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Tom Fleischman CAS
Career Achievement Award Recipient Tom Fleischman CAS CAS Award Nominees Production Equipment FOMO How the CAS Started Remembering Jim Alexander WINTER 2020 CINEMA AUDIO SOCIETY AWARDS NOMINEE OUTSTANDING ACHIEVEMENT IN SOUND MIXING MPSE GOLDEN REEL AWARDS NOMINEE FEATURE - ADR/DIALOGUE PHILIP STOCKTON, MPSE, EUGENE GEARTY, MARISSA LITTLEFIELD “EXQUISITELY MADE, EVERY DETAIL CAREFULLY CONSIDERED. IT FEELS UTTERLY TRANSPORTING.” NETFLIXGUILDS.COM CAS QUARTERLY, COVER 2 NETFLIX: THE IRISHMAN PUB DATE 12/30/19 BLEED: 8.625” X 11.125” TRIM: 8.375” X 10.875” CINEMA AUDIO SOCIETY AWARDS NOMINEE OUTSTANDING ACHIEVEMENT IN SOUND MIXING MPSE GOLDEN REEL AWARDS NOMINEE FEATURES FEATURE - ADR/DIALOGUE Production Sound Equipment Purchases . 20 PHILIP STOCKTON, MPSE, EUGENE GEARTY, MARISSA LITTLEFIELD Ever have a “Fear of Missing Out”? 147th AES Convention . 26 Career Achievement Recipient . 34 Re-recording mixer Tom Fleischman CAS CAS Filmmaker Award . 44 34 Director, producer, and writer James Mangold CAS Award Nominations . 46 Outstanding Product Nominees . 50 Student Recognition Award Finalists . 52 The Start of the CAS . 54 Bob Hoyt had a vision A Case Study in Multilanguage Production Sound . 60 Possession 54 The “Sound” of Genre Storytelling . 64 Mixing approaches infl uenced by genre Remembering a Legend . 68 Production sound mixer Jim Alexander “EXQUISITELY MADE, DEPARTMENTS EVERY DETAIL The President’s Letter . 4 From the Editor . 6 CAREFULLY CONSIDERED. 60 Collaborators . 9 Meet the people behind the words IT FEELS UTTERLY Technically Speaking -
Download Full Media
PRODUCTION SOUND & VIDEO GUILD ADVERTISING & MARKETING MEDIA KIT | 2021 PRODUCTION SOUND & VIDEO GUILD The Production Sound & Video Guild (IATSE Local 695) is the official labor union for Production Sound Technicians; including Sound Mixers, Boom Operators, Utility Sound Technicians, Recordists and Playback Operators. Video Engineers; including Video Assist, Data Capture Operators and Playback, as well as Television Broadcast Engineers, Projectionists and Projection Engineers. PSVG REPRESENTS PRODUCTION SOUND MIXERS SOUND ENGINEERS HOW YOU CAN ENGAGE AWARDS SEASON THE PSVG membership contains a majority of production sound voters for the Academy Awards and the Sound Mixing branch for the Emmy Awards. ‘For Your Consideration’ advertising in their official member-only media provides the most direct, effective method of influencing the vote for your contenders during awards season balloting. YEAR ROUND FILM & TELEVISION PRODUCTION The members of the PSVG are the critical decision makers and influencers you need be in front of year-round, as they make hundreds of decisions that affect your business. No one else has the complete access or the pre-qualified attention of these sound department professionals. SEE LINKS BELOW ADVERTISING > EVENTS > ADVERTISING | MAGAZINE PRODUCTION SOUND & VIDEO Production Sound & Video is the official print and digital member magazine of the Production Sound & Video Guild (IATSE Local 695), with premium editorial curated specifically for their craft. This premier ad vehicle is guaranteed to deliver your message to 100% of this exclusive membership with additional reach to the industry. CIRCULATION: 2,400 EDITORS: RICHARD LIGHTSTONE & JAMES DELHAUER PUBLISHER: INGLEDODD MEDIA FOUNDED: 2009 FREQUENCY: QUARTERLY DISTRIBUTION CHANNELS Mail: Direct to 2,060+ PSVG Members + 340 additional industry professionals, schools and museums. -
POP BOM BASTISCH Vol. 2
Das Orchester wird seit Anfang 2015 durch den »Förderverein des Orchesters der Technischen Universität Braunschweig e.V.« unterstützt. Seine Mitglieder und Spender fördern die Arbeit des Ensembles tatkräftig – organisatorisch wie finanziell. In diesem Semester konnten u.a. Basshocker angeschafft werden. Wenn auch Sie das Orchester unterstützen wollen, kommen Sie auf uns zu! Sie finden uns bei den Konzerten am Stand des Vereins im Foyer, im Netz unter http://www. orchester.tu-bs.de/twiki/bin/view/Orchester/FoerderVerein oder senden Sie eine Mail an [email protected]. Wir freuen uns auf Sie! POP BOM BASTISCH Vol. 2 GROSSE GEFÜHLE, GROSSE GESTEN, GROSSE SONGS Ein moderner Liederabend zum Vor- und Mitsingen Das Orchester probt im Semester jeweils mittwochs von 19.00 bis 21.30 Uhr in der Aula der TU (Haus der SO 19.07.15 19.00 Wissenschaft, Pockelsstr. 11, 3. OG). Der Start ins Wintersemester findet am 28. Oktober 2015 statt. Auf dem DI 21.07.15 20.00 Programm steht u.a. das Klavierkonzert Nr. 21 C-dur von Wolfgang Amadeus Mozart. Neugierige Instrumentalisten sind herzlich willkommen. Weitere Informationen unter: MI 22.07.15 20.00 www.orchester.tu-braunschweig.de Braunschweig | Audimax der TU | Pockelsstr. 15 MITWIRKENDE Eine innere Stimme sagte mir: Geh nach vorn und sing. DANK | PAUL POTTS Wir bedanken uns für die Unterstützung und Förderung GESANG | Sascha Cohn & Joachim Rust durch das Präsidium der Technischen Universität Braun- schweig, namentlich ihren Präsidenten Prof. Dr. Jürgen Love Is All You Need Hesselbach und ihren Vizepräsidenten -
Cas Awards April 17, 2021
PRESENTS THE 57TH ANNUAL CAS AWARDS APRIL 17, 2021 SCHEDULE OF EVENTS PRE-SHOW MESSAGES PRESENTATION OF THE CINEMA AUDIO SOCIETY AWARD FOR Outstanding Achievement in Sound Mixing for Non-Theatrical Motion Pictures or Limited Series PRESENTATION OF THE CINEMA AUDIO SOCIETY AWARD FOR Outstanding Achievement in Sound Mixing for Motion Pictures – Documentary PRESIDENT’S REMARKS Karol Urban CAS MPSE Year in Review, In Memoriam INSTALLATION OF NEW BOARD OF DIRECTORS PRESENTATION OF THE CINEMA AUDIO SOCIETY AWARD FOR Outstanding Achievement in Sound Mixing for Television Series – Half-Hour PRESENTATION OF THE CINEMA AUDIO SOCIETY Student Recognition Award PRESENTATION OF THE CINEMA AUDIO SOCIETY AWARD FOR Outstanding Product for Production PRESENTATION OF THE CINEMA AUDIO SOCIETY AWARD FOR Outstanding Product for Post-Production CAS RED CARPET PRESENTATION OF THE CINEMA AUDIO SOCIETY AWARD FOR Outstanding Achievement in Sound Mixing for Television Non-Fiction, Variety, Music, Series or Specials PRESENTATION OF CAS FILMMAKER AWARD TO GEORGE CLOONEY PRESENTATION OF THE CINEMA AUDIO SOCIETY AWARD FOR Outstanding Achievement in Sound Mixing for Motion Pictures – Animated CAS RED CARPET PRESENTATION OF THE CINEMA AUDIO SOCIETY AWARD FOR Outstanding Achievement in Sound Mixing for Television Series – One Hour PRESENTATION OF CAS CAREER ACHIEVEMENT AWARD TO WILLIAM B. KAPLAN CAS PRESENTATION OF THE CINEMA AUDIO SOCIETY AWARD FOR Outstanding Achievement in Sound Mixing for Motion Pictures – Live Action AFTER-AWARDS VIRTUAL NETWORKING RECEPTION THE 57TH ANNUAL CAS AWARDS CINEMA AUDIO SOCIETY 1 THANK YOU TO OUR SPONSORS DIAMOND SPONSORS PLATINUM SPONSORS STUDENT RECOGNITION AWARD SPONSORS GOLD SPONSORS GROUP SILVER SPONSORS THE 57TH ANNUAL CAS AWARDS CINEMA AUDIO SOCIETY 3 PRESIDENT’S LETTER Welcome to the 57th CAS Awards! It has been over a year since last we came together to celebrate our sound mixing community and we are so very happy to see you all. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
10700990.Pdf
The Dolby era: Sound in Hollywood cinema 1970-1995. SERGI, Gianluca. Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/20344/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/20344/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Sheffield Hallam University jj Learning and IT Services j O U x r- U u II I Adsetts Centre City Campus j Sheffield Hallam 1 Sheffield si-iwe Author: ‘3£fsC j> / j Title: ^ D o ltiu £ r a ' o UJTvd 4 c\ ^ £5ori CuCN^YTNCa IQ IO - Degree: p p / D - Year: Q^OO2- Copyright Declaration I recognise that the copyright in this thesis belongs to the author. I undertake not to publish either the whole or any part of it, or make a copy of the whole or any substantial part of it, without the consent of the author. I also undertake not to quote or make use of any information from this thesis without making acknowledgement to the author. Readers consulting this thesis are required to sign their name below to show they recognise the copyright declaration. They are also required to give their permanent address and date. -
Sound: Eine Arbeitsbibliographie 2003
Repositorium für die Medienwissenschaft Hans Jürgen Wulff Sound: Eine Arbeitsbibliographie 2003 https://doi.org/10.25969/mediarep/12795 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Wulff, Hans Jürgen: Sound: Eine Arbeitsbibliographie. Hamburg: Universität Hamburg, Institut für Germanistik 2003 (Medienwissenschaft: Berichte und Papiere 17). DOI: https://doi.org/10.25969/mediarep/12795. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0017_03.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft / Kiel: Berichte und Papiere 17, 1999: Sound. ISSN 1615-7060. Redaktion und Copyright dieser Ausgabe: Hans J. Wulff. Letzte Änderung: 21.9.2008. URL der Hamburger Ausgabe: .http://www1.uni-hamburg.de/Medien/berichte/arbeiten/0017_03.pdf Sound: Eine Arbeitsbibliographie Hans J. Wulff Stille und Schweigen. Themenheft der: Navigatio- Akemann, Walter (1931) Tontechnik und Anwen- nen: Siegener Beiträge zur Medien- und Kulturwis- dung des Tonkoffergerätes. In: Kinotechnik v. 5.12. senschaft 3,2, 2003. 1931, pp. 444ff. Film- & TV-Kameramann 57,9, Sept. 2008, pp. 60- Aldred, John (1978) Manual of sound recording. 85: „Originalton“. 3rd ed. :Fountain Press/Argus Books 1978, 372 pp. Aldred, John (1981) Fifty years of sound. American Cinematographer, Sept. 1981, pp. 888-889, 892- Abbott, George (1929) The big noise: An unfanati- 897. -
86Th Academy Awards
LIVE OSCARS SUNDAY March 2, 2014 7e|4p THE http://oscar.go.com/nominees OSCARS 86th Academy Awards Best Picture Actor–in a Leading Role Actress–in a Leading Role Actor–in a Supporting Role American Hustle Christian Bale “American Hustle” Amy Adams “American Hustle Barkhad Adbi “Captain Phillips” Captain Phillips Chiwetel Ejiofor “12 Years a Slave” Cate Blanchett “Blue Jasmine” Bradley Cooper “American Hustle” Dallas Buyers Club Bruce Dern “Nebraska” Sandra Bullock “Gravity” Michael Fassbender “12 Years a Slave” Gravity Leonardo DiCaprio “The Wolf of Wall Street Judi Dench “Philomena” Jonah Hill “The Wolf of Wall Street Her Matthew McConaughey “Dallas Buyers Club Meryl Streep “August: Osage County” Jared Leto “Dallas Buyers Club” Nebraska Philomena 12 Years a Slave The Wolf of Wall Street Actress–in a Supporting Role Animated Feature Film Cinematography Costume Design Sally Hawkins “Blue Jasmine” The Croods “The Grandmaster” Philippe Le Sourd “American Hustle” Michael Wilkinson Jennifer Lawrence “American Hustle” Despicable Me 2 “Gravity” Emmanuel Lubezki “The Grandmaster” William Chang Suk Ping Lupita Nyong’o “12 Years a Slave” Ernest and Celestine “Inside Llewyn Davis” Bruno Delbonnel “The Great Gatsby” Catherina Martin Julia Roberts “August: Osage County” Frozen “Nebraska” Phedon Papamichael “The Invisible Woman” Michael O’Connor June Squibb “Nebraska” The Wind Rises “Prisoners” Roger A. Deakins “12 Years a Slave” Patricia Norris Directing Documentary Feature Documentary Short Subject Film Editing “American Hustle” David O. Russell -
BEST PICTURE Director Actor in a Leading Role ACTRESS in A
Up–to–the–minute Oscar news and wrap-up on vulture.com 2011 OSCAR POOL BALLOT BEST PICTURE FOreiGN LANGuaGE FilM DOcuMENtarY Feature Black Swan Biutiful Exit Through the Gift Shop Banksy and Jaimie D’Cruz The Fighter Mexico | Directed by Alejandro González Iñárritu Gasland Josh Fox and Trish Adlesic Inception Dogtooth (Kynodontas) Inside Job Charles Ferguson and Audrey Marrs Greece | Directed by Giorgos Lanthimos The Kids Are All Right Restrepo Tim Hetherington and Sebastian Junger In a Better World (Hævnen) The King’s Speech Waste Land Lucy Walker and Angus Aynsley Denmark | Directed by Susanne Bier 127 Hours Incendies DOcuMENtarY SHOrt SUBJect The Social Network Canada | Directed by Denis Villeneuve Killing in the Name Nominees to be determined Toy Story 3 Outside the Law (Hors-la-loi) Poster Girl Nominees to be determined True Grit Algeria | Directed by Rachid Bouchareb Strangers No More Karen Goodman and Kirk Simon Winter’s Bone OriGINal SCOre Sun Come Up Jennifer Redfearn and Tim Metzger DirectOR How to Train Your Dragon John Powell The Warriors of Qiugang Ruby Yang and Darren Aronofsky Black Swan Inception Hans Zimmer Thomas Lennon David O. Russell The Fighter The King’s Speech Alexandre Desplat ANIMated SHOrt FilM Tom Hooper The King’s Speech 127 Hours A.R. Rahman Day & Night Teddy Newton David Fincher The Social Network The Social Network Trent Reznor and Atticus Ross The Gruffalo Jakob Schuh and Max Lang Joel Coen and Ethan Coen True Grit OriGINal SONG Let’s Pollute Geefwee Boedoe ActOR IN A LeadiNG ROle Country Strong “Coming Home” The Lost Thing Shaun Tan and Andrew Ruhemann Javier Bardem Biutiful Music and Lyric by Tom Douglas, Troy Verges, Madagascar, carnet de voyage (Madagascar, a and Hillary Lindsey Journey Diary) Bastien Dubois Jeff Bridges True Grit Tangled “I See the Light” Jesse Eisenberg The Social Network Music by Alan Menken, Lyric by Glenn Slater LIVE ActiON SHOrt FilM Colin Firth The King’s Speech 127 Hours “If I Rise” The Confession Tanel Toom James Franco 127 Hours Music by A.R. -
Sound Glenn Freemantle
ACCEPTANCE: SOUND GLENN FREEMANTLE: Wow. Thank you very much BAFTA from all of us and thank you to Alfonso Cuarón for making such a wonderful film that gave us all such a huge opportunity. You know, we met first of all, when he said there is no sound in space, well there you go, we are all right. Obviously it wasn't only us, the support of David Heyman and Warner Brothers is huge. You can imagine, they gave us everything to be able to do this film which we are truly grateful and supported us all the way. Warner Brothers here, Delaney, Pinewood, Burbank, we travelled around on this film. It was not only us on this stage that were part of us as well. We have other people to thank, I would like to thank some of my crew. Nina Hartstone, Ben Barker, Eilam Hoffmann, Danny Freemantle, Hugo Adams, Emilie O'Connor, Nick Freemantle and Nicolas Becker. I am sure there are more that you will come up with. I would like to say thank you very much and I will leave you somebody else to talk, thank you. CHRISTOPHER BENSTEAD: Thank you BAFTA. I had a good feeling about this mission and I have to say Glenn said it all, but I would just like to thank my great production sound crew, Steve Finn, Will Towers and Jim McBride, thank you all. SKIP LIEVSAY: I would like to say thank you very much to Alfonso Cuarón and to our wives and families who could not be with us tonight. -
Festa Del Cinema Di Roma FESTA DEL CINEMA DI ROMA 13/23 OTTOBRE 2016
11A Festa del Cinema di Roma FESTA DEL CINEMA DI ROMA 13/23 OTTOBRE 2016 FONDATORI PRESIDENTE Roma Capitale Piera Detassis Regione Lazio Città Metropolitana di Roma Capitale Camera di Commercio di Roma DIRETTORE GENERALE Fondazione Musica per Roma Francesca Via Istituto Luce Cinecittà S.r.l DIRETTORE ARTISTICO COLLEGIO DEI FONDATORI Antonio Monda Presidente Lorenzo Tagliavanti Presidente della Camera di Commercio di Roma COMITATO DI SELEZIONE Virginia Raggi Mario Sesti, Coordinatore Sindaca di Roma Capitale Valerio Carocci e della Città Metropolitana Alberto Crespi Giovanna Fulvi Nicola Zingaretti Richard Peña Presidente della Regione Lazio Francesco Zippel Aurelio Regina Presidente della Fondazione Musica per Roma Roberto Cicutto Presidente dell’Istituto Luce Cinecittà CONSIGLIO DI AMMINISTRAZIONE RESPONSABILE UFFICIO CINEMA Piera Detassis, Presidente Alessandra Fontemaggi Laura Delli Colli Lorenzo Tagliavanti José Ramón Dosal Noriega Roberto Cicutto COLLEGIO DEI REVISORI DEI CONTI Roberto Mengoni, Presidente Massimo Gentile, Revisore Effettivo Giovanni Sapia, Revisore Effettivo Maurizio Branco, Revisore Supplente Marco Buttarelli, Revisore Supplente A FESTA 13-23 DEL CINEMA OTTOBRE 11 DI ROMA 2016 Prodotto da Main Partner Promosso da Partner Istituzionali Con il supporto di In collaborazione con Official sponsor Partner Tecnico Eco Mobility Partner Sponsor di Servizi Media Partner Partner Culturali Sponsor2.1 Invicta institutional logo “Since” 2.1.1 Dimensions, proportions and colour references The Invicta corporate logo is made up of 2 colours, blue and red. The Invicta corporate logo must never be modified or reconstructed. FOOD PROMOTION & EVENTS MANAGEMENT 26x 8x 87x 1x 15x 31x 2x 3x 5x 3x 1x Pantone 33xCMYK Pantone RGB 2x Textile 20x Invicta red C: 0 4852x C P. -
THTR 363 Syl-Fall
THTR 363: Introduction to Sound Design INSTRUCTOR: Richard K. Thomas, 494-8050 [email protected] OFFICE HOURS: Tuesday: 2:30 – 3:30 p.m., Thursday, 1:30 – 2:30 p.m. PAO 2184 CLASS SCHEDULE: Fall 2011 August 23 Intro to Course (Music As a Foundation, pp. 1 - 6) 25 Lecture: Music Language and Theatre (Music As a Foundation, pp. 6 - 25) 30 Music as a Foundation of Theatre: Origins September 1 Lecture: Primal Elements of Music (Music As a Foundation, pp. 25 – 45) 6 Lecture: Primal Elements of Music (Cont.) 8 Lecture: Primal Elements of Music (Cont.) 13 Lecture: Dramatic Time and Space 17 Lecture: The Function of the Soundscape 20 Group Presentations: General Overview of Design Elements 22 Group Presentations: General Overview of Design Elements (cont.) 27 Watch “More to Live For” in studio (No Rick) 29 No Class: Rick at IRT October 4 Color DVDʼs DUE 6 Color Projects DUE 11 Color (Cont) 13 Octoberbreak 18 Color Composition DUE 20. Time DVDʼs Due 25 Time Projects DUE 27 Time (Cont.) November 1 Time Composition DUE 3 Mass DVDʼs DUE 8 Mass Projects DUE 10 Mass (Cont.) 15 Mass Composition DUE THTR 363 Syllabus: Fall, 2011 Page 2 17 Space DVDʼs DUE 22 Space Projects DUE 24 THANKSGIVING BREAK 29 Space Compositions DUE December 1 Line DVDʼs DUE 6 Line Projects DUE 8 Line (Cont) Final Exam Period: Sonnet Projects Due NOTE: THIS SYLLABUS SUBJECT TO CHANGE!! Course Objectives: The purpose of this course is to introduce students to an aesthetic vocabulary of design elements that is useful in both visual and auditory design.