewellyn,Gary Russell,Sean Carlsen,Louise Jameson,Lalla Ward | none | 28 Feb 2013 | Big Finish Productions Ltd | 9781844359585 | English | Maidenhead, United Kingdom Gallifrey: No. 5 PDF Book As if she's fallen off a cliff. Arcadia , Gallifrey's "second city", was protected by a large number of sky trenches. Series 8. The War Doctor was present at the Fall of Arcadia , and it was there that he left his warning of "No More" for the combatants. Gallifrey had at least two large moons and a ring system, similar to Saturn in Earth 's solar system. Episode 3. What is Doctor Who? What did the Master do? TV : The Invasion of Time Rassilon later referred to the area that the barn in which the Doctor had slept as a child as the Drylands , claiming that no one of importance lived there. There's some sloppy exposition, revealing that The Fourth Doctor got stuck between times during his abduction and he has to sit this one out and some other sundries. The Tenth Doctor returned it to the time lock by shooting and destroying the diamond which connected Gallifrey to Earth. Share Tweet. Missy later told the Doctor that Gallifrey had returned to its original position. It was also called Gallifrey Original. I won't look. Wait, wait, wait, wait. Although these battles were stopped by Rassilon, the Death Zone remained and later became home to the Tomb of Rassilon. Doctor Who : Gallifrey stories. Basically The Third Doctor and Sarah Jane are traversing the Mountain to get to the Tomb when they come upon this guy, and there's nothing about him that doesn't suck. -
February 26 2020 Ash Wednesday You Are Not Alone Way Back, Years
February 26 2020 Ash Wednesday You Are Not Alone Way back, years ago, Alanis Morrisette sang a song; it was probably the one that first brought her to serious public attention. Anyone remember what it was? Ironic! Yes a song about some things going wrong when they feel like they should be going right. What’s some of the lyrics? An old man turned ninety-eight He won the lottery and died the next day Well, that’s not ironic. That’s just sad. What about.. A "no smoking" sign on your cigarette break It's like ten thousand spoons when all you need is a knife Well that’s not ironic, either. Mildly annoying, I suppose. What about… It's a death row pardon two minutes too late Well, that’s… Horrifying. Horrible! When we talk about irony, we’re talking about two things, two events or statement that seem, on the surface, to be incongruent with one another. Clear as mud! Pleasant as a root canal! Wikipedia helpfully tells me that when President Reagan was shot in 1981, all of the bullets missed him… except one, which missed the President, ricocheted on his bulletproof limo, then… Struck the president! Irony! We have, in our Gospel, something of an ironic situation. Jesus tells us, rather directly, not to practice our righteousness in public; if you fast, look healthy. Clean your face. And here we are, about to make our faces dirty. Maybe that’s ironic? So why do we do this? Why do we read Jesus’ words telling us to not outwardly share our repentance, to declare our prayers to others, then promptly do the opposite? If you know me well, and some of you do, you will know that I enjoy all kinds of geekery. -
Doctor Who 1 Doctor Who
Doctor Who 1 Doctor Who This article is about the television series. For other uses, see Doctor Who (disambiguation). Doctor Who Genre Science fiction drama Created by • Sydney Newman • C. E. Webber • Donald Wilson Written by Various Directed by Various Starring Various Doctors (as of 2014, Peter Capaldi) Various companions (as of 2014, Jenna Coleman) Theme music composer • Ron Grainer • Delia Derbyshire Opening theme Doctor Who theme music Composer(s) Various composers (as of 2005, Murray Gold) Country of origin United Kingdom No. of seasons 26 (1963–89) plus one TV film (1996) No. of series 7 (2005–present) No. of episodes 800 (97 missing) (List of episodes) Production Executive producer(s) Various (as of 2014, Steven Moffat and Brian Minchin) Camera setup Single/multiple-camera hybrid Running time Regular episodes: • 25 minutes (1963–84, 1986–89) • 45 minutes (1985, 2005–present) Specials: Various: 50–75 minutes Broadcast Original channel BBC One (1963–1989, 1996, 2005–present) BBC One HD (2010–present) BBC HD (2007–10) Picture format • 405-line Black-and-white (1963–67) • 625-line Black-and-white (1968–69) • 625-line PAL (1970–89) • 525-line NTSC (1996) • 576i 16:9 DTV (2005–08) • 1080i HDTV (2009–present) Doctor Who 2 Audio format Monaural (1963–87) Stereo (1988–89; 1996; 2005–08) 5.1 Surround Sound (2009–present) Original run Classic series: 23 November 1963 – 6 December 1989 Television film: 12 May 1996 Revived series: 26 March 2005 – present Chronology Related shows • K-9 and Company (1981) • Torchwood (2006–11) • The Sarah Jane Adventures (2007–11) • K-9 (2009–10) • Doctor Who Confidential (2005–11) • Totally Doctor Who (2006–07) External links [1] Doctor Who at the BBC Doctor Who is a British science-fiction television programme produced by the BBC. -
Senate Hearings Before the Committee on Appropriations
S. HRG. 107–816 Senate Hearings Before the Committee on Appropriations Department of the Interior and Related Agencies Appropriations Fiscal Year 2003 107th CONGRESS, SECOND SESSION H.R. 5093/S. 2708 DEPARTMENT OF AGRICULTURE DEPARTMENT OF ENERGY DEPARTMENT OF THE INTERIOR NONDEPARTMENTAL WITNESSES Interior Appropriations, 2003 (H.R. 5093/S. 2708) S. HRG. 107–816 DEPARTMENT OF THE INTERIOR AND RELATED AGENCIES APPROPRIATIONS FOR FISCAL YEAR 2003 HEARINGS BEFORE A SUBCOMMITTEE OF THE COMMITTEE ON APPROPRIATIONS UNITED STATES SENATE ONE HUNDRED SEVENTH CONGRESS SECOND SESSION ON H.R. 5093/S. 2708 AN ACT MAKING APPROPRIATIONS FOR THE DEPARTMENT OF THE IN- TERIOR AND RELATED AGENCIES FOR THE FISCAL YEAR ENDING SEPTEMBER 30, 2003, AND FOR OTHER PURPOSES Department of Agriculture Department of Energy Department of the Interior Nondepartmental Witnesses Printed for the use of the Committee on Appropriations ( Available via the World Wide Web: http://www.access.gpo.gov/congress/senate U.S. GOVERNMENT PRINTING OFFICE 78–477 PDF WASHINGTON : 2003 For sale by the Superintendent of Documents, U.S. Government Printing Office Internet: bookstore.gpo.gov Phone: toll free (866) 512–1800; DC area (202) 512–1800 Fax: (202) 512–2250 Mail: Stop SSOP, Washington, DC 20402–0001 COMMITTEE ON APPROPRIATIONS ROBERT C. BYRD, West Virginia, Chairman DANIEL K. INOUYE, Hawaii TED STEVENS, Alaska ERNEST F. HOLLINGS, South Carolina THAD COCHRAN, Mississippi PATRICK J. LEAHY, Vermont ARLEN SPECTER, Pennsylvania TOM HARKIN, Iowa PETE V. DOMENICI, New Mexico BARBARA A. MIKULSKI, Maryland CHRISTOPHER S. BOND, Missouri HARRY REID, Nevada MITCH MCCONNELL, Kentucky HERB KOHL, Wisconsin CONRAD BURNS, Montana PATTY MURRAY, Washington RICHARD C. -
Table of Contents
TABLE OF CONTENTS Acknowledgments ...........................................................................................................................5 Table of Contents ..............................................................................................................................7 Foreword by Gary Russell ............................................................................................................9 Preface ..................................................................................................................................................11 Introduction .......................................................................................................................................13 Chapter 1 The New World ............................................................................................................16 Chapter 2 Daleks Are (Almost) Everywhere ........................................................................25 Chapter 3 The Television Landscape is Changing ..............................................................38 Chapter 4 The Doctor Abroad .....................................................................................................45 Sidebar: The Importance of Earnest Videotape Trading .......................................49 Chapter 5 Nothing But Star Wars ..............................................................................................53 Chapter 6 King of the Airwaves .................................................................................................62 -
Gallifrey: No. 5 Free
FREE GALLIFREY: NO. 5 PDF James Peaty,Una McCormack,David Llewellyn,Gary Russell,Sean Carlsen,Louise Jameson,Lalla Ward | none | 28 Feb 2013 | Big Finish Productions Ltd | 9781844359585 | English | Maidenhead, United Kingdom Classical Gallifrey: Serial The Five Doctors It is the original home world of the Time Lordsthe civilisation to which the main protagonist, the Doctor belongs. It is located in a binary star system [2] million light years from Earth. In the revived series onwards Gallifrey was originally referred to as having been destroyed in the Time Warwhich was fought between the Time Lords and the Daleks. It was depicted in a flashback in " The Sound of Drums " [1] and appeared prominently in " The End of Time " — It is never definitively stated when the appearances of Gallifrey take place. As the planet is often reached by means of time travel, its relative present could conceivably exist almost anywhere in the Earth 's past or future as well as anywhere in the conceivable universe. From space, Gallifrey is seen as a yellow-orange planet and was close enough to central space lanes for spacecraft to require clearance from Gallifreyan Space Traffic Control as they pass through Gallifrey: No. 5 system. The Time Lords' principal city, named The Capitol, consists of shining towers protected by a mighty glass dome. The planet's so-called "second city" is Arcadia, and is seen falling to the Daleks in the minisode " The Last Day. The Doctor's granddaughter Susan first describes her home world not named as "Gallifrey" at the time as having bright, silver-leafed trees and a burnt orange sky at night in the serial The Sensorites In The Time Monsterthe Third Doctor says that "When I was a Gallifrey: No. -
“Don't Be a Warrior. Be a Doctor"
_________________________________________________________________________ ACADEMIC | SPRING 2016 “Don't Be A Warrior. Be A Doctor" By Saljooq Asif One of the greatest challenges that war veterans face is their return, homecoming, and reintegration into standard human society. After all, post-traumatic stress disorder (PTSD) and trauma resulting from war not only affects one person, but also “creates havoc among many” (“PTSD Awareness”). Dr. Jonathan Shay examines and elaborates upon these difficulties in his literary work Achilles in Vietnam, in which he compares the experiences of Vietnam veterans with poetic descriptions of warfare in Homer’s Iliad. Shay expertly discusses several issues that veterans often experience, including special comradeships and the rageful berserk state. If, as Shay explains, the horrors of war lead to trauma and the undoing of human character, then perhaps humanity can be restored by reciprocally gazing into the face of the Other, the one who “always eludes my grasp” (Irvine 10). Indeed, those who have been traumatized by the horrors of war must first become “inhuman” in order to become human once more (Butler 104). Only when both sides—veteran and civilian, traumatized and untraumatized, Self and Other—respond to each other’s calls with unadulterated love can true healing and unity be achieved. In spite of the atrocities of war, Shay argues that soldiers can still find a unique sense of companionship in the midst of battle. Shay maintains, perhaps ironically, that war zones cultivate a strong sense of “human attachment” (39). He further explains that “[c]ombat calls forth a passion of care among men who fight beside each other that is comparable to the Page 1 of 14 earliest and most deeply felt family relationships” (39). -
10 Objects of Dr
The right of Philip Bates to be identified as the Author of the Work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. An unofficial Doctor Who Publication Doctor Who is © British Broadcasting Corporation, 1963, 2021 Editor: Shaun Russell Editorial: Will Rees Cover and illustrations by Martin Baines Published by Candy Jar Books Mackintosh House 136 Newport Road, Cardiff, CF24 1DJ www.candyjarbooks.co.uk All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted at any time or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the copyright holder. This book is sold subject to the condition that it shall not by way of trade or otherwise be circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published. Come one, come all, to the Museum of ! Located on the SS. Shawcraft and touring the Seven Systems, right now! Are you a fully-grown human adult? I would like to speak to someone in charge, so please direct me to any children in the vicinity. No, no, that's not fair – I was programmed not to judge, for I am a simple advertisement bot, bringing you the best in junk mail. Are you always that short? No, don’t look at me like that: my creators were from Ravan-Skala, where the people are six hundred ft tall; you have to talk to them in hot air balloons, and the tourist information centre is made of one of their hats. -
The American Monster
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 5-2015 The American Monster Dara Beth Gross Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/955 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] THE AMERICAN MONSTER by DARA GROSS A master’s thesis submitted to the Graduate Faculty in Liberal Studies in partial fulfillment of the requirements for the degree of Master of Arts, The City University of New York 2015 © 2015 DARA GROSS All Rights Reserved This manuscript has been read and accepted for the Graduate Faculty in Liberal Studies in satisfaction of the dissertation requirement for the degree of Master of Arts. March 30, 2015 Amy M. Herzog Date Thesis Advisor April 13, 2015 Matthew K. Gold Date Executive Officer THE CITY UNIVERSITY OF NEW YORK Abstract THE AMERICAN MONSTER by Dara Gross Advisor: Professor Amy Herzog Before the 1960s, American horror is primarily focused on gothic creatures, aliens, and mutated animals. A major change occurs in the 1960s when humans become the monster, reflecting the violence and social upheaval in the United States during that decade. As America continues to change in the coming decades, the human monster undergoes multiple transformations. First is the lone psychopath, popular during the 1960s and seen in films such as Psycho (1960) and Homicidal (1961). -
The Tenth Doctor Sourcebook the Tenth Doctor Sourcebook
Sample file THE TENTH DOCTOR SOURCEBOOK THE TENTH DOCTOR SOURCEBOOK B CREDITS ” My Tenth was Told Not to Blink.” LINE DEVELOPER: Andrew Kenrick The Tenth Doctor Sourcebook is published by WRITING: Alasdair Stuart, with Walt Ciechanowski and Cubicle 7 Entertainment Ltd (UK reg. no.6036414). Andrew Kenrick. Find out more about us and our games ADDITIONAL WRITING: Will Brooks, David F. Chapman, at www.cubicle7.co.uk Alex Guttridge, Jason “Jay” Libby, Andrew Peregrine and James Whittington. © Cubicle 7 Entertainment Ltd. 2015 EDITING: Andrew Kenrick BBC, DOCTOR WHO (word marks, logos and devices), COVER: Paul Bourne TARDIS, DALEKS, CYBERMAN and K-9 (wordmarks and GRAPHIC DESIGN AND LAYOUT: Paul Bourne devices) are trademarks of the British Broadcasting Corporation and are used under licence. BBC logo CREATIVE DIRECTOR: Jon Hodgson © BBC 1996. Doctor Who logo © BBC 2009. TARDIS ART DIRECTOR: Jon Hodgson image © BBC 1963. Dalek image © BBC/Terry Nation 1963.Cyberman image © BBC/Kit Pedler/Gerry Davis PUBLISHER: Dominic McDowall 1966. K-9 image © BBC/Bob Baker/Dave Martin 1977. SPECIAL THANKS: Ross McGlinchey and the BBC team . for all their help. Printed by: Standartu, Spaustuve www.standart.lt, Vilnius, Lithuania. Sample file THE TENTH DOCTOR SOURCEBOOK B CONTENTS INTRODUCTION 4 The Master 46 How to Use this Book 4 The Time Lords 49 CHAPTER ONE: CHAPTER FIVE: THE CHILDREN OF TIME 5 THE TENTH DOCTOR’S ADVENTURES 1 5 Who is the Doctor? 6 The Christmas Invasion 52 Playing the Tenth Doctor 6 New Earth 58 The Tenth Doctor 8 Tooth and Claw 65 The -
Something in the Air: "Isolationism," Defense Spending, Public Opini
Something in the Air: “Isolationism,” Defense Spending, and the US Public Mood By Carl Conetta, Project on Defense Alternatives October 2014 SUMMARY The report analyzes current and historical U.S. public opinion polls on global engagement, military intervention, and defense spending, finding significant fluctuation in public sentiments. The report assesses these in light of changes in policy, strategic conditions, and the economy. A comprehensive review of opinion surveys shows a trend of growing public discontent with aspects of post-Cold War U.S. global policy. This has been misconstrued by some as evidence of "neo-isolationism." In fact, a solid majority of Americans continue to support an active U.S. role in the world. Public dissent focuses more narrowly on U.S. military activism and the idea that the United States should bear unique responsibility for the world's security. Official policy along these lines has weakened public support for global engagement generally, but the public does not prefer isolation. On balance, Americans favor cooperative, diplomatic approaches to resolving conflict and they tend toward a "last resort" principle on going to war. Still, Americans will support forceful action against aggression when vital U.S. interests seem at risk. And, in prospect, they express a willingness to stem genocide. The public's initial impetus to war may be strongly emotive, tied to a catalytic event. However, polls show that more pragmatic considerations soon come into play. Ongoing support requires that the costs of war match the perceived benefits. Domestic economic conditions are key in determining the perceived "opportunity cost" of war.