Research Paul Rand

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Research Paul Rand Research Paul Rand (born Peretz Rosenbaum) – (1914 – 1996) American graphic designer. Well known for designing corporate logos. He helped originate the Swiss Style of graphic design. http://www.paul-rand.com/foundation/biography/#.UukMANDFKLI “Emerging from the modernist and constructivist ideals, the Swiss Style can be defined as an authentic pursue for simplicity – the beauty in the underlines of a purpose, not beauty as a purpose in itself. The principle “form follows function” became a battle-cry of Modernist architects after the 1930s. As a consequence of this principle, most of the Swiss Style craft is devoted to the minimal elements of style such as typography and content layout rather than on textures and illustrations.” http://www.smashingmagazine.com/2009/07/17/lessons-from-swiss-style-graphic- design/ 1981 1972 The left image is cleverly created because each letter is symbolised with a picture. Rand liked to create playful images and this image definitely reflects that. The right image is more suited for a business because the image is plain and simple – it consists of horizontal blue lines. However, there is a lot of hidden meaning to this image because the striped lines looks like venetian blinds, the type of blinds that we usually see on windows of business. It also looks like lines that we would see in an old computer screen, this is a good representation of the company because the company is a computer business. We can see the striped effect on the “m” in the image on the left. If someone hadn’t heard of the company IBM before they might get confused by the symbols shown in the left design. The Graphic Art of Paul Rand, poster – 1957 Industrial Arts Exposition, poster - 1935 Cummins, poster – 1973 For Pastore Depamphilis, Rampone (PDR), poster - 1985 Dog, painting – 1952 ABC - 1962 NeXT – 1986 All images available from: http://www.paul-rand.com/ All about Paul Rand “Simplicity is not the goal. It is the by-product of a good idea and modest expectations.” — PAUL RAND Even after his death in 1996, Paul Rand remains one of the most famous graphic designers in the world. He was born Peretz Rosenbaum, on August 15th, 1914, and is reknowned for his corporate logo designs. Rand was educated at the Pratt Institute (1929–1932), and the Art Students League (1933–1934). He was one of the originators of the Swiss Style of graphic design. From 1956 to 1969, and beginning again in 1974, Rand taught design at Yale University in New Haven, Connecticut. Rand was inducted into the New York Art Directors Club Hall of Fame in 1972. He designed many posters and corporate identities, including the logos for IBM, UPS and ABC. Rand died of cancer on November 26th, 1996, and is buried in Beth El Cemetery In Norwalk, CT. Paul Rand logo designs ABC Designed 1962 “Should a logo be self-explanatory? It is only by association with a product, a service, a business, or a corporation that a logo takes on any real meaning. It derives its meaning and usefulness from the quality of that which it symbolizes. If a company is second rate, the logo will eventually be perceived as second rate. It is foolhardy to believe that a logo will do its job immediately, before an audience has been properly conditioned.” IBM Designed 1962 “A logo does not sell (directly), it identifies.” UPS Designed 1961 “I do not use humour consciously, I just go that way naturally. A well known example is my identity for United Parcels Service: to take an escutcheon – a medieval symbol which inevitably seems pompous today – and then stick a package on top of it, that is funny.” Speak Up published a story back in 2005 about what is possibly Paul Rand’s final logo design. Nice article. Paul Rand videos The following links take you to external websites where you can watch short video clips (via YouTube) about Paul Rand. The interviews are particularly interesting, and certainly worth a look. • Steve Jobs interview about working with Paul Rand (1993) • Steven Heller interviews Paul Rand (1994) • Paul Rand Tribute Film (2007) More info about Paul Rand Thank you to those people who have compiled the features and discussion below. I enjoyed learning more about the great designer that is Paul Rand. The Paul Rand website Michael Bierut talking about Paul Rand’s Enron logo Paul Rand: Thoughts and despair on logo design Typographica discussion about the UPS logo redesign FormFiftyFive discussion about Paul Rand’s Ford logo design Discussion about the redesign of Paul Rand’s EF logo Flickr pool of Paul Rand’s work Rand on modernism “I haven’t changed my mind about modernism from the first day I ever did it…. It means integrity; it means honesty; it means the absence of sentimentality and the absence of nostalgia; it means simplicity; it means clarity. That’s what modernism means to me…” Article available from: http://www.logodesignlove.com/all-about-paul-rand http://effy13.wordpress.com/2011/09/15/peretz-rosenbaum-better-known-as-paul- rand/ This image is a great example of figure-ground. We can see a smiley face but also a person with raised arms. The choice of colours, especially green reminds me of football – maybe the person has their arms in the air because they are cheering, maybe there is a smiling face because they are happy that their team are winning. Very positive image! The artist of this image is unknown but it demonstrates a good example of figure- ground. http://johndmadrid.blogspot.co.uk/2012/09/project-figureground.html http://www.pinterest.com/pin/558939003722792716/ Image by Israeli graphic designer – Noma Bar In this image we can see both a side of a person’s face but also a bird (where the mouth is). This is an example of gestalt but is with colour – usually figure-ground is seen in black and white. .
Recommended publications
  • Paul Rand: a Significant Collection
    paul rand: a significant collection modernism 101 rare design books 1938 ● 1996 “[Rand] has no patience with slickness, with facility; he is a se- vere critic of the hackneyed and the insincere. All this is dead wood to be cleared away.” — ­ ­E. ­McKnight ­Kauffer ­ [Introduction ­to ­THOUGHTS ­ON ­DESIGN] Paul ­Rand ­[1914 ­– ­1996] ­had ­established ­himself ­as ­the ­most ­influ- ential graphic­ designer­ of­ his­ time­ by­ the­ ripe­ old­ age­ of­ 23.­ Our­ cata­ - log ­cover ­portrait ­first ­appeared ­in ­the ­PM Shorts ­column ­from ­the ­ February ­– ­March ­1938 ­PM ­over ­the ­cutline ­“[Paul ­Rand] ­recently ­ appointed ­art ­director ­of ­Esquire’s ­New ­York ­Office. ­Rand, ­who ­is ­23, ­ is one­ of­ the­ country’s­ youngest­ art­ directors.”­ The­ lowercase­ job­ title­ ­ presentation ­underscored ­the ­nascent ­form ­of ­the ­industry ­that ­Rand ­ would ­come ­to ­personify ­over ­the ­next ­half ­century. The development­ of­ Graphic­ Design­ as­ an­ industry­ and­ a­ profession­ is­ ­ the focus­ of­ this­ catalog.­ Assembled­ here­ is­ a­ collection­ of­ rare­ books,­ ­ periodicals and­ artifacts­ meant­ to­ recount­ history­ via­ a­ chronological­ ­ exploration ­of ­Rand’s ­professional ­roles: ­first ­as ­a ­media ­promoter, ­ then advertising­ designer,­ then­ corporate­ identification­ specialist­ and­ ­ finally ­as ­educator. ­ Everybody ­whose ­resumé ­includes ­the ­title ­Art ­Director ­in ­capital ­let- ters owes­ a­ professional­ debt­ to­ Brooklyn­ native­ Peretz­ Rosenbaum­ and­ ­ his ­lifelong ­quest ­to ­clear ­away ­the ­dead ­wood ­that ­threatened ­to ­ overgrow ­America ­and ­the ­rest ­of ­the ­postwar ­world. Catalog Fun Fact Titles appearing­ in­ red­ contain­ an imbedded URL hotlink to­ our­ website­ ­ modernism101.com. ­ When ­ clicking ­ on ­ a ­ title ­ of ­ interest, ­ your ­ web ­ browser ­may ­display ­this ­message: ­ If you trust the site, choose Allow.
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  • Paul Rand Louis Danziger: Early Life and Education
    Indisputably, Rand’s most widely known His career began with humble assignments, starting contribution to graphic design are his with a part-time position creating stock images for a corporate identities, many of which are syndicate that supplied graphics to various newspa- still in use. IBM, ABC, Cummins Engine, pers and magazines. Between his class assignments Westinghouse, and UPS, among many and his work, Rand was able to amass a fairly large others, owe their graphical heritage to portfolio, largely influenced by the German advertis- him, though UPS recently carried out a ing style Sachplakat (ornamental poster) as well as controversial update to the classic Rand the works of Gustav Jensen. design. One of his primary strengths, as Maholy-Nagy pointed out, was his abil- ity as a salesman to explain the needs his identities would address for the cor- poration. According to graphic designer Paul rand Louis Danziger: Early life and education Paul Rand (born Peretz Rosenbaum, “ We went from being commer- It was at around this time that he decided to cam- August 15, 1914 – November 26, 1996) cial artists to being graphic de- ouflage (and abbreviate) the overtly Jewish identi- was a well-known American graphic signers largely on his ty telegraphed by ‘Peretz Rosenbaum,’ shortening designer, best known for his corporate merits.” his forename to ‘Paul’ and taking ‘Rand’ from an logo designs. Rand was educated at the uncle to form his new surname. Morris Wyszogrod, Pratt Institute (1929-1932), the Parsons a friend and associate of Rand, noted that “he fig- School of Design (1932-1933), and the ured that ‘Paul Rand,’ four letters here, four letters Art Students League (1933-1934).
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  • A DESIGNER's ART by Paul Rand. Illustrated. 239 Pp. New Haven
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  • Paul-Rand.Com __ Logos, Flags, and Escutcheons
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  • The New York School the NEW YORK SCHOOL
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  • The Rise of Research in Graphic Design
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  • AMERICAN MODERNISM / Overview 1 / 50
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  • Discovering Design
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  • Simplicity Is Not the Goal. It Is the By-Product of a Good Idea and Modest Expectations.”
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  • Why Paul Rand Hates Logos’, Blueprint, September 1989
    ‘Why Paul Rand hates logos’, Blueprint, September 1989 In the pantheon of US designers, they don’t come more eminent than Paul Rand. He made corporate identity into modernist clarity ‘The IBM corporate identity manual took many years. It was boring. You have to be Swiss to do that kind of stuff – I don’t have the patience or the ability. Elliot Noyes? That guy was a good politician with Tom Watson. He got me in to do a presentation in 1956, but that was all. Elliot, he had nothing to do with the work I did. Arthur Pulos and Stephen Bayley say he did, but that’s for the birds. Elliot used Charles Eames and me to critique his finished models, though. But I never asked him to critique my work. Never’. Getting to interview Paul Rand is a succession of surprises. It’s he who answers the phone, in a Brooklyn Jewish accent thicker than chicken soup. He has no secretary; no computer, just a fax. Then, he turns out to be accessible at short notice, even though, at the age of 75, he’s snowed under with work: for IBM (still); for the Department of the Interior (commemorating the 20Oth anniversary of Benjamin Franklin’s death for the City of Philadelphia); and for Harvard (to mark the completion of a new building). Rand is prepared to talk, he says disarmingly, because that will get him out of having to attend to his clients. Did he have much of a formal training? No. The scatological Brooklyn expletives run even faster than usual when Rand describes his brief sojourns at Pratt and Parsons: ‘We were led into a barn and tied.
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  • Paul-Rand.Com __ Biography
    About Paul Rand Thoughts on Design Gallery Resources Shop News Search Submit Paul Rand: A Brief Biography PAUL RAND (BORN PERETZ ROSENBAUM, AUGUST 15, 1914 – NOVEMBER 26, 1996) was a well-known American graphic designer, best known for his corporate logo designs. Rand was educated at the Pratt Institute (1929-1932), the Parsons School of Design (1932-1933), and the Art Students League (1933-1934). He was one of the originators of the Swiss Style of graphic design. From 1956 to 1969, and beginning again in 1974, Rand taught design at Yale University in New Haven, Connecticut. Rand was inducted into the New York Art Directors Club Hall of Fame in 1972. He designed many posters and corporate identities, including the logos for IBM, UPS and ABC. Rand died of cancer in 1996. Early life and education Peretz Rosenbaum was born in Brooklyn, New York in 1914. As Orthodox Jewish law forbids the creation of graven images that can be worshiped as idols, Rand’s career creating icons venerated in the temple of global capitalism seemed as unlikely as any. It was one that he embraced at a very young age, painting signs for his father’s grocery store as well as for school events at P.S. 109. Rand’s father did not believe art could provide his son with a sufficient livelihood, and so he required Paul to attend Manhattan’s Harren High School while taking night classes at the Pratt Institute, though “neither of these schools offered Rand much stimulation.” Despite studying at Pratt and other institutions in the New York area (including Parsons School of Design and the Art Students League), Rand was by-and-large “self-taught as a designer, learning about the works of Cassandre and Moholy-Nagy from European magazines such as [Gebrauchsgraphik].” Early career His career began with humble assignments, starting with a part-time position creating stock images for a syndicate that supplied graphics to various newspapers and magazines.
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  • Mr. Keedy It Lives! This Is a Very Scary Essay
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